Geostorm


Gerard Butler saves the day but not his career.

(2017) Science Fiction (Warner Brothers) Gerard Butler, Jim Sturgess, Ed Harris, Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Eugenio Derbez, Amr Waked, Adepero Oduye, Andy Garcia, Robert Sheehan, Richard Schiff, Mare Winningham, Zazie Beetz, Talitha Bateman, Daniella Garcia, Ritchie Montgomery, David S. Lee, Billy Slaughter, Catherine Ashton. Directed by Dean Devlin

 

It was inevitable that the climate change crisis that we are currently facing would eventually lead to some big budget disaster movies. After all, climate scientists have been predicting super storms, increased wildfire activity and rising oceans for years. Hollywood was bound to make a special effects extravaganza about such events.

Geostorm is part cautionary tale in which the technology that has been used to control global warming has been turned around and utilized as a weapon against us. The only ones who can save us all are a hard-drinking, big mouthed astronaut-engineer (Butler) with perpetual six o’clock shadow, his younger brother (Sturgess) who’s a Washington bureaucrat, his brother’s Secret Service girlfriend (Cornish), a brilliant Asian computer expert (Wu), a by-the-book Eastern European International Space Station commander (Lara), a precocious daughter (Bateman), a tough-minded President (A. Garcia) and an even tougher Chief of Staff (Harris). It’s pretty much a parade of cliché characters from start to finish.

I’d go into further detail about the plot but it’s so preposterous that the less you know in advance the better off you’ll be. For one thing, reading the story details on paper might just scare you off – not in the fearful sense but in the “Why would I want to waste my time with that crap” sense. It’s generally not a good sign when a movie opening is delayed several times until it comes out almost 18 months after the original release date – and has changed distributors in the interim as well.

Granted, there are a few things that the film has to recommend it. The special effects for the most part are decent with some even a cut above, but the effects are basically done by a mish-mash of effects houses with varying degrees of success. 80s icon Mare Winningham also makes a brief appearance but is limited to a single scene. She was smart enough to keep her participation to just that.

Butler is generally reliably likable but here it feels like he could care less about the movie, even though he’s one of the producers. Sturgess fares only a little bit better but most of the other actors take their paychecks and move on. So should you.

REASONS TO GO: Some of the special effects are pretty nifty.
REASONS TO STAY: The story is riddled with clichés and ends up being entirely predictable. The usually reliable Butler phones this one in.
FAMILY VALUES: There is all sorts of violence, massive destruction and sci-fi action.
TRIVIAL PURSUIT: Although Devlin has been a producer for more than 30 years primarily with Roland Emmerich, this is his directing debut.
BEYOND THE THEATERS: Amazon, Google Play, iTunes, Movies Anywhere, Vudu
CRITICAL MASS: As of 1/8/18: Rotten Tomatoes: 13% Positive Reviews. Metacritic: 81/100.
COMPARISON SHOPPING: 2012
FINAL RATING: 4/10
NEXT:
Warning: This Drug May Kill You

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New Releases for the Week of October 20, 2017


GEOSTORM

(Warner Brothers) Gerard Butler, Jim Sturgess, Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Eugenio Derbez, Amr Waked, Andy Garcia, Ed Harris. Directed by Dean Devlin

In a future where we have the ability to control the weather, the satellites that do the controlling suddenly and inexplicably start to turn on the Earth, creating massive and deadly weather events. As the weather worsens, a massive worldwide Geostorm that could potentially wipe out all life on earth is forming and it’s a race against time to find out who is behind it and stop them before our home is turned into a lifeless wasteland.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, IMAX, IMAX 3D
Genre: Sci-Fi Action
Now Playing: Wide Release

Rating: PG-13 (for destruction, action and violence)

Breathe

(Bleecker Street) Andrew Garfield, Claire Foy, Ed Speleers, Tom Hollander. Legendary motion capture king Andy Serkis makes his directorial debut with this inspiring true story of Robin Cavendish, a young man whose life is full of adventure, promise and love but is cruelly paralyzed by polio from the neck down, leaving a grim prognosis. Refusing to live out his days in a hospital, against all odds he returns home and slowly but surely with the help of mechanically-inclined friends he works on ways to make his life – and the lives of others in his predicament – better.

