Nw Releases for the Week of January 11, 2019


THE UPSIDE

(STX) Kevin Hart, Bryan Cranston, Nicole Kidman, Julianna Margulies, Aja Naomi King, Tate Donovan. Directed by Neil Burger

An ex-con newly released from prison and fighting to get custody of his son back answers an ad for employment. He doesn’t expect to get hired, only to get proof that he applied. However, he ends up getting hired to be the attendant for a quadriplegic billionaire. The two men will find that the other is indispensable for finding each of their way back into the light. Based on a true story, this was first filmed as one of the all-time French box office hits Les Intouchables.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: PG-13 (for suggestive content and drug use)

A Dog’s Way Home

(Columbia) Ashley Judd, Bryce Dallas Howard (voice), Edward James Olmos, Wes Studi. A young man’s beloved dog gets lost and must make a 400 mile journey to get back home.

See the trailer and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for thematic elements, some peril and language)

Replicas

(Entertainment Studios) Keanu Reeves, Alice Eve, Thomas Middleditch, John Ortiz. After a brilliant scientist loses his entire family in a car crash, he is determined to find a way to bring them back. Even if he can surmount the laws of nature, he’ll have to contend with a government-controlled lab and a police task force if he is to get his family back again.

See the trailer and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for thematic material, violence, disturbing images, some nudity and sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Against the Clock
Being Rose
F2: Fun and Frustration
Jack ‘Em, Popoy
Madeline’s Madeline
Modest Heroes
NTR – Kathanayakudu
Petta
Rust Creek
Sgt. Will Gardner
Uri
Vinaya Vidheya Rama
Viswasam

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Anthem of a Teenage Prophet
F2: Fun and Frustration
The Incredible Story of the Giant Pear
Life and Nothing More…
Modest Heroes
NTR – Kathanayakudu
Perfectos Desconocidos
Petta
Uri
Vinaya Vidheya Rama
Viswasam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Accident-Prone Minister
Ashes in the Snow
F2: Fun and Frustration
Modest Heroes
Norm of the North: Keys to the Kingdom
NTR – Kathanayakudu
Petta
Sgt. Will Gardner
Uri
Vinaya Vidheya Rama
Viswasam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Accidental Prime Minister
F2: Fun and Frustration
Modest Heroes
Petta
Uri
Vinaya Vidheya Rama

SCHEDULED FOR REVIEW:

A Dog’s Way Home
Anthem of a Teenage Prophet
Replicas
Rust Creek
The Upside

New Releases for the Week of April 15, 2016


The Jungle BookTHE JUNGLE BOOK

(Disney) Bill Murray (voice), Neel Sethi, Ben Kingsley (voice), Scarlett Johansson (voice), Idris Elba (voice), Lupita Nyong’o (voice), Garry Shandling (voice). Directed by Jon Favreau

An orphaned boy, raised by a pack of wolves, is forced to leave the only home he’s ever known when a fearsome tiger, bearing the scars inflicted by man, decrees that nothing human will survive in his jungle. Aided by a carefree bear and a stern panther, the boy learns not only to survive the harsh realities of the jungle but to become powerful and strong. Based not only on Rudyard Kipling’s classic stories but also on the timeless Disney cartoon as well.

See the trailer, an interview and Super Bowl footage here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Adventure
Now Playing: Wide Release

Rating: PG (for some sequences of scary action and peril)

13 Cameras

(7th and Broadway/Gravitas) Neville Archambault, Sarah Baldwin, Sean Carrigan, Jim Cummings. A newlywed couple moves into a dilapidated home in a rundown neighborhood. Not long after, the fights begin as do the disagreements. But their marital discord must take a back seat to the fact that their grim and lascivious landlord who lives across the street has been spying on them in the most intimate ways possible from the day they moved in.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Barbershop: The Next Cut

(New Line) Ice Cube, Cedric the Entertainer, Regina Hall, Sean Patrick Thomas. Calvin’s Barbershop is a lot different than the last time we checked in a decade ago. For one thing, it’s no longer a male bastion in the neighborhood; Calvin has been forced by tough economic times to merge with a local salon, making it a co-ed experience. The neighborhood has changed a great deal too; far from being the peaceful, family-friendly environment it once was, it is beset by violence and gang warfare. Calvin knows he needs to rally the good people of the neighborhood to stand up to the gangs – but will it be enough?

