Million Dollar Arm


Jon Hamm misses the obvious.

Jon Hamm misses the obvious.

(2014) True Sports Drama (Disney) Jon Hamm, Lake Bell, Bill Paxton, Aasif Mandvi, Alan Arkin, Suraj Sharma, Madhur Mittal, Pitobash, Darlshan Jarlwala, Gregory Alan Williams, Allyn Rachel, Tzi Ma, Rey Maualuga, Bar Paly, Al Sapienza, Jaspaul Sandhu, Lata Shukla, Harish Shandra, Yashwant Joshi, Mike Pniewski, Suehyla El-Attar, Autumn Dial, Gabriela Lopez. Directed by Craig Gillespie

Baseball, that most American of all sports, has gone global. Asian teams routinely win the Little League World Series and there have been Major League players from Japan, South Korea, Taiwan and China. Latin America has long been a pipeline of major league baseball stars. There are even European players in the Majors. One of the places that have gone largely untapped, however, is India.

J.B. Bernstein (Hamm) is a sports agent. He’s a pretty good one, good enough to buy himself a good life; a beautiful house, a Porsche, a downtown L.A. office and a steady stream of models to date. He’s also cocky enough to think that he doesn’t need the big agency he works for, so he strikes out on his own with his partner Aash (Mandvi). There he finds out that things aren’t quite so easy.

In fact, they’re near impossible. With his agency nearly bankrupt, they are relying on signing a high-profile NFL linebacker named Popo (Maualuga) to save their bacon. However, when he is swept away by the omnipresent agents from a big corporate agency, they and their receptionist Theresa (Rachel) are left to ponder what to do next.

For J.B., the answer comes at him like a bolt of lightning. He is sitting at home, binge drinking beers and aimlessly switching back and forth on the channels of his satellite TV between Indian cricket and the talent show Britain’s Got Talent when it hits him – India has more than a billion people that don’t follow baseball. If they could find a couple of pitchers from India, guys used to bowling in cricket, it might open up a brand new market much like Fernandomania did in Mexico.

He pitches it to a Chinese-American gazillionaire named Chang (Ma) who likes the concept and decides to invest. JB wants a major league scout to go with him. Aash can’t find one but does find a retired scout named Ray (Arkin) who might just have narcolepsy but who really knows his stuff. Aided by a laid-back Indian handler named Vivek (Jarlwala) and a baseball-obsessed translator who wants to be a coach someday named Amit (Pitobash), he goes on a tour of India, setting up tryouts for the show which proves to be quite popular. Out of the tryouts he finds two prospects – Rinku (Sharma) who is gangly and graceful with an odd ritual before throwing the ball, and Dinesh (Mittal) who is a powerful thrower with control problems. The two winners accompany JB back to America.

There they will be as bewildered and confused by American culture as JB was by theirs. Working with former major league pitcher Tom House (Paxton) who now coaches at the University of Southern California, they know nothing about the game and have to be trained in the basics of fielding and batting, not to mention having their throwing motion worked on (incidentally, neither one of them played critic and both were ambivalent about the game both in the film and real life). JB kind of leaves them to the wolves.

That doesn’t sit well with Brenda (Bell), who rents the back unit of JB’s house and has gotten to know the boys. She knows they need to know he cares about them; that they feel lost and alone and without support. Of course, you know she and JB will develop a relationship but can these two raw talents from India beat the odds and get signed to a major league contract?

This is a Disney true life sports underdog movie so you can probably guess the answer to that question (and if you can’t, you can always Google it). Like a lot of these films that have come from Disney of late, this follows pretty much the same formula. Fortunately, there are some things that set it apart.

The sequences in India are colorful and amazingly shot. You get a sense of the chaotic conditions in that country, from the traffic to the lack of hygiene to the kind of crumbling colonial infrastructure that remains in a titanic bureaucracy. All that’s missing is the distinctive odor that, as Hamm puts it, comes and goes.

