Allied


The name is Pitt, Brad Pitt.

The name is Pitt, Brad Pitt.

(2016) War Drama (Paramount) Brad Pitt, Marion Cotillard, Jared Harris, Lizzy Caplan, Simon McBurney, Matthew Goode, Marion Bailey, Ian Batchelor, Ėric Thëobald, Josh Dylan, Camille Cottin, August Diehl, Anton Blake, Fleur Poad, Vincent Latorre, Daniel Betts, Sally Messham, Charlotte Hope, Celeste Dodwell, Maggie O’Brien, Anton Lesser, Angelique Joan. Directed by Robert Zemeckis

 

Espionage is a lonely affair. After all, how can you trust anyone who it is a given that they are at the very least manipulating the truth if not outright lying? Relationships do not survive without trust, after all.

Max Vatan (Pitt) is a Canadian airman/spy who parachutes into North Africa during World War II. His assignment is to make it to Casablanca and there attend a party where he will assassinate the German ambassador (Blake). Assisting him will be Marianne Beauséjour (Cotillard), a member of the French resistance who will pose as his wife and get him into the party.

At first, both of them are consummate professionals, maintaining the illusion of a loving marriage while retaining their objectivity but that objectivity begins to crumble. Imminent danger turns feigned affection to the real McCoy. On the eve of the party, they go out to the desert to clear their heads but a sandstorm traps them in their car where they finally smash through their pretensions and give in to what they’ve both been feeling.

After completing their mission, they return to London and marry; shortly thereafter Marianne gives birth to a daughter in the midst of an air raid. They find a quaint cottage in Hampstead while Max is a desk jockey in the British war department. One afternoon on what is supposed to be a weekend off, he is summoned to headquarters and his superior (Harris) and a officious military intelligence officer (McBurney) drop a bombshell of their own; Marianne is in fact a German spy. She’d assumed the identity of the real Marianne Beauséjour after murdering her. They’ve intercepted transmissions of classified material that they have traced to her. Max is given false information to make sure that Marianne can discover. If that information turns up in a new transmission, then all doubt will be removed and Max is ordered to execute her by his own hand in that case. Failure to do so will result in his own execution.

Max, of course, doesn’t believe that the love of his life and the mother of his child could betray him like that. Despite orders to the contrary, he does some sleuthing of his own trying to discover the truth about his wife. Is she, as he believes, falsely accused or has she lied to him all this time and is actually using him?

To Zemeckis’ credit, he doesn’t tip his hand one way or the other. The audience is completely in the dark of Marianne’s innocence or guilt until the very end of the film. Also to his credit we care about both characters enough that we are genuinely rooting for the accusations to be false. It is also a credit to both actors that their relationship is completely believable.

What isn’t believable is the whole trope of that the accused spy, if she is a spy, must die by the hand of her husband. I suppose that the logic there is that it proves the continued loyalty of the Max character and that he isn’t an accomplice to Marianne’s alleged chicanery but it is the kind of thing that doesn’t make sense. It would seem more logical that if Marianne is guilty that anybody but Max execute her. Certainly war can change morality but it doesn’t seem to me that forcing a man to kill his wife would do anything but turn him against the agency making such an order. There are also plenty of ways to get Marianne to receive false information without involving her husband. It would be in fact more efficient to leave him ignorant. Of course that would also remove the tension of the movie’s third act.

Pitt and Cotillard are both legitimate movie stars and with all that implies; Zemeckis is a master at utilizing the abilities of the stars he works with. Pitt and Cotillard have never been as radiant and charismatic as they are here. They both captivate equally and their relationship as lovers makes absolute sense and is believable without question. The movie is essentially a primer for the advantages of star power.

What I liked most about the film was that it is very a movie that puts to lie “they don’t make ‘em like that anymore.” This is absolutely the way they used to make ‘em like. It is no accident that the first act is set in Casablanca; the iconic Casablanca is not only name-checked but several elements from it are slyly referenced. The costuming is absolutely superb. I don’t often notice the costumes but they are superb here; it wouldn’t surprise me if the film gets an Oscar nomination in that department. Joanna Johnston, the costume designer, certainly deserves one here.

What I didn’t like about the movie is that it runs a little bit too long particularly during the second act. Da Queen, in the interest of full disclosure, actually liked this part of the movie much more than I did; she felt that Max acted the way she thought any good husband would.  In all honesty I can’t dispute that, but again that’s why any intelligence agency would not inform the husband of an accused spy that she’s under investigation, if for no other reason that they would better be able to determine his own complicity if any in that manner.

