Sicario: Day of the Soldado


Hispanics with guns: Donald Trump’s nightmare.

(2018) Action (Columbia) Benicio del Toro, Josh Brolin, Isabela Moner, Jeffrey Donovan, Manuel Garcia-Ruffo, Catherine Keener, Matthew Modine, Shea Whigham, Elijah Rodriguez, Howard Ferguson Jr., David Castañeda, Jacqueline Torres, Raoul Trujillo, Bruno Bichir, Jake Picking, Tenzin Marco-Taylor, Alfredo Quinoz, Nick Shakoour, Lourdes del Rio Garcia. Directed by Stefano Sollima

 

Our Southern border has been a hot button item for those on the left and on the right. Blue staters tend to look at the issue as a humanitarian crisis born largely of our own policies in Latin America while red staters see it as an invasion of criminals, layabouts and terrorists.

Following the destruction of a Kansas City big box store by suicide bombers, the U.S. Government has had more than enough. They bring in “consultant” Matt Graver (Brolin) and his nearly indestructible assassin Alejandro (del Toro) to ferment war among the Mexican cartels who were responsible for smuggling the bombers across the border. To do that, Alejandro kidnaps the daughter (Moner) of a particularly vicious cartel boss. This predictably stirs up a hornet’s nest and while it gets the desired results, the conscience of Alejandro – whose family was wiped out by drug lords like the girl’s father – doesn’t go unscathed.

The movie sorely misses Denis Villaneuve who directed the first one; his sure hand could have made this a better film. Italian television director Sollima, best known for the ultra-violent Gomorrah series, does pretty well with the action series and keeps the pacing of the film up to snuff. He has more trouble with character development as other than the three characters mentioned above, nearly all the characters get lost in the shuffle, including a young Mexican-American boy in McAllen, Texas played by Rodriguez who falls into working for the cartels and ends up in a violent confrontation with Alejandro. A little more depth of character there might have given the film some oomph.

Del Toro and Brolin are both outstanding and are the real reason to see the film. I understand that this is meant to be the middle chapter in a proposed trilogy and although the box office numbers don’t really seem to point the way for a third installment, I nonetheless wouldn’t mind seeing one.

Emily Blunt, who starred in the first film, is also sorely missed and while the filmmakers assert her story had gone full circle, it still leaves the film without much of a moral center and I suppose that is merely appropriate. When one considers that in many ways this movie is making the case for the right’s take on the border, it’s hard to justify it in the face of children who continue to be separated from their parents at the border. But then, that’s just my own personal bias rearing its head. I guess it is fairer to say that Sicario: Day of the Soldado is a solid action film that has political elements that makes it very relevant to what’s going on at our border. If you leave the theater chanting “Build that wall” though, it’s on you.

REASONS TO SEE: Brolin and del Toro make an excellent team.
REASONS TO AVOID: A little less focused and a little more cliché than the first film.
FAMILY VALUES: There is a surfeit of violence and profanity as well as some fairly bloody images.
TRIVIAL PURSUIT: Denis Villaneuve, who directed Sicario, was unable to commit to the sequel due to scheduling conflicts.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Starz, Vudu, YouTube
CRITICAL MASS: As of 8/20/19: Rotten Tomatoes: 63% positive reviews: Metacritic: 61/100.
COMPARISON SHOPPING: Miss Bala
FINAL RATING: 6/10
NEXT:
Tomorrow, Maybe?

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Outlawed


Some people just shouldn’t be allowed to use grills.

(2018) Action (Vision) Adam Collins, Emmeline Kellie, Andy Calderwood, Andre Squire, Ollie Christie, Jessica Norris, Ian Hitchens, Anthony Burrows, Zara Phythian, Tina Harris, Brian Woodward, Rose Joeseph, Martin Gaisford, Tobias Fries, Celiowagner Coelho, Craig Canning, Steven Blades, Jack Edwards, Renars Latkovskis, Phil Molloy, Melvyn Rawlinson, Lisa Opara, Halle Neathey, Charlotte Williams. Directed by Adam Collins and Luke Radford

 

Action movies are surprisingly formulaic. Somebody gets wronged, somebody gets their booty booted. It’s a formula as old as time. The truly great action movies either add something to the formula or execute it flawlessly. Some merely emulate the formula as best they can.

Jake (Collins) is part of an elite British special forces unit. They do the dirty work when there is a bad guy who needs to be terminated, or a child that needs rescuing from terrorists. After capturing a particularly nasty wild-eyed wild-haired terrorist (Fries) who likes to shoot children, Jake and his crew are recognized with medals.