See the trailer and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Ormond Beach, Regal Oviedo Marketplace, Regal Pointe Orlando, Rialto Spanish Springs

Rating: PG-13 (for mature thematic material including some bloody medical images)

Faces, Places

(Cohen Media Group) Jean-Luc Godard, Agnés Varda, JR, Laurent Levesque. Legendary French new wave director Varda and acclaimed muralist JR strike up an unlikely friendship and decide to make a film together. Travelling France to photograph new faces, art is created in the most unlikely and occasionally delightful of places.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG (for brief nude images and thematic elements)

Killing Gunther

(Saban/Lionsgate) Arnold Schwarzenegger, Cobie Smulders, Bobby Moynihan, Allison Tolman. Gunther is the world’s most successful assassin. So much so that the world’s other assassins are getting together and plotting to take him down. The trouble is, their plans don’t always work the way they are intended to.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action Comedy
Now Playing: AMC West Oaks

Rating: R (for violence, language and some sexual material)

Mark Felt: The Man Who Brought Down the White House

(Sony Classics) Liam Neeson, Diane Lane, Marton Csokas, Tony Goldwyn. The story of Felt, who for years hid his identity as the mystery man who helped take down the Nixon White House. Felt, a respected agent in the intelligence community discovered the wrongdoings of Watergate and became the most famous whistleblower in history – known to most as Deep Throat.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for some language)

Only the Brave

(Columbia) Josh Brolin, Jeff Bridges, Miles Teller, Jennifer Connelly. This is based on the Granite Mountain Hotshots, a volunteer firefighting brigade that took a heroic stand trying to defend their town from a historic wildfire. In the context of what has been happening in California, the Pacific Northwest and Big Sky country, this movie couldn’t be any more timely.

See the trailer, clips, interviews and Premiere footage here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some sexual references, language and drug material)

Same Kind of Different as Me

(Paramount/Pure Flix) Renee Zellweger, Jon Voight, Djimon Hounsou, Greg Kinnear. A successful art dealer whose marriage is on the rocks befriends a dangerously volatile homeless man as a means of reconnecting with his wife. Her dreams will send the three of them on a journey none of them could have ever anticipated.

See the trailer, clips, interviews and a featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG=13 (for thematic elements including some violence and language)

The Snowman

(Universal) Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Val Kilmer. Detective Harry Hole investigates the disappearance of a woman whose only clue is her pink scarf wrapped around the throat of an ominous looking snowman. Hole fears that this case may be linked to some bizarre murders that took place years earlier.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for grisly images, violence, some language, sexuality and brief nudity)

Tyler Perry’s Boo 2! A Madea Halloween

(Lionsgate) Tyler Perry, Patrice Lovely, Brock O’Hurn, Lexy Panterra. America’s favorite grandmother returns as she and her family visit a haunted campground on Halloween and unwittingly unleash a wave of monsters, goblins, ghouls and boogeymen. Run for your lives, America!

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for sexual references, drug content, language and some horror images)

ALSO OPENING IN ORLANDO/DAYTONA:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
The Unknown Girl

ALSO OPENING IN MIAMI:

4 Days in France
A Silent Voice
Golmaal Again
Inseparables
Jungle
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
Walking Out
Where’s the Money
The Woman Who Left

ALSO OPENING IN TAMPA:

Demons
Golmaal Again
Leatherface
Let Her Out
Mersal
Never Here
Raja the Great
Secret Superstar
So B. It

ALSO OPENING IN JACKSONVILLE:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul

SCHEDULED FOR REVIEW:

Breathe
Geostorm
Only the Brave
The Snowman
Walking Out

Passengers (2016)


passengers

There’s nothing quite like a swim by starlight.

(2016) Science Fiction (Columbia) Chris Pratt, Jennifer Lawrence, Michael Sheen, Laurence Fishburne, Andy Garcia, Vince Foster, Kara Flowers, Conor Brophy, Julee Cerda, Aurora Perrineau, Lauren Farmer, Emerald Mayne, Kristin Brock, Tom Ferrari, Quansae Rutledge, Desmond Reid, Emma Clarke (voice), Fred Melamed (voice), Chris Edgerly (voice), Curtis Grecco, Joy Spears. Directed by Morten Tyldum

Loneliness can drive us to do terrible things. But contemplate this; you are completely alone on a starship full of sleeping human beings on their way to a distant interstellar colony. You have been awakened 90 years too early and are likely to be dead, or at least enfeebled, by the time the ship arrives. How do you cope? What do you do with absolutely no human contact for the rest of your life?

That is the prospect facing Jim (Pratt), an engineer and passenger aboard the Avalon, a colony ship headed to a distant world. His hibernation pod has malfunctioned and awakened him almost a century too early. The only conversation comes from Arthur (Sheen), a robotic bartender who dispenses whiskey and advice in equal measures.

