Ong Bak 3


Ong Bak 3

Tony Jaa doesn’t much like his new spear collar.

(2010) Action (Magnet) Tony Jaa, Dan Chupong, Sorapong Chatree, Nirut Sirichanya, Primrata Det-Udom Phetthai Wongkhamlao, Sarunyoo Wongkrachang, Chumphorn Thepphithak. Directed by Tony Jaa and Panna Rittkrai

 

I’ll say it now and get it out of the way – Tony Jaa is one of the most charismatic and breathtaking martial arts stars in the world today. Maybe Jet Li and Bruce Lee in their heydays could keep up with Jaa, but nobody today can. The action sequences he does are done au natural – that is, without wires, CGI or any film trickery; when Jaa runs up the tusk of an elephant, he really does. When he bounces off a wall to kick an enemy fighter in the face, that’s all him. To watch him is to watch human endeavor at its best.

What Jaa really needs though is a writer and director who can give him something to work with. While the first film in the series had a good story and character development, the second film was a royal mess. In many ways this is a bit of an improvement – but still, at the end of the day, it doesn’t quite add up to a coherent whole.

Picking up where the previous film left off, Tien (Jaa) is now in the hands of the ruthless warlord Rajasena (Wongkrachang). Rajasena, you may remember, murdered Tien’s parents in front of him when Tien was but a child. Now we find out why – Rajasena has a curse leveled on him which prophesized that he would be killed by someone…ummm…no, that’s not it…by someone who…no, not that either. Okay, the explanation didn’t make any sense either. Moving on.

Rajasena has Tien beaten within an inch of his life. Rajasena watches this with the repulsive glee of a sadist, then as sadists will he grows bored an orders his men to kill Tien. Before they can behead him, an envoy from the king arrives with a pardon which irritates Rajasena no end but there isn’t anything he can do. Unfortunately, Tien has died from the severity of his beating so his body is taken to a small village where his old friend Master Bua (Sirichanya), who has joined a Buddhist monastery as a monk over the guilt he experienced for his actions in the previous film uses an ancient treatment regimen to help revive the late Tien who as it turns out wasn’t quite dead yet.

After being caked in mud for a bit, Tien emerges a little less inclined towards beating people up and learns from Bua and his fellow monks the tenets of peace, harmony and elephants; Buddhism seems to suit the new Tien but things are getting worse outside of the walls of the monastery. A new figure has emerged in the villain scene, one even nastier than Rajasena. He’ s Bhuti Sangkha (Chupong) who briefly showed up in the last film to kick Tien’s ass decisively (the only person to do that) and as it turns out, the movie is big enough for only one baddie with ambitions to rule all of Asia. Rajasena has to go and go he does, but not before levying a curse on Bhuti the baddie – from his severed head no less. Nobody can say these Thai filmmakers aren’t over the top.

This sets up a showdown between Bhuti and Tien because…well, because. Only one will walk away but can Tien who has renounced violence and nobody is really sure if he retained his martial arts skills (big hint – he did) can defeat the magically enhanced Bhuti.

The action sequences once again are worth it. Chupong is nearly as accomplished a martial artist as Jaa and the fight between the two may well become a classic confrontation for the genre. However the action bits are few and far between here; during filming of the first film Jaa had something of a breakdown which – and things are vague here – either was a result of financial issues during filming or caused them. Either way, he became a devout Buddhist and joined a monastery his own self following the conclusion of filming. It seems likely that Jaa wanted to impose his new-found pacifist beliefs on the films, which doesn’t really work well when your audience is expecting – nay, demanding – wall-to-wall ass kicking.

If anyone can pull it off, it’s Jaa and he comes close. His natural charisma and likableness make him one of the most compelling stars in Asia today (and yes, for those wondering, he has recently left the monastery and will be returning to acting on screens next year). Compared to the mish mash that was the last film, this is far easier to follow. If it weren’t for the gigantic lull in the middle, this might even compare favorable to the first film. However those who come to Jaa’s films for the action will find it light on that element although what’s here is memorable.

WHY RENT THIS: Fine action footage – when they get around to it. A bit more competent in the storytelling than the previous entry.

WHY RENT SOMETHING ELSE: Drags quite a bit in the middle for an action film.

FAMILY VALUES: Once again, the violence is pretty intense with this installment in the trilogy being a bit more bloody than the first two films.

