(2008) Supernatural Horror (20th Century Fox) Kiefer Sutherland, Paula Patton, Cameron Boyce, Erica Gluck, Amy Smart, Mary Beth Peil, John Shrapnel, Jason Flemyng, Julian Glover, Tim Ahern, Josh Cole, Ezra Buzzington. Directed by Alexandre Aja
There are questions in the universe that bear asking – some of them are not what you’d call obvious. For example, if eyes are the mirrors of the soul, does that mean that mirrors are the eyes for the soul too?
Ben Carson (Sutherland) has taken a few hits to the soul lately. A recovering alcoholic – not a good place to be if you’re a cop – he was involved in a shooting that left an undercover cop dead. His antics have alienated his wife Amy (Patton) to the point where she’s kicked him out of the house, severely limiting his contact with son Michael (Boyce) and daughter Daisy (Gluck). He’s been suspended from the force and is reduced to sleeping on his sister Angela’s (Smart) couch.
He gets a job as a night watchman at the Mayflower Department Store. A burned-out husk that is awaiting resolution of an insurance company squabble, it was the site of a fatal fire years ago. Soot coats nearly every square inch except for the many pristine mirrors, oddly looking polished and untouched.
He begins seeing strange images in the mirrors, horrible murders that come to pass. He has terrifying, realistic hallucinations of burning alive. The mirrors begin to communicate tasks that he is expected to do, and when Ben resists, family members are threatened and even killed. Soon, Ben is in a fight of his life against an enemy that is supernatural – one that can travel to any mirror or in fact, any reflective surface – and can kill with its reflection. His only salvation may lie with a cloistered nun who is not exactly jumping at the chance to help.
Aja is one of the most promising up-and-coming directors in the horror genre. His French films – particularly High Tension and his remake of The Hills Have Eyes are strong from a visual standpoint, and he knows how to make characters relatable. The visual sense of Mirrors is pretty dark, which you would expect in a deserted, burned-out department store. Sometimes underlit is a good thing, and it adds to the creepy element.
The effects are a little on the chintzy side – the mirrors use a kind of television static ripple effect that looks a little bit like a low-rent Ring. However, there are some pretty successful moments, such as a death scene in which a naked woman in a bathtub is killed by her reflection pulling off her mandible. It’s one of the highlights of the movie.
Most people know Kiefer Sutherland through his TV show “24” and this role isn’t too different than Jack Bauer. Ben is a little more damaged than Jack (I know, I know, Jack is plenty damaged) but they’re both men of action who when backed up to the wall. He has demonstrated a terrific action hero persona and there’s no doubt in my mind that if he continues to pursue parts like this, he’ll continue to be successful. This is the perfect role for him.
Smart is one of those actresses who just does a good job every time out. She doesn’t get big time leading roles but whenever she gets a part, she runs with it. Patton is a beautiful actress who has little else to do but look beautiful. I would have loved to see more motherly instincts from her when her kids are threatened; she doesn’t seem anxious enough.
The movie is a bit on the talky side; too many conversations between Patton and Sutherland about how they really should be together but she just can’t get past his actions and he needs to get his act together…okay, we get it. Other than that, this is a competent horror film that while a bit pedestrian about the whole mirror conceit, has plenty of scares, enough to recommend it.
WHY RENT THIS: Aja is one of horror’s most promising visual stylists. Sutherland has plenty of charisma in the lead role; Smart has a memorable supporting role.
WHY RENT SOMETHING ELSE: Could have been a little less talky.
FAMILY VALUES: There are lots of images that may be too intense for youngsters, plenty of violence and bad language and some nudity.
TRIVIAL PURSUIT: The unfinished Academy of Sciences building in Bucharest, Romania doubled for the nearly-demolished Mayflower Department Store.
NOTABLE DVD EXTRAS: The Blu-Ray edition includes a vignette showing Anna Esseker’s none-too-cheerful childhood, and there is also a featurette on the role of mirrors in urban legends and myth that may well be more informative and interesting than the movie.
BOX OFFICE PERFORMANCE: $77.5M on an unreported production budget; the movie was undoubtedly a hit.
FINAL RATING: 6/10
TOMORROW: The Rocket