Beauty and the Beast (2017)


Shall we dance?

(2017) Fantasy (Disney) Emma Watson, Dan Stevens, Kevin Kline, Luke Evans, Josh Gad, Ewan McGregor, Ian McKellen, Emma Thompson, Hattie Morahan, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ray Fearon, Haydn Gwynne, Gerald Horan, Nathan Mack, Clive Rowe, Thomas Padden, Gizmo, Rita Davies, Adrian Schiller, Harriet Jones, Zoe Rainey. Directed by Bill Condon

 

Disney has of late taken the strategy of remaking animated classics as live action films. It has thus far been successful for them; Maleficent, Jungle Book and Cinderella have both been moneymakers for the studio. Now comes the most lavish and most recent of the animated classics to get a live action version.

The tale’s as old as time; Belle (Watson) is a bookish, intelligent young woman growing up in a provincial town in France in the 18th century. The daughter of Maurice (Kline), a widowed inventor, she happily borrows every book she can get her hands on and cheerfully ignores the advances of the young men of the town, particularly Gaston (Evans), a former soldier chafing in his idleness in a life of hunting and drinking, assisted by the loyal LeFou (Gad).

On the way to the market, Maurice gets chased by wolves onto the grounds of a creepy looking castle. It turns out to be inhabited by a dreadful Beast (Stevens) and living furniture who used to be the servants of the castle. When Maurice’s horse comes home without him, Belle knows something is wrong and races out to rescue her father. When she finds him locked up in a prison cell in the castle, shivering and sick, she offers to take his place and the Beast agrees.

What she doesn’t know is that the Beast and all who lived with him are victims of a curse leveled by a witch (Morahan) who was refused hospitality on a cold stormy night because she was ugly. Now time is running out on the curse which can only be broken by someone who loves the Beast and is loved by him. But Belle is beautiful; she can have any man she wants. Why would she want a Beast?

Although roughly based on the French fairy tale, this version more closely adheres to the 1991 Disney animated version and includes the songs written by the Oscar-winning duo of the late Howard Ashman and Alan Mencken and includes four new songs written by Mencken and lyricist Tim Rice. The results are lush and elegant, gathering many of the elements that worked so well in the original and transferring them note-perfectly into live action.

The production design here is intense and we feel that we are given a glimpse not necessarily into 18th century France so much as a France of myth and legend. It’s an idealized version that is at odds with the suffering amongst the poorer classes that was so great that they rose up and slaughtered their own ruling class. Here however, the ruling class in their rococo Versailles is beloved by the simple folk despite the cruelty and conspicuous consumption displayed by the palace’s occupant that was so egregious that he and all around him were cursed. Well, he had some daddy issues so I suppose he can be excused, right?

There also was much made over the “outing” of LeFou as Disney’s first outright gay character, but even that is a bit of a tempest in Mrs. Potts (Thompson). LeFou’s coming out consists of him dancing with another man (who is dressed as a woman for reasons I won’t get into here) for a few seconds of screen time at the movie’s conclusion. Considering the brouhaha it created in the religious right, I’m not surprised Disney is taking baby steps towards inclusion (there are also a couple of interracial couples among the castle’s inhabitants) but it does feel like the studio didn’t have the courage of their convictions here.

Still, one must commend them for at least trying and for not bending to pressure, refusing to re-cut the movie for Malaysian censors who banned the film from their country based on those few seconds of screen time. Personally, I think the studio should have cut the film a little more judiciously; it runs over two hours long which is about 45 minutes longer than the original animated feature. Condon and writers Stephen Chbosky and Evan Spillotopoulos flesh out the backstory, explaining why Belle’s mother is out of the picture and why the Beast’s human prince was such a rotten individual among other things and it makes the movie a little too ponderous for its own good. Several little princesses in full regalia at the screening Da Queen and I attended got extremely restless during the movie’s final half hour.

But the ending is definitely worth it. It is slightly different than the animated version and the difference is enough to really tug at the heartstrings and create an emotional catharsis that warms the cockles even as you’re wiping away the tears. I didn’t expect to like this as much as I did; everything I heard about it made me fear that it was a bloated mess and in some ways it is, but there is enough heart here that it actually becomes a worthwhile viewing. Plenty of little princesses are going to be demanding that their parents add this to their video collection not too long down the line when it becomes available.

Chances are, you’ve already seen this and if you haven’t, I strongly urge you see it on the big screen while you still can. The amazing special effects deserve the best possible presentation. Even if you aren’t required to see it by a child in your life, this is actually a fine motion picture for adults, if for no other reason the nostalgia that it evokes. It truly is a tale old as time.