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for sexual material and language)

Criminal

(Summit) Kevin Costner, Ryan Reynolds, Gal Gadot, Alice Eve. A global catastrophe is imminent and the only thing stopping it is the information in the head of a CIA operative. Unfortunately, said operative is dead which can make information retrieval problematic. However, saving the day (maybe) is a new technology that will allow the memories and skills of the operative to be imprinted on another brain. Unfortunately, the only person who is compatible with the operative is a death row inmate who has his own agenda. The world is in deep crap, bubba.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

Fan

(Yash Raj) Shah Rukh Khan, Joelle Koisi, Mariola Jaworska, Farah Ahmed. A father and his 8-year-old son have as close a bond as any father and son ever. But when the boy develops inexplicable powers, there are forces – not all of them looking out for the welfare of the boy – who want to exploit that power for themselves. The two go on the run, chased by mysterious forces with only the boy’s extraordinary powers and his father’s love and courage to protect them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

The Decoy Bride


The runaway decoy bride.

The runaway decoy bride.

(2011) Romantic Comedy (IFC) Kelly Macdonald, Alice Eve, David Tennant, Hamish Clark, James Fleet, Dylan Moran, Sally Phillips, Michael Urie, Federico Castelluccio, Danny Bage, Hannah Bourne, Maurice Beattie, Muriel Barker, Jeannie Fisher, Sally Howitt, Rony Bridges, Matthew Chalmers, Victoria Grove, Alisha Bailey. Directed by Sheree Folkson

CINEMAOFTHEHEART-2

Our celebrity-obsessed society sometimes forces people into unusual situations. People who crave fame go out of their way to get it while those who seek privacy often have to go to extreme efforts to achieve it.

Hollywood megastar Laura Tyler (Eve) just wants to get married but like most divas she has the perfect wedding in mind. A wedding that doesn’t involve the paparazzi and helicopters buzzing overhead. Her husband-to-be, noted author James Neil Arber (Tennant) had recently written a novel set in the lovely Scottish island of Hegg and Laura thinks it might be lovely to get married there.

The press gets wind of it though and Laura is at her wits end. Ready to walk, the star is mollified by her press team who come up with the brilliant idea of getting a local girl to dress and look like Laura so that the press can chase her, leaving Laura and her groom to tie the knot in peace.

The girl chosen, Katie Nic Aoidh (Macdonald) is getting over a broken heart of her own, but could sure use the money the publicists are paying for the gig. In order to fool the press, Katie will have to spend a lot of time with the groom and she and James get along pretty much like the Israeli Secret Service and Hezbollah. Of course, you know what’s going to happen to them.

This is one of those movies that you can point to later in the careers of the two leads and say “I was a fan of them back when.” Tennant and Macdonald are both up and coming stars, Tennant already with Doctor Who under his belt and Macdonald voicing Merida in Brave and impressing on Boardwalk Empire.

Mostly the press has been complaining about the lack of chemistry between the two of them but I disagree. What their onscreen relationship suffers from more to the point is lack of characterization. Neither one of their characters has been given a good deal of depth to work with and some of that is due to the writing, but both actors – who have been marvelous when given something to work with – fail to imbue their characters with any soul. The problem becomes that the audience isn’t as invested in seeing the couple work out. Now, I’m not saying that the two are awkward together – there is SOME spark here – but just not as much as I would have liked.

As romantic comedies go, the movie tends to rely more on charm than on out and out jokes although there are a few bridal gown pratfalls and some lowbrow humor here and again. A few more jokes would have been welcome here.

I like that there aren’t any sharp edges to the movie; while it ostensibly is lampooning Hollywood’s celebrity entitlement culture and our own obsession with it, the satire is gentle and likable. It doesn’t slap you in the face so much as tickle you on the underside of your arm. This is a good thing when you’re going for a romantic mood with your sweetie.

Sometimes you want to cuddle up with something that’s easy to watch but at the same time isn’t something you’ve seen a hundred times and I’m certain this will fit the bill for that mindset. It will feel familiar – a lot of the jokes and situations are regurgitated from other films and television sources – but at the same time you’ll also get an attractive couple and, along with the absolutely jaw-dropping beauty Eve you get to see them at the beginning of their careers. Nothing is certain, especially in the notoriously fickle film industry but these three young stars have a bright future ahead of them.

WHY RENT THIS: Gentle and easy to digest. McDonald, Eve and Tennant are all solid.

WHY RENT SOMETHING ELSE: As a comedy, could use a bit more humor.

