It is almost a given that any film critic worth their salt is going to do a year-end list of the best films of the year. It’s de rigueur; it’s expected; it’s standard; you don’t get to wear the film critics t-shirt unless you do one. As I’m particularly fond of mine, I guess I’d better go ahead and give it a shot.
Some critics have a kind of scientific method that they use to determine their list. Me, I’m much less formal. I look back over my ratings and choose the movies I gave 10s to at the top, ranking them basically by how I’m feeling about them now. Next comes the 9s, then the 8s if it comes to that (and this year it didn’t). I ignore the half points, so you might see a 9 ranked above a 9.5. I don’t stand on ceremony as you can see.
The story of 2012 is that there were three movies that were at the top of my charts basically the entire second half of the year – nothing that came out in the fall really challenged the top three. The thing is, none of the three really stood out head and shoulders among the others; you could say it’s a three way tie for first. I have ranked them from one to three for the purposes of this list but throughout the year I’ve generally waffled as to what order that I’ve placed them in. I’ve shuffled, re-shuffled and changed my mind a million times. Each one of them has been my favorite movie of the year at various times throughout the year.
In fact, the list (as most lists do) has a highly fluid quality to it. For the most part, I’m pretty satisfied with the ten movies on the list and I don’t think I’d change any of the movies on it, but you never know. For now, these are the top ten movies of 2012, although ask me again tomorrow and the order might change completely but I think you’d find all ten of these movies on the list.
Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late plus many films are being released on VOD concurrently to their limited theatrical release, although none of those are on the top ten at the moment. For those whose interests are piqued about the movies from the snippets I publish here, click on the movie’s title to see my original review and if you’d like to find out more, click on the picture above the review to be taken to the film’s official website when available.
As with any list, I guarantee mine will differ with yours significantly. Although I don’t think anyone has ever taken issue (at least publically) with my list, feel free to leave a comment as to why I know nothing about movies and which movies should have been on it, or not on it. Why make a list after all if you’re not going to disagree with it?
HONORABLE MENTION
There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;
Craigslist Joe, Renee, Arbitrage, Argo, Headhunters, Turn Me On Dammit, Hara-Kiri: Death of a Samurai, Bully, Thin Ice, God Bless America, Brave, Safety Not Guaranteed, Frankenweenie, The Salt of Life, Skyfall, Dr. Seuss’ The Lorax, Bernie, The Secret World of Arrietty, The Avengers, Girl Model, Moonrise Kingdom, ParaNorman, A Late Quartet, Sleepwalk With Me, Goon, Life of Pi, The Sessions, A Bag of Hammers, Paul Williams: Still Alive, Chely Wright: Wish Me Away, Seven Psychopaths, Ted, Salmon Fishing in the Yemen
(New Line) Ian McKellen, Martin Freeman, Richard Armitage, Ian Holm, Elijah Wood, Cate Blanchett, Hugo Weaving, Christopher Lee and a cast of thousands. Directed by Peter Jackson
Released December 16, 2012 After years of being held up by MGM’s financial issues, the classic novel by J.R.R. Tolkien finally made it to the screen and in typical Hollywood fashion, the shortest of his novels will now be three films by itself. Still, the Lord of the Rings trilogy was a license to print money for WB so you know it was inevitable that they’d milk it for all it’s worth. We’ll be seeing another Hobbit movie every year through 2015. After that, Silmarillion anyone?
WHY IT IS HERE: An epic adventure on a grand scale. Jackson has made Middle Earth come to life, living and breathing and he does so once again here. Using high frame rate technology, the Shire never looked so beautiful or Rivendell so serene. While it didn’t impress me at the level of the first trilogy, this is still a very good movie.
HIGHLIGHT SCENE: At Rivendell, Gandalf and Galadriel communicate telepathically, both revealing hidden secrets as they discuss the dwarf mission to Erebor and the presence of the Hobbit. Two great actors do almost the entire scene with just their eyes and body language while the dialogue is read voice over. Magnificent.
BOX OFFICE RESULTS: $267.9 million domestic (as of 1/11/13), $830.7 million total.
BUDGET: Not available.
STATUS: Still in wide release.
(Warner Brothers) Christian Bale, Anne Hathaway, Tom Hardy, Michael Caine, Gary Oldman, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman. Directed by Christopher Nolan
Released July 20, 2012 We knew in advance this would be Christopher Nolan’s last foray into Gotham and probably Christian Bale’s as well. After the major success that was The Dark Knight there was a great deal of anticipation although the inevitable backlash that comes after that kind of success was certainly lurking. The box office surely didn’t disappoint although one wonders if the competition from The Avengers didn’t keep this one from going a bit higher.
WHY IT IS HERE: A fitting end to the Dark Knight trilogy, Nolan pulls out all the stops with multiple villains, new gadgets and potential nuclear holocaust. The action was as good if not better than The Avengers and we get to see Batman at his most heroic.
HIGHLIGHT SCENE: Joseph Gordon-Levitt faces down a group of cops on a bridge with the lives of a bus load of kids hanging in the balance.
BOX OFFICE RESULTS: $448.1 million domestic (as of 1/11/13), $1.1 billion total.
BUDGET: $250 million.
STATUS: Currently available on home video. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster.
(Weinstein) Omar Sy, Francois Cluzet, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaia Bellugi, Cyril Mendy, Christian Ameri, Gregoire Oestermann, Josephine de Meaux, Dominique Daguier, Francois Caron, Thomas Soliveres. Directed by Olivier Nakache and Eric Toledano
Released May 25, 2012 This was a box office record setter in France, capturing the imagination of French audiences as well as critical acclaim and major awards (including a Cleo for Sy as best actor). While overly sensitive politically correct American critics took pot shots at the relationship between Driss and Phillippe (white paraplegic employer, black attendant) it was based on an inspirational true story.
WHY IT IS HERE: I dare anyone to watch this all the way through and not feel better about life and the universe we live in. Da Queen will tell you I was in a terrible mood when I went to see this; when we left the theater I was a decent human being again. This should be mandatory viewing for depressives.
HIGHLIGHT SCENE: When Driss gets to drive Philippe’s Mazerati for the first time. Priceless.
BOX OFFICE RESULTS: $10.2 million domestic (as of 1/17/13), $420.8M total.
BUDGET: Not available.
STATUS: Scheduled for home video release on March 5.
(Music Box) Mohamed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx, Brigitte Poupart, Jules Philip, Daniel Gadouas, Seddik Benslimane, Marie-Eve Beauregard, Louis Champagne, Andre Robitaille, Francine Ruel, Helena Laliberte. Directed by Philippe Falardeau
Released April 13, 2012 As with the last feature on the top ten list, this was presented here in Orlando at the Florida Film Festival. It was, like the previous film, Oscar-nominated for Best Foreign Language film. The similarity stops there however; this is a much darker and dramatic film than the uplifting Intouchables.
WHY IT IS HERE: This deals with grief in several different ways, from the grief of children to the grief of adults. The snowy white Montreal backdrop gives the film a sense of insulation that is both warm and cold at once; it is no accident that the action begins in the winter and concludes in the spring. Fellag gives the kind of performance which would have attracted much more notice had he been working for a major distributor or for an American-made film. It’s a hard, hard film to watch at times but by the time it’s over chances are you’ll have learned something about yourself.
HIGHLIGHT SCENE: The courtroom scene in which Lazhar relives the tragic incident that drove him to Canada.
BOX OFFICE RESULTS: $2 million domestic (as of 1/17/13), $6.6M total..
BUDGET: Not available.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Netflix/iTunes.
(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Susan Sarandon, Hugh Grant, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Keith David, Xun Zhou, David Gyasi, Brody Nicholas Lee, Raevan Lee Hanan, Alistair Petrie. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski
Released October 26, 2012 This is based on the David Mitchell novel that was widely thought to be unfilmable. The Wachowskis engaged their close friend Tykwer with each directing half of the sequences. Despite the all-star cast, marketing this epic work turned out to be nearly impossible and the movie made almost no box office impact whatsoever here in the States.
WHY IT IS HERE: This is a movie that talks about repression and personal responsibility in ways that we’re often not used to it. It shows that the ability of one human to force another to end to their will is timeless; so is the ability of one human to stand up and say no. There is an epic scope in each of the different segments – each set in a different era in history, three in the past, one in the present and two in the future. Cerebral science fiction, when done well can be as stimulating as any genre of movie extant but sadly, it isn’t generally cost-effective. This was overlooked by a lot of critics and granted, there were some flaws but such was its ambition that one can overlook them when admiring the whole.
HIGHLIGHT SCENE: Timothy Cavendish’ s break-out from the nuthatch in the 2012 sequence.
BOX OFFICE RESULTS: $27.1 million domestic (as of 1/19/13), $71.2 million total.
BUDGET: $102 million
STATUS: Scheduled for home video release in May 2013. It may still be seen in second-run theaters.
(Submarine Deluxe) James Balog, Svavar Jonatansson, Louie Psihoyos, Adam LeWinter, Kitty Boone, Jeff Orlowski, Tad Pfeffer, Suzanne Balog, Dennis Dimick, Emily Balog, Simone Balog, Sylvia Earle, Jason Box, Synte Peacock. Directed by Jeff Orlowski
Released November 16, 2012 The growing climate change has become an issue everywhere else in the world, but here in the United States there is oddly no dialogue, unless it is to ridicule Al Gore for his attempts to bring it to the attention of Americans. This movie was an attempt by one of the world’s most passionate and respected nature photographers to document the erosion of the world’s glaciers. It received an Oscar nomination for Best Song but oddly, not for Best Documentary Feature.
WHY IT IS HERE: This documentary shows graphically the importance of glaciers to the global eco-system, the potentially catastrophic consequences of their continued erosion and shows measurably that it is happening right now. The movie is eerily beautiful as it terrifies.
HIGHLIGHT SCENE: The scenes near the end of the film where the erosion of the glaciers is graphically shown. It’s beautiful and terrifying.
BOX OFFICE RESULTS: $970,721 domestic (as of 1/19/13), $970,721 worldwide.
BUDGET: Not available
STATUS: Scheduled for home video release in April 2013.
(DreamWorks) Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Jared Harris, Lee Pace, Peter McRobbie, Gloria Reuben. Directed by Steven Spielberg
Released November 9, 2012 This biography of America’s 16th (and perhaps best) president had long been in gestation as Spielberg meticulously researched his life and times, recreating his office down to the wallpaper. It has been something of a surprise hit, with Day-Lewis up to his usual standards of performance, garnering an Oscar nomination and a Golden Globe win to add to his trophy collection.
WHY IT IS HERE: This really gives you a sense of the man behind the majesty, a man who has carried the weight of a bloody civil war on his broad shoulders and is beginning to buckle. This Honest Abe is not above political chicanery and is not above shouting at his subordinates to get this vote done. And the great Mr. Lincoln drove the people around him crazy with his stories, like the long-winded uncle everyone avoids at family reunions. Not that I have a long-winded uncle.
HIGHLIGHT SCENE: The vote on the floor of the House of Representatives is gripping even though most Americans who know their history know how it turns out.
BOX OFFICE RESULTS: $156.6 million domestic (as of 1/18/13), $156.6 million total.
BUDGET: $65 million.
STATUS: Still in wide release.
(Lionsgate) Chris Hemsworth, Kristen Connolly, Anna Hutchison, Fran Kranz, Jesse Williams, Bradley Whitford, Richard Jenkins, Sigourney Weaver, Brian White, Amy Acker, Tim De Zarn, Tom Lenk, Dan Payne, Jodelle Ferland, Dan Shea, Maya Massar, Matt Drake. Directed by Drew Goddard
Released April 13, 2012 This was a pretty good year for Joss Whedon who not only directed the biggest blockbuster of the year but produced this film as well. The movie actually had been languishing in the vaults of MGM during its bankruptcy woes and was picked up by Lionsgate who were sadly never really able to get across to the public what a great ride this movie is.
WHY IT IS HERE: Those who love Sam Raimi’s Evil Dead (which itself is being remade later this year) are going to love this. Part horror spoof, part action flick, part Lovecraftian gorefest, part conspiracy flick and all of it fun, we get a solid cast, put them in a playground and watch them get mind raped. It has been a rare thing that I’ve had this much fun at a movie and although it starts off a bit slow, when it gets going it REALLY takes off! Just keep asking yourself this: Am I on speaker phone?
HIGHLIGHT SCENE: The elevator ride down into the bowels of the complex.
BOX OFFICE RESULTS: $42.1 million domestic (as of 1/20/13), $66.5 million total.
BUDGET: $30 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.
(Cohen Media Group) Michelle Yeoh, David Thewlis, Jonathan Raggett, Jonathan Woodhouse, Susan Wooldridge, Benedict Wong, Flint Bangkok, William Hope, Victoria Sanvalli, Danny Toeng, Nay Myo Thant. Directed by Luc Besson
Released April 11, 2012 This biopic of Burmese freedom fighter Aung San Suu Kyi was my favorite film from last year’s Florida Film Festival and a very real contender for my favorite of the year period. Oddly, it got extremely disappointing reviews which I found incomprehensible – but the box office figures were far more disappointing than the reviews.
WHY IT IS HERE: This is a movie that shows how resilient the human spirit is. Suu Kyi is one of the most courageous people of our time and yet her story is largely unknown in the West. Michelle Yeoh gives a performance that in a just world would have been considered for an Oscar – it’s at least on par with favorite Jessica Chastain’s. However because of the almost non-existent theatrical release and the critical shellacking it received, most people will never get a chance to see it.
HIGHLIGHT SCENE: The scene in which Aung proudly listens to her son Alexander give the acceptance speech for her Nobel Peace Prize, the ceremony for which she was unable to attend.
BOX OFFICE RESULTS: Domestic box office figures unavailable (as of 1/23/12), $3.4 million total.
BUDGET: $29.4 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.
(Fox Searchlight) Judi Dench, Bill Nighy, Tom Wilkinson, Maggie Smith, Penelope Wilton, Celia Imrie, Ronald Pickup, Dev Patel, Tena Desae, Lillette Dubey, Sid Makkar, Seema Azmi, Diana Hardcastle, Lucy Robinson, Paul Bhattacharjee. Directed by John Madden
Released May 4, 2012 General movie audiences notoriously find movies about the elderly to be anathema. It’s not hard to figure out why – moviegoers are mostly teens and young adults; that demographic doesn’t really care about the elderly and their issues because they simply aren’t there yet. This one, however, struck a chord with audiences of all age groups.
WHY IT IS HERE: I have to admit I wasn’t particularly interested in visiting India for most of my life. I’d heard about the noise, the smell, the crowded conditions and the heat – it didn’t sound like my particular cup of tea. That all changed after I saw this movie and saw India from a completely different viewpoint. Besides that, this is a movie about aging and living as an “old person.” You might look at aging differently when you see this.
HIGHLIGHT SCENE: Tom Wilkinson’s strolls through town were always full of joy.
BOX OFFICE RESULTS: $46.4 million domestic (as of 1/23/12), $134.4 million total.
BUDGET: $10 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes.
Cinema365 