Lake Bell, so good in In a World… continues to develop into one of Hollywood’s most distinctive actresses. She’s smart, pretty and can be glamorous when she needs to be but seems much more comfortable in scrubs than in fancy dresses. She makes a fine foil for the likable Hamm who is looking for life after Don Draper. His role is surprisingly complex; he’s been able to get by on his charm and a grin, but that is no longer the case and he doesn’t quite know what to do about it. He also can be a bit of a jerk although he’s basically not a bad guy. In short, like most guys.

They do have Arkin amongst the fine supporting cast but he spends most of the movie literally asleep, which is a waste of the talents of a guy like Arkin. Mandvi, one of the funniest guys on The Daily Show with Jon Stewart is utilized mainly as the straight man here and while he gets his share of comedic moments, again this isn’t really what he’s best at. The two young Indian actors garner empathy, but they aren’t developed well enough to go much farther than “fish out of water” status.

This is decently entertaining; you won’t go wrong by spending your ten bucks on it at the multiplex, but it isn’t anything that you’ll go home wanting to see again. While the Indian sequences certainly looked pretty marvelous on the big screen, I wouldn’t blame you for waiting to catch this on home video, but as I said, there are things that elevate it above the sports film cliches that it is desperately trying to cling to. All that’s missing is Hamm screaming “Show me the money!”

REASONS TO GO: Hamm and Bell are endearing. India sequences are quite enjoyable.

REASONS TO STAY: Formulaic. Arkin is wasted.

FAMILY VALUES:  There are a few mild swear words and some suggestive content.

TRIVIAL PURSUIT: The real J.B. Bernstein wasn’t an agent. He was (and is) a sports marketer.

CRITICAL MASS: As of 6/9/14: Rotten Tomatoes: 61% positive reviews. Metacritic: 56/100.

COMPARISON SHOPPING: Invincible

FINAL RATING: 6.5/10

NEXT: Blended

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New Releases for the Week of May 16, 2014


Godzilla

GODZILLA

(Warner Brothers/Legendary) Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston. Directed by Gareth Edwards

The king of all monsters returns to wreak havoc with coastal cities as well as to face malevolent creatures of human creation that now threaten our very existence. Judging on the reaction to the most recent trailers, this is one of the most anticipated films of the summer.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Sci-Fi Action

Rating: PG-13 (for intense sequences of destruction, mayhem and creature violence)

Dom Hemingway

(Fox Searchlight) Jude Law, Richard E. Grant, Demian Bichir, Emilia Clarke. After being released from serving twelve years in prison, a safecracker with a larger-than-life personality sets out to make up for lost time. Setting out to reclaim an old debt, a brush with death leads him to try to re-connect with his estranged daughter but in his own inimitable fashion. This played at the recent Florida Film Festival and it’s single screening was completely sold out.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for sexual content, nudity, pervasive language, some violence and drug use)

Locke

(A24) Tom Hardy, Ruth Wilson, Andrew Scott, Bill Milner. Like every working day, Ivan Locke left the office  for the drive home. Blessed with the perfect family, his dream job and a successful career, he should be at the high point of life. However in a 90 minute drive, it all comes apart and a single phone call will force him to put everything on the line.

See the trailer, interviews, a featurette and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language throughout)

Million Dollar Arm

(Disney) Jon Hamm, Bill Paxton, Lake Bell, Aasif Mandvi. When a sports agent loses his biggest client to a rival agency, he knows that his business is in serious trouble. A chance viewing of a cricket match from India leads to the brilliant idea of staging a nationally televised competition of finding the first major league players in India. Two finalists are at last selected and as they are brought to America to learn the game, the odds are against them as cultural differences and an unfamiliarity with the game may prevent them from achieving their goal.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: True Sports Drama

Rating: PG (for mild peril and some suggestive language)

Only Lovers Left Alive

(Sony Classics) Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt. An underground musician, dissolute and discouraged over the deteriorating state of humanity, reunites with his enigmatic and more optimistic lover. Their romantic idyll is interrupted by the arrival of his wild and out of control little sister. Oh, and did I mention they’re all vampires? The latest from acclaimed director Jim Jarmusch.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for language and brief nudity)

The Internship


No, not the Tour de France.

No, not the Tour de France.

