(Universal) Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Alison Pill, Ellen Wong, Mark Webber, Johnny Simmons, Anna Kendrick, Jason Schwartzman, Brandon Routh, Aubrey Plaza, Chris Evans, Brie Larson, Mae Whitman, Bill Hader (voice). Directed by Edgar Wright
There’s something about videogames that appeals to most of us; the clear delineation between good and evil, the use of skill and deduction to be successful, the ability to explore amazing places and live vicariously through the characters in the game. We can become anyone, defeat anything, but we can’t escape love.
Scott Pilgrim (Cera) is a 22-year-old slacker who has broken up with his girlfriend Envy Adams (Larson) for some time and hasn’t really gotten over her. He’s dating a 17-year-old high school Asian chick named Knives Chau (Wong) who worships the ground the Scott walks on. He’s also playing bass in a trio known as Sex Bob-omb along with fellow slackers Steven Stills (Webber), drummer Kim Pine (Pill) who Scott once dated and Young Neil (Simmons), who subs for Scott on bass when he isn’t in the mood to play. Knives also worships the ground they rock on.
Then, into Scott’s life comes Ramona Flowers (Winstead), a lively red/blue/green-headed hipster who recently moved to Toronto from New York City. Scott falls immediately and implacably in love with her, much to the disgust of his sister Stacey (Kendrick) and gay roommate Wallace Wells (Culkin). At first, things are a little rough between Scott and Ramona; she’s getting over some fairly rough times and is inclined not to trust anyone. Gradually, Scott’s charm wins her over.
That’s when Scott’s problems really begin. It turns out that Ramona has seven evil exes, people she dated with super powers and evil intentions. Scott will need not only to fight all seven of them, he’ll have to defeat them in order to win the hand of the woman he loves.
It’s a simple enough concept, but under the guidance of director Edgar Wright (Hot Fuzz, Shaun of the Dead) the execution is imaginative and clever. You know from the 8-bit version of the iconic opening of Universal Studios that you’re in for something special. Videogame conceits order the action, from the onscreen graphics to the extra lives to even the look of the movie.
There are a lot of homages to various classic and current videogames, from Pac-Man to Dance Dance Revolution to Mortal Kombat to Sonic the Hedgehog. There are also lots of pop culture references, from the graphic novel culture from where this project originated, but also the indie music and movie scene as well. However it is videogames that are the primary inspiration for this movie and those who aren’t at least aware of some of the conventions of videogames aren’t going to be able to follow the movie very well, or at least get some of the humor.
Much of the movie rests on the skinny shoulders of Everytwerp Michael Cera. I have never been a huge fan of his mainly because of what I perceive as a sameness of the characters he plays in movies like Nick and Norah’s Infinite Playlist, Juno and Superbad not to mention his role in the cable series “Arrested Development.” Cera tends to speak in the same annoying, mousy tones and plays guys who get women way out of their leagues. Here, he has a bit more of a crafty undertone to him; we find out during the course of the movie that he’s a little bit of a player when it comes to women.
Most of the critical brickbats have focused in on Winstead’s Ramona Flowers and I can understand some of the criticism. She’s a bit aloof emotionally (as is Cera’s Scott to a very large extent) and that creates a bit of a gulf between the audience and the action. It’s hard to want a relationship to succeed if you aren’t feeling that the love is genuine; Cera and Winstead never convince that there’s a real deep emotional bond between Scott and Ramona.
That’s what keeps me from giving the movie a higher score, but the clever visuals and the frenetic pacing are what elevate the movie to something better than standard summer action fare. The fight sequences are some of the best I’ve seen in a movie that didn’t come from Asia, and the humor throughout appeals not just to the videogame crowd but for general audiences as well. This is one of those movies that seem much shorter than it is; you’re enjoying yourself so much you don’t notice how time is passing by.
My son Jacob has been looking forward to the movie for eons. He is a big fan of the original graphic novel which I haven’t read yet; he is also a nutcase about videogames. This is HIS movie, and these are HIS people. The movie speaks to him and his friends in ways I can’t; it relates to him in ways I won’t either. It speaks his language and knows his shorthand. I suspect this will be a cultural touchstone for him and his generation for years to come.
REASONS TO GO: A pop culture icon for the digital generation. Cleverly designed and executed, the movie moves along at a frenetic pace.
REASONS TO STAY: There are times when the characters get a little hipper-than-thou, and Cera is playing yet another Michael Cera role, so if you don’t like Michael Cera you won’t like him any better here.
FAMILY VALUES: There is some stylized videogame-like violence and a few bad words here and there. There are also some sexuality and drug references. Pretty much okay for everyone, although parents may want to decide if it’s suitable for their younger children.
TRIVIAL PURSUIT: Whitman, who plays one of the evil exes here, previously played the girlfriend of Michael Cera’s character in “Arrested Development.”
HOME OR THEATER: This should be seen in a theater with a bunch of cheering fans, but if you can’t get there, a roomful of videogame addicts at home will do just as well.
FINAL RATING: 8/10
TOMORROW: Drillbit Taylor