The Post


“Thanks for the coffee but my Oscar is still shinier than YOUR Oscar!”

(2017) True Life Drama (DreamWorks) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys, Alison Brie, Michael Stuhlbarg, Carrie Coon, Jesse Plemmons, David Cross, Zach Woods, Pat Healey, John Rue, Rick Holmes, Philip Casnoff, Jessie Mueller, Stark Sands, Michael Cyril Creighton, Will Denton, Deidre Lovejoy. Directed by Steven Spielberg

 

In these troubled times, the veracity of the Free Press has been assaulted by the President. If that feels familiar to older readers, it’s because it was tried once before – by Richard Nixon. It is somewhat comforting to know it didn’t end well for him but before the Watergate scandal took him down there was the Pentagon Papers.

The Pentagon Papers were documents leaked to the press by Daniel Ellsberg (Rhys), a security consultant than employed by the RAND Corporation but previously an analyst for the Pentagon. At RAND he worked on the Pentagon papers, documents commissioned by then-Secretary of Defense Robert McNamara (Greenwood) about the decisions made during the war. After a crisis of conscience caused him to rethink his position as a defense analyst, he chose to surreptitiously remove the thousand pages of documents a little at a time to make copies of them at the ad agency of his then-girlfriend. Eventually he got the papers into the hands of the New York Times.

When the Times published portions of the Papers it was as if a bomb went off in the American consciousness. The Papers clearly showed that the war in Vietnam was not winnable – and moreover that Presidents Eisenhower, Kennedy and Johnson all knew it. The Papers also established that the government had been lying to the American public all that time. Although the Papers all concerned the tenures of those Presidents, the current President of the time, Nixon, was absolutely furious that the documents were leaked and the U.S. Government filed an injunction against the Times to suppress any further publication of the Papers. Nixon and his advisers felt that the Papers would erode American confidence in their own government which of course is what came to pass.

That’s where the Washington Post came in. Incensed at being scooped on the Papers, crusty editor Ben Bradlee (Hanks) orders his team of reporters to see if any copies of the Papers can be found. Despite the court order banning the publication of the Papers, one of the reporters – Ben Bagdikian (Odenkirk) – got in touch with Ellsberg, leading to a quandary for Bradlee and his publisher Katherine Graham (Streep) whether or not to defy the court order or do their duty to the American people.

It was a particularly quandary in that the Post was about to go public; were there to be a government action against the newspaper and the Publisher individually the badly needed infusion of cash could dry up and the Post might actually go under.

Graham was a woman of her era; in her 50s at the time that this took place, her husband had been publisher of the paper (inheriting the title from Graham’s father) she was a woman in a man’s world. When she entered the board room of her own newspaper, she was the lone woman. She was often condescended to and she herself felt more comfortable at social gatherings hanging out with the wives than with the policy makers. She did have a close personal relationship with McNamara which was a further complication.

The Post is a celebration of the free press, make no mistake about it. It also illustrates how important that a free and objective press is to the functioning of our nation. Besides that there is also a push for feminism and how the roles of women have changed as women have become more empowered. Obviously, those issues have become extremely timely in the wake of the current administration’s attacks on the press which is roundly proclaimed “fake news” if it in any way disagrees with the world view of the President, as well as the advent of the Me Too movement.

It doesn’t hurt that the movie has three of the most important names in movies over the last three decades participating. Spielberg is considered by some to be the greatest director in the history of movies and while devotees of Hitchcock, Ford, Capra and Scorsese might give that some healthy debate, none can deny that he is one of the greatest ever. Here, he’s at his very best; not a single scene is wasted and every shot not only advances the story but captures an emotional mood. There are plenty who consider Spielberg “the great manipulator” and there is some truth to that. His longtime collaborator John Williams writes a score that might be proof of that.

Hanks is not usually a name one associates with a Bradlee-like character but he has some personal connection to the former Post editor; the two were neighbors on Long Island and knew each other socially. He captures Bradlee’s accent note-perfectly as well as his dogged determination. This doesn’t compare to Jason Robards’ Oscar-winning performance as the legendary editor in All the President’s Men but it is a terrific performance nonetheless.