(2013) Comedy (20th Century Fox) Vince Vaughn, Owen Wilson, Max Minghella, Rose Byrne, Aasif Mandvi, Josh Brener, Dylan O’Brien, Tiya Sircar, Tobit Raphael, Josh Gad, Jessica Szohr, Rob Riggle, Eric Andre, Harvey Guillen, Gary Anthony Williams, John Goodman, Will Ferrell, Bruno Amato, JoAnna Garcia Swisher, Anna Enger, B.J. Novak, Karen Ceesay, Jill Jane Clements. Directed by Shawn Levy

 

One of the truths about modern life is that things are changing faster than we can keep up with them. Those of us who are middle aged don’t always notice it but when we take a moment to breathe it can be staggering how far we’ve come and how our lives have changed. For my part, I never thought of myself as particularly “tech-savvy” growing up but here I am blogging daily on the Internet.

Nick Campbell (Wilson) and Billy McMahon (Vaughn) are feeling the currents of change swirling around them. Old school salesmen, they discover at a meeting with a client that their company has shut its doors without telling them. Nobody uses watches anymore apparently – people find out what time it is these days by checking their smart phones.

Without a college education and with limited skill sets in an increasingly high tech job market, the two flounder. Nick takes a job with his sister’s boyfriend (Ferrell) at a mattress store which is as demeaning as it gets but Billy, searching on Google for job possibilities, lands an interview for a possible internship at Google itself.

The two, neither one owning a computer of their own, use one in a public library (having to fend off snarky kids) and display an appalling lack of savvy when it comes to tech matters but the interviewers (Novak, Ceesay) discover that they bring other skills to the table – outside-of-the-box thinking and personal skills that most kids today haven’t had to develop.

Against all odds, they get a shot at an internship which could lead after a full summer to a high-paying job on the Google campus in Mountain View, California which kind of resembles a cubicle cowboy’s version of Fantasyland – but keep in mind that the production filmed there. The perks of employment (free food, nap pods, a volleyball court and loaner bikes) are actually part of the company’s employment package and the offhand remark early in the film that Google was rated the best place to work in the country is also true. Not in the movie are also a roller hockey rink, basketball courts, three wellness centers and onsite daycare.

Most of the other interns vying for a handful of jobs are kids half their age, all of them fresh out of college. Billy and Nick quickly realize that they are outgunned for this “mental Hunger Games” as Billy put it and realize that their only chance at landing the jobs they desperately need is by aligning themselves with the best team possible and coat-tailing it into employment. One of their competitors, the pretentious and arrogant Graham (Minghella) turns out to be something of a shark, snapping up all the whiz kids on his team.

This leaves them with the :”outcasts” who include Yo-Yo (Raphael), a home-schooled genius who was so bullied by his Korean mom that he picks at his eyebrows whenever he gets stressed – which leaves him without an eyebrow by the end of the internship, Neha (Sircar) a beautiful Southeast Asian chick who talks a good sexual game, Stuart (O’Brien) a cat so cool he rarely looks up from his smart phone to see what’s going on around him and Lyle (Brener) the nebbish manager who is mentoring them.

The internship is made up of a series of challenges overseen by Chetty (Mandvi), a Google executive who’s as frosty as the cold one he won’t be having with his employees. The commitment-phobic Nick strikes up a romantic friendship with Dana (Byrne), a hard-working manager whose life off endless meetings and brutally long workdays have left her without much of a life. As the games begin, Nick and Billy’s team seem hopelessly outcast. Can these old dogs teach their young teammates new tricks?

The plot is fairly formulaic so the answer to that question should be pretty self-evident. This is a movie that is meant to make the audience feel good and to a pretty good extent, it succeeds. Wilson and Vaughn first teamed up eight years ago in The Wedding Crashers and for whatever reason haven’t gotten together again since. However, their chemistry – central to the charm and success of that movie – is intact here thank goodness.

The two make a highly effective comedy team, the easygoing Wilson making a perfect foil to the manic fast-talking Vaughn. Some are going to measure The Internship to their previous movie and while I’ll admit it isn’t quite as funny as their first film, it’s unquestionably still entertaining. Mandvi, a veteran character actor, is particularly appealing as is the woefully underemployed Byrne. I liked all of the young actors who played their team and while Minghella’s Graham is less despicable in some ways than villains in similar movies, he still turns out to be the one you love to root against.

