Crown Heights (2017)


Lakeith Stanfield shows off his intensity.

(2017) Biographical Drama (Amazon/IFC) Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Adriane Lenox, Luke Forbes, Zach Grenier, Josh Pais, Nestor Carbonell, Joel van Liew, Bill Camp, Amari Cheatom, Skylan Brooks, Marsha Stephanie Blake, Carlos Hendricks, Ron Canada, Gbenga Akinnagbe, Shana A. Solomon, Brian Tyree Henry, Sarah Goldberg. Directed by Matt Ruskin

 

Justice is portrayed as a blindfolded woman holding a balanced set of scales. This is meant to convey the impartiality of justice. In modern America, experience has taught us that justice sometimes peeks behind the blindfolds and the scales are weighted against the poor and those of color.

Colin Warner (Stanfield) is an immigrant from Trinidad living in the Crown Heights neighborhood of Brooklyn. He is no saint – one of the first things we see him do is steal a car – but he’s not the devil incarnate either. He’s just a guy trying to make it in a world that isn’t well-disposed towards people with his skin color or economic station. He hopes for a better life and along with his best friend Carl “KC” King (Asomugha) is attending a school to become a certified auto mechanic. He also has an eye on Antoinette (Paul), a neighborhood girl who has unfortunately put him in the friend zone.

One night as he walks home with his mother’s television set which he picked up from the repair shop, he is arrested by a pair of New York’s finest. When he learns that the charge is murder, he is almost incredulous. The more he discovers about the crime, the more confident he is that he’ll soon be freed; for one thing, he didn’t do the crime. He didn’t know anyone involved. He had no motive and no record of violence. Surely the police will see that and let him go.

To his horror, they don’t. Even after they find the man who actually pulled the trigger (Forbes), they refuse to let him go. An eyewitness puts him on the scene; never mind that the 15-year-old boy (Brooks) has a criminal history of his own, or that his story is wildly inconsistent with other eyewitnesses. Even the presiding judge (Canada) admits the evidence is flimsy. Nevertheless, an all-white jury convicts the shocked Colin and he is sentenced to 15 years to life in prison.

Colin’s family and particularly KC are livid and on a mission to get Colin home where he belongs. The appeals process turns into a nightmare as the lawyer that is hired is so woefully unprepared that it is clear that he’s all about getting the cash up front and after that, he doesn’t really much care. KC’s determination leads him to take the process server’s exam so that he can circulate among lawyers and perhaps find a good one to take Colin’s case. Eventually it leads him to William Robedee (Camp) who together with his Irish wife Shirley (Goldberg) run a tiny practice. The lawyer agrees to take the case after looking at the transcripts and discovering what a shockingly inadequate defense Colin received. Still, the system is grinding Colin down and although Antoinette has thawed on the whole romance thing, it looks like Colin might just rot in prison.

This is based on true events which should be enough to make your blood boil. These things really happened and Colin Warner really spent a ridiculous amount of time in prison for a crime he didn’t commit. Ruskin uses contemporary clips of various presidents talking tough on crime to illustrate the tone of the times and reminds us that crime is the political equivalent of a slam dunk – everybody wants to be perceived as tough on crime. The results of the rhetoric was largely cosmetic; the effects on the poor and those unable to afford good representation, devastating.

Stanfield has been turning heads over the past few years with performance after performance, always delivering something special. This might be his best work yet, showing us a man who is pretty laid back and soft-spoken most of the time but frustrated by the injustice of his situation, driven to despair (he wakes up each morning murmuring to himself “Please don’t let it be a cell”) and eventually rage, lashing out at brutal guards and equally brutal inmates. Only his love for Antoinette, his mother and grandmother back in Trinidad and the support of KC keeps him going. Stanfield captures the full range of Colin’s emotions.

I’m not sure where this was filmed but I suspect it was either in a working prison or a decommissioned one. It looks a little too authentic to be a set. I could be wrong on that count of course and if I am, the production designer Kaet McAnneny is to be doubly commended. Ruskin also gives a very stark look at life inside. It isn’t as brutal as, say, Oz but it does capture the feeling of simmering anger and violence that exists in a prison and especially the hopelessness.

The movie suffers from an inconsistent pace. Certain parts of the movie seem to move very quickly (the arrest and initial trial, for example) and others seem to drag. Ruskin utilizes graphics to tell us how long Colin has been incarcerated. There are some jumps in time and quite honestly there is a lack of consistent flow here. I didn’t get a good sense of time passing; other than the graphics, all of the action could have taken place within the same year with the viewer being none the wiser.

Stanfield is impressive here and I wouldn’t be surprised if down the line he became one of the very best in Hollywood, the sort of actor who is a threat to win an Oscar every time he signs up for a movie. He elevates this movie and he is supported by a thoroughly professional cast. The acting is uniformly good and other than what I discussed earlier there aren’t really any serious faults to really distract from what is a very good film. It tells a story that will outrage but sadly isn’t uncommon as graphics near the end of the film show. Definitely this is one if you’re looking for a serious movie to see that may have some outside Oscar implications later on.