Then Aurora (Lawrence), a fellow passenger also awakens. She’s a writer who had purchased a Gold level ticket, entitling her to more perks on the luxury liner than Jim gets (think of it as first class vs. steerage – Titanic much?) who is equally mystified even as the two enjoy the many amenities on the Aurora – in complete and utter silence and solitude.

But they have much bigger problems. The ship has begun to show a series of worsening malfunctions, from elevators that won’t work to failures of more critical systems. They don’t have access to the vital crew areas where the malfunctions can be dealt with. And while Jim and Aurora are falling deeply in love, there is a secret that may destroy the fragile relationship that is beginning to blossom – if they survive long enough for the relationship to develop.

Pratt and Lawrence are two of the biggest stars in Hollywood and star power is just what a movie like this needs. The bulk of the movie rests on their capable shoulders with little interaction with anyone else other than the aforementioned Arthur and a crew member (Fishburne) who also awakens early. Pratt often plays characters who are generally not very serious. Jim is super serious and the twinkle that Pratt normally has in his eye is not really present here. This is Serious Guy Chris Pratt and while some may prefer the Not So Serious Guy, he is displaying more range than he’s shown to date, which augers well for a long run as an A-lister.

I’ve always known Lawrence is a tremendously gifted actress with extraordinary range but I never thought of her as a sex symbol before this film. There is a scene where Aurora goes on a date with Jim (some of this is shown in the trailer) where she wears a stunning Little Black Dress and has the nightclub walk down. It is as sexy a scene as you’re likely to see and yet no clothes are shed and no skin is viewed. It’s just an actress showing that sexuality doesn’t have to be simulated humping; the most sexual organ is indeed the mind.

Also playing a huge role is the production design. The Avalon is a cruise ship as reimagined by the designers of 2001: A Space Odyssey. It’s sleek and in some cases sterile, but it looks like the way we thought the future would be back in the 60s before movies like the first Star Wars and Alien showed us a future that was more lived in and industrial. This future is, as Walt Disney might have put it, a great big beautiful tomorrow.

The movie begins to break down in the third act as the love story begins to unravel and turn into a straight-out disaster movie which I think is a tactical error. While Titanic used the love story to give the disaster humanity, here because there is no interaction essentially with anyone else, it becomes less of a disaster than a “Oh no, the ship is sinking!” kind of thing. More like the S.S. Minnow, if you get my drift.

The movie has all the ingredients to be a science fiction classic, but it unfortunately doesn’t pull it all together to make it so. The storytelling could have been tighter and there could have been more emphasis on the people than on the environment. The antiseptic corridors of the Avalon, devoid of human life, become an echo chamber for the two protagonists and that seems a bit cold and empty. The movie is the definition of eye candy; pretty to look at but ultimately nothing substantial once you’ve seen the images.

REASONS TO GO: Pratt and Lawrence make a beautiful couple. The effects are pretty special.
REASONS TO STAY: The story meanders a little bit. The ending is extraordinarily weak.
FAMILY VALUES:  There is some sexuality and nudity as well as some sci-fi action.
TRIVIAL PURSUIT:  The starship is named the Avalon after the mythical location connected with the legend of Camelot. Not coincidentally, the bartender’s name is Arthur.
CRITICAL MASS: As of 1/11/17: Rotten Tomatoes: 31% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: Titanic
FINAL RATING: 6.5/10
NEXT: Sing

The True Memoirs of an International Assassin


Kevin James, badass!

Kevin James, badass!

(2016) Action Comedy (Netflix) Kevin James, Andy Garcia, Zulay Henao, Kim Coates, Ron Rifkin, Maurice Compte, Rob Riggle, Leonard Earl Howze, Yul Vazquez, Andrew Howard, P.J. Byrne, Kelen Coleman, Jeff Chase, Katie Couric, G-Rod, Daniel Zacapa, Al Hamacher, Jordi Caballero, Lauren Shaw, Emilie Ullerup. Directed by Jeff Wadlow

 

Some things in life are less likely than others; Donald Trump having an extramarital affair, for example – with Rosie O’Donnell. Or PETA opening up a barbecue restaurant.

Right up there with those is Kevin James morphing into an action hero, although he has done a few action films in his time. The portly sitcom star is actually fairly fit for a man his size, but he certainly doesn’t fit the mold of a classic action hero.

Still, he has a very likable screen persona and plenty of charisma on both the big screen and small. He hasn’t always gotten great movies and good roles but he has always been a trooper and does his best even when the material is less than scintillating. Here he plays Sam Larson, a cubicle cowboy who dreams of being a bestselling author, but unlike most of us with such ambitions he’s actually doing something about it. He’s writing a James Bond-meets-Die Hard spy story in which the hero, Mason Carver a.k.a. The Ghost is his own alter ego. Sometimes when Sam gets stuck for inspiration, Mason Carver and the other characters in the scene stand around, twiddling their thumbs and waiting expectantly for direction – which may be a metaphor for what the actors in this film were doing.