FAMILY VALUES: Some slightly rude content.

TRIVIAL PURSUIT: The filmmakers received a 300,000 pound grant from Scottish Screen (the national board for film and television in Scotland), the largest amount possible.

NOTABLE DVD EXTRAS: Not much but there are some cast interviews and a fairly interesting special effects featurette.

BOX OFFICE PERFORMANCE: $859 domestic on a $4.1M production budget; please note that its European box office isn’t included.

COMPARISON SHOPPING: The Runaway Bride

FINAL RATING: 6/10

NEXT: Cinema of the Heart continues!

Star Trek Into Darkness


Alice Eve and Chris Pine try to out-blonde each other.

Alice Eve and Chris Pine try to out-blonde each other.

(2013) Science Fiction (Paramount) Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch, Karl Urban, John Cho, Bruce Greenwood, Alice Eve, Peter Weller, Simon Pegg, Anton Yelchin, Noel Clarke, Nazneen Contractor, Amanda Foreman, Jay Scully, Jonathan H. Dixon, Aisha Hinds, Joseph Gatt, Deep Roy, Anjini Taneja Azhar. Directed by J.J. Abrams

The trouble with taking on an icon is that the bar is impossibly high. You’re not going to please everybody, particularly the diehard old guard fans of the franchise. The fever pitch of shrieking outrage usually begins with the second film in the reboot. J.J. Abrams knows that better than most; he has had his fingers in the hands of three beloved franchises – Mission: Impossible, Star Wars and Star Trek.

This is his second film in the reboot of the Trek franchise. The first got some grudging respect from the notoriously difficult-to-please Trek fandom who might very well turn their noses up if Gene Roddenberry were resurrected and turned up to direct a new Trek movie.

The new film starts out with a terrorist attack in London, ramps up with a conspiracy to militarize Starfleet’s science and exploration mission (think of NASA with missiles and bombs) and finishes up with the appearance of a familiar foe.

Normally I’m one to describe the plot in great detail, but I think I’m going to abstain this time – for one thing, I found that knowing little about what was to occur in the movie made it far more delightful. Knowledgeable Trekkers and those fairly familiar with the canon of the original series will find lots of references here, from Harry Mudd to Transwarp drive to tribbles. There is also a great deal of referencing one of the original series most popular episodes and most beloved films but not exactly as you might remember it.

Abrams has re-energized the franchise without a doubt. Part of the success of the reboot has to do with the casting – each of the choices are spot on. Pine in particular takes the essence of Captain Kirk created by William Shatner and loses some of the mannerisms that made the character a bit of a parody in later years. Pine understands the basics of the legendary Captain – the recklessness, the ego, the brilliant strategic mind and the penchant for womanizing, but takes out the quirks – the stunted speech patterns, the over-reaction reactions and the writers have kindly aided his cause by giving Kirk fewer pronouncements and more self-analysis.

Quinto also makes a terrific Spock, although I noticed in this movie that his jaw seemed a bit more set and he looked a little less like the original Spock in a lot of ways, but he does capture the constant war between the emotional human side and the cold, logical Vulcan in him. The trauma of Vulcan’s fate in the last film weighs heavily on him, although he doesn’t show it.

The relationship between Spock and Uhura is an interesting one, given that this is a recent invention. Zoe Saldana gives the character a little more action-orientation than Nichelle Nichols did in her day; I like also that the writers give her a lot more to do than being a glorified answering machine. She is much more a member of the team than she was in the original series, where much of the planning, decision making and risk taking was done by the male members of the crew. You’ve come a long way, baby.

Cho is a worthy successor to George Takei as Sulu. One of the great regrets I have when it comes to Star Trek is that we never really got to see too much of Sulu as Captain – in the couple of instances when we did see it Takei was amazing. Cho gets an opportunity to take command as Sulu and makes the most of it; I’m kind of hoping we see Cho in a spin-off someday.

Pegg is one of the world’s outstanding comic actors and while Scotty becomes more of a comic figure than he was in the original series (although depicted as a heavy drinker he had his share of drunk moments that James Doohan played beautifully) the main thrust of his character is his brilliance as an engineer and we get that from Pegg as well, although he is a bit more willful than the original Scotty and in one of the new film’s most underrated scenes stands right up to Kirk, something I don’t recall seeing the character ever do before but was a welcome moment here.