Streep, however, is absolutely amazing in the movie. It has garnered her yet another Oscar nomination and while she is in no way guaranteed a win, it wouldn’t be a crime if she did. Graham was a complex person who became something of an unlikely icon for the feminist movement and perhaps reluctantly so. As time went by she would become more self-confidence and assured; the events depicted here helped with that, but she was truly a woman who reinvented herself in middle age at a time when women were largely still shackled to the kitchen.

I will admit that the Linotype machines and printing presses depicted here brought me some nostalgia; as someone who worked at the San Jose Mercury News in the 80s and 90s I was familiar with the machinery and seeing them in action here did give me the warm fuzzies. So too did seeing the press at the height of its power and significance; in the years before being purchased by corporate entities who largely stifled their search for truth in favor of a search for advertising dollars. Newspapers remain relevant today (the Post continues to do excellent reporting on the Russian voting interference scandal as well as other important news stories of our day) but they have changed quite a bit. People tend not to get their news from newspapers so much but from social media sites, a dangerous practice. It is the responsibility of the citizen to be vigilant in order to keep our own government in check. When we remain firmly ensconced in echo chambers that do little more than validate our own point of view, we lose sight of what is actually happening. That’s how democracies fail.

REASONS TO GO: This is the work of one of the best directors ever at the top of his game; there’s not a single wasted scene. Streep delivers an incredible performance. The film manages to tackle both freedom of the press and the inequality of the treatment of women. Despite being set more than 40 years ago, the events are just as timely as ever
REASONS TO STAY: Those who are blind supporters of the President will see this as a slap in the face.
FAMILY VALUES: There is a fair amount of profanity as well as a scene of war violence.
TRIVIAL PURSUIT: Stuhlbarg appears in three of the films nominated for a 2018 Best Picture Oscar (this, Call Me by Your Name and The Shape of Water) but was not nominated for a Best Supporting Actor for any of them.
CRITICAL MASS: As of 2/20/18: Rotten Tomatoes: 88% positive reviews. Metacritic: 83/100.
COMPARISON SHOPPING: All the President’s Men
FINAL RATING: 10/10
NEXT:
Cassidy Red

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The Disaster Artist


The Franco brothers – together again at last!

(2017) Biography (A24) Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Paul Scheer, Zac Efron, Josh Hutcherson, June Diane Raphael, Megan Mullally, Jason Mantzoukas, Andrew Santino, Nathan Fielder, Joe Mande, Sharon Stone, John Early, Melanie Griffith, Hannibal Buress, Judd Apatow, Bryan Cranston, Charlene Yi, Jessie Hannah Eris, Peter Gilroy, Lauren Ash. Directed by James Franco

 

There are three kinds of bad movies. There are the ones that are just bad, the ones you walk out of in the theater or more usually switch off from your television. There are the ones that are guilty pleasures – movies you know aren’t very good but you still like them anyway because they either speak to you in some way, there’s an actor in it you really like or you simply liked the vibe. Finally there are the “so bad they’re good” classics like Plan 9 From Outer Space or Terror in Tiny Town. One of the most recent examples of this is The Room.

It was made by writer, director and star Tommy Wiseau (J. Franco) who has a decidedly bizarre Eastern European-like accent but claims he’s from New Orleans. With long rock star hair matching his leather rock star pants, he has a look all his own, a kind of heavy metal marching band pirate.

In 1998 he met Greg Sestero (D. Franco) in an acting class in San Francisco. Greg wasn’t very good, unable to commit to his role. Tommy walked in and did maybe the most ham-fisted version of Stanley Kowalski screaming “STELLLLLLLLAAAAAAAH” in history. The two, both of whom have aspirations of making it in the business, become fast friends.

They end up moving to L.A. together and sharing an apartment Tommy has there. Tommy, who apparently has an unending source of money, is rejected by mega-producer Judd Apatow one night – well, he did interrupt his dinner – and decides that rather than waiting for a producer to see the clear star quality he knows he has that he needs to show it by making his own movie.

The thing is, Tommy knows absolutamente nada about making movies and while he hires a professional crew, he chooses to refuse their helpful advice and go resolutely down his own road. From time to time he turns into an actual dictator on the set, bullying actors and technicians alike and firing them from time to time without cause. Nevertheless, somehow the movie gets made and only Tommy seems to know that the movie is completely horrible and yet it will go on to become one of the first cult movies of the millennium.