This does play like a puff piece for Google and that might grit a few teeth here and there. I’m not sure that they employ a lot of middle aged tech-challenged sorts but my guess is that the Billys and Nicks are few and far between on their Mountain View campus. Diversity only goes so far so in other words don’t get your hopes up.

I liked the movie enough to give it a solid recommendation. This isn’t a groundbreaker by any stretch but if you’re looking for a movie to give you a bit of a lift certainly this will fit the bill. A movie doesn’t necessarily have to give you deep insights to be a good movie; sometimes watching the underdog come through is enough to keep us going in a world where the haves seem to win an awful lot more than the have-nots. Given the presence of the team of Vaughn and Wilson is an added bonus. I only hope their next film comes sooner than eight years from now.

REASONS TO GO: Chemistry between Vaughn and Wilson is still solid. Feel-good movie.

REASONS TO STAY: Not as funny as one would hope. A nearly two hour commercial for Google.

FAMILY VALUES:  The movie has its share of foul language, sexual references and crude humor.

TRIVIAL PURSUIT: The annoyed Google employee trying to take a nap during the nap pod sequence when Nick is trying to talk to Dana is played by director Shawn Levy.

CRITICAL MASS: As of 6/15/13: Rotten Tomatoes: 33% positive reviews. Metacritic: 43/100; yet another movie this summer the critics are lukewarm on.

COMPARISON SHOPPING: Real Genius

FINAL RATING: 6/10

NEXT: This is the End

New Releases for the Week of June 7, 2013


The Internship

THE INTERNSHIP

(20th Century Fox) Vince Vaughn, Owen Wilson, Max Minghella, Rose Byrne, John Goodman, Will Ferrell, Aasif Mandvi, Josh Gad, Dylan O’Brien. Directed by Shawn Levy

Two old school salesmen are left in the lurch when the company they work for shuts its doors. Unable to find work utilizing their talents they seize what could be their last chance – an internship at Google. Competing against much younger applicants who are much more technologically savvy than they are, it will be up to them to prove their worth in this brave new world and that you can, after all, teach old dogs new tricks.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexuality, some crude humor, partying and language)

Love is All We Need

(Sony Classics) Pierce Brosnan, Trine Dyrholm, Molly Blixt Egelind, Paprika Steen. Two middle aged people whose own romantic lives have been disappointing travel to Italy to attend the wedding of their children. As it turns out, a change of scenery could be just what their hearts need. From director Susanne Bier whose last film was the Oscar-winner In a Better World.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: R (for brief sexuality, nudity and some language) 

The Purge

(Universal) Ethan Hawke, Lena Headey, Adelaide Kane, Max Burkholder. In the near future, the crime rate has plummeted to near zero. The reason for that is that for one night every year for twelve hours, all crime is legal – including murder. The police take the night off. Hospitals shut their doors. Citizens are on their own. One family, in a gated community with expensive security, expects to hunker in their bunker and wait out the storm but when a stranger comes a’knockin’, the movie starts a’rockin’.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: PG-13 (for strong disturbing violence and some language)

Stories We Tell

(Roadside Attractions) Sarah Polley, Tom Butler, Peter Evans, Michael Polley. Oscar-nominated director Sarah Polley looks at a single extended family and examines how their recollections of a critical event in the family’s history has shaped them – and how those memories differ from person to person. The family in the crosshairs of her camera lens? Her own.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: PG-13 (for thematic elements involving sexuality, brief strong language and smoking) 

Violet and Daisy

(Roadside Attractions) Saoirse Ronan, Alexis Bledel, James Gandolfini, Danny Trejo. A pair of teenage assassins take a surreal trip through New York. They are tested with a series of opponents with varying skills and degrees of difficulty. They also meet a mysterious man, the encounter with whom may turn out to be life-altering..

