Top 10 of 2015


2015 Top 10After what I thought was kind of a down year in 2014, the overall quality of the movies I saw in 2015 went on the rebound and in general, I thought there were far better films in general than the year previous. A little more interestingly, I also thought that there were fewer movies that I’d give 10 out of 10 for this year, which is a bit of a dichotomy; better quality overall, but fewer slam dunks.

However, the films on this list were all as good as you’d find on the lists of any year previous with the top spot going to a movie that I thought was far and away the best film of the year – but oddly enough, very few people have seen it other than on streaming services. We’ll get to that in a moment, but the movies that followed were still of very high quality and are worth seeing every one.

While studio movies have tended to continue going with the traditional distribution model; a wide theatrical release followed by VOD/home video release once the movies are out of the theaters, then onto a premium cable outlet. They are still tending to avoid streaming services like Netflix, Amazon Prime and Hulu Plus, although Lionsgate and Paramount have bucked that trend. With Netflix flexing its muscles more and more with indie films, having made some pre-emptive deals even before films were screened at Sundance, something tells me that the majors may start following suit and putting their films on streaming sites or even creating their own. It may not be this year but as more and more people go with Netflix and Chill, it makes good sense for the majors to start looking at that audience more carefully.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The other information given in each entry should be self-explanatory, with box office and critics’ scores available to help you give an idea of how audiences and film critics alike responded to these films.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The 100-Year-Old Man Who Stepped Out of a Window and Disappeared, Love and Mercy, The Life and Mind of Mark DeFriest, A Brilliant Young Mind, Straight Outta Compton, My Life in China, 3 ½ Minutes, The Wrecking Crew, Bone Tomahawk, Sicario, Welcome to Leith, Mad Max: Fury Road, Me and Earl and the Dying Girl, Inside Out, The End of the Tour, Stink!, Gett: The Trial of Vivianne Amsalem, Room, Grandma, Phoenix, Harold and Lillian: A Hollywood Love Story

It Follows

10. IT FOLLOWS

(Radius) Maika Monroe, Keir Gilchrist, Lili Sepe, Olivia Luccardi, Jake Weary, Daniel Zovatto, Bailey Spry, Carolette Phillips, Loren Bass, Charles Gertner, Debbie Williams. Directed by David Robert Mitchell

Released March 23, 2015 19-year-old Jay has just graduated from high school and it is a summer of transition – soon she’ll be going away to college and it is time for one last hurrah with her friends before they scatter, each to their own place. Everything is perfect; except they are being stalked by something terrifying and supernatural. After having had sex with a seemingly nice young man, Jay has attracted a supernatural entity to her and it is coming ever closer. Her only chance is to have sex with someone else and send the entity after them, although if it kills them it comes back after her. How do you escape the inescapable?
WHY IT IS HERE: An extremely clever concept, for one. After an acclaimed run at Sundance, the movie was given a very brief limited release but the numbers were so astounding that Weinstein hurriedly arranged for a wide release. The movie went on to be one of the more acclaimed horror movies of recent years.
HIGHLIGHT SCENE: The climactic swimming pool battle.
CRITICAL MASS: Rotten Tomatoes: 97% positive reviews. Metacritic: 83/100.
BOX OFFICE RESULTS: $14.7 million domestic, $20.3M total (as of 1/19/16).
BUDGET: $2M.
GENRE: Horror
STATUS: Currently available on home video. Rent Blu-Ray/DVD on Netflix. Stream on iTunes/Amazon/Vudu/M-Go. Download on Amazon/iTunes/Vudu/M-Go/Google Play.

Star Wars The Force Awakens

9. STAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Harrison Ford, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendolyn Christie. Directed by JJ Abrams

Released December 18, 2016 Three decades after the events of the first trilogy, the Empire is rising again and is being faced by a small but determined Resistance. With a new and improved weapon being brought to bear on the peaceful but ineffective Republic, unlikely new heroes will combine with familiar ones to take on a villain so heinous that he rivals even Darth Vader.
WHY IT IS HERE: The anticipation for this movie was enormous and when it finally arrived, it proved to be one of those rare films that was worth the wait. Everything about this movie worked and everything about it pleased fans who went back to see it again and again and again. It is already the all-time domestic box office champion and has a shot at dethroning the all-time global champ. In short, Star Wars is back.
HIGHLIGHT SCENE: The confrontation between father and son.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $859.0 million domestic, $1.8B total (as of 1/19/16),.
BUDGET: $200M
GENRE: Science Fiction
STATUS: Still in wide release