Both of the Franco brothers are terrific in their performances but particularly James who not only nails Tommy’s bizarre accent and mannerisms but seems to inhabit his head too. Tommy as is pointed out in the movie and by reviewers lives on his own planet and everyone else is just visiting. James has gotten most of the acclaim (and the Golden Globe although surprisingly no Oscar nominations) but Dave deserves a little love too in a much less flamboyant role.

As a matter of fact, the cast is strong throughout as Franco likely cashed in a whole lot of markers to get lots of celebrity cameos – often as themselves – that help make the movie fun in spot-the-celebrity drinking game; you know the one, where you take a shot every time you see a celebrity other than the main roles. I guarantee you’ll be passed out drunk before the film is halfway over. Even given that you may well get a kick out of seeing some familiar stars from the recent past such as Melanie Griffith as a harried drama teacher or Sharon Stone as a harried agent. You’ll also see Seth Rogen at his non-stoner best and Alison Brie (Dave Franco’s real life wife) as Greg’s sweet girlfriend.

Although it shares a certain amount of DNA with Ed Wood, a similarly-themed film that critics seem hell-bent on comparing this to, they are completely different outlooks. Wood is a movie about mediocrity; this is a movie about perseverance. Tommy isn’t a particularly gifted or visionary individual and yeah if he wasn’t wealthy who knows if he gets to make a movie like this but one has to admire his tenacity, even if he occasionally turns into a dick in the process.

There is a question every critic needs to answer when reviewing a film like this – no, you don’t need to see The Room before seeing this and it really doesn’t matter which you see first. I would lean slightly towards seeing this first because you’ll appreciate the Wiseau original much more if you do.

This isn’t one of the best movies of the year but it is a very good movie that I can easily recommend to anyone. Sure it’s a little bit out there – maybe because it gets into the orbit of planet Tommy a little too closely – and some might think it a paean to bad movies – it’s not. Still, those who have ever loved a movie for no reason other than because it was nutty enough to appeal to them will find themselves finding common ground with this film.

REASONS TO GO: Both of the Franco brothers deliver the goods. In fact, the cast is really strong from top to bottom.
REASONS TO STAY: May be too off-kilter for some and some may think it celebrates bad movies.
FAMILY VALUES: There is a lot of profanity, some sexuality and more of James Franco’s butt crack than you may ever wish to see again.
TRIVIAL PURSUIT: This is the first film from A24 to be screened in the IMAX format.
CRITICAL MASS: As of 2/4/18: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100
COMPARISON SHOPPING: Ed Wood
FINAL RATING: 7.5/10
NEXT:
The Greatest Showman

New Releases for the Week of January 12, 2018


THE POST

(20th Century Fox) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Jesse Plemons, Alison Brie.  Directed by Steven Spielberg

After the New York Times published the Pentagon Papers, they were in the center of a firestorm of controversy. Not to be outdone, the Washington Post also acquired some of the classified documents that detailed American acts that violated the Constitution as well as the Geneva Convention. With the Nixon Administration threatening to shut down the freedom of the press over the Papers, new Post publisher Katherine Graham – already a rarity in the newspaper business for being a woman as a publisher of a major newspaper – and her crusty editor Ben Bradlee face a decision to do what’s safe for the newspaper or what’s right for the country.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for language and brief war violence)

Agnyaathavaasi

(Haarika and Hassine Creations) Pawan Kalyan, Keerthi Suresh, Anu Emmanuel, Aadhi. An exiled heir to a massive fortune in India returns home in disguise as an ordinary employee of his father’s company in order to discover the identity of his father’s murderer and to make things right with the company, only to become a target himself.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace

Rating: NR  

Call Me By Your Name

(Sony Classics) Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar.  In 1983 the son of an American researcher working in Northern Italy is enjoying a leisurely summer enjoying the cultural delights of the region. However when his father’s research assistant arrives, the teen discovers that his own emerging sexuality may be more difficult to deal with than his academic pursuits.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content, nudity and some language)

The Commuter

(Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill. A businessman is taking the commuter train home from work when he is given an offer he can’t refuse; to find the person on the train who “doesn’t belong there” or else face increasingly dire consequences. However, this businessman has a particular set of skills…

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for some intense action/violence, and language)

Condorito: The Movie

(Pantelion/Lionsgate) Starring the voices of Omar Chaparro, Jessica Cediel, Cristián de la Fuente, Jey Mammon. A soccer-playing condor (and the star of a Chilean comic strip) must save the world – and especially his family – from evil invading aliens.