He is contacted by Nottingham businessman/power broker Harold Archibald (Hitchens) who offers Jake a job. Jake however knows what Archibald is all about and declines. Shortly after, Archibald – who has been making deals with the wild-eyed wild-haired terrorist, double crosses the WEWH terrorist which is not usually a good idea when dealing with terrorists. He ends up with his children kidnapped and even though Jake’s team is sent in to save the day, it ends in tragedy.

Jake just can’t get past that a child died on his watch and he decides to get his discharge papers. He promptly discovers that his girlfriend (Kellie) is cheating on him and so Jake sinks into a bottle and screws the cap shut behind him. Then, childhood girlfriend Jade (Norris) finds him sleeping in the street and tells him that she needs his help Her father was murdered you see and the person responsible was none other than Harold Archibald and she has the proof! Archibald owns the cops – or at least has a long-term lease out on them – and is virtually untouchable. Nevertheless he kidnaps Jade and almost dares Jake to come get her. What self-respecting special forces operative could turn down a dare like that?

Collins is a veteran stuntman on a variety of major Hollywood productions as well as a former British Marine. His acting chops are from the early Jason Statham school of acting. He has some potential in a Vinnie Jones sort of way (I’m really name-checking today) but largely it’s wasted because the role he is given to play here is so run of the mill. I don’t feel sorry for him however; he co-wrote and co-directed this movie so he has only himself to blame.

The action sequences as you might expect are the highlights here. Unfortunately when it comes to exposition, Collins makes a fine soldier. The story portions tend to be a bit maudlin complete with overwrought score and advanced by unbelievable coincidences. The dialogue is clunky and cliché; the villains are way over the top but that’s okay – villains should be. Heroes should be understated and brooding, or outgoing and light.

If you’ve never seen an action movie before, this is a fine jumping-off point but if you have seen your share a little too much of this will be too familiar. While there are a few things that work, most of the movie just doesn’t live up to the standards it should be.

REASONS TO GO: Collins is a solid action performer.
REASONS TO STAY: The film is absolutely rotten with action movie clichés. The story is dull and uninspiring.
FAMILY VALUES: There is a whole lot of violence and profanity as well as nudity, sexual references and some drug use.
TRIVIAL PURSUIT: Collins served six years in the Royal Marines, which included two tours of Afghanistan.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 11/9/18: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Silencer
FINAL RATING: 5/10
NEXT:
 Every Act of Life

Silencer


 

Even the best of shots don’t always hit what they take aim at.

(2018) Action (Cinedigm) Johnny Messner, Danny Trejo, Robert LoSardo, Nikki Leigh, Chuck Liddell, Tito Ortiz, Heather Johansen, Erik Aude, Edward Modlin II, Mariene Márquez, Mike Ferguson, Sofia Esmaili, Erin Michele Soto, Said Faraj, Tristian Eggerling, Ashlee Nicole Jordan, William Guirola, Nailia Lajoie, Noli Mollakuge, Tom Struckhoff, Victor Boneva, Rachael Santhon. Directed by Timothy Woodward Jr

 

Some men kill for their country; they are trained to do it and it is a job for most of them. However, when someone’s family is threatened, killing becomes much more than a job and if the person in question is a trained sniper, God help the one doing the threatening.

Frank (Messner) is a decorated ex-Marine whose military service was marred by the accidental killing of a child. The event haunted him and led him to seek a quiet life as a restorer of antique vehicles in Las Cruces, New Mexico. One of his clients, Ocho (Trejo) has cartel connections as well as a personal friendship with Frank going back a ways. When Ocho’s daughter is hit by a drunk driver and dies in her own driveway, Ocho wants vengeance. Frank agrees to help him get it but this will be his last job. You can guess how that’s going to work out.

When Frank stalks the drunk driver, he meets up with him and discovers there are children in the car and so he can’t quite bring himself to pull the trigger. The grief-stricken Ocho doesn’t care; he wants this guy dead and when Frank fails, Ocho sends his henchman Nels (Liddell, channeling Michael Rooker) to kidnap Frank’s stepdaughter and ends up shooting Frank’s girlfriend Cass (Leigh). That turns out to be a mistake; Frank along with his buddy Lazarus (Ortiz) go on a rampage that ends up with a bloody confrontation on Ocho’s Old Mexican hacienda.