His energetic and somewhat conniving E-Publisher (Coleman) thinks she’s got a winner on her hands when he submits the manuscript and promises not to change a word. In fact, she doesn’t – she adds one to the title though, changing The Memoirs of an International Assassin to The True Memoirs of an International Assassin and marketing it as biographical.

This infuriates not only Sam but his buddy Amos (Rifkin) who has been advising him on some of the finer points of international espionage and had urged him not to print certain aspects of Mason Carver’s exploits. During an interview with Katie Couric (herself) on Yahoo, Sam gets cold feet and runs out of the studio – and straight into the arms of kidnappers who turn out to be agents of El Toro (Garcia), a Venezuelan revolutionary. He wants the Venezuelan president (Coates) dead, and essentially tells Sam – who he believes is really The Ghost – that if the president isn’t murdered, Sam will be.

Of course, Sam gets arrested and brought before the President who also believes Sam is The Ghost – and urges him to kill drug kingpin Anton Masovich (Howard) who then kidnaps Sam and suggests he murders El Toro. Maybe Sam should just nuke Venezuela and be done with it, no? Well, that wouldn’t make for a very long movie so Sam, with the help of comely DEA agent Rosa Bolivar (Henao) he figures out a way to get out of this with his skin more or less intact but not everything here is on the up and up.

Incomprehensibly, this script ended up on the Black List of unproduced screenplays a couple of years ago, which leads me to believe that either this was extensively rewritten or the standards for quality of Black List screenplays has taken a serious hit. The plot is pretty pedestrian and has been done before and better in other films; in fact, this feels throughout like you’re watching a sitcom in which the Fonz plays an international spy. Or Ray Romano. Or Doug Heffernan (James’ character in King of Queens) for that matter.

The movie also suffers from really poor CGI throughout, from the explosion to the blood splatters. It all looks fake. To make matters worse, there are several running jokes – like various characters musing “Maybe he really is The Ghost” about Sam, or in the third act for some incomprehensible reason the filmmakers chose to pepper the soundtrack with Spanish language version of pop hits from the 70s, 80s and 90s. Once or twice is okay but it was a good five or six occasions. Brevity is the soul of wit; repetition doesn’t make a joke any funnier in general. Just sayin’.

Don’t get me wrong – there is some entertainment value here but it’s mainly due to James’ work. And let’s face it; compared to the Adam Sandler comedies that Netflix has released thus far, this is Mel Brooks-level work (and believe it or not, Sandler’s production company Happy Madison had nothing to do with this which was surprising to me considering how close Sandler and James are). Still, this is little more than a 90 minute time-killer that will have little more value than that to you. Me, I’d recommend that you wait for a movie that is more worthy of Mr. James’ talents.

REASONS TO GO: Kevin James is always engaging and likable.
REASONS TO STAY: There is a sitcom-like feel to this and some of the running jokes are pretty damn annoying.
FAMILY VALUES: A fair amount of violence and some rude humor.
TRIVIAL PURSUIT: The film is a remake of the 1973 French action film Le Magnifique.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 1/8/17: Rotten Tomatoes: 0% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Spy
FINAL RATING: 5/10
NEXT: Passengers

New Releases for the Week of October 14, 2016


The AccountantTHE ACCOUNTANT

(Warner Brothers) Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Jean Smart, Cynthia Addai-Robinson. Directed by Gavin O’Connor

A young high-functioning autistic boy grows up to be a CPA, a math savant who has Einstein-like genius when it comes to numbers. As an adult, he works under the cover of a small, insignificant CPA office in the Rust Belt with an unbelievable secret to hide. He in fact works for some of the most dangerous criminal organizations on Earth, uncooking their books and protecting their wealth. When he takes on his first legitimate client, a robotics firm where an accounting clerk has uncovered some discrepancies in the books, he discovers that the deadliest clients aren’t always the ones operating outside the law.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

American Honey

(A24) Sasha Lane, Shia LaBeouf, Riley Keough, McCaul Lombardi. A young adolescent girl living in a house that is nothing like a home impulsively runs away with a crew that sells magazines door to door. Feeling like this is where she belongs, she begins to adjust to the lifestyle of lawless days, hard-partying nights and eventually, the onset of love among the ruins.