REASONS TO GO: Stanfield delivers a performance that just sizzles. A cathartic ending enhances the gritty portrayal of the brutality of everyday prison life.
REASONS TO STAY: The pacing is inconsistent..
FAMILY VALUES: There’s lots of profanity, some violence and sexuality as well as some nudity.
TRIVIAL PURSUIT: Asomugha is a pro football player who is a two-time All-Pro defensive back for the Oakland Raiders.
CRITICAL MASS: As of 9/8/17: Rotten Tomatoes: 75% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: The Hurricane
FINAL RATING: 7.5/10
NEXT: Man in Red Bandana

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New Releases for the Week of September 8, 2017


IT

(New Line) Bill Skarsgård, Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer, Wyatt Oleff, Nicholas Hamilton. Directed by Andy Muschietti

Beneath the streets of Derry, Maine, lives an evil that periodically rises to take the town’s children. Four particularly brave and prescient kids are aware of what’s going on and they are ready to fight but they are up against a monster without pity or seemingly without limits. Pennywise the Clown will haunt your dreams, courtesy of the mind of Stephen King and this movie.

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Horror
Now Playing: Wide Release

Rating: R (for violence/horror, bloody images, and for language)

9/11

(Atlas) Charlie Sheen, Whoopi Goldberg, Gina Gershon, Luis Guzman. On one of the grimmest days in the history of our country, five total strangers are in an elevator in the World Trade Center when an airplane crashes into their building. Trapped and without a hope of rescue, they must work together and find a way out, not realizing that the clock is ticking and time is running out.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: AMC Disney Springs, AMC Universal Cineplex, AMC West Oaks, Cobb Plaza, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: R (for language)

Crown Heights

(Amazon/IFC) Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Adriane Lenox. Colin Warner, an immigrant from the Caribbean living in the Crown Heights neighborhood of Brooklyn, was accused of a murder he didn’t commit. Despite only the testimony of unreliable eyewitnesses, he was convicted and sent to prison. His best friend, Carl “KC” King and his childhood sweetheart Antoinette stood by Colin despite a system that had taken everything from him, believing that one day they would set him free and justice would prevail. This is their incredible true story.

See the trailer and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs

Rating: R (for language throughout, some sexuality/nudity and violence)

Fallen

(Vertical/Destination) Addison Timlin, Jeremy Irvine, Lola Kirke, Joely Richardson. A 17-year-old girl with an attitude is sent off to a reformatory after being unjustly blamed for the death of another student. Once there, she is drawn to two different boys, each of whom has an incredible secret. In the meantime, she is experiencing inexplicable events and strange visions, leading her to the conclusion that she must figure out the secrets of her own past in order to navigate a very rocky road that could lead to a cataclysmic destination. This is based on a series of young adult fantasy novels.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for thematic material, violent images, some sensuality, language and teen partying)

Home Again

(Open Road) Reese Witherspoon, Nat Wolff, Lake Bell, Michael Sheen. A woman newly separated from her husband and raising their kids on her own agrees to allow three young men to live in her home and share expenses. However, things get super complicated when her ex-husband decides to try and win her back especially since she’s developed feelings for one of the guys.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: PG-13 (for some thematic and sexual material)

I Do…Until I Don’t

(Film Arcade) Lake Bell, Ed Helms, Paul Reiser, Mary Steenburgen. Three couples, all in different places in their marriage, are the focus of this ensemble comedy from writer/director/actress Bell who has made some compelling films recently both in front of and behind the camera.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for sexual material and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Daddy
Gunshy
The Midwife
True to the Game
Yuddham Sharanam

ALSO OPENING IN MIAMI:

Calle 54
The Good Catholic
The Last Mentsch
The Limehouse Golem
Man in Red Bandana
True to the Game
Yuddham Sharanam

ALSO OPENING IN TAMPA:

Chasing Trane: The John Coltrane Documentary
Gunshy
The Limehouse Golem
Rememory
True to the Game
Turn It Around: The Story of East Bay Punk
Yuddham Sharanam

ALSO OPENING IN JACKSONVILLE:

England is Mine
Love You to the Stars and Back
True to the Game
Yuddham Sharanam

SCHEDULED FOR REVIEW:

Chasing Trane: The John Coltrane Documentary
Crown Heights
Home Again
It
Man in Red Bandana
Turn It Around: The Story of East Bay Punk

The Immortal Life of Henrietta Lacks


Raindrops keep falling on our heads.

(2017) Biographical Drama (HBO) Oprah Winfrey, Rose Byrne, Renée Elise Goldsberry, Rocky Carroll, Reg E. Cathey, Leslie Uggams, Courtney B. Vance, Ellen Barkin, Peter Gerety, Adriane Lenox, Roger Robinson, John Douglas Thompson, Karen Reynolds, Sylvia Grace Crim, Ruben Santiago-Hudson, Jaedon Godley, Kyanna Simone, Jane Rumbaua. Directed by George C. Wolfe

 

In the past half a century there have been some amazing medical advances. Some of these breakthroughs have come as a result of a strain of cells known as HeLa, which have helped find, among other things, the polio vaccine. So what’s the story behind those cells?