This is essentially standard revenge action fare, with Messner doing a surprisingly good job in the role of an action antihero. Frank is a bit of a loose cannon, he has a drinking problem and tends to shut out the people he loves the most. However, push him a little bit and he turns into Schwarzenegger and Stallone’s crazy love child. There is a future for Messner in low budget action films and maybe some big budget ones if he gets a few breaks.

The dialogue tends to be florid and infected with clichés.. There are also some pacing problems particularly early on, although the ending is pretty nifty if you ask me. However, most of the actors chew the scenery with gusto which is distracting at times.

This is not something I would generally recommend; the movie is seriously flawed. However, fans of 80s and 90s action movies ought to get a kick out of this one and it is possible that Messner may be an action star in the not-so-distant future. For those reasons alone I give the movie a very mild thumbs up, as a better film critic than I might have said.

REASONS TO GO: Messner has a lot of potential as an action hero.
REASONS TO STAY: The film starts slowly (although it does pick up).
FAMILY VALUES: There is plenty of violence and a fair amount of profanity.
TRIVIAL PURSUIT: Liddell and Ortiz are notorious MMA rivals.
BEYOND THE THEATERS: Amazon, iTunes
CRITICAL MASS: As of 9/4/18: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Commando
FINAL RATING: 5.5/10
NEXT:
It Will Be Chaos

Beast Stalker (Ching yan)


In Hong Kong action movies, even pedestrian overpasses aren’t safe.

(2008) Crime Drama (Emperor) Nicholas Tse, Nick Cheung, Jing Chu Zhang, Pu Miao, Kai Chi Liu, Ho Man Keung, Jing Hung Kwok, Sherman Chung, He Zhang, Suet Yin Wong, Sum Yin Wong, Kong Lau, Tung Joe Cheung, Simon Lee, Accord Cheung, Ka Leong Chan, Esther Kwan, Si-Man Man, Francis Luk, Sai Tang Yu, Kim Fai Che, June Tam. Directed by Dante Lam

Lives can be changed in the blink of an eye. Being in the wrong place at the wrong time can have devastating consequences, the effects rippling out like a rock thrown into placid waters. Rarely are those ripples pleasant although in time they can turn out to be beneficial but that isn’t often the case.

Hong Kong police detective Tong Fei (Tse) is ambitious and arrogant. He’s chasing a well-known Triad crime boss and has him in his relentless sights. Working with his team whom he sets very high standards for, he manages to get the criminal arrested – only to learn that the guy’s thugs have managed to break him out of custody. Fei personally leads the chase after him along with longtime friend and mentor Detective Sun (Liu). A violent car crash leads to a terrible tragedy in which an innocent little girl is killed. Fei is devastated.

Months afterwards, the prosecutor for the case, Ann Gau (J.C. Zhang) is getting past the grief of losing a child when her surviving child is kidnapped by Hung (N. Cheung), a half-blind assassin who is caring for a paralyzed wife and needs the dough. The guilt-wracked Fei is obsessed with finding the missing daughter despite Ann’s pleas for him to butt out – she has been warned to not involve the police. She agrees to alter the evidence that will put the crime lord behind bars for a very long time; so Fei goes out looking for the girl on his own. Hung is just as desperate to make sure that the girl isn’t found and both men play a game of cat and mouse with a little girl’s life hanging on the outcome.

Like many Hong Kong crime dramas, the plot hinges around a number of coincidences (some might say improbabilities) that require a whole lot of disbelief suspension. How likely is it that the crook would steal the car of his prosecutor who just happened to stop the car she was driving so she could yell at her ex-husband on the phone? And the coincidences don’t end there.

However if you can unwrap your head around those plot points you’ll be treated to a story with plenty of nice twists and turns, maybe one or two you won’t see coming. Nicholas Tse and Nicky Cheung are two of HK’s  best action stars and they are at their best in this movie. The action sequences, particularly the initial car chase that sets everything up, are extremely well done with the aforementioned chase being literally breathtaking.

The story does get a little bit maudlin in places but again that’s pretty much standard operating procedure for Hong Kong action films – is there a manual for these things? – and anyone who is a fan of that genre won’t mind a bit. Dante Lam is one of Hong Kong’s surest action directors and while this wasn’t his very best work, it was certainly one worth reviving. It played the recent New York Asian Film Festival. While I don’t see it listed on any of the standard streaming services, you can find the DVD and Blu-Ray in a variety of places. If you like Asian action, you won’t want to miss this one.

