New Releases for the Week of March 7, 2014

300: RISE OF AN EMPIRE

(Warner Brothers) Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson, David Wenham, Rodrigo Santoro, Jack O’Connell. Directed by Noam Murro

Following the defeat of the 300 Spartans by the Persian army at Thermopylae, the massive invasion force has Athens in its sights and will attack by land and by sea. The Greek general Themistokles will face the same long odds as Leonidas but losing to Xerxes and his vengeful general Artemesia will mean losing all of Greece to the Persian scourge.

See the trailer, clips, interviews, featurettes, B-roll video and a promo here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX (opens Thursday)

Genre: Swords and Sandals

Rating: R (for strong sustained sequences of stylized bloody violence throughout, a sex scene, nudity and some language)

The Great Beauty

(Janus) Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso. A wealthy novelist in Rome contemplates the missed opportunities of his past, the empty existence of his present and the squalor, corruption and beauty that is the Eternal City. Some have called this Fellini-esque but one thing is for certain – this won the Best Foreign Film Golden Globe and Oscar.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: NR

Mr. Peabody and Sherman

(DreamWorks) Starring the voices of Ty Burrell, Allison Janney, Patrick Warburton, Stephen Colbert. The world’s smartest dog lives with his talking boy. However when Sherman (said talking boy) in an attempt to impress his friend Penny takes Mr. Peabody’s time machine out for a spin, he creates an instability in the space-time continuum that will take all of Mr. Peabody’s intellect and courage to fix – not to mention some parenting skills. It must be said however that if my boy created an instability in the space-time continuum, he’d be in time-out until he was forty.

See the trailer, a clip and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG (for some mild action and brief rude humor)

Total Siyapaa

(Reliance) Ali Zafar, Yami Gautam, Anupam Kher, Kiron Kher. A young man has fallen in love with an Indian girl living in London. He goes to her parents home for a weekend with the intention of asking for their blessing of the union. They seem to be taking well to him until they find out his dirty little secret – he’s Pakistani. Total chaos ensues as he tries to overcome their prejudices – and his own – in winning back the love of his life.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

War of the Worlds: Goliath

(Anderson Digital) Starring the voices of Adrian Paul, Adam Baldwin, Peter Wingfield, Mark Sheppard. Following the unsuccessful Martian invasion of the Victorian era, the human race has attempted to rebuild their shattered world using the captured technology of the defeated Martians. As is the nature of the human nature, a return to “civilization” has meant that we are all at each other’s throats and a war on a global scale – the war to end all wars – is about to erupt after the assassination of Archduke Franz Ferdinand. All that must be put aside when the Martians return with even more advanced technology and inoculation against the bacteria that killed them the first time. Can we survive another invasion – and more importantly, can we survive ourselves?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG-13 (for fantasy war violence including some disturbing images)

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The Patriot

Mel Gibson leads the charge against the Brits, disappointed he can’t paint his face blue here.

(2000) Historical Drama (Columbia) Mel Gibson, Heath Ledger, Jason Isaacs, Joely Richardson, Chris Cooper, Tcheky Karyo, Rene Auberjonois, Lisa Brenner, Tom Wilkinson, Donal Logue, Leon Rippy, Adam Baldwin, Jay Arlen Jones, Logan Lerman, Mika Boorem. Directed by Roland Emmerich

 

We often bandy about the term “patriotic” to imply our loyalty to our country. In reality, that has come to mean standing whenever the national anthem is played and making sure to cast our votes in each and every election. Most of us don’t even do that. There was a time, however, when being a patriot was dangerous; a man’s home, family and life were the collateral for his ideals.

Benjamin Martin (Gibson) has plenty of collateral. Although he mourns his recently deceased wife, he has seven wonderful children, a prosperous farm and as a hero of the French and Indian War, the respect and admiration of his community. However, the clouds of war brew on the horizon. The colonies of Massachusetts and Virginia are in full revolt against a tyrannical English king, and are soliciting support from the other colonies, many of whom have already given it. Martin’s South Carolina still debates the issue, but despite an impassioned plea by Martin to attempt other solutions (followed by a dire, Cassandra-esque warning that the war would be fought in the streets of their hometowns to be witnessed by their children), South Carolina chooses to fight for freedom. Martin chooses not to, but his passionate son Gabriel (Ledger) enlists in the Continental Army against his father’s wishes.