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: R (for violence, disturbing behavior and language) 

Yamla Pagla Deewana 2

(Sunny Sounds) Dharmendra, Sunny Deol, Bobby Deol, Kristina Akheeva. The trio from the hit movie Yamla Pagla Deewana reunite in England. When one of them opens a nightclub in London, the other two come help him celebrate but can’t resist pulling off another con job which lands all three of them in hot water.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Ruby Sparks


Zoe Kazan has just punk'd Paul Dano.

Zoe Kazan has just punk’d Paul Dano.

(2012) Romantic Comedy (Fox Searchlight) Paul Dano, Zoe Kazan, Annette Benning, Antonio Banderas, Elliott Gould, Steve Coogan, Chris Messina, Deborah Ann Woll, Aasif Mandvi, Toni Trucks, Jane Ann Thomas, Alia Shawkat, Wallace Langham, Emma Julia Jacobs. Directed by Jonathan Dayton and Valerie Faris

 Cinema of the Heart

The problem with love is that we can’t have the perfect mate. That’s because we ourselves are imperfect and besides, how boring would it be if the person we were with was perfect? There’d never be any growth…ever. It would always be exactly the same. What would you do with perfection?

Calvin (Dano) isn’t really worried much about perfection. He is worried that he might have already peaked in life. He wrote a wildly successful, award-winning novel when barely out of high school. That was ten years ago and he hasn’t written a word since. His brother Harry (Messina) is supportive as his agent (Coogan) who surely must be the most tolerant agent in history. Calvin still does the occasional reading and still carries enough cache to get numbers slipped his way but he is in a funk that has finally compelled him to see a shrink (Gould) who tells him to write about the perfect girlfriend.

This works wonders. Calvin starts writing in a feverish pitch about the most wonderful girlfriend ever. She makes all other girls look like harpies by comparison. Calvin can’t stop writing about her…until she shows up in his house, just as real as you or I.

At first, Calvin thinks he’s blown a fuse. Then he realizes that everyone can see her, and that she is in fact real. Calvin freaks out quite naturally while Ruby (Kazan) wonders why he’ s acting so strangely. However it turns out that when Calvin writes about her, whatever he writes happens; if he writes she speaks French fluently, she starts conversing in perfect French. If he writes that she’s doing naked jumping jacks…well, you get the idea.

The relationship turns toxic though. Calvin turns into a right little shit about it and starts abusing his power over poor Ruby who although compelled to do as he writes is still an autonomous thinker in all other ways. Can a man mess up the perfect situation?

Of course he can. That’s the nature of men after all. Dayton and Faris, the team that brought us Little Miss Sunshine, have this as their follow-up and while it doesn’t measure up to their last movie in terms of sheer quality and laughs, proves that it at least wasn’t a fluke either.

Dano is at once both the perfect choice and the wrong choice for Calvin. He’s perfect in that he captures Calvin’s indecisive nature and his kind of general “wandering through life” vibe. He is the wrong choice however in that the very things that make him perfect make it difficult for an audience to connect with the lead character. Is that a fault of the actor? I dunno. I think that a lot of indie comedies have aspired to a Jon Heder-like character in every comedy which perhaps is an unconscious attempt to duplicate the success of Napoleon Dynamite which is the kind of studio douchebaggery the indie scene is supposed to be against.

The movie has a kind of a sweet core though which is nothing to sneeze at, and Kazan does make for the world’s best girlfriend, which isn’t surprising since she co-wrote the movie. While the ostensible protagonist is Calvin, it is Ruby that you’ll remember from the film and Kazan’s portrayal of her. She has the same kind of screen attractiveness that another Zoe (well, Zoey – Deschanel) possesses and may well have the same kind of successful career that she has.

I like the premise a lot but thought the execution of it was uninspiring. Calvin’s decline from nice nebbish to real jackhole is a bit jarring and doesn’t serve the story well. I kept wondering what the point was that the writer were trying to make – that all men are manipulative jerks, or that perfection is something we can’t handle, or that we’re never satisfied with what we make up in our heads – I don’t really get it. But then again that might be part of the master plan, to leave you trying to figure it out which isn’t a bad thing. It’s still a really good movie despite my criticisms of it and I really do recommend it whole-heartedly but I’m still scratching my head a bit.