REASONS TO GO: The action scenes are uniformly excellent. The plot is full of lovely twists and turns.
REASONS TO STAY: The camerawork is so aggressive and kinetic it becomes distracting. The story is a little bit maudlin in places.
FAMILY VALUES: There is a whole lot of violence, some mild profanity and a few disturbing images.
TRIVIAL PURSUIT: The movie was nominated for five Hong Kong Film Awards in 2009, winning two.
CRITICAL MASS: As of 7/11/18: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Infernal Affairs
FINAL RATING: 6.5/10
NEXT:
The Looming Storm

The Commuter


What I love about train travel is that it’s so relaxing.

(2018) Action (Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Jonathan Banks, Sam Neill, Elizabeth McGovern, Killian Scott, Shazad Latif, Andy Nyman, Clara Lago, Roland Moller, Florence Pugh, Dean-Charles Chapman, Ella-Rae Smith, Nila Aalia, Colin McFarlane, Kobna Holdbrook-Smith, Adam Nagaitis, Kingsley Ben-Adir, Andy Lucas, Zaak Conway, Ben Caplan, Letitia Wright. Directed by Jaume Collet-Serra

 

A word to the wise: if you see Liam Neeson getting aboard any sort of conveyance – a plane, a train, a boat, a bus – get off immediately. There’s bound to be mayhem.

Michael MacCauley (Neeson) is a decent guy. He gets up every morning at 6am rain or shine at his home in Tarrytown, NY, makes sure his son Danny (Chapman) is up and getting ready for school, is driven to the train station by his loving wife Karen (McGovern), chit-chats with the regulars aboard the train and then gets off at Grand Central Station to head off and sell life insurance. His routine varies very little day after day. From all outward signs this is a happy, loving and prosperous family. In reality they’re pretty much two out of three; Danny is getting ready to attend Syracuse University in the fall and that’s a sizable chunk of change and the MacCauley family is just scraping by as it is.

The bad day starts when MacCauley is unexpectedly let go from his position. At 60 years of age, the job prospects for the ex-NYPD cop are pretty grim to say the least. He heads back home on the train, wondering how he’ll break the news to Karen. Wondering how he’ll get the mortgage paid. Wondering how he’ll send his son to college.

His wonderings are interrupted by a beautiful woman as wonderings often are. She sits down across from him and introduces herself as Joanna (Farmiga) and she has quite a proposition for Michael. All he has to do is find someone on the train who doesn’t belong there – someone known only as Prynne – and put an electronic device in his or her bag. That’s it. Do it and Michael will get $100,000 tax-free at a time where he desperately needs it.

The problem is Michael is a decent guy and an ex-cop to boot and the ex-cop smells a rat. Soon he gets shanghaied into the game because if he doesn’t play along his family will be murdered. He has no way of knowing how many eyes and ears Joanna has on the train, who he can trust or even the first idea of how to find Prynne. Time is running out and if he doesn’t find Prynne or find a way to stop Joanna, the people he loves are going to die.

Neeson has pretty much spent the latter part of his career playing nice guys who definitely don’t finish last in action films. He is beginning to look his age here – I think that’s a deliberate choice by the actor and director Collet-Serra to make Michael more vulnerable and less of an unstoppable Rambo-kind of guy. Michael doesn’t have a particular set of skills so much as an absolutely iron will and devotion to his family.

While the action sequences range from the preposterous to the well-staged (and to be fair they tend to be more often the latter than the former), the CGI of the train itself is absolutely horrible. They would have been better off filming a Lionel model train set than the images that they got which in no way look realistic. Seriously though the production crew would have been much better off using practical effects but I suppose the budget could only tolerate bargain basement CGI.

As action movies go it’s pretty much suited for a January release with all that implies. As most veteran moviegoers will tell you, most movies released in the first month of the year are generally not much in the quality department; high expectations should generally be avoided. Taking that into account, The Commuter isn’t half bad. It’s not half good either.

REASONS TO GO: The opening sequence is cleverly done. Some of the action sequences are pretty nifty too.
REASONS TO STAY: The CGI is truly horrendous; they would have been better off with practical effects. Neeson is beginning to look a bit long in the tooth for these kinds of roles.
FAMILY VALUES: There is some action film-type violence (some of it intense) as well as a smattering of profanity.
TRIVIAL PURSUIT: This is the fourth time Collet-Serra has directed Neeson in an action film within the last seven years.
CRITICAL MASS: As of 2/27/18: Rotten Tomatoes: 58% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Non-Stop
FINAL RATING: 5/10
NEXT:
Darkest Hour

68 Kill


Now here’s a woman who knows how to get what she wants.