In 1951, Henrietta Lacks (Goldsberry) was diagnosed with cervical cancer. She was taken to Johns Hopkins Hospital in Baltimore where she fought hard but eventually succumbed. While she was alive some of her cells were harvested without her knowledge and researchers were amazed to discover that the cells remained alive and were reproducing and would be indefinitely. The cells became well-known throughout the medical research community but few people knew where they came from.

Eventually word got out that the cells had been taken from Henrietta Lacks. Her daughter Deborah (Winfrey), or Dale as she is called by friends and family, never knew her mother being only two years old when she passed away. In time her brothers Sonny (Carroll), Day (Robinson), Zakkariya (Cathey) and Lawrence (Thompson) as well as sister Barbara (Lenox) and her mother’s friend Sadie (Uggams) – who have discovered that their mom was the source of these wonder cells that have made pharmaceutical and medical research companies millions upon millions of dollars – give up on getting any reparations, particularly when charlatans like the colorfully named Sir Lord Keenan Kester Cofield (Vance) put them through hell.

When freelance journalist Rebecca Skloot (Byrne) wants to write a book about Henrietta she is met with resistance and outright hostility by the Lacks family and understandably so, considering how they’ve been exploited and condescended to over the years. Rebecca is patient and persistent and eventually she wins over Dale, the most wary of the group. As Dale and Rebecca go on a journey to find out who Henrietta was the two begin to bond unexpectedly especially as that journey yields far more than the women expected.

I’ve noticed that whenever Oprah Winfrey gets involved in a project, it behooves me to set the bar high. It’s a very rare occasion that movies she is part of aren’t the highest of quality. Once again, she shows that she’s not just a talk show host, losing herself in the role of the embittered and troubled Dale – whose sexual assault as a teen is part of what informs her paranoia and violent mood swings – so much so that you forget it’s Oprah. That’s an accomplishment when you consider how much her personality has become part of her brand.

But she’s not the only reason to see this movie either. She is surrounded by a strong cast, including Vance as the oily con man, Cathey as a severely troubled ex-con and Byrne as the sweet but strong-willed journalist who may come off as a bit of a sorority girl but can give back as well as she gets when push comes to shove. It was wonderful as well to see Uggams – a fixture in African-American movies and TV back in the day – onscreen, but she’s not there as a token Name. The girl can still bring it.

Cinematographer Sofian El Fani – best known for the wonderful Blue is the Warmest Color – brings an autumnal beauty to both urban Baltimore and rural Virginia, adding a sepia-toned hue to the flashbacks involving Henrietta (a scene on a Ferris Wheel is particularly delightful). Branford Marsalis adds a jazz-infused score that captures the vibe of the era, both the 50s during Henrietta’s story and in the 90s during Dale’s.

Wolfe plays this as part character study and part detective story and the two elements mesh very well. The family’s pain is evident throughout, having lost their mother at so young an age (she was just 31 when she passed away) and her loss has resonated throughout their lives in very tangible ways. For Deborah, it meant being moved in with an aunt and uncle, the latter of which ended up sexually abusing her. That is part of Henrietta’s immortality, the loss that those who loved her still felt. However, there was joy as well, as Dale and Zakkariya see their mother’s living cells through a microscope and realize that a part of her is still alive and with them. It’s a powerful moment in a movie that is full of them.

The filmmaking is efficient as Wolfe essentially sets up the whole story in an opening montage of animation and graphics that set the stage for the film in about two and a half minutes. It’s an impressive feat, one that young filmmakers should take note of. This could easily have been a three hour movie but Wolfe utilizes his time wisely.

Yes there will be waterworks and tissue paper should be kept on hand if you intend to fire up HBO and watch this puppy. While the race card is definitely in the deck, the filmmakers choose not to play it which I think makes the movie even stronger. Of course racism played a part in the exploitation of Henrietta Lacks but you’re not hit over the head with it. The filmmakers assume that the viewer understands that and move forward with the story which is not so much about Henrietta but about Dale. What could be more powerful a story than a daughter mourning the loss of a mother she never truly knew?

REASONS TO GO: There are some very strong performances, particularly from Winfrey and Uggams. The story is very moving, the family’s pain palpable throughout. The film possesses great cinematography and a great score.
REASONS TO STAY: There is a bit of cinematic shorthand going on here.
FAMILY VALUES: There is a scene of rape, some violence and a bit of profanity.
TRIVIAL PURSUIT: In an interview on NPR, Rebecca Skloot said that the real Deborah Lacks predicted that the book would be a best seller, that Oprah would produce a movie based on the book and that Oprah would play her. Although Deborah died in 2009 just before the book came out, all of her predictions came to pass.
BEYOND THE THEATERS: Google Play, HBO, YouTube (please note that Google Play and YouTube will not be available for purchase until after initial HBO run is complete)
CRITICAL MASS: As of 5/26/17: Rotten Tomatoes: 63% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: Loving
FINAL RATING: 8/10
NEXT: Chuck