See the trailer here.
For more on the movie this is the website (Spanish)

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG (for rude and suggestive humor, and some mild action)

I, Tonya

(Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson. Figure skater Tonya Harding comes from an impoverished background which places her at a competitive disadvantage – the snooty judges of the sport count her background and trailer park look against her. Still, there’s no denying her ability as the first woman to attempt and complete a triple axel. She could be on the way to Olympic gold; but her husband and his best friend take her down the road to scandal and late night talk show jokes instead. Look for the Cinema365 review tomorrow.

See the trailer, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Waterford Lakes (expanding next week)

Rating: R (for pervasive language, violence and some sexual content/nudity)

Paddington 2

(Warner Brothers) Michael Gambon (voice), Ben Whishaw (voice), Sally Hawkins, Imelda Staunton (voice). Now comfortably ensconced with the Brown family and a beloved member of the community, Paddington is looking to buy the perfect gift for Aunt Lucy’s 100th birthday – a pop-up book. He takes on a variety of odd jobs so that he can afford to buy the tome. However when it turns up stolen, Paddington looks to be the prime suspect. The Browns and their friends must find the real thief in order to clear the bear’s name and save Aunt Lucy’s birthday.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some action and mild rude humor)

Proud Mary

(Screen Gems) Taraji P. Henson, Neal McDonough, Danny Glover, Xander Berkeley. Mary is a paid assassin for a Boston crime family. In the course of a hit, things go South and she ends up crossing paths with a young boy. That fateful meeting turns her life completely around which is a dangerous thing to have happen when you’re in her line of work.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Acts of Violence
Ang Panday
The Ballad of Lefty Brown
Jai Simha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Acts of Violence
Dim the Fluorescents
Hostiles
Inside
Jai Simha
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Gang
Inside
Jai Simha
Rangula Ratnam
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Panday

SCHEDULED FOR REVIEW:

The Commuter
Hostiles
I, Tonya
Paddington 2
The Post
Proud Mary

New Releases for the Week of December 8, 2017


THE DISASTER ARTIST

(A24) Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Zac Efron, Josh Hutcherson, Megan Mullally, Sharon Stone  Directed by James Franco

Greg Sestero, an aspiring actor, meets an intense young man named Tommy Wiseau in an acting class. The two men determine to go to Hollywood and make movies; their magnum opus is The Room which some have called the best worst movie ever made. This has been getting some awards season buzz.

See the trailer, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: Wide Release

Rating: R (for language throughout and some sexuality/nudity)

Just Getting Started

(Broad Green) Morgan Freeman, Tommy Lee Jones, Rene Russo, Glenne Headley. A former Mob Lawyer now living in Witness Protection has it pretty good. The cock of the walk at the retirement home, he has all the ladies’ attention; that is, until a brash former FBI Agent shows up. When it turns out the Mob has figured out where their former counselor is and have ordered a hit, the two must put aside their petty differences in order to stay in the land of the living.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for language, suggestive material and brief violence)

My Friend Dahmer

(The Orchard) Ross Lynch, Alex Wolff, Anne Heche, Vincent Kartheiser. Before he was a notorious serial killer and a cannibal, Jeffrey Dahmer was a high school kid. As told by someone who knew him well at that time, this film is based on the graphic novel of the same name.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Universal Cineplex

Rating: R (for disturbing images, language, teen drug use, drinking and sexual content, and for brief nudity)

November Criminals

(Vertical) Ansel Elgort, Chloë Grace Moretz, Catherine Keener, David Strathairn. When a classmate is brutally murdered, two college kids – unsatisfied with the progress police are making – decide to do the investigating themselves. It takes them deep into a world they have no experience with and puts the both of them in serious danger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Crime
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for mature thematic content including teen sexuality, drug material, brief violence and strong language)