(2017) Action (IFC Midnight) Matthew Gray Gubler, AnnaLynne McCord, Alisha Boe, Sheila Vand, Sam Eidson, Michael Beasley, James Moses Black, David Maldonado, Ajay Mehta, Hallie Grace Bradley, Lucy Faust, Peter Jaymes, Eric Podnar, Carlos Antonio, Walker Babington, Kelly Connolly. Directed by Trent Haaga

This year there’s been a spate of heist action films that have been unusually entertaining. One that’s flown under the radar is this gem that made some waves at South by Southwest and also the Florida Film Festival.

This one is a little bit more graphic than most. Chip (Gubler) is a decent guy who has a problem; he just can’t say no to a pretty girl. His girlfriend Liza (McCord) knows all about it and uses it to her advantage. She’s not a very nice girl in a lot of ways but what she is for whatever its worth is practical. Chip wants to bring in as much cash as he can to support Liza who has lavish lifestyle tastes on a trailer park budget. In fact, they do live in a trailer park and when the couple is short on funds when the rent is due – which occurs pretty often – she makes up for it with blow jobs and other sexual favors.

Liza is pretty much done with this sort of life. She’s learned that the landlord (Jaymes) is keeping a stash of cash in his home safe – to the tune of $68,000. Such a haul, she reasons, would be enough to give her and Chip a brand new life in a much better place than the craphole they live in. It’s an easy, smash and grab job – nobody has to get hurt. However, just in case – a couple of guns might come in handy if they need to defend themselves. Nothing to worry about, honey; I’m sure we won’t need to use them. I’m positive of it, in fact. You can guess how that’s going to go.

Two dead people and a hostage named Violet (Boe) later, a sickened Chip and adrenalized Liza show up at her brother Dwayne’s (Eidson) house to sell him Violet; as it turns out, Dwayne likes to torture and mutilate women for sexual pleasure and Violet is plenty pretty. This is way more than Chip signed on for and he decides to cut his losses and get out with Violet. However, Liza doesn’t take well to breaking up with her boyfriend as you can imagine and as weird as things have been, they are about to get weirder.

Haaga, who has some experience in the Troma factory of low budget genre movies, has a phenomenal sense of pacing; this movie starts off with a shot of a fly caught in honey (a heavy-handed but apt metaphor) and then never lets the foot off the gas. The movie careens – sometimes drunkenly but always sure of its destination – from one set piece to the next. We just hang on for dear life and if we’re smart, enjoy the ride.

AnnaLynne McCord is an absolute revelation. I don’t think I’ve seen any actress play a psychotic bitch quite as ably as McCord in ages. This ranks up there with What’s the Matter with Baby Jane territory in my opinion; she’s that good. One moment she can be tender and loving towards Chip and the next she’s a shrieking banshee with a pump action rifle aimed for your skull. Love hurts, fool.

Gubler who plays the seminal science nerd in Criminal Minds gets to stretch his wings a bit here in a role that is very unlike the one he’s known for. Chip is sweet but spineless and not book smart or street smart. As a result he makes some unwise choices and he is way too naive when it comes to women, particularly in that part of the world which seems to be populated by some mean ones.

I like that the movie just keeps getting better and better as it goes along. It’s not a movie that overstays its welcome in the least nor does it start out so slow that by the time it gets going the viewer has already checked out. Rather by the time the climax is in full gear I was fully invested in the story and characters. That doesn’t happen all the time for both of those elements, so kudos to Haaga.

Now, most of the women in this movie (with the exception of Violet) are stone cold crazy, over-the-top bitches, hookers, double crossers, two timers or some combination thereof. ‘Course, most of the men in the movie (with the exception of Chip) aren’t much better but there seem to be more redeemable men in the film than women. Some might find this anti-woman, although I don’t think it is personally. If anything, it’s anti-low life scumbag and that’s a cause that reaches across both sides of the aisle.

There is plenty of humor here to lighten up the gore and violence; it’s a little on the dry side so those who don’t cotton to that kind of funny might be well-served to stay away. The characters here are also the most misbegotten collection of fever dream psychos ever assembled in an indie film. It’s like David Lynch in charge of Deliverance in a trailer park setting and if that log line intrigues you, this is the kind of film you’ve been waiting for all year. This isn’t for everyone but if you like to have fun at the movies, don’t mind a little gore, get revved up by frenetic action sequences and don’t mind some oddball characters in the mix, your ship has come in.