TRIVIAL PURSUIT: Quite a bit of the footage in Ong Bak 3 was filmed during the production of Ong Bak 2: The Beginning; the delays in filming that project led to the decision to add a third film to the series with some of the completed footage moved to that film.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $2.3M on an unreported production budget; while this probably made money, it was a disappointment compared to previous films in the series.

COMPARISON SHOPPING: Ong Bak 2: The Beginning

FINAL RATING: 5/10

NEXT: The Matrix Revolutions

Ong Bak 2: The Beginning


Ong Bak 2: The Beginning

The reason elephants never forget – elephant school!

(2008) Action (Magnet) Tony Jaa, Sorapong Chatree, Sarunyu Wongkrachang, Nirut Sirichanya, Santisuk Phromsiri, Primorata Dejudom, Phetthai Wongkamlao, Pattama Panthong, Suppakorn Kitsuwan, Natdhanal Kongthong, Prarinya Karmkeaw. Directed by Tony Jaa

 

Vengeance is mine, sayeth the Lord. Apparently the word didn’t make it to Tony Jaa’s neck of the woods. Vengeance is most definitely his.

This is mostly sort of kind of a prequel to his international hit Ong Bak which introduced Jaa, a muay thai champion to the world. Here he also assumes the director’s chair and sets the action 600 years in the past. Tien (Jaa) is the young son of Lord Sihadencho (Phromsiri), ruler of an outlying province. Tien is impetuous and unruly; he wants very badly to be trained in martial arts but his father insists on giving him dance lessons, much to Tien’s chagrin.

Mysterious assassins, sent by Lord Rajasena (Wongkrachang), massacre the family of Sihadencho, with Tien the lone survivor. His troubles are far from over; he is captured by slave traders who tire of his non-cooperation and throw him unarmed into a pit with a gigantic crocodile. Right about then a bandit gang, the Pha Beek Khrut, attacks the village where the slave traders are headquartered and the leader of the Pha Beek Khrut, Chernang (Chatree) tosses a knife to young Tien and tells him his fate is in his own hands. When Tien proves victorious, Chernang takes young Tien under his wing and gives him the martial arts training he’s so long desired.

Soon Tien is fully trained with weapons and hand-to-hand combat both and has become a formidable warrior, likely the best in all Thailand. The time is right to claim vengeance, going after the slave traders first and then Lord Rajasena himself by posing as a dancer during a celebration. However, Lord Rajasena is no fool and has protections in place that even Tien will be hard-pressed to breach, but Tien expects that. What he doesn’t expect is betrayal from very close at hand.

This is kind of a mess. While the first Ong Bak is action packed beginning to end, this one is less so; the story is disjointed and confusing and there really is nothing linking it to the first movie whatsoever (although the third movie in the trilogy serves that purpose). At times you almost want to tear out your hair and just throw the disc through the nearest window.

The good news is that the best thing about the first film is still here and that’s Jaa’s amazing muay thai moves. The climactic battle scene is as good a martial arts sequence as I’ve seen in any film and would be worth the rental all by itself.

Jaa has plenty of charisma which transcends language; he’s an appealing character who could follow Jet Li into the mainstream Hollywood spotlight. My problem is that I didn’t really feel his rage; considering all that he went through that’s key to the movie, giving the audience a surrogate for their own outrage. Jaa doesn’t get mad so much as he gets even; part of it is that getting even isn’t really enough.

I read another review in which the reviewer suggested turning off the sound and subtitles and just watching it as a martial arts exhibition and that’s not a bad idea. I’m not sure if the screenwriting was not up to par, or if Jaa’s inexperience as a director was the culprit, or if the many production problems got the best of the filmmakers or maybe if it’s just a cultural thing. At the end of the day this just isn’t a very good movie unless you happen to like martial arts so much you don’t care if the story makes sense. In that case, this is for you.

WHY RENT THIS: Amazing muay thai sequences and beautiful cinematography of sweeping Thai vistas.

WHY RENT SOMETHING ELSE: Confusing and incomprehensible; ending is abrupt and jarring.

FAMILY VALUES: Lots and lots of martial arts violence.

TRIVIAL PURSUIT: Jaa left the production for two months while financing for the film was in flux.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $8.9M on an unreported production budget; undoubtedly this made good money.

COMPARISON SHOPPING: The Protector

FINAL RATING: 4/10

NEXT: Ong Bak 3