There are also “guest” characters; Greenwood as Pike is a bit of a mentor and a lot more of a father figure to Kirk. Alice Eve is gorgeous and plays her pivotal character as a lot more than you might guess from the surface – and the writers leave room for future glimpses of her character. Peter Weller, who had a couple of appearances on the Enterprise TV series, plays an admiral here whose character might remind long-time fans of an admiral who had a small but pivotal role in one of the last movies featuring the original crew.

That leads us to Benedict Cumberbatch whose character is…well, not who he appears to be. Fans of the original series will doubtlessly guess early on who he actually is but for now let us say that he is a brilliant adversary worthy of Kirk and Spock and whose appearance is done in what I believe is the proper way – coming into the series sideways, making the surprise all the more pleasant (although again savvy Trekkers will either know from Internet chatter who he is or guess based on the clues the filmmakers give us early on). Cumberbatch is an up-and-coming actor who looks to have a brilliant career ahead of him, and based on this film is already getting some scrutiny for some plum roles in franchise films. Before you know it this man is going to be one of the biggest stars in Hollywood. Bet on it.

The stakes are higher here and the effects are as crazy good as they were in the last Star Trek film. I chose not to see it in 3D – who wants to see those annoying lens flares in 3D? – and I think that’s a wise choice. Some of the scenes are set in pretty dark places and the 3D glasses will only make it murkier. Besides, I didn’t get the sense that 3D would have added anything to the experience.

I liked the movie just a smidge less than the first one; what pleased me most is that the filmmakers are developing the characters in just the right way to set up more thoughtful episodes in the future. While there was some underlying commentary about the militarization of space, the usefulness of drones and of terrorism in general, this is still a little more action-oriented than fans of the original series may like but that does make the movie more palatable to non-fans. Oh, and you get to see Klingons too.

In my review of the first film I wondered if Abrams could repeat his successful reboot in the second film. The answer is a resounding yes. This is great entertainment not only for Trekkers but for general audiences as well, managing to thread the line nicely. Certainly this bodes well for the future of the franchise and with the 50th anniversary of Trek’s debut in 1966 only a few short years away, one can only be hopeful that there are a lot more places for the crew of the Enterprise to boldly go.

REASONS TO GO: Pine turning out to be an excellent Kirk and the rest of the supporting cast works well also. Nice effects, battle sequences and stunts.

REASONS TO STAY: The story is a little bit all over the place.

FAMILY VALUES:  There are some pretty intense battle sequences in space as well as some pretty nifty fisticuffs.

TRIVIAL PURSUIT: Christopher Doohan, the son of the original Scotty (the late James Doohan), makes a cameo appearance as a transporter technician working alongside the current Scotty in the transporter room.

CRITICAL MASS: As of 5/23/13: Rotten Tomatoes: 87% positive reviews. Metacritic: 72/100; pretty impressive reviews for a Star Trek film.

COMPARISON SHOPPING: Avatar

FINAL RATING: 7.5/10

NEXT: Russian Ark

New Releases for the Week of May 17, 2013


Star Trek Into Darkness

STAR TREK INTO DARKNESS

(Paramount) Chris Pine, Zachary Quinto, Benedict Cumberbatch, Zoe Saldana, Karl Urban, Bruce Greenwood, John Cho, Simon Pegg, Anton Yelchin, Peter Weller, Alice Eve. Directed by JJ Abrams

The rebooting of the beloved science fiction franchise continues as Captain Kirk takes the gallant crew of the Enterprise where maybe they shouldn’t go – deep into his own hubris. When a terrorist attack shocking in its brutality leads to the presence of an advanced weapon and a killer hidden within Starfleet itself, Kirk decides to capture or kill this man who may bring down the entire Federation to suit his own agenda – and destroy the Enterprise and her crew in the process.

See the trailer, clips, promos and featurettes here.

For more on the movie this is the website.

Release formats: Opening today in IMAX 3D; Opening tomorrow in Standard/3D

Genre: Science Fiction

Rating: PG-13 (for intense sequences of sci-fi action and violence)

Hating Breitbart

(Freestyle) Andrew Breitbart, Orson Bean, Michelle Bachmann, Keith Olbermann. Conservative gadfly and Internet blogger Andrew Breitbart upended traditional journalism in much the same way Fox News changed the way television news viewed objectivity in reporting the news. Liberals hate him; conservatives venerate him. He unearthed the ACORN scandal and published the tweets that ultimately took down Congressman Anthony Wiener. Love him or hate him, you must admit he is passionate about his beliefs.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: R (for some language)

The Iceman

(Millennium) Michael Shannon, Winona Ryder, Chris Evans, Ray Liotta. Richard Kuklinski seems to be a fairly normal guy. A loving husband, a devoted father and a pillar of the community, he lives a quiet suburban life. But that life hides a shocking fact; Richard Kuklinski is a contract killer for the mob who has murdered more than 100 people by his own estimates. Based on a stunning true story.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Crime

Rating: R (for strong violence, pervasive language and some sexual content) 

Men in Black 3


Men in Black 3

Will Smith: 21st Century cool even in the 60s.