WHY RENT THIS: Kazan makes a great perfect girlfriend. Intriguing premise.

WHY RENT SOMETHING ELSE: Doesn’t seem to have the courage of its convictions. Dano a bit too laid back.

FAMILY VALUES:  There’s quite a bit of bad language and a little drug use and sexuality.

TRIVIAL PURSUIT: At the time of filming, not only were Dayton and Faris a couple but so were Dano and Kazan.

NOTABLE HOME VIDEO EXTRAS: There’s a real interesting but brief featurette on real life couples involved in the making of the movie.

BOX OFFICE PERFORMANCE: $9.1M on an unknown production budget; I think that the movie was profitable in all likelihood.

COMPARISON SHOPPING: Stranger Than Fiction

FINAL RATING: 7/10

NEXT: The Conclusion of Cinema of the Heart 2013

Premium Rush


Premium Rush

Just because there’s a cab behind you doesn’t mean you’re on the right road.

(2012) Action (Columbia) Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Jamie Chung, Sean Kennedy, Wole Parks, Aasif Mandvi, Kymberly Perfetto, Christopher Place, Brian Koppelman, Boyce Wong, Jimmy P. Wong, Darlene Violette. Directed by David Koepp

 

Some movies have a great deal of depth. They require thought, concentration and a bit of contemplation to truly appreciate properly. Then there are movies like this one; the cinematic equivalent of a double shot of espresso with a Red Bull chaser.

Wilee (Gordon-Levitt) – whose name is pronounced like the ACME-using coyote from the Looney Tunes cartoons – is a New York City bike courier who delivers packages all over Manhattan on a lightweight modified bike with no brakes. He’s cocky, fearless and lives for the adrenaline high that his job delivers. He’s smart too – he actually passed the bar exam but you won’t find him in a corporate cubicle. Oh no. Wilee is no mere office drone. He has a better life in mind for himself.

Which apparently includes a girlfriend named Vanessa (Ramirez) although she’s not so sure. In fact, Wilee’s rival courier Manny (Parks) thinks that she’d be better off with him. He apparently really has some sort of need to prove his superiority over Wilee, always up for a race with his rival. Wilee, being the free spirit that he is, has no time for this.

In fact, he’s too busy picking up a package from his alma mater from Nima (Chung) who also happens to be Vanessa’s roommate coincidentally – for a premium rush job, which the customer is paying extra dollars to get to its destination just a little bit quicker. However, there’s a creepy guy named Bobby Monday (Shannon) who wants the package and will do anything to get it. In fact, he needs to steal it in order to pay off a substantial gambling debt. The only reason Monday isn’t already dead is that he is a New York City cop. Monday takes off after Wilee in the streets of New York on a high-speed chase that both men are desperate to win.

And that’s all the plot you need to know. Anything else doesn’t really matter – in fact most of the plot I mentioned above doesn’t matter either, other than the last sentence starting with “Monday takes off.” This is all about adrenaline-fueled hard-charging bike stunts in the streets of New York. It’s like the X-Games urban war that you’ve always wanted to see. If they could have gotten Tony Hawk to do some tricks off of the parked cars they would have had it made.

The pacing is hyperkinetic with the story jumping back and forth through flashbacks. Graphics show the routes taken through the city by the couriers, and graphics and flash forwards show the choices available to Wilee at various intersections and the potentially lethal consequences of some of his options. Those are some of the most fun scenes in the movie.

Gordon-Levitt is an appealing actor who is moving up the ranks from indie darling into legitimate star. He has been busy in a wide variety of movies and looks to be making the movie into the top tier of Hollywood stardom. It doesn’t hurt that he’s pretty buff looking here which is sure to make him a few new fans among the ladies.

Shannon is a versatile character actor who often has a dark streak in his characters. Here he is darker than most of the roles I’ve seen him in, a quite impressive villain who is out of control, and believes his badge renders him invulnerable to justice. Monday is the worst kind of bad cop and Shannon keeps him from becoming too much of a cartoon.