The Hateful Eight

8. THE HATEFUL EIGHT

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Walton Goggins, Bruce Dern, Demián Bechir, James Parks, Dana Gourrier, Lee Horsley, Channing Tatum. Directed by Quentin Tarantino

Released December 25, 2015 A bounty hunter with a reputation for bringing in his quarry alive – to be hanged – is escorting a young woman to the Wyoming town of Red Rock but is forced to stop at a stagecoach stop high in the mountains, stranded by a blizzard. There are others there, some apparently innocently enough, others of suspicious character. By the time the snowfall ceases, there will have been a reckoning of Biblical proportions.
WHY IT IS HERE: Despite controversy over alleged racism and misogyny, this is still a well-crafted cracking story that keeps audiences on the edge of their seats throughout. Seeing it in the nearly extinct 70mm format was a rare treat but beyond all the noise surrounding it, at the end of the day this is a movie that sucked me in and kept me there.
HIGHLIGHT SCENE: Major Marquis Warren and Chris Mannix get some well-deserved payback for John Ruth.
CRITICAL MASS: Rotten Tomatoes: 75% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $49.6 million domestic (as of 1/23/15), $86.7M total.
BUDGET: $44M
GENRE: Western
STATUS: Still in wide release.

Beasts of No Nation

7. BEASTS OF NO NATION

(Netflix/Bleecker Street) Idris Elba, Abraham Attah, Ama Abebrese, Richard Pepple, Emmanuel Nii Adom Quaye, Kurt Egyiawan, Jude Akuwudike, Emmanuel Affadzi, Kobina Amissah-Sam, Fred Nii Amugi. Directed by Cary Fukunaga

Released October 16, 2015 Agu, a young boy in a civil war-torn African nation, is forced to become a child soldier for a charismatic warlord. Convinced he is going straight to hell for all the atrocities he is party to, we watch as his soul becomes more and more tainted, his eyes more and more lifeless. When hope for anything better is gone, what more is left but obedience?
WHY IT IS HERE: There is a realism here that is missing from other films that are similarly themed. It helps tremendously that both Elba as the warlord and young Abraham Attah as Agu deliver searing performances that will remain as indelible impressions for a very long time to come. I thought Elba was a sure thing for an Oscar nomination, although the Academy didn’t agree. This is one that the Academy got wrong.
HIGHLIGHT SCENE: Young Agu’s rage finally breaks free.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $90,777 domestic (as of 1/23/15), $90,777 total..
BUDGET: $6M.
GENRE: Drama
STATUS: Available exclusively on Netflix.

The Big Short

6. THE BIG SHORT

(Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong. Directed by Adam McKay

Released December 11, 2015 In the middle of the first decade of the 21st century, a brilliant medical doctor turned hedge fund manager discovered the terrifying truth; that American banks and other financial institutions were relying heavily on securities based on mortgages, securities that had always been considered stable and rock solid but had been filled with mortgages that were almost certain to be defaulted on. Other managers discovered the same truth and while some tried to raise the alarm, others moved to profit off of the information.
WHY IT IS HERE: A sobering look at how unregulated greed damn near brought the world economy to its knees with the even more sobering warning that those running those same banks and securities firms – who were never punished for their actions which often crossed the line of securities laws – are involved in the same behaviors once again, having failed to learn their lesson the first time mainly because the American taxpayers bailed them out. Although it is admittedly hard to find heroic the actions of those who eventually profited from the human misery that came of the 2008 financial meltdown, this has become perhaps the ultimate cautionary tale to come out of the 2015 movie year.
HIGHLIGHT SCENE: The mentor of a pair of young ambitious hedge fund managers tempers their enthusiasm by explaining the real-life consequences of their success.
CRITICAL MASS: Rotten Tomatoes: 88% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $54.2 million domestic (as of 1/24/15), $72.7M total..
BUDGET: $28M.
GENRE: True Life Drama
STATUS: Still in wide release.