(2012) Science Fiction (Columbia) Will Smith, Josh Brolin, Tommy Lee Jones, Emma Thompson, Jemaine Clement, Nicole Scherzinger, Alice Eve, Michael Stuhlbarg, Mike Colter, Bill Hader, David Rasche, Michael Chernus, Keone Young, Cayen Martin, Lanny Flaherty. Directed by Barry Sonnenfeld

 

Men in Black is an iconic film from the 90s, one which helped establish Will Smith as the superstar he is today. It has been 15 years since that film came out and ten since its sequel. Does the world need a third, or care about it?

Judging from the early numbers, it does. Agents J (Smith) and K (Jones) are doing what they do best, taking care of aliens violating the law in and around the Manhattan area, but they are both getting too old for this sh….stuff. The two are like a couple that has been married so long that there’s no longer any passion; and J is frustrated that he doesn’t know the close-mouthed K any better than he did when they first met.

On the moon, one of the most dangerous and nastiest aliens to ever be arrested by the MIB organization – Boris the Animal (Clement) – has been imprisoned for forty years, his arm shot off by Agent K at the time of his arrest. He has his first visitor in 40 years – a pen-pal girlfriend (Scherzinger) who brings him a cake that appears to be mostly organic. Not that a file baked into it would do any good – his cell is solid steel. However, there’s a nasty little surprise in the cake that helps him get out of the lunar hoosegow.

Back on Earth, the MIB are mourning the late Zed who is eulogized by O (Thompson), the new leader of MIB, in an alien language that sounds something like seals mating. J and K are continuing to be catty to one another like that previously mentioned old married couple. The next morning J comes to work – and K has been dead for 40 years. He’s also got an insatiable craving for chocolate milk, which according to O is a sure sign of temporal displacement.

But that’s the least of their worries now. The Earth is under attack by the Boglodites, the race of Boris the Animal which should have been impossible because his race died off 40 years early when K had captured Boris and enacted the ArcNet shield around the Earth, preventing the Boglodites from invading back then and causing them to starve to death as a species.

O and J deduce that Boris the Animal must have gone back in time and killed K, leading to the events that were now transpiring. It’s up to J to go back to 1969, rescue K, allow him to put the ArcNet shield up and restore the space-time continuum to where it belongs.

Once in 1969, J discovers that it’s not that easy. Trying to ambush Boris at Coney Island (where J knows he’ll be, owing to the file on the killer stating that he would murder an alien named Roman the Fabulist), unfortunately, J is too late and winds up being captured by the younger K (Brolin) and the 1969 MIB team. It takes a little bit of convincing but J manages to get K to understand that he’s from the future trying to prevent an invasion of Earth – although J leaves out the part that he is also there to prevent K’s death. They are aided by Griffin (Stuhlbarg), a gentle alien who lives five-dimensionally and is able to see every possible future. Now that’s a big help, although it would be, as Griffin himself puts it, a pain in the ass.

However, that is easier said than done. K has no idea what an ArcNet shield is, or how to erect it. There are two Boris the Animals out to murder K, who to J’s astonishment, has a romantic link with the young O (Eve). Plus in order to save the world, J and K are going to have to get through one of the tightest security nets in the history of the United States.

It’s nice to see Smith back on screen again (it’s been three and a half years since he’s been in a movie) and especially in a role that is so identified with him and let’s be frank – a role he does better than anybody else. His chemistry with Jones is scintillating but what’s surprising is that Brolin steps right into the role as the young K and not only mimics Jones perfectly, but also in terms of the chemistry with Smith – it’s almost indistinguishable between the actors. That’s part of what makes the movie worth seeing.