Two years pass. Lord Cornwallis (Wilkinson) has taken Charleston and as Martin predicted, the fighting is getting close to home. Following a skirmish in which Gabriel participates just outside the Martin farm, Martin and his household tend to the wounded on both sides. Into this scene of compassion canters the despicable Col. Tavington (Isaacs), who orders the wounded Colonials shot, Gabriel arrested and hung as a spy (for carrying dispatches on his person), the house torched and the livestock killed. In the ensuing pandemonium, Martin’s second-oldest son Thomas is shot before the horrified gaze of his family by Tavington, who sneers “Stupid boy!” in his best Snidely Whiplash fashion, and then gallops off, leaving Thomas to die in his father’s arms.

The despicable colonel forgets one of life’s basic rules (or at least one of the basic rules of 90s movies); don’t mess with Mel Gibson (you’d think the Brits would have learned that after Braveheart). He and his two remaining sons carry off a daring rescue of Gabriel, whereupon the elder Martin enlists himself and takes charge of a South Carolina militia whose job is to occupy Cornwallis and keep him from marching north to finish off George Washington. The militiamen do this at great cost, as Tavington carries out atrocity after atrocity.

This isn’t going to play very well in England, as the English here are portrayed as either sadistic, vain, arrogant and/or somewhat stupid. That’s OK, though; this is really our story, although ironically it’s being told by Roland Emmerich, the German director of Independence Day and Godzilla.

The battle scenes are terrifying, as armies get nose to nose and muzzle to muzzle, firing at point blank range at each other, standing in a line and praying that the volley of musket fire will pass them by, all the while cannonshot take the arms, legs and heads off of hapless soldiers in the front ranks. The violence and brutality are excessive at times, but the carnage is necessary to place in context the bravery of farmers, untrained in war, standing in the face of devastating British muskets firing with deadly accuracy into their ranks. Gibson is solid, though his performance is less compelling than in Braveheart, to which this will inevitably be compared. Here, he is a rough-hewn man with a dangerous temper boiling beneath the surface. Ledger is terrific – this was the performance that established him in Hollywood after success in his native Australia.

The Patriot is a bit over-the-top in places, and a bit predictable in others, leading to a half-star penalty. Be warned; this is a gut-wrenching, emotional movie. Da Queen rated it five hankies and there was a lot of snuffling going on in the packed theater in which we saw “The Patriot.” Da Queen was red-eyed hours after the movie was over.

The Patriot reminds us of the sacrifices that were made to give this country life. Men gave of life and limb, watched sons, fathers, brothers and friends perish, left their homes and families to exist in brutal conditions with the Continental army, and often watched their life’s work go up in smoke. Too often, we forget the commitment that created the liberty we cherish. That’s just the first step in losing it.

WHY RENT THIS: Intense battle sequences. Gibson is at his best here. Ledger makes a big splash in his debut.

WHY RENT SOMETHING ELSE: Turns the Redcoats into Storm Troopers. Fudges on the facts.

FAMILY MATTERS: There’s a good deal of war violence here, some of it quite graphic.

TRIVIAL PURSUITS: The house used as Aunt Charlotte’s (Richardson) plantation was the same one used as the residence of Forrest Gump. Benjamin Martin has seven children, the same number Mel Gibson had at the time of filming.

NOTABLE HOME VIDEO FEATURES: There is a featurette on the real people these fictional characters were based on and the lengths the movie went to for historical accuracy in terms of uniforms and so on (it’s a shame they couldn’t have been more accurate in terms in more important places).

BOX OFFICE PERFORMANCE: $215.3M on a $110M production budget; the movie broke even in it’s theatrical release.

COMPARISON SHOPPING: Braveheart

FINAL RATING: 8/10

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