Brooklyn

5. BROOKLYN

(Fox Searchlight) Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Julie Walters, Jim Broadbent, Maeve McGrath. Directed by John Crowley

Released November 4, 2015 In the 1950s, a young woman in a small Irish village leaves for New York, knowing that she has no future at home. However, she is best by homesickness and finds life in the Big Apple lonely and unsatisfying, but eventually she meets an Italian man at a church dance and is slowly won over by her persistence. However, bad news from home will send her packing back for Ireland where she’ll be courted by an eligible bachelor and where she finds she is fitting in more than she ever had before, but where will her heart lead her; to stay in her native land or to return to the man she loves in America?
WHY IT IS HERE: An award-worthy performance by Ronan in the lead role for one. Crowley, working off of a script by Nick Hornby, has delivered a lyrical and moving paean both to Ireland and America. Beautifully shot, rendering the sweet Irish countryside as well as the charms of Brooklyn, well-acted throughout and buoyed by a terrific script, this remains one of the most charming and lovely movies of the year.
HIGHLIGHT SCENE: Two lovers are reunited.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 87/100.
BOX OFFICE RESULTS: $26.4 million domestic (as of 1/24/15), $34.5M worldwide.
BUDGET: $10M
GENRE: Romance
STATUS: Still in limited release.

Spotlight

4. SPOTLIGHT

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Live Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci. Directed by Tom McCarthy

Released November 6, 2015 At the Boston Globe, the Spotlight investigative journalism team begins to look into allegations of covering up for a single Catholic priest who was accused of pedophilia. As their investigation widens, they discover to their horror that the problem is widespread on a global level. In a city where the Catholic Church is an immense political and social force, they encounter resistance to their investigation but their perseverance will lead to a scandal that will shake the very foundations of one of the oldest and most powerful institutions in the world.
WHY IT IS HERE: This may be the most realistic film about print journalism ever made. The emotional impact of the story itself cannot be overestimated as we see victims recount their harrowing experiences and the devastating aftermaths. The ensemble cast is made up of some of the most accomplished actors in the business and while Keaton and Ruffalo have been getting the lion’s share of the acclaim, the truth is that the performances here are outstanding top to bottom. It is fitting that one of the best-written films of 2015 was the movie about journalism.
HIGHLIGHT SCENE: The Spotlight team begins to realize the enormity and the impact of their story.
CRITICAL MASS: Rotten Tomatoes: 96% positive reviews. Metacritic: 93/100.
BOX OFFICE RESULTS: $33.2 million domestic (as of 1/27/15), $34.5 million total.
BUDGET: $20 million.
GENRE: True Life Drama
STATUS: Still in general release.

The Martian

3. THE MARTIAN

(20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor, Michael Pena, Sean Bean, Kate Mara. Directed by Ridley Scott

Released October 2, 2015 The first manned mission to Mars has to be cut short when a massive storm heads for the landing site. As the team of astronauts scurries to get their things stowed and the landing vehicle launched, one of their number is struck by flying debris and apparently killed. Reluctantly his team leaves without him but in the immortal words of Monty Python, he’s not quite dead yet.
WHY IT IS HERE: This tale of survival is certainly one of the best films of the year and is in my mind superior to other reality-based sci-fi films like Gravity for a number of different reasons. Not only is the science far more accurate than other films of this ilk, it has an Oscar-worthy performance by Damon, a terrific cast behind him and one of the most edge-of-your-seat plots you’ll see in this or any other year.
HIGHLIGHT SCENE: Matt Damon “sciences the shit” out of a problem.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 80/100.
BOX OFFICE RESULTS: $227.7 million domestic (as of 1/28/16), $598.6 million total.
BUDGET: $108 million.
GENRE: Science Fiction
STATUS: Download from Amazon/iTunes/ Vudu/M-Go/Google Play.  Stream from Amazon/iTunes/Vudu/M-Go/Google Play. Rent DVD/Blu-Ray from Netflix the week of February 7.

Ex-Machina

2. EX-MACHINA

(A24) Oscar Isaac, Domhnall Gleeson, Alice Vikander, Sonoya Mizuno, Corey Johnson, Claire Selby, Symara A. Templeton, Gana Bayarsaikhan. Directed by Alex Garland