Thelma

(The Orchard) Elli Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen. A woman falling in love is a beautiful thing, but when Thelma does it, she discovers that she has strange and frightening powers. Sometimes the most terrifying discovery is who you really are.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Regal Winter Park Village

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Black Clover
Fukrey Returns
Richie
Unexpectedly Yours

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

After You’re Gone
Fukrey Returns
Groove
Haldaa
The Light of the Moon
Lord, Give Me Patience
The Other Side of Hope

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Black Clover
Fukrey Returns
Malli Raava

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unexpectedly Yours

SCHEDULED FOR REVIEW:

The Disaster Artist
Just Getting Started
The Light of the Moon

New Releases for the Week of July 14, 2017


WAR FOR THE PLANET OF THE APES

(20th Century Fox) Andy Serkis, Woody Harrelson, Steve Zahn, Toby Kebbell, Judy Greer, Terry Notary, Gabriel Chavarria, Karin Konoval, Amiah Miller. Directed by Matt Reeves

There can be no peace between apes and humans as Caesar, the aging leader of the Apes, goes head to head with a Colonel who sees the war as no less than a war for human survival. With Caesar seeing this as an opportunity to avenge his people and the Colonel hell-bent on wiping out the Apes if the human race is to survive, this will be an epic all-out conflict for dominance.

See the trailer, clips, interviews, featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence and action, thematic elements and some disturbing images)

Jagga Jasoos

(UTV) Katrina Kaif, Sanjay Dutt, Ranbir Kapoor, Sayani Gupta. A teen boy, aided by a girl he’s sweet on, decides to go out and find his missing father himself when the police prove inadequate. This was distributed in India by Disney.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: AMC Universal Cineplex, AMC West Oaks

Rating: NR

The Little Hours

(Gunpowder & Sky) Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza. A servant in the middle ages, fleeing from his vindictive master, hides in a convent of emotionally unstable nuns. This is loosely based on Giovanni Boccaccio’s 14th century novel The Decameron.

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for graphic nudity, sexual content and language)

Maudie

(Sony Classics) Ethan Hawke, Sally Hawkins, Kari Matchett, Zachary Bennett. A woman with crippled hands wants to be independent of her overprotective family and yet yearns to create art of her own. She answers an ad for a housekeeper for a reclusive fishmonger and the two end up falling into an unlikely but passionate romantic relationship. This inspires her to create and as she becomes a renowned folk artist, it brings the two of them closer in ways they couldn’t have imagined.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic content and brief sexuality)

Wish Upon

(Broad Green) Joey King, Ryan Philippe, Elizabeth Röhm, Sherilyn Fenn. A gift of a strange music box with a cryptic inscription to a bullied high school girl leads her to discover that the box can make any wish she imagines come true. Soon she has it all – wealthy, popularity, the boy she has a huge crush on. However there is a price to be paid for such gifts and she must soon find a way to rid herself of the box before everything she loves is taken away from her.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violent and disturbing images, thematic elements and language)

OPENING IN ORLANDO/DAYTONA

Falsettos
Shamantakamani

ALSO OPENING IN MIAMI:
Blind
The Confessions
Falsettos
Lost in Paris
Pop Aye
Shamantakamani

ALSO OPENING IN TAMPA:

Blind
Falsettos
The Journey
Swallows and Amazons
Thondimuthalum Driksakshiyum

ALSO OPENING IN JACKSONVILLE:

All Men are the Same
Falsettos
The Magicians
Shamantakamani
Wakefield

Sleeping With Other People


Getting laid in the Big Apple is easy for these two.

Getting laid in the Big Apple is easy for these two.

(2015) Sex Comedy (IFC) Alison Brie, Jason Sudeikis, Adam Scott, Adam Brody, Natasha Lyonne, Amanda Peet, Jason Mantzoukas, Katherine Waterston, Marc Blucas, Skylar Gaertner, Andrea Savage, Anna Margaret Hollyman, Margarita Levieva, Billy Eichner, Jordan Carlos, Margaret Odette, Sawyer Shipman, Brian Berrebbi, Michael Delaney, Remy Nozik, Victoria Frings. Directed by Leslye Headland

There is that age old question of whether or not men and women can be friends with each other without being sexually attracted. According to When Harry Met Sally the answer is no, and since it’s been 26 years since that classic hit the theaters, writer-director Leslye Headland thought it was high time that question was re-explored.