The movie holds up pretty well with the second (although not as well with the first). Rick Baker returns to make plenty of oddball aliens, including Boris the Animal (who has a little spider-like thing that resides in his remaining arm which is able to shoot out fang like darts that can be lethal). I can’t help think about what’s missing from the other films – notably Frank the Pug (who only shows up as a painting in J’s living room), the worm aliens (who make a brief cameo) and Rip Torn as Zed, whose funeral is near the beginning of the film. These were part of the indelible charm of the first two movies and their absence is noticeable.

Other than the time travel element, this is really business as usual for the franchise. Strangely, the filmmakers opt not to use the 60s as much more than a background for the movie (other than a scene set in the Factory of Andy Warhol (Hader) who turns out to be an MIB agent) which is a wasted opportunity; the setting could have enhanced the film a lot more than it did. In some ways, they could have easily set the past sequences in any decade from that standpoint. I would have liked to have seen a bit more use of the time period as a part of the movie.

Don’t get me wrong; this is fine summer entertainment and anyone who chooses to go see it is not going to leave disappointed unless they’re incredibly anal about time travel continuity and the franchise in general. Of course, if you didn’t like the first two films in the franchise, chances are you aren’t going to like this one either since it pretty much is more of the same. Which, to my mind, is a good thing.

REASONS TO GO: Brolin does a great job of channeling Jones. Will Smith is, well, Will Smith. Touching coda.

REASONS TO STAY: Not quite as memorable as the first MIB.  

FAMILY VALUES: There’s just a little bit of sci-fi violence and a smidgeon of sensuality – mostly implied.

TRIVIAL PURSUIT: The mother and daughter in K’s apartment (after he disappears from the timeline) that J gets chocolate milk from are an actual mother and daughter.

CRITICAL MASS: As of 5/27/12: Rotten Tomatoes: 68% positive reviews. Metacritic: 58/100. The film got decent reviews.

COMPARISON SHOPPING: X-Files: Fight the Future

CHRYSLER BUILDING LOVERS: Will Smith makes his leap into the ’60s from one of the gargoyles at the top of the Chrysler Building.

FINAL RATING: 6/10

NEXT: A Town Called Panic

New Releases for the Week of May 25, 2012


May 25, 2012

MEN IN BLACK III

(Columbia) Will Smith, Tommy Lee Jones, Josh Brolin, Jermaine Clement, Emma Thompson, Alice Eve, Michael Stuhlbarg, Nicole Scherzinger, Bill Hader, David Rasche. Directed by Barry Sonnenfeld

Agent J of the MIB is beginning to get burned out on the constant stream of weirdness and aliens that pass through his jurisdiction. However, just when he thought that there was nothing that could phase him, he comes to work one morning and discovers that his partner Agent K whom he’d worked with just the night before had been dead for 40 years and that this change in history was somehow connected with an alien invasion of Earth. In order to save the planet and his partner, Agent J will have to go back through time and save K from his untimely death – only to discover that things aren’t so different back in the ’60s as he thought.

See the trailer, clips, an interview and web-only content here.

For more on the movie this is the website.

Release formats: Standard, 3D and IMAX 3D

Genre: Science Fiction

Rating: PG-13 (for intense sequences of violence, action and destruction, and for language)

Chernobyl Diaries

(Warner Brothers) Devin Kelly, Jesse McCartney, Ingrid Bolso Berdal, Olivia Taylor Dudley. A group of young American tourists decide to take the ultimate day trip – to Chernobyl and the adjacent city of Pripyat, the town where the nuclear reactor workers lived and abandoned since the day reactor number four went ker-blooey. It all seems like a gas at first but soon it becomes clear that the town isn’t quite deserted – and when they become stranded there overnight, they are in for the vacation from hell. (Opens Thursday)

See the trailer, a promo and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for violence, some bloody images and pervasive language)  

First Position

(IFC) Aran Bell, Michaela Deprince, Joan Sebastian Zamora, Rebecca Houseknecht. The young dancers at the Youth America Grand Prix ballet competition dream of winning the competition and achieving the valuable scholarships that come with winning. Dreams often come at a high price and this documentary follows a group of kids who hope to catch lightning in a bottle and get one step closer to their ultimate dream.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: NR  

Mighty Fine

(Adopt) Chazz Palminteri, Andie MacDowell, Jodelle Ferland, Rainey Qualley. After being relocated to New Orleans from Brooklyn, an apparel store owner begins spending wildly on a lifestyle he can’t possibly afford. As his business teeters closer and closer to the edge of disaster, he refuses to accept the reality of the situation and jeopardizes his family’s future.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language)