(2019) Documentary (University of Central Florida) James “Chief” Wilson, Del Kieffner, Carl Maultsby, Kay Kieffner Kimbrough, Jamaal Nicholas, Richard Fogelsong, Jamia Wilson, Joy Dickinson, Barbara Young, Nina Wilson Jones, Ben Brolemarkle, Virginia Wilson, Noel Wooley Weller, Karen Jones, Anthony Foster, Lyman Brodie, Barbara Kaye Burns, Lynn Kieffner Lockhart. Directed by Oswmer Louis, Lisa Mills and Robert Cassanello
High school is the time when the people we are as adults is influenced perhaps more than at any other time of our lives. The people who guide us (teachers, counselors, parents) are slowly displaced by our peers. The friendships we form in high school can be indelible, lasting the length of our lives even if we no longer have physical proximity.
Here in Orlando back in 1964, schools were segregated. Jones High School was one of the only high schools African-American students could attend. While race relations in Orlando were relatively mild, there was still plenty of things that needed to change – for example, members of the band recall demanding a nearby hamburger stand allow them to pay at the front window to get their burgers. Those demands resulted in a police action at band practice later that day.
Edgewater High School, by contrast, was lily white and fairly upper class. The students there were expected to become leaders of the community as well as of the state of Florida eventually. They had the best facilities available, the most modern amenities. Jones was lucky if they had enough books for everybody. The high school experience for students at these two Orlando high schools was night and day.
But both had one thing in common; marching bands that were among the best in the state. James “Chief” Wilson was the band leader at the time (and would continue to do so until he retired in the 1980s) at Jones and one of his closest friends was Del Kieffner, band leader at Edgewater. Both men took their jobs seriously of molding young people into a cohesive unit. Both men influenced their students who these days are of retirement age themselves, even now more than 50 years later. Both men are regarded fondly not only by the students who played in their bands but are revered by the institutions they served for so long and so well.
In 1964 the big news was the massive World’s Fair coming to New York City’s Flushing Meadow for a two-year run. On display would be the latest in manufacturing, tourism and amusements; the world was coming to New York and at the Florida pavilion it was determined that marching bands from high schools from around the state would be invited to play at the pavilion. The two best bands in the city were Edgewater and Jones; there was no doubt that Edgewater was going to go.
However, Jones didn’t have the kind of budget to send their kids to New York. Everything would have to be done through donations and through fund raisers. Many thought Jones was the best marching band in the State – they’d won several competitions to back their case. Many felt that Jones had to go. Among those was Del Kieffner. This set the stage for history.
According to his daughters, Kieffner was never really concerned about the history-making aspect of the Edgewater-Jones relationship; he only knew it was the right thing to do. Wilson however, also according to his daughters, was savvier about what it meant. It would illustrate that Orlando was a much more tolerant place than other like places in the South. It is not beyond the realm of chance that this attracted the attention of Walt Disney, who was even then scouting locations for an East Coast Disneyland at the time. Disney had a huge presence at the Fair with many what would become iconic attractions being tested there, including It’s a Small World, Great Moments with Mr. Lincoln and the Carousel of Progress. While there isn’t any documentation to corroborate this, it had to register that African-American tourists would be more welcome in Orlando than they would be in other cities.
The documentary is clearly a labor of love. It clearly shows the lifelong bonds of affection generated by being in band, as well as the influence the band leaders had on those kids – many of whom went on to become educators themselves. Unfortunately, there isn’t a lot of footage that exists of the band from that period other than some 16mm home movie footage so much of the film is made up of interviews with the people who were there and their descendants. Even though the film is a compact 61 minutes, the non-stop interviews can make it seem like a segment of 60 Minutes.
This is also a student project so many student hands can be felt during the making of this film, but surprisingly, it doesn’t feel like a student film at all. Many student documentaries tend to feel like the viewer is being led by the nose to a specific conclusion; this one allows the viewer to feel the sweep of history without feeling manipulated. Kudos have to go to the faculty members who guided the project and allowed the students to do their thing, but also keep the movie entertaining and informative.
There are some brief animated segments with fairly basic techniques but the animations do make a nice break from the interviews which the movie really needs. I do have to stress that in reading this review, you should be aware I saw it at a Florida Film Festival screening that was packed to the gills mainly with Jones and Edgewater students who were involved in the World’s Fair trip, or who had played in bands led by Wilson and Kieffner. It was a fairly enthusiastic environment and no doubt enhanced my enjoyment of the film. Most readers will be unlikely to be able to recreate that experience.
Still, this is a well-made documentary about a moment that has been largely overlooked by history. In a turbulent era, it showed that there could be mutual respect and even friendship between black and white. A lot of myths were punctured. The film makes it easy to take a look back and feel part of that era without becoming strident. That’s a massive plus in and of itself.
Currently the filmmakers are looking to place the movie in film festivals and hosted screenings. If you are interested in hosting a screening or are a programmer in a film festival interested in booking the film, go to the film’s webpage by clicking on the photo above and contact the filmmakers directly.
REASONS TO SEE: The bond formed within marching bands is clearly illustrated. Chief Wilson is an unsung hero. The animation, while basic, is effective.
REASONS TO AVOID: A little bit heavy on the talking heads.
FAMILY VALUES: There are some adult themes regarding racism and segregation.
TRIVIAL PURSUIT: The film began as a class project at the University of Central Florida; after class ended, the two faculty members (Mills and Cassanello) as well as several students worked to complete the film.
CRITICAL MASS: As of 4/23/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Marching Orders
FINAL RATING: 8/10
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