I have to admit that I liked the movie a few days after seeing it than I did when I left the theater and it’s entirely possible that when I view this a second time (as I certainly will since Da Queen really liked the movie much more than I did) I will find myself liking it even more. That said, it did leave me a bit flat despite everything it had going for it; that could be chalked up to me not feeling well when I saw it. There are definitely some flaws here but for those who love movies the way they used to be you’re bound to find this right up your alley.

REASONS TO GO: Pitt and Cotillard are legitimate movie stars who use their star appeal to full potential here. It’s an old-fashioned Hollywood movie in the best sense of the term.
REASONS TO STAY: The movie is way too long and drags a whole lot in the middle third. Some of the plot points lack credibility.
FAMILY VALUES: There is some wartime espionage violence, some sexuality, a brief scene of drug use and a slight amount of profanity.
TRIVIAL PURSUIT: In one scene, a photo of King George VI can be seen behind Jared Harris. He played the monarch in the Netflix series The Crown.
CRITICAL MASS: As of 12/23/16: Rotten Tomatoes: 60% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Mr. and Mrs. Jones
FINAL RATING: 6.5/10
NEXT: Almost Christmas

New Releases for the Week of November 24, 2016


MoanaMOANA

(Disney) Starring the voices of Dwayne Johnson, Auli’i Cravalho, Jemaine Clement, Alan Tudyk, Temuera Morrison, Rachel House, Nicole Scherzinger. Directed by John Musker and Ron Clements

A plucky teenage girl (are there any other kind at Disney?) sets out on a dangerous quest across the Pacific to save her people. Aiding her in her quest is the once-mighty demigod Maui who teaches her the way to become a master navigator. Together they’ll face mighty monsters, impossible odds and at times, each other. The one thing that Moana finds on the way to fulfilling her people’s prophecy is the one thing she most wanted to and never expected to – herself.

See the trailer, interviews, and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D (opened Wednesday)
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for peril, some scary images and brief thematic elements)

Allied

(Paramount) Brad Pitt, Marion Cotillard, Jared Harris, Lizzy Caplan. An American spy during the Second World War meets a comely French Resistance fighter on a mission and the two eventually fall in love. Reunited in London after the mission is over, they marry and begin a family. That’s when the bombshell drops (and I don’t mean the Blitz) – his wife is suspected of being a Nazi double agent and he is given the order to take her out permanently.

See the trailer, clips, interviews, promos, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard (opened Wednesday)
Genre: War Drama
Now Playing: Wide Release

Rating: R (for violence, some sexuality/nudity, language and brief drug use)

Bad Santa 2

(Broad Green/Miramax) Billy Bob Thornton, Kathy Bates, Tony Cox, Christine Hendricks. Willie Soke, the worst Santa ever, is back and his evil elf sidekick Marcus has a scheme to rob a Chicago charity on Christmas Eve. Along for the ride is Thurman Merman, the irrepressibly optimistic and naive boy (now a young man) and Willie’s horror show of a mom who turns everything she touches to ca-ca. Not helping matters is Willie/s lust/love for the charity’s director, a curvaceous and prim lass with a libido that just won’t quit.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard (opened Wednesday)
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, and some graphic nudity)

Dear Zindagi

(Reliance) Alia Bhatt, Shah Rukh Khan, Aditya Roy Kapoor, Tahir Raj Bhasin. A budding cinematographer looking to create the perfect life for herself encounters a free-thinking extrovert who teaches her to see life just a little differently – that the joy is in life’s imperfections.

See the trailer and promos here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Nocturnal Animals

(Focus) Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson. A woman trying to put her life together after a dysfunctional marriage and a brutal divorce is sent a book by her ex-husband that is violent and graphic – and dedicated to her. Knowing that she did something terrible to her ex, she doesn’t know what lengths he’ll go to for his vengeance.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard (opened Tuesday)
Genre: Thriller
Now Playing: Enzian Theater

Rating: R (for violence, menace, graphic nudity and language)

Rules Don’t Apply

(20th Century Fox) Warren Beatty, Lily Collins, Alden Ehrenreich, Annette Bening. When Midwestern beauty queen Maria Mabrey comes to Hollywood in 1958 under contract to the eccentric billionaire Howard Hughes, she is met by his personal driver. Both devoutly religious, they of course fall instantly forever, threatening to break Hughes’ cardinal rule of his employees having no relationships whatsoever. When Hughes  begins to fall for the actress, both Mabrey and the driver are drawn increasingly into his bizarre world.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard (opened Wednesday)
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for sexual material including brief strong language, thematic elements and drug references)