REASONS TO GO: The film gets better as it goes along. The humor is bone dry in a good way.
REASONS TO STAY: Some may find this a little misogynistic.
FAMILY VALUES: There is plenty of profanity, just as much violence, some gore and sexuality.
TRIVIAL PURSUIT: The film won the audience award in the Midnighters category at this year’s South by Southwest Film Festival.
BEYOND THE THEATER: Amazon, iTunes, Vudu
CRITICAL MASS: As of 9/3/17: Rotten Tomatoes: 87% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Logan Lucky
FINAL RATING: 7.5/10
NEXT: Win It All

The Fate of the Furious


Why so angry>

(2017) Action (Universal) Vin Diesel, Dwayne Johnson, Jason Statham, Charlize Theron, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Kurt Russell, Nathalie Emmanuel, Luke Evans, Elsa Pataky, Helen Mirren, Scott Eastwood, Kristofer Hivju,, Patrick St. Esprit, Janmarco Santiago, Luke Hawx, Corey Maher, Olek Krupa, Alexander  Babara, Eden Estrella. Directed by F. Gary Gray

 

There was a big question mark hanging over the latest installment of The Fast and the Furious franchise; with co-star Paul Walker gone, could the series continue to reach the heights it achieved with Furious 7? Well, in terms of box office and spectacle, the answer turned out to be yes. But does it hold up with the best of the films in the franchise?

Dominic Toretto (Diesel) is on his honeymoon with his girl Letty (Rodriguez) in Havana, doing what most new husbands do on their honeymoon; get involved in a street race. He is also approached by Cypher (Theron), a world class hacker who has something on Dom but we’re not sure what. His wolfish smile, which looks for all the world like he’s displaying his fangs, turns into a world class scowl – see picture above.

During the next mission with his crew, Dom betrays them leaving Hobbs (Johnson) holding the bag, Cypher holding some Russian nuclear codes and the team unable to believe that Dom would turn on them. The world thinks Dom has gone Rogue but Mr. Nobody (Russell) thinks differently, even after Dom and Cypher attack their headquarters in New York City. Dom flees and Cypher uses her special skills to take control over every computer-enabled car in Manhattan, raining down cars on the team like a really bad hailstorm.

Cypher is after a Russian nuclear sub and with her launch codes could hold the world hostage for a tidy amount of cash but Letty, Mr. Nobody and the until-recently-incarcerated Hobbs have other plans, and they’re going to get some reinforcements of the most unexpected kind. Friend and foe will unite to take on this deadly femme fatale.

Now, I’m not going to beat around the bush; the action sequences are absolutely outstanding. The New York sequence is right there as is the climactic scene in which Dom’s crew chase down the submarine over ice – don’t even ask for sense here. Nothing here makes any. What we have is just cars going fast, things going boom and attractive guys and gals at the wheels of cars we couldn’t possibly afford. What better fantasy is there for a red-blooded American?

I think that the instructions here were to go big and Gray as well as screenwriter Chris Morgan may have taken it too much to heart. This is more in the James Bond territory now than what was once a simple underground street racing movie featuring a bunch of LA guys in wife beaters driving some cool midlife crisis compensators. There are gadgets, CGI and not a whole lot of character development which may be because there are way too many characters here. Too many to keep track of, anyway.

I wasn’t a fan of this franchise initially but starting with the fourth installment I began to get into it. Unfortunately, this is a giant step backwards and while it’s billion dollar worldwide box office guarantees an ninth episode (there will also be a tenth which has already been dated by Universal), I’m not looking forward to it with quite the anticipation of the previous few installments.

REASONS TO GO: The action sequences are great. You can’t go wrong with a heavyweight cast like this one.
REASONS TO STAY: This is the weakest entry in the franchise since Tokyo Drift. There are too many characters to keep up with.
FAMILY VALUES: You’ll find plenty of violence and action, some sensuality and brief profanity.
TRIVIAL PURSUIT: There were rumors that Diesel and Johnson were having some personal difficulties with one another; after Johnson posted his frustrations online, the two met privately and resolved their differences.
CRITICAL MASS: As of 5/30/17: Rotten Tomatoes: 66% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Need for Speed
FINAL RATING: 5/10
NEXT: The Cyclotron