Released April 10, 2015 A young programmer wins a company competition that spirits him to a weekend at the reclusive founder’s fortress-like mountain hideaway. There he discovers that the tech wizard is working on something game-changing; an artificial intelligence in a robotic body, taking the form of a beautiful woman. However whatever the plans are that both men have for her, she may have an agenda of her own.
WHY IT IS HERE: This speculative science fiction film made on a budget that probably didn’t cover the costs for massages and manicures on Star Wars: The Force Awakens is one of the smartest and most provocative movies to come out this year. I was completely done in by Vikander’s performance which was outstanding and kicked off an amazing year for her in which she’s been transformed into one of Hollywood’s brightest stars. Isaac and Gleeson also performed solidly, leading into a year when both of them also emerged as names to look out for.
HIGHLIGHT SCENE: Caleb and Nathan have a conversation on a glacier.
CRITICAL MASS: Rotten Tomatoes: 92% positive reviews. Metacritic: 78/100.
BOX OFFICE RESULTS: $25.4 million (as of 1/29/15), $36.9M total.
BUDGET: $15M
GENRE: Science Fiction
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/M-Go/Google Play. Stream on Amazon/iTunes/Vudu/M-Go/Google Play. Rent Blu-Ray/DVD on Netflix.

Message From Hiroshima

1. MESSAGE FROM HIROSHIMA

(Cinema Libre) George Takei (voice), Kazuo Fukushima, Akinori Ueda, Ryoga Suwa, Hisako Miyake, Kinue Nakamitsu, Chieko Fujiki. Directed by Masaki Tanabe

Released August 4, 2015 The atomic bomb that dropped on Hiroshima was a watershed moment in modern history. We read about in history books, but that really doesn’t come close to telling us what it was really like. This amazing documentary collects some of the few still-living survivors of the blast and details their stories, complimented with some excellent computer graphics that reconstruct what Hiroshima looked like before the bomb fell.
WHY IT IS HERE: There is no movie, no documentary, no television show, no book and no social interaction that will affect you as much as this movie will. It will literally change your life. Seeing a beautiful, vibrant city come to life before your eyes – and then to watch the astonishing destruction, hear the account of people who were children at the time explain what it was like to lose parents, friends, brothers and sisters – to see the emotions still raw 70 years later, is absolutely unforgettable. The movie barely got any sort of theatrical release and is mainly available on Hulu, but it’s also available on DVD. This should be required viewing for not just our political leaders, but for everyone human. Never again.
HIGHLIGHT SCENE: Basically, every one of the survivor’s stories.
CRITICAL MASS: Rotten Tomatoes: N/A. Metacritic: N/A.
BOX OFFICE RESULTS: N/A
BUDGET: N/A
GENRE: Documentary
STATUS: Currently available on home video. Stream from Hulu.

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A Brilliant Young Mind (X+Y)


What could possibly be more English than this?

What could possibly be more English than this?

(2014) Drama (Goldwyn) Asa Butterfield, Rafe Spall, Sally Hawkins, Eddie Marsan, Jo Yang, Martin McCann, Jake Davies, Alex Lawther, Alexa Davies, Orion Lee, Edward Baker-Close, Percelle Ascott, Suraj Rattu, Jamie Ballard, Clare Burt, Adam Foster, Lee Zhuo Zhao, Shannon Beer, Tasha Connor, Lawrence Jeffries, Ciaran Wakefield, Song Chang, Bo-Han Huang, Christina Low. Directed by Morgan Matthews

Those who show any intelligence in our culture are often ostracized for it. When you add to that a touch of autism or any other emotional or developmental disorder and it spells an equation for a lonely childhood. Often it is the most gifted of our species who end up being the most misunderstood.

Nathan Ellis (Butterfield) is a math prodigy. He sees the patterns in everything and is fascinated by things like prime numbers, calculus and Fibonacci sequences. His father (McCann) was his biggest supporter and he and dad had a special bond until his father was killed tragically. Now his mom Julie (Hawkins) is left to raise him alone.

But Nathan is more than just good at maths (the British slang for mathematics); he’s also got a trace of autism and a form of aphasia. Socially he is very closed off; he hates to be touched and he is very particular that things fit into rigid patterns to the point that the prawn balls he orders from his favorite Chinese take-out (takeaway if you’re British) is from a combination plate that is a prime number and the number of prawn balls on the plate must fit in the Fibonacci sequence. It’s enough to drive his poor mum half-mad but she has the patience of a saint more or less although there are times she feels more alone than the average single mum – not only is she without a husband but her son is distant and doesn’t like touching her or being touched by her. Think about being robbed of pretty much all human contact and you might get an idea of what Julie’s going through.

But Nathan’s math prowess catches the attentions of the school’s headmaster (Ballard) who orders math teacher Martin Humphreys (Spall) to tutor the young whiz. Martin was once a prodigy like Nathan but the onset of multiple sclerosis effectively sabotaged him in the International Mathematics Olympiad when he was on the British team and led him to a life of drinking and disappointment. Martin is not happy about the situation but sees something of himself in Nathan and agrees to take him on.

Martin’s unconventional teaching methods prove to be effective for Nathan and despite a little bit of forced suspense (that won’t fool any veteran moviegoer), Nathan eventually makes the British math team and goes to Taiwan to train for the event, chaperoned by gravelly math teacher Richard (Marsan) who is more concerned about winning the event against the heavily favored Chinese team (who have won the last three) than in the well-being of the boys.

For Nathan’s part, his eyes are opened when he discovers that the other boys are at least as brilliant – and some more so – than he, and most are just as socially awkward. He is also assigned a study partner from the Chinese team, Yang Jo (Mei). Much to the audience’s surprise, Nathan begins to develop a great deal of affection for Yang, who to be truthful is depicted here as an utter ray of sunshine, one of the few really nice to be around people in the movie which is filled with smart people who can be utterly rotten.

As the pressure mounts, Nathan’s personal growth still requires some work and while Yang is working on it, Nathan’s relationship with his mother – who has developed a relationship with Martin – is reaching the breaking point. And Nathan has reached a point where he must decide what is most important to him – his beloved numbers or the people who care for him.

When I saw the previews for this film, I didn’t have high hopes for it. After all, the “smart/socially awkward genius” trope has been done to death as has been the mind/sports athlete underdog film. The latter are often documentaries and while this is not, director Morgan Matthews did a documentary on the English Math Olympiad team that largely inspired this movie, although this one is completely fictionalized. The trailer made the movie look pretty typical.

It’s anything but. Yes, there is a certain heart-warming element to it, but it is earned. The characters are completely realistic and if not down-to-earth, feel like they could be slapping shoe leather on this planet. Nathan is capable of cruelty and heartlessness, most often in regards to his mom, but let the audience still roots for him. Mei, Marsan and Spall all deliver strong performances in supporting roles.

Hawkins is a brilliant actress who has been nominated for an Oscar in the past and likely will be again in the future, although not necessarily for this. She could play Julie as the martyr which perhaps in the minds of other actresses she might be, but as Hawkins plays her she’s just a mom coping with tragedy and an imperfect relationship with her son; she is just trying to make things as good as possible for him, as “normal” as possible. Hawkins plays the part with humor and with charm; I wanted to hang out with Julie too, not just with the math whizzes who were frankly a little bit beyond me, which was okay – I’m sure if I started talking movies around most of them they’d be as lost as I am when they talk algorithms.

What I liked about the movie most of all is that the movie treats Nathan’s issues matter of factly as a part of life. Of most of the autistic people I’ve known, Butterfield’s portrayal comes closest to who they are; yes, they are a little different than the so-called normal people and they require a little bit more patience in some cases but otherwise they are just like you and just like me.

I really liked this movie a lot; it’s one of the best ones I’ve seen this year. The performances are strong and the writing is as well. If there is a workman-like quality to some of the story when it comes to portraying the love story, it can be forgiven because the relationships in the movie are so real. While the theatrical run for this film is essentially over, it is certainly one to look for on home video once it is released there.

REASONS TO GO: Warm-hearted without being treacly. Treats autism with respect and realism. Doesn’t overload with math. Fine performances from Spall and Hawkins.
REASONS TO STAY: A few Hollywood-type tropes in here.
FAMILY VALUES: Some sexual references and a few expletives here and there.
TRIVIAL PURSUIT: The story is loosely based in Daniel Lightwing, an actual math prodigy and current mathematician.
CRITICAL MASS: As of 11/2/15: Rotten Tomatoes: 86% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Happy-Go-Lucky
FINAL RATING: 9/10
NEXT: Beasts of No Nation

New Releases for the Week of October 23, 2015


Steve JobsSTEVE JOBS

(Universal) Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg, Katherine Waterston, Sarah Snook, Adam Shapiro. Directed by Danny Boyle