Jake (Sudeikis) is a serial womanizer who just can’t keep it in his pants. It seems to be a by-product of his commitment phobia for when any woman he’s spending time with wants to get close, he does something spectacular to push her away (generally sleeping with her best friend or sister); one recently made an ex-girlfriend reacts by shoving him in front of a taxi.

&At a self-help meeting for sex addicts, he runs into Lainey (Brie), the girl who was his first back in college (he was her first as well). She’s still hung up on the gynecologist, Matthew (Scott) that she was in college, much to Jake’s amusement. Matthew has all the personality of a wet sock and he can’t for the life of him figure out what she sees in him. In any case, they decide to hang out and develop a deep friendship.

Not wanting to mess things up with sex, the two decide to remain platonic and even institute a “safe word” when they start to feel sexual attraction for each other. Needless to say, everyone around them, particularly Jake’s friends Xander (Mantzoukas) and Naomi (Savage) who are married to each other see full well what the two don’t – that they are perfect for each other. And of course they both know it too, but are too scared to take action on it. So they both take refuge in old behaviors, just like many of us do when confronted by the scary.

Headland has written a smart, modern romantic comedy that is incredibly sexy. In fact, the onscreen sex is much more graphic than most mainstream films usually show in terms of body movement and facial expressions; however, there are no genitalia on display which is a bit odd considering that at various points in the movie there are some rather graphic conversations, including one where Jake demonstrates the finer points of female masturbation to Lainey so that she can curb her urges.

Sudeikis has been knocking on the door of stardom ever since graduating from Saturday Night Live and here he does the best work of his cinematic career. This is the movie that defines his strengths in a nutshell; it doesn’t hurt that he is given some wonderful dialogue that’s both snappy and smart. At one point, he dismisses Matthew as “the Pontiac Aztek of people” which is a hoot especially if you’ve ever driven one.

Brie has also been someone who has been knocking on that door, but her career is a lot less established than that of Sudeikis. She shows here that she has the chops to be as good a comic actress as any out there, including such names as Kristen Wiig and Tina Fey. She certainly in many ways is as good as Greta Gerwig who gets more indie love. Perhaps after this movie, which was a big hit at Sundance and Tribeca, that will change.

The only issue here is that there are some situations that reek of New York indie cuteness which is a disservice to the film. I don’t expect every movie to innovate, but I would at least hope that one that is as smart as this one at least avoids some of the same cliches that other films have fallen victim to, but at least it doesn’t hurt the movie too much.

It helps that there is some fine talent in supporting roles, many of whom are literally there to be conquered sexually by either Jake or Lainey. Many critics are comparing this to When Harry Met Sally and while this is much more graphic than that film, the basic man-woman friendship vs. sexual attraction thing is still at the forefront, and like that movie, there is intelligence and depth. Does it come to the same conclusions as that iconic rom-com? I will leave it to you to find out for yourself because this movie is certainly worth the look. As for me, I’ll have what they’re having – and fortunately for me, I already am.

REASONS TO GO: Excellent dialogue. Sudeikis at his very best. Intelligently written.
REASONS TO STAY: Too many cute indie cliches. Might be too sexy for those sensitive to such things.
FAMILY VALUES: Lots of graphic sex (but no graphic nudity), sexual dialogue and some drug use.
TRIVIAL PURSUIT: Scott and Mantzoukas both appeared together in Parks and Recreation.
CRITICAL MASS: As of 10/9/15: Rotten Tomatoes: 59% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: When Harry Met Sally
FINAL RATING: 7.5/10
NEXT: Reversion

New Releases for the Week of October 9, 2015


Pan

PAN

(Warner Brothers) Hugh Jackman, Levi Miller, Garrett Hedlund, Rooney Mara, Nonso Anozie, Adeel Akhtar, Amanda Seyfried, Cara Delevingne. Directed by Joe Wright