This is almost all action and no exposition. New Yorkers will find this a little bit more fun because of the locations, and men are going to like the non-stop action. There isn’t a lot here for those looking for relationships, character development or romance. It’s mostly about bicyclists taking insane chances. The lead character is well-named – he’s fearless and maybe too clever for his own good. I might have rated this higher had an anvil been dropped on his head.

REASONS TO GO: Some nifty action sequences and a clever use of graphics. Gordon-Levitt is engaging and Shannon makes a fine villain.

REASONS TO STAY: Very New York-centric. A little too much testosterone.

FAMILY VALUES: There is a bit of violence and some disturbing imagery. There are plenty of foul words though.

TRIVIAL PURSUIT: Most of the scenes set at Columbia Law School were filmed at Lerner Hall, the student center for the University.

CRITICAL MASS: As of 9/18/12: Rotten Tomatoes: 76% positive reviews. Metacritic: 66/100. The movie got decent reviews.

COMPARISON SHOPPING: Next Day Air

FORREST J. ACKERMAN LOVERS: Detective Monday uses the name of the legendary science fiction fan/author/literary agent/historian as an alias.

FINAL RATING: 6/10

NEXT: Of Gods and Men

New Releases for the Week of August 24, 2012


August 24, 2012

PREMIUM RUSH

(Columbia) Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Jamie Chung, Kymberly Perfetto, Aasif Mandvi, Lauren Ashley Carter. Directed by David Koepp

New York’s bike messengers are a seriously fearless lot, risking life and limb every time they take their special fixie bikes (single gear bikes with lightweight frames and no brakes). Premium rush parcels are a way of life for them, but the last delivery of one messenger’s day is going to send him into circumstances he never could have imagined.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: PG-13 (for some violence, intense action sequences and language)

The Apparition

(Warner Brothers) Ashley Greene, Sebastian Stan, Tom Felton, Julianna Guill. A young couple experience some terrifying events in their home. They discover that they are being haunted by a presence that a university experiment on the nature of poltergeists accidentally unleashed. The creature feeds on their fear but can only harm them if they believe it’s real. They enlist the help of an expert on the supernatural but they may be beyond any earthly help at all. Where’s Harry Potter when you really need him? Expecto Patronus!

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Horror

Rating: PG-13 (for terror/frightening images and some sensuality)

Cosmopolis

(EntertainmentOne) Robert Pattinson, Juliette Binoche, Paul Giamatti, Mathieu Amalric. While being driven across Manhattan in a state-of-the-art stretch limo, a financial whiz kid watches helplessly as his fortune evaporates. Visited by a parade of eccentric individuals and erotic encounters, he quickly realize that someone is trying to not only ruin him financially but to kill him as well. Based on the novel by Don DeLillo, this is the latest from visionary director David Cronenberg.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for some strong sexual content including graphic nudity, violence and language)

Hit and Run

(Open Road) Dax Shepard, Kristen Bell, Bradley Cooper, Tom Arnold. A nice guy who used to be the getaway driver for bank robbers leaves the witness protection program to drive his fiancée – who knows nothing of his checkered past – to an audition in Los Angeles. Chased by the feds, things get complicated when his old gang shows up wondering where the money they stole is. It’s always in the last place you look.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action Comedy

Rating: R (for pervasive language including sexual references, graphic nudity, some violence and drug content)

Killer Joe

(LD Distribution) Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon. When a young drug dealer’s stash is stolen by his mom (and you thought your mom was too nosy), he has to come up with $6K or else his supplier will have him killed. Finding out his mom’s insurance policy is worth fifty grand, he hires a hit man to whack his mom. The hit man usually requires cash up front, but in this case is willing to talk about the drug dealer’s sister…

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NC-17 (for graphic abberant content involving violence and sexuality, and a scene of brutality)

Shirin Farhad Ki Toh Nikal Padi

(Eros) Kavin Dave, Kurush Deboo, Boman Irani, Daisy Irani. A middle aged underwear salesman who seems destined to never find himself a bride, finally finds one. Unbeknownst to him however, the object of his desires is the sworn enemy of his domineering mother.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR