New Releases for the Week of July 18, 2014


The Purge: AnarchyTHE PURGE: ANARCHY

(Universal) Frank Grillo, Michael K. Williams, Carmen Ejogo, Zach Gilford, Kiele Sanchez, Keith Stanfield, Edwin Hodge. Directed by James DeMonaco

Has it been a year already? Oh, right, it’s time for the annual purge, a single night where the New Founding Fathers allow the people of the United States to run wild in the streets, where all crime is legal including murder and sensible people lock themselves in their fortress-like homes in order to survive the night. Not that it will help you if you aren’t wealthy enough to afford the very best protection, or if your car breaks down on the way home…or if you have some purging of your own to do. Happy purging, people.

 

See the trailer, clips, interviews, a featurette and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for strong disturbing violence, and language)

Aftermath

(Image) Edward Furlong, Monica Keena, William Baldwin, Andre Royo. Nine survivors of a nuclear holocaust as World War III rages gather at a farmhouse in rural Texas to await their fate. Radiation sickness, hunger, desperate refugees and their own bickering threaten to do them all in.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: NR

Le Chef

(Cohen Media Group) Jean Reno, Michael Youn, Raphaelle Agogue, Julien Boisselier. A great French chef who has become a brand name in France has found inspiration lacking as of late. The capital partner who essentially owns his restaurants is threatening to install a new chef in his own restaurant. Salvation may come in the form of a mule-headed, opinionated young chef who is brilliant and creative but impossible to get along with. A favorite at this year’s Florida Film Festival, you can read my review of the movie here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for brief strong language)

Planes: Fire and Rescue

(Disney) Starring the voices of Dane Cook, Julie Bowen, Ed Harris, Hal Holbrook. After a damaged engine puts Dusty Crophopper’s racing career in jeopardy, he decides to put his talents to good use. He joins the aerial firefighting unit guarding historic Piston Peak National Park. However, he soon finds that it isn’t all that he imagined it would be.

See the trailer, interviews, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Animated Feature

Rating: PG (for action and some peril)

Sex Tape

(Columbia) Cameron Diaz, Jason Segel, Rob Corddry, Rob Lowe. A couple whose marriage has been in the doldrums for some time decide to liven things up by making a sex tape. It works and they find their relationship clicking on all cylinders for the first time in years. However, the video – which was supposed to have been erased – ends up on their cloud which is connected to a bunch of devices they’ve given out as presents. Getting those devices back will be the easy part – keeping their sanity and their marriage together will be harder.

See the trailer, interviews, clips, premiere footage and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Comedy

Rating: R (for strong sexual content, nudity, language and some drug use)

Wish I Was Here

(Focus) Zach Braff, Kate Hudson, Mandy Patinkin, Josh Gad. A 30-something husband and father comes to a point in his life where he realizes that he needs to get serious about his responsibilities and grow up but that’s not an easy proposition in his family.

See the trailer, interviews, a featurette, a clip and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language and some sexual content)

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Top 10 of 2013


Top 10 2014Those who read a lot of movie reviewers know that it is part of the job to rank the best movies of the year once that year is over. Not being one of those critics who gets to see all the big movies well in advance of their release date, I have to make do with getting out to see them as soon as I can, which leads to delays in publishing my top 10.

As with most things, any top 10 for any critic is a moment in time captured. This is how I feel these movies belong to be ranked at this moment, right now. I can guarantee you that I’ll look back on this next year and wonder how in the hell I ranked one movie ahead of another, or how I missed this movie or that one.

Here you’ll see plenty of movies that are already on a lot of year end lists, but there’s one you won’t see that is – Her. That’s not because I didn’t love the movie – in fact, I think that it would be near the top if not the top movie of 2013. However, while it did get released in New York and L.A. in 2013 for Academy consideration, most people in the country didn’t get a chance to see it until January of this year. That is why I decided to put the film in as part of my 2014 films. Normally I go by the release date of the movie to qualify it as a top ten film, but in all honesty these days we’re getting so many quality foreign films that were released in their own countries a year, two or even three years prior to their American release that I am going with a general “when did it get its widest release” in order to determine what year I rank the film with. You can bitch and moan if you want to but it’s my playground and my rules and I reserve the right to change them tomorrow.

I think that the quality for movies overall in 2013 was pretty high compared to recent years. Many of the honorable mentions would have made the top 10 lists in years past. This one was a bit harder to put together; there were several I had a hard time relegating to the purgatory of Honorable Mention but at the end of the day, this is my list and I’m sticking to it.

So this is the list as I see it. Feel free to leave your comments and opinions here on the site or elsewhere. I’m always happy to defend my choices. However, if you haven’t seen some of them, do seek them out; I’ll do my best to provide information as to how to go watch them right now, whether it be in your local multiplex, through an online streaming service, on your cable or satellite subscription service or at your local DVD store.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

Dallas Buyers Club, Aftermath, Saving Mr. Banks, Mud, Starbuck, A.C.O.D., Unfinished Song, Nebraska, The Book Thief, John Dies at the End, The World’s End, Stories We Tell, The Attack, Good Ol’ Freda, Big Star: Nothing Can Hurt Me, Sightseers, Captain Phillips, Pieta, Philomena, The History of Future Folk, About Time, I Declare War, Year of the Living Dead, Quartet

This Is Where We Live

10.  THIS IS WHERE WE LIVE

(Bluff City) Tobias Segal, Marc Menchaca, Barry Corbin, Frankie Shaw, C.K. McFarland, Ron Hayden, Katherine Willis, Marco Perella, Brent Smiga, Brian Orr, Christine Bruno, Carolyn Gilroy. Directed by Josh Barrett and Marc Menchaca

Released April 7, 2013 A Texas hill country family has a tough go of it, with the adult son having a severe form of cerebral palsy and the father in the beginning stages of dementia. The mother is also battling high blood pressure and the sister is bitter at the hand life has dealt her. Into this volatile mix comes a rough and tumble handyman who at first builds a wheelchair ramp for the front porch but eventually becomes the son’s caretaker and friend. However his shortcomings may tear the family apart.

WHY IT IS HERE: Beautifully photographed and written with sympathy and sensitivity, this is a movie for people who love movies about people and by people, I mean real people, the sort you might run into at the grocery store or sit next to in the bar. It could have easily been a manipulative Lifetime movie but instead chooses honesty over treacle. An amazing debut by the directing team.

HIGHLIGHT SCENE: Tobias Segal as August expresses his frustration at trying to communicate with a body that doesn’t co-operate with him – ever.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Is trying to secure distributorship for some sort of theatrical release. Until then, look for it on the Festival circuit.

Short Term 12

9. SHORT TERM 12

(Cinedigm) Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield, Frantz Turner, Stephanie Beatriz, Melora Walters. Directed by Destin Daniel Cretton

Released August 23, 2013 In an era of austerity where social service funding is under fire from the fiscal conservatives, this is a look at just what that wasteful spending is actually spent on. A young woman is the caretaker of at-risk youths in a care facility in Los Angeles in an eventful few days in the facility. A girl is admitted, one who reminds the caretaker strikingly of herself. A long-time resident prepares to get released to live on his own. And the caretaker discovers that she is pregnant, which triggers her own long-held emotional issues.

WHY IT IS HERE: As authentic a movie as was released in 2013. A warts-and-all portrayal of troubled kids and of the young people who care for them. Larson’s performance would certainly have been in the mix for the Best Actress Oscar had this been released by a major studio; suffice to say she has what it takes to get the gold somewhere down the line. Surrounded by a great young cast, Larson shines and elevates this film to the next level.

HIGHLIGHT SCENE: Larson “rescues” Dever from the home of her abusive father and in doing so the inner pain of both women comes to the surface.

BOX OFFICE RESULTS: $1 million domestic (as of 1/14/14), $1 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon.

The Wolf of Wall Street

8. THE WOLF OF WALL STREET

(Paramount) Leonardo di Caprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Favreau, Jean Dujardin, Kenneth Choi, PJ Byrne, Jon Bernthal, Joanna Lumley. Directed by Martin Scorsese

Released December 25, 2013 It seems only fitting that Scorsese would in this day and age make a film about amoral Wall Street capitalists – after all, they are the new mob of the 21st century. Still, there is a fascination to the rise and fall of Jordan Belfort from ambitious penny stock trader to criminal on an epic scale. All the drugs, all the language, the greed and the women – it’s a morality tale like none other.

WHY IT IS HERE: Di Caprio delivers one of the defining performances of his career to date and Hill proves he’s more than a one-shot wonder with an Oscar-nominated performance. While some have complained about the indulgences and the f-bombs, nonetheless there’s authenticity about what you see onscreen. If absolute power corrupts absolutely, then money corrupts inevitably. One of the critical hits of the year and judging on the box office returns this may well being one of Scorsese’s biggest hits ever.

HIGHLIGHT SCENE: Delayed-reaction Quaaludes. That’s all you need to know.

BOX OFFICE RESULTS: $82.8 million domestic (as of 1/17/14), $120.9M total.

BUDGET: $100M

STATUS: Still out in wide release.

The Hunt

7. THE HUNT (JAGTEN)

(Magnolia) Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkoop, Lasse Fogelstrom, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport, Ole Dupont, Rikke Bergmann, Allan Wilbor Christensen. Directed by Thomas Vinterberg

Released July 12, 2013 We were one of the first in the country to see this here in Orlando at the Florida Film Festival. Recently this was announced to be one of the final nominees for the Oscar for Best Foreign Film. Given it’s wrenching story about a substitute teacher who is just trying to get his life together after a bitter divorce accused of molesting a little girl, it’s hardly unsurprising but there is more to this than simply a terrific story.

WHY IT IS HERE: The storyline, as well-told as it is, is brought to life by an Oscar-worthy performance by Mikkelsen. In a year in which we’ve been treated to a wealth of fine performances, this is as good as any as you’ll witness, Only the fact that this is a mid-major distributor and a foreign film kept Mikkelsen from being in the Oscar mix. This is the kind of movie that leaves you feeling emotionally drained after seeing it.

HIGHLIGHT SCENE: The Christmas eve church confrontation.

BOX OFFICE RESULTS: $613,308 domestic (as of 1/21/14), $16.76M total..

BUDGET: $3.45M.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster/Netflix/iTunes.

Fruitvale Station

6. FRUITVALE STATION

(Weinstein) Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand, Chad Michael Murray, Ariana Neal, Ahna O’Reilly, Keenan Coogler, Trestin George, Joey Oglesby, Michael James, Marjorie Shears, Destiny Ekwueme. Directed by Ryan Coogler

Released July 12, 2013 Based on true events that happened on the last day of 2008 (and on the first day of 2009), the shooting of Oscar Grant III at an East Bay BART station galvanized the Bay Area and the nation as to the training of transit police and their use of firearms. Taking place on the last day of his life, the film shows the story of a man who’s made some terrible mistakes trying to get his life together only to lose it in a senseless confrontation

WHY IT IS HERE: Some talk about Oscar snubs to Redford and Hanks but this entire movie has gotten snubbed this entire awards season and it just isn’t right. Part of he problem was that the movie was released back in July but frankly the studio hasn’t really supported it as much as it deserves either. The movie certainly should have received Oscar nominations for Best Picture, Best Director, Best Actor (Jordan), Best Supporting Actress (Spencer) and Best Original Screenplay. Hopefully the justice will be in big boosts to the careers of Coogler and Jordan.

HIGHLIGHT SCENE: When a mother is informed that her son is dead.

BOX OFFICE RESULTS: $16.1 million domestic (as of 1/21/14), $16.7 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

20 Feet from Stardom

5. 20 FEET FROM STARDOM

(Radius) Darlene Love, Merry Clayton, Lisa Fisher, Judith Hill, Tata Vega, Sting, Bruce Springsteen, Stevie Wonder, Mick Jagger, Bette Midler, Chris Botti, Lynn Mabry, Claudia Lennear, Sheryl Crow, Patti Austin. Directed by Morgan Neville

Released June 14, 2013 Most of us know the stars out front belting out the hits but few of us are all that aware of the back-up singers who often sing the parts of the song we sing along to. Some of them are the most talented and powerful voices in the business bar none – including the stars, who would be the first to tell you so. These are the anti-American Idols – women content to remain in the background, who sing for the love of singing rather than in pursuit of fame.

WHY IT IS HERE: This Oscar-nominated documentary shines a light on those who have shunned the spotlight, some for nearly 50 years and still going strong. This was the opening night film for the 2013 Florida Film Festival and an auspicious kick-off to that event it was, with Merry Clayton a special guest gracing opening night filmgoers with a song.

HIGHLIGHT SCENE: A deconstruction of the Rolling Stones’ classic “Gimme Shelter” with the various tracks stripped away until only Clayton’s powerful voice remains.

BOX OFFICE RESULTS: $4.8M domestic (as of 1/22/14), $5.2M worldwide.

BUDGET: Not available

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

Gravity

4. GRAVITY

(Warner Brothers) Sandra Bullock, George Clooney, Ed Harris (voice), Phaldut Sharma (voice), Orto Ignatiussen (voice), Amy Warren (voice), Basher Savage (voice). Directed by Alfonso Cuaron

Released October 3, 2013 Perhaps the worst possible fear of an astronaut is a disaster in space, crippling their spacecraft and robbing them of a ride home. For all our well-trained, cool-as-a-cucumber-under-pressure NASA heroes, there’s no doubt that each one of them are human inside and in a situation like that would be absolutely terrified. This comes as close as we can to making that situation real for a general audience.

WHY IT IS HERE: Stunning special effects that duplicate weightlessness so perfectly, and a bravura Oscar-nominated performance by Bullock (and justifiably so). This has been getting rabid kudos from critics and audiences alike since it opened and it is no surprise that it is one of the finalists for the Best Picture Oscar.

HIGHLIGHT SCENE: The initial collision with the debris field that leaves Bullock’s character spinning out of control and headed for deep space – all against eerie silence.

BOX OFFICE RESULTS: $258.9 million domestic (as of 1/21/14), $677.7 million total.

BUDGET: $100 million.

STATUS: Still in wide release; scheduled for home video release on February 25.

The Forgotten Kingdom

3. THE FORGOTTEN KINGDOM

(Black Kettle) Zenzo Ngqobe, Nozipho Nkelemba, Jerry Mofokeng, Lebohang Ntsane, Moshoshoe Chabeli, Lillian Dube, Sam Phillips. Directed by Andrew Mudge

Released April 5, 2013 This is yet another movie on this list that I first caught at the Florida Film Festival – in this case, the best film I caught at the FFF this year. In it a South African man, living a life of drinking and womanizing, is charged with taking his father – from whom he was estranged – back to Lesotho to be buried. Along the way he rekindles an old flame, learns something about his dad and of himself – and of Africa.

WHY IT IS HERE: An amazing film that drills down father-son relationships and forces you to explore your own relationships with your parents and/or your children. Beautifully shot in gorgeous African vistas, this is a movie so compelling and beautiful that I was thinking about it for days. I’m still thinking about it now.

HIGHLIGHT SCENE: Atang’s confrontation with Dineo’s father.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Still appearing on the festival circuit. At this time there are no concrete plans for home video release but at some point hopefully that will change.

12 Years a Slave

2.  12 YEARS A SLAVE

(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Brad Pitt, Paul Giamatti, Alfre Woodard. Directed by Steve McQueen

Released October 18, 2013 Solomon Northup, a free American of African descent, is betrayed, kidnapped and sold into slavery. Sent to the deep South of the plantations of Louisiana, he is taken away from his wife and children and must learn to survive in the brutal world of the cotton fields, maintaining the hope that one day he will be free once again.

WHY IT IS HERE: Just a magnificently gripping film, one which can show the depths of human depravity one moment and the heights of the strength of the human spirit the next. Ejiofor comes out as a legitimate star here while McQueen who for years has been labeled as a director of enormous promise, fulfills it here.

HIGHLIGHT SCENE: Solomon Northup sobbing as he is being carted away in a wagon as he is at last set free.

BOX OFFICE RESULTS: $43.9M (as of 1/2913), $79.0M total.

BUDGET: $20 million.

STATUS: Still in wide release. Expected to be released on home video this spring.

The Act of Killing

1. THE ACT OF KILLING

 (Drafthouse) Anwars Congo, Herman Koto, Safit Pardede, Adi Zulkadry, Haji Anif, Jusuf Kalla, Ibrahim Sinik, Syamsul Arfin. Directed by Joshua Oppenheimer

Released July 19, 2013 During the Indonesian military takeover in the mid-1960s, thousands upon thousands of Indonesians were murdered by death squad, often led by members of organized crime. In an effort to rid the country of leftists and communists, the net was expanded to include executions of ethnic Chinese and as time went on, basically anyone they wanted. Some of the more notorious death squad leaders were interviewed here and invited to re-enact their crimes in any style they wished; being to a man big fans of Hollywood movies, they would choose some fairly inventive means.

WHY IT IS HERE: I can’t say I enjoyed this movie but the experience of it really changed my perceptions on the notions of forgiveness and humanity. Anwars Congo, one of the most blood-soaked of the death squad leaders (and one of the most revered in Indonesia), is today a grandfatherly sort whose gentle onscreen demeanor is at odds with the horrors of his vicious, cruel and bloodthirsty acts. Is there redemption for men like that? Can one feel sympathy for the devil?

HIGHLIGHT SCENE: The scene on the roof when the horror of his actions catches up with Anwar and he has a violently physical reaction.

BOX OFFICE RESULTS: $469, 214 domestic (as of 1/29/13), $469,214 total.

BUDGET: $1 million.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Netflix.

Aftermath (2012) (Poklosie)


You can't beat Ireneusz Czop's performance with a stick.

You can’t beat Ireneusz Czop’s performance with a stick.

(2012) Drama (Menemsha) Ireneusz Czop, Maciej Stuhr, Zbigniew Zamachowski, Danuta Szarflarska, Jerzy Radziwilowicz, Zuzana Fialova, Wojciech Brzezinski, Danuta Borsuk, Andrzej Mastalerz, Anita Podderbniak, Magdalena Gnatowska, Ryszard Roncziewski, Zbigniew Konopka, Elzbieta Romanowska, Lech Dyblik, Jaroslaw Gruda, Zbigniew Kasprzyk, Robert Rogalski, Maria Garbowska. Directed by Wladyslaw Pasikowski

We really don’t know what darkness lurks in the hearts of our neighbors. Even in the nicest, most bucolic towns there can be absolute horrors beyond imagining. Some people will go to the most extreme of measures to keep those secrets hidden.

Franck Kalina (Czop) has flown to Poland from Chicago. His destination is a pretty remote one; to get there he has to take a plane, a train, a bus and then walk the rest of the way. He is there to visit his brother Jozef (Stuhr) who runs the family farm.

Franck has been in America nearly 20 years and has been estranged from his brother at least for that long but when Jozef’s wife Jola shows up at his door with their kids and without explanation, he returns to the land of his birth to get to the bottom of things. There he finds Jozef has been essentially ostracized by the town. Why? Because he’s unearthing old Jewish tombstones that were repurposed by the Nazis during World War II as flagstones, pavement and other uses. He can’t really explain why he’s doing it other than it seems right; there’s nobody left to look after them.

Franck soon becomes embroiled in the controversy as the incidents escalate from rocks thrown through windows to anti-Semitic graffiti on their barn to physical violence directed against Jozef and his dog. Only the retiring village priest (Mastalerz) and a kindly medic (Fialova) seem to have any sympathy for them at all. Franck’s dogged determination to discover what the reason is for all the hatred over stones for people nobody can remember leads to a shocking discovery.

This movie took nearly a decade to secure the financing to make it to the screen. The movie is inspired by a real incident in the village of Jedwabne during the Second World War. The controversial non-fiction book Neighbors by Princeton scholar Jan Gross (which was denounced as anti-Polish and inflammatory) about the subject inspired the filmmakers to make Aftermath. Even now the events are a sore subject with the Polish people; even reviews of the film in American newspaper have inspired some passionate posts both pro and con; some look at the filmmakers as brave men who have become the first Poles to directly acknowledge the events in Jedwabne and in other places like it in the Arts. Others have condemned it as furthering vicious slander against the Polish people.

This is an incredibly moving film which is on one level the bond between two very different brothers. Franck is taciturn and confrontational but at the same time he didn’t have the decency to return home for the funeral for his parents. Jozef is stubborn and unforgiving but has a curious soft spot for the underdog. Both men, surprisingly, are what I’d call environmental anti-Semites. They habitually refer to Jews as “Yids” and often say things that convey their low opinion of Jews in general and Polish Jews in particular. Franck even intimates that the troubles Poles have getting decent jobs in the U.S.is due to Jewish interference.

They do make the unlikeliest of righteous men but yet they are. It works making them so un-heroic in many ways. These aren’t American action heroes who use their fists to get themselves out of sticky situations; they get beat up and they often seem to go out of their way to avoid conflict but who can blame them – at every turn they are attacked verbally and physically by the townspeople and the new rector (Radziwilowicz) arrived to replace the retiring priest for some odd reason is stirring the town up to do so.

Czop and Stuhr deliver raw, honest performances that depict the brothers as deeply divided and unsure how to bridge the gulf between them until this common cause unites them. They are dogged more than brilliant and stubborn more than compassionate. Perhaps the problem that some conservative Poles have with the film is that none of the Poles in the movie come off as good guys.

This isn’t a movie for the faint of heart. It tackles the issues of hatred, greed and suspicion in the real world and it does so in a real world way. While I saw this movie at the Central Florida Jewish Film Festival, there are no living Jews in the movie until the final scene – and yet the ghosts of the Jewish dead in the Holocaust hang heavy over the film itself. This is the kind of movie that will leave you speechless and is much worth seeking out if you can find it (the official website has a list of theaters playing the movie if you want to click on the picture above and find out if it’s playing near you). It is another contender in what is turning out to be a very strong year for independent films as one of the best of the year.

REASONS TO GO: Czop and Stuhr deliver powerful performances. Raw and emotional.

REASONS TO STAY: May be too intense for some.

FAMILY VALUES:  Some disturbing images and thematic content. There’s also a little bit of violence and some foul language.

TRIVIAL PURSUIT: Received the Yad Vashem Chairman’s Award at the 2013 Jerusalem Film Festival for excellence in depiction of the Holocaust.

CRITICAL MASS: As of 11/19/13: Rotten Tomatoes: 76% positive reviews. Metacritic: 62/100.

COMPARISON SHOPPING: Schindler’s List

FINAL RATING: 9.5/10

NEXT: The Attack

New Releases for the Week of November 15, 2013


The Best Man Holiday

THE BEST MAN HOLIDAY     

(Universal) Morris Chestnut, Taye Diggs, Terrence Howard, Regina Hall, Sanaa Lathan, Nia Long, Harold Perrineau, Monica Calhoun, Melissa de Souza. Directed by Malcolm D. Lee

A group of college friends determine to reunite over the holidays in New York. Years after the hi-jinx that ensued at the wedding, they’ve moved on with their lives – some together, some not, However once they all get into the same state, old rivalries and relationships flare up yet again and threaten to make this a Christmas to remember.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday night)

Genre: Urban Holiday Comedy

Rating: R (for language, sexual content and brief nudity)

Aftermath

(Menemsha) Maciej Stuhr, Ireneusz Czop, Zbigniew Zamachowski, Danuta Szarflarska. A Pole who has been living in Chicago for many years returns home to visit his younger brother. He discovers that his brother has been shunned and threatened by his neighbors. As he digs into the mysterious affair, he discovers a terrible secret that the town has been keeping and that he and his brother are part of. This is playing at the Enzian as part of the Central Florida Jewish Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

The Attack

(Cohen Media Group) Ali Suliman, Evgenia Dodena, Reymond Amsalem, Dvir Benedek. A surgeon in Tel Aviv of Palestinian descent has fully assimilated into Israeli society. When a suicide bomber detonates in a restaurant, he is one of those on the front lines taking care of the wounded. When he discovers his wife is among the fatalities, he is devastated but it becomes far worse when it becomes clear that she is suspected of being the bomber. Now he must take a journey into the dark side of his homeland to discover the truth about his wife. In doing so he will discover that he must question everything about his faith, his life and his dreams. This is playing at the Enzian as part of the Central Florida Jewish Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for some violent images, language and brief sexuality)

Dallas Buyers Club

(Focus) Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn. Ron Woodruff was a party hearty Texas cowboy in the ‘80s who like many in that era found his lifestyle catching up to him – he was diagnosed with AIDS. In 1985, that was a death sentence. Not satisfied to lay down and die, he fought to get alternative treatments, both legal and not so much. Traveling the world, he embraces and becomes embraced by elements of society he once would have disdained and establishes a buying club meant to get the drugs desperately needed by the dying into their hands.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R (for pervasive language, some strong sexual content, nudity and drug use)

The Europa Report

(Magnet) Michael Nyqvist, Sharlto Copley, Embeth Davidtz, Daniel Wu. An manned expedition to Europa, a moon of Jupiter which scientists currently believe is the most likely place in the solar system to harbor life outside of Earth, loses contact with mission control. Their struggle to complete their mission will lead to the decision whether the increase of knowledge is worth the cost of human life. This was previously reviewed in Cinema365 here.

See the trailer and a link to stream the full movie at Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sci-Fi Thriller

Rating: PG-13 (for sci-fi action and peril)

Great Expectations

(Main Street/Lionsgate) Jeremy Irvine, Holliday Grainger, Helena Bonham Carter, Ralph Fiennes. This is a lush new version of the classic Charles Dickens novel brought to life by one of the greatest living directors, Mike Newell. A young impoverished boy is lifted from the cruel streets of 19th century London and brought into a life of wealth and privilege, but this act of charity is not without its drawbacks.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Period Drama

Rating: PG-13 (for some violence including disturbing images) 

Hava Nagila: The Movie

(International Film Circuit) Harry Belafonte, Leonard Nimoy, Connie Frances, Regina Spektor. The story of the iconic Hebrew folk song is examined with performances throughout the years by well-known stars. This is playing at the Enzian as part of the Central Florida Jewish Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: NR

Ram Leela

(Eros International) Ranveer Singh, Deepika Padukone, Richa Chadda, Supriya
Pathak
. The courtship of two young people from feuding families has consequences. Loosely based on Romeo and Juliet, the movie’s released has been temporarily blocked as the title in Hindi refers to the god Rama and the vulgarity, violence and sex in the movie was insulting to Hindus. However, the producers are free to release it here and indeed they have, making this a rare Bollywood film that opens in the United States before it does in India.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

When Comedy Went to School

(International Film Circuit) Sid Caesar, Jackie Mason, Jerry Stiller, Mort Sahl. Once upon a time the Catskill Mountains and the resorts therein were premium vacation destinations for the Eastern Seaboard. Many of the resorts had nightclubs where stand-up comedians were routinely booked. This area became known as the Borscht belt as many comedians – primarily Jewish – honed their skills here and went on to become superstars. This is playing at the Enzian as part of the Central Florida Jewish Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: NR

Zaytoun

(Strand) Stephen Dorff, Abdallah El Akal, Ali Suliman, Alice Taglioni. During the 1982 Lebanese Civil War, an Israeli fighter pilot is shot down and taken prisoner by a Palestinian refugee camp nearby. Although initially hating him, the young boy assigned to guard him yearns to see the homeland of his parents and is willing to make a deal; he’ll help the pilot escape in exchange for being taken to Israel so that he might plant an olive tree. Despite their mutual distrust, they form an unlikely friendship. This is playing at the Orlando Science Center as part of the Central Florida Jewish Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: PG-13 (for sexual content and language)

Inside Job


Inside Job

The scene of the crime.

(2010) Documentary (Sony Classics) Matt Damon (voice), Eliot Spitzer, Glenn Hubbard, Barney Frank, Paul Volcker, Lee Hsien Loong, Domnique Strauss-Kahn, Gillian Tett, Sigridur Benediktsdottir, Satyajit Das, Jerome Fons, Andrew Lo, William Ackman. Directed by Charles Ferguson

 

There is no doubt that the financial crisis of 2008 was completely avoidable. Regulations that had been in place since the aftermath of the 1929 stock market crash had been systematically removed, first during the Reagan administration but continuing through the Bush, Clinton and G.W. Bush administrations. The government that was supposed to protect us from the sharks of Wall Street had in fact aided and abetted their feeding frenzy which led to the crisis.

Most of us have been affected in some way by the crisis. Some of us have lost jobs or homes or know someone who did. Nearly all of us have paid with a drastically adjusted lifestyle that is nowhere near as affluent as it was in 2007 (unless you’re one of the 1%). Most of us feel angry and helpless against the prevarications of the banks and financial institutions that precipitated this mess. What most of us aren’t aware of is that they weren’t the only ones who deserve blame.

Filmmaker Charles Ferguson knows. At one time a dot com millionaire himself, he has become a documentary filmmaker and a fine one – his first film, No End in Sight, showed how disastrous decisions made after the fall of Saddam were leading us to utter disaster – and the Iraqis as well. This movie is even better.

He approaches the crisis calmly and rationally, explaining the steps that led us to the situation we’re in starting in, of all places, Iceland. That country had a robust economy until deregulation (pushed for by the banks and greedy investors) led them to near economic collapse well before our own crisis. Even with that warning in place, few noticed or cared that we were headed in the same direction. Anyone who did raise the alarm was condemned as a Luddite or a socialist. Of course we could trust our bankers and financiers to do what’s best. They’re all interested in a healthy robust economy ahead of their own short-term financial gains aren’t they?

They aren’t, clearly. Not only that, they actively campaigned for deregulation, even given the examples of history where deregulation would lead – not only in Iceland but in 1929 as well. It is in fact somewhat chilling how similar the two crashes were and Ferguson points out those similarities like a prosecutor.

He questions participants in the freefall, from academics paid by Wall Street firms to write “impartial” papers on the soundness of the system to politicians who were hornswoggled into believing that deregulation would be beneficial to the economy short-term and long. He also points out that nobody has seriously been prosecuted for their roles in manipulating the economy nor have the laws essentially changed. That’s just as true in 2012 as when this movie came out two years ago.

Inside Job won a Best Documentary Oscar in 2011 and it deserves it. If your blood isn’t boiling by the conclusion of the film, you need to get your pulse checked. We are made to understand that we have all fallen asleep at the switch and allowed the government, business and academic sectors to collude for the profits of a few. It is up to us, as narrator Damon points out at the film’s conclusion, to make ourselves heard (as the Occupy Wall Street movement has attempted to do). We have to understand that those who got us in this fix feel like they can afford to wait us out but we can’t allow that to happen. We need to learn from our mistakes, make those people responsible for this accountable and re-establish those regulations that prevented this sort of thing from happening for fifty years – the years which coincided with our nation’s greatest prosperity, not too coincidentally. When is our ADHD nation going to take notice of the important things rather than be distracted by more lurid subjects? Not soon enough, I fear.

WHY RENT THIS: A very capable explanation of the financial meltdown and its lasting consequences. Non-partisan (relatively).  Some gorgeous cinematography.

WHY RENT SOMETHING ELSE: Very dry stuff and lots of talking heads.

FAMILY VALUES:  There is some profanity as well as some drug and sex-related material.

TRIVIAL PURSUIT: Jeffrey Lurie, one of the owners of the Philadelphia Eagles and one of the richest men in the United States, was an executive producer on the film – which is a study in irony in itself.

NOTABLE DVD EXTRAS: None listed, although if you want to see a few extended interviews with some of the participants you’ll find that here.

BOX OFFICE PERFORMANCE: $7.9M on a $2M production budget; the movie was a modest hit.

FINAL RATING: 8.5/10

TOMORROW: Made in Dagenham