One of the brilliant visionaries of our time, Steve Jobs became the guru of technology although he was never an engineer so much as a marketing genius. Under his leadership, Apple became a juggernaut of a company, spearheading the personal computer revolution as well as creating markets for the iPhone, iPad and iPod. His personal life was more tumultuous as he was as a boss a demanding taskmaster and sundered personal relationships in his quest to change the world and gain market share. This driven man has already gotten a biopic and now a second, more prestigious one is coming along that has already garnered rave reviews and Oscar buzz for Fassbender in the title role.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release
Rating: R (for language)

A Brilliant Young Mind

(Goldwyn) Asa Butterfield, Rafe Spall, Sally Hawkins, Eddie Marsan. A brilliant British math prodigy who is unable to navigate social behavior due to his autism finds comfort in numbers. Taken under the wing by an unconventional math teacher, he earns a spot on the British Math Team. There, while training in Taipei with the Chinese team, he meets a young Chinese girl and begins to develop unexpected feelings for her. The director based this fictional film on his own documentary about the training of the British math team.

See the trailer and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: NR

Drunk Stoned Brilliant Dead: The Story of the National Lampoon

(Magnolia) Henry Beard, Matty Simmons, Bruce McCall, P.J. O’Rourke. If you look at modern American comedy both on television and in the movies, the roots go back to National Lampoon magazine. Founded by a couple of Harvard grads who had worked at the venerable Harvard Lampoon, the magazine became a breeding ground for some of the most brilliant comedians and writers of our time. A favorite from this year’s Florida Film Festival, the film has since received distribution through major indie Magnolia and makes it to the Enzian for a brief run; read my Festival review of the film here.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: NR

Jem and the Holograms

(Universal) Juliette Lewis, Molly Ringwald, Aubrey Peeples, Stefanie Scott. A young woman becomes an internet sensation when her sisters leak a video of her playing an original song onto a website. She soon becomes a global superstar and is made to jettison her band, which is made up of her other three sisters. Needing to make things right, she and her sisters soon go off on an adventure that she never expected to find. Based on the 80s Saturday morning cartoon.

See the trailer, interviews, clips, a featurette, a music video and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Musical
Now Playing: Wide Release
Rating: PG (for thematic material including reckless behavior, brief suggestive content and some language)

The Last Witch Hunter

(Summit) Vin Diesel, Elijah Wood, Rose Leslie, Michael Caine. For centuries, the evil creatures of the night – source of our most horrific legends – were battled by valiant witch hunters. When the Witch Queen is slain by Kaulder, the best of the witch hunters, she curses him with immortality, separating him from his beloved wife and daughter in the Afterlife. Now, hundreds of years later, he continues battling what few rogue witches are left, the last of his kind. When the Witch Queen is resurrected, an epic battle will ensue on which rests the future of the human race.

See the trailer, clips, interviews, a music video and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Fantasy Action
Now Playing: Wide Release
Rating: PG (for scary and intense creature action and images, and for some rude humor)

Paranormal Activity: The Ghost Dimension

(Paramount) Chris J. Murray, Brit Shaw, Ivy George, Dan Gill. The most successful found footage franchise in history comes to an end as a pair of brothers find a box of videocassettes in their new house, as well as a camera that allows them to see the spirit world. When a daughter of one of the brothers opens a portal to the ghost dimension, all hell will literally break loose as all the loose threads from the previous films in the series will be tied up at last.

See the trailer, clips, featurettes and a promo here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cityplex, AMC West Oaks
Rating: R (for language and horror violence)

Rock the Kasbah

(Open Road) Bill Murray, Bruce Willis, Kate Hudson, Zooey Deschanel. A washed up manager of rock performers is abandoned in Afghanistan by his last remaining client, then in a cave outside Kabul discovers the most amazing voice ever. Determined to help the beautiful woman who possesses that voice reach her dreams of winning Afghan Star (the local version of American Idol), he enlists a motley crew of allies to help him overcome cultural prejudices and take his new client all the way to the top. Incredibly, this is based on actual events and is directed by Oscar winner Barry Levinson.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Wide Release
Rating: R (for language including sexual references, some drug use and brief violence)

Victoria

(Adopt) Laia Costa, Frederick Lau, Franz Rogowski, Burak Ligit. The winner of the prestigious Silver Bear award at the Berlin Film Festival, this ambitious film was shot in a single night all in one take. It concerns a party girl who meets three guys and a night of wild fun turns into a bank robbery. Sebastian Schipper directs.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Crime Thriller
Now Playing: Regal Winter Park Village
Rating: NR