(2020) Science Fiction (Gravitas) Nick Nolte, Kalipha Touray, Charlotte Rampling, Alba Rohrwacher, Stellan Skarsgård, Silvia Calderoni, Maryam d’Abo, Osemwenoghogho “Victory” Wilfred, Vincenzo Del Prete, Giovani Trono, Jun Ichikawa, Fiorenzo Madonna, Cosimo Desil, Adreina Liotti, Roberta Mattei, Ivan Alfredo Manzano, Nicolas Sacrez, Giulio Esposito, Fabiana Guarino, Valeria Golino. Directed by Jonathan Nossiter
Contemplating the end of mankind is never a pleasant thing. This dystopian post-apocalyptic sci-fi film from noted documentary filmmaker Nossiter does just that. It’s not so much Waiting for Godot as it is Waiting for The End.
It is 2086 and Kal (Touray) is the last man standing – or sitting, or lying down – on Earth. He wants to leave a record of humanity’s last days. An unnamed catastrophe has devastated the planet, leaving the water toxic and plant life pretty much obliterated. Those that remain sustain life on bottled water and canned goods. Kal and his sister who is pregnant live in what’s left of Paris until an encounter with a gang of feral kids leads to a most horrific offscreen death of his sister. Kal then heads to Italy, where he finds Shakespeare (Nolte) holed up in a cave with the last remaining celluloid, keeping himself entertained by watching movies.
Shakespeare comes up with the idea of constructing a movie camera and manufacturing film (into which Kal hand-punches the sprocket holes) and heading off to Greece, where it is rumored a last remaining settlement of humans remains, in a patch of Earth still capable of sustaining life. After an arduous journey, sure enough they find one, headed up by the resolute Dr. Zyberski (Skarsgård) and the hyper-sexual Batik (Rampling). There the two reacquaint the survivors with the wonders of motion pictures while counting down the days until The End.
The first half of the picture is dominated by Nolte and he responds by giving a performance that actually carries the movie. Nossiter plainly has a love for all things cinematic and Nolte is able to capture the essence of that love without being too maudlin about it. The cast has a few interesting performers like Rampling, Skarsgård and d’Abo, but mostly what we have here are extras who are going through the motions, which makes some sense – when confronted with the end of everything, a certain amount of numbness is likely to occur.
Try not to think too much about inner logic here; Shakespeare claims to remember the Sixties first-hand but hey, it’s 2085 and that would make him – even if he were a kid in the Summer of Love – well over 120 years old, and considering that he’d spent the last twenty years or so living off of what canned food and bottled water he can scrounge up, a lifestyle and diet not conducive to long life.
The plot feels a bit all over the place and nonsensical at times, which perhaps is the point. Still, this is a hell of a downer of the movie, unrelentingly bleak and depressing. This is not a movie to show to anyone who is clinically depressed, or even to fans of intelligent sci-fi. The message here is that things are going to end with a whimper or even more likely, a simple shrug of the shoulders. It doesn’t say much about humanity, or Nossiter’s opinion of it.
REASONS TO SEE: Nolte gives a truly strong performance.
REASONS TO AVOID: Disjointed and joyless.
FAMILY VALUES: There is sexuality, nudity and violence, including a sexual assault.
TRIVIAL PURSUITS: Skarsgård and Rampling both appear in the recent remake of Dune.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Google Play, Microsoft, Redbox, Spectrum, Vudu, YouTube
CRITICAL MASS: As of 1/8/22: Rotten Tomatoes: 40% positive reviews; Metacritic: 50/100.
COMPARISON SHOPPING: Quintet
FINAL RATING: 5/10
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