REASONS TO GO: The special effects are gorgeous. The film has a lot more heart than you’d expect from an effects-heavy fantasy.
REASONS TO STAY: There’s a little too much ephemera.
FAMILY VALUES: There is some violence and action sequences, scenes of peril and a few frightening images.
TRIVIAL PURSUIT: Ian McKellen was originally offered the part of Cogsworth for the 1991 animated version and turned it down (David Ogden Stiers eventually took the role) but he chose to accept it this time out.
CRITICAL MASS: As of 5/4/17: Rotten Tomatoes: 71% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Cinderella
FINAL RATING: 7.5/10
NEXT: The Dinner

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Tangled


Tangled

Yet another magical Disney moment.

(2010) Animated Feature (Disney) Starring the voices of Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman, M.C. Gainey, Jeffrey Tambor, Brad Garrett, Paul F. Tompkins, Richard Kiel, Anne Lockhart, Laraine Newman.  Directed by Byron Howard and Nathan Greno

Shutting your kids away from the world is a double edged sword. Sure you might be protecting your kids from the awful things that the world can be, but you also create an overwhelming curiosity that will inevitably send your kids into that world you’re so terrified of. Of course, if your motives are more selfish than for the benefit of your child, that can really come back to bite you in the tush.

Rapunzel (Moore) is locked up in a tower in the remote corner of the kingdom. She has the most amazing hair – it is incredibly long, incredibly pliable, almost alive – and when Rapunzel sings a particular song, it has the power to revive the elderly and make them young again.

Rapunzel is actually the daughter of the Kingdom’s King and Queen, stolen from them by the nasty Mother Gothel (Murphy) who wants the magic all for herself. Thus, the lonely tower, the refusal to let her out even though now she’s a curious teen who wants to see all the wonders of the bright, beautiful world outside her window, especially the bright glowing stars that move and dance in her window on her birthday. What she doesn’t know is that these are lanterns, released into the sky to help the missing princess find her way home.

Enter Flynn Rider (Levi) a somewhat dashing, not altogether unlovable criminal sort who has stolen the Princess’ tiara from the castle and who is being chased by the King’s Guards, most especially the horse Maximus who is certainly one of Disney’s most persistent characters ever. Flynn is also being chased by his compatriots, the Stabbington Brothers (Perlman) who he double-crossed.

Rapunzel sees Flynn as her ticket to see the world and manages to knock him senseless with a frying pan, his knapsack (containing the tiara) hidden as collateral for Flynn’s co-operation. Flynn takes his new role as tour guide only reluctantly but as he spends more time with Rapunzel begins to realize that he is as trapped in his own way as Rapunzel was in hers.

This is one of the most beautiful-looking Disney films in decades, going for an old-school painted look that reminds me of Disney classics like Snow White and the Seven Dwarves and Cinderella. While the movie is computer animated, it looks 2D in a lot of ways and has moments that are truly magical, such as the one where Flynn and Rapunzel are on a lake filled with floating lanterns (see photo).

There is also real chemistry between Moore and Levi; they make an appealing couple. Murphy does the Disney villainess to a “T,” making Mother Gothel malevolent but showing that delicious evil side that makes a good Disney villain so enjoyable, much like James Woods’ Hades in Hercules.

In fact, Murphy is so good, I wish the filmmakers had spent more time with her instead of the minor villains the Stabbington Brothers and the Captain of the Guard (Gainey). It tends to dilute the menace of Gothel who I’m not saying should be scaring little kids into nightmares, but should at least be a bit more formidable. I’m just saying.

The music is by long-time Disney songster Alan Mencken, who has written some of the most memorable songs in the Disney songbook. However I don’t see any of the songs here making that grade; I honestly couldn’t remember any of the tunes half an hour after the movie was over which isn’t necessarily a good thing.

Some of this smacks of a studio listening more to focus groups than to artistic muses but there is enough of the latter to make the former more bearable. There is enough princess-y stuff to make the little girl in your life go gaga, while the swashbuckling Flynn will delight the little boy in your party. Tangled is actually one of the better non-Pixar Disney movies of the last decade. It certainly is one of the best-looking and for those who have to go see a kids movie with their hyperactive spawn will appreciate the pretty pictures.

WHY RENT THIS: That Disney magic. Levi and Moore make an appealing team. Gorgeous looking movie that is very reminiscent of the 2D Disney princess classics.

WHY RENT SOMETHING ELSE: The musical numbers lack a truly memorable song. Too many villains; more time should be spent with Mother Gothel.

FAMILY VALUES: There’s a little bit of really mild cartoon violence; otherwise suitable for everyone.

TRIVIAL PURSUIT: The character of Rapunzel is constantly barefoot in the movie, a nod to voice star Mandy Moore who loves to perform sans shoes.

NOTABLE DVD EXTRAS: Surprisingly, a little sparse considering Disney’s usual kid-friendly DVD/Blu-Ray fare. There’s only a featurette called “50th Animated Feature Countdown” which is kind of a guessing game for Disneyphiles.

BOX OFFICE PERFORMANCE: $590.7M on a $260M production budget; the movie made a little bit of money in its theatrical release (but I’m sure with merchandising and home video sales made a ton).

FINAL RATING: 7/10

TOMORROW: Tabloid