J.M. Barrie’s Peter Pan is one of the most beloved characters in the history of children’s literature but there isn’t much that is known about his early years. Director Joe Wright aims to remedy that situation, showing us the tale of a young orphan spirited away from the orphanage in London to a magical island ruled by the wicked pirate Blackbeard. To survive he will need to united the tribes of Neverland, led by the impetuous Princess Tiger Lily, but he won’t be able to win at all without the help of a ne’er-do-well explorer who happens to be a fellow by the name of Jim Hook.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Fantasy
Now Playing: Wide Release
Rating: PG (for fantasy action violence, language and some thematic material)

99 Homes

(Broad Green) Michael Shannon, Andrew Garfield, Laura Dern, Clancy Brown. After being evicted from his home, a single father has only one chance of getting it back – by going to work for the despicable and ruthless businessman who evicted him in the first place. At first, he does it for his mother and children but as he gets further ensnared in the businessman’s web, he discovers that in selling his soul he’s been sentencing himself to a kind of purgatory on Earth, and extricating himself from that might even be more impossible still.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R  (for language including some sexual references, and a brief violent image)

Big Stone Gap

(Picturehouse) Ashley Judd, Patrick Wilson, Jenna Elfman, Jane Krakowski. The pharmacist in a small coal mining town in rural Virginia has resigned herself to being alone for the rest of her life. She is in fact content with that fate, living a fulfilling life of use and purpose. However, she discovers a family secret that shatters her illusions and changes the course of her life forever.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando, Regal The Loop, Regal Winter Park Village
Rating: PG-13 (for brief suggestive material)

Coming Home

(Sony Classics) Gong Li, Daoming Chen, Huiwen Zhang, Tao Guo. In the midst of China’s Cultural Revolution, a dissident is sent to a labor camp. When he returns home, he finds that his beloved wife no longer recognizes who he is. Masquerading as a friend of her husband’s who was in the same camp, he tries to find a way to convince her that he is her husband. This comes from Zhang Yimou, one of the most honored directors in China.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some thematic material)

He Named Me Malala

(Fox Searchlight) Malala Yousefzai, Ziauddin Yousefzai, Toor Pekai Yousefzai, Khushal Yousefzai. Most of us have heard the name of the Nobel Peace Prize laureate who courageously stood up for the education of girls in Pakistan and was targeted by the Taliban for elimination. Shot while returning home on her school bus, she survived her injuries despite overwhelming odds to become a symbol for the rights of women to make something better of themselves. This documentary not only tells her story but shows Malala at home as the ordinary teenage girl that she is, although truth be told she is something far more than ordinary.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13 (for thematic elements involving disturbing images and threats)

Ladrones

(Pantelion) Fernando Colunga, Eduardo Yanez, Miguel Varoni, Jessica Lindsey. The sequel to Ladron que roba a ladron follows the continued exploits of a pair of thieves turned crusaders for social justice. Now retired from the game, they come together for one last heist – this one against a ruthless family of land owners who are trying to wipe away an entire town in order to build condos. Putting together a new team of misfits, they’ll have to have cojones the size of watermelons to pull this one off.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Caper Comedy
Now Playing: AMC Disney Springs, Regal The Loop
Rating: PG-13 (for brief strong language, some sexual content and historical smoking)

Meet the Patels

(Alchemy) Ravi Patel, Geeta Patel, Champa V. Patel, Vasant K. Patel. Ravi Patel is an actor/filmmaker who was born in America to parents who emigrated from India. He is rapidly approaching 30 and is single, having broken up with his white girlfriend of two years that he couldn’t bring himself to tell his parents about. They are anxious to have grandchildren and see their son married. Therefore they go old school; the parental matchmaking process. Captured on film by his documentary filmmaker sister, the film shows insights into the Indian culture and the heart of a loving family that is common to all cultures. This played at the South Asian Film Festival last weekend at the Enzian and is beginning a regular run; you can read my review of the film here.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Touchstar Southchase
Rating: PG (for thematic elements, brief suggestive images and incidental smoking)

Sleeping With Other People

(IFC) Jason Sudeikis, Alison Brie, Adam Scott, Katherine Waterston. Two college friends, who have gone on to lives of serial infidelity, reconnect and become friends again. Vowing to remain friends because they are terrible with relationships, they find themselves falling for each other against all odds. Look for my review on this tomorrow.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sex Comedy
Now Playing: Enzian Theater
Rating: R (for strong sexual content, language including sexual references, and some drug use)