See the trailer and B-roll video here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexual content, graphic nudity, language throughout, drug/alcohol abuse – all involving teens)

Blue Jay

(The Orchard) Mark Duplass, Sarah Paulson, Clu Gallagher. A pair of former sweethearts from a small California mountain town has returned home for separate reasons and meet up unexpectedly in a grocery store. Although both have gone on to separate lives they find themselves reconnecting as if no time at all has passed. Filmed in black and white and starring the irrepressible Duplass who was one of the guests of honor at this year’s Florida Film Festival.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: NR

Denial

(Bleecker Street) Rachel Weisz, Timothy Spall, Tom Wilkinson, Andrew Scott. A history scholar is sued for libel in Britain when she is accused of labeling a writer a Holocaust denier. In order to prove her innocence (in the United Kingdom, the burden of proof is on the defendant in libel cases) she must prove that the Holocaust actually occurred, a much more difficult feat as it turned out than at first it sounded.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic material and brief strong language)

Desierto

(STX Entertainment) Gael Garcia Bernal, Jeffrey Dean Morgan, Alondra Hidalgo, Diego Cataño. A group of immigrants navigating the treacherous border crossing from Mexico into the United States find they have an additional obstacle to overcome. They are being stalked by a psychopath with a high powered rifle who starts picking off the group one by one.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Disney Springs, Regal The Loop

Rating: R (for strong violence and language)

The Greasy Strangler

(FilmRise) Michael St. Michaels, Sky Elobar, Elizabeth De Razzo, Gil Gex. A degenerate father and his brow-beaten son run a disco-themed walking tour of L.A. When a sexy young woman takes the tour, both father and son end up competing for her attention. At about the same time, a serial killer of women begins a reign of terror in Los Angeles. This gross yet compelling film played at the Florida Film Festival this past April.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater

Rating: NR

Kevin Hart: What Now?

(Universal) Kevin Hart, Halle Berry, Don Cheadle, Ed Helms. Last year Kevin Hart performed to 50,000 people in Philadelphia’s Lincoln Stadium, the first time a stand-up comic had performed to capacity in a stadium venue. The show was filmed for theatrical release, but some framing material, casting Hart as a sort of tiny James Bond is also included.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy/Documentary
Now Playing: Wide Release

Rating: R (for some sexual material, and language throughout)

Max Steel

(Open Road) Maria Bello, Andy Garcia, Ben Winchell, Josh Brener. A young boy who has the ability to generate a powerful energy force is befriended by a techno-organic alien. The two together form Max Steel, a superhero more powerful than any on Earth. Unfortunately, they have enemies after them – from this world and beyond.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Miss Sharon Jones!

(Starz Digital Media) Sharon Jones, Alex Kadvan, Austen Holman. Sharon Jones is one of the greatest soul singers of the 21st century. She and her band the Dap-Kings have been wowing audiences all throughout the world over the past couple of decades. The challenges that she faced in the music business were nothing like what she faced in her own life, as this documentary captures the essence of an exemplary artist who is also a strong, brave woman.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

Priceless

(Roadside Attractions) David Koechner, Joel Smallbone, Jim Parrack, Bianca A. Santos. A widower, already reeling from the death of his wife, loses custody of his daughter on top of his bereavement. At rock bottom, he gets a new job driving a truck cross country – no questions asked. When he discovers what the cargo is, however, he’ll be confronted by an agonizing choice.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, Regal Waterford Lakes

Rating: NR

Ghostbusters (2016)


Uncorking the genii.

Uncorking the genii.

(2016) Horror Comedy (Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey, Zach Woods, Ed Begley Jr., Charles Dance, Karan Soni, Bill Murray, Dan Aykroyd, Nate Corddry, Ozzy Osbourne, Andy Garcia, Annie Potts, Cecily Strong, Ernie Hudson, Sigourney Weaver, Al Roker, Susan Park, Katie Dippold. Directed by Paul Feig

 

I have to make a confession; I was not pleased about the prospects of an all-female Ghostbusters team at first; for one thing, it seemed kind of gimmicky to me, a means of establishing a bit of notoriety before the movie opened. The more I thought about it though, I figured I was just using that as an excuse; I was being a sexist so as a critic I swallowed my pride, sucked it up and tried to look at the movie as objectively as I could.

That’s not to say that it’s possible; like millions of others, the original Ghostbusters is one of my all-time favorite films. When you take on a remake of a classic that is so beloved, comparisons between that film and yours are going to be inevitable. Surely Paul Feig had to know that. But I don’t think he expected the venom that would be directed at his choice to change the gender the team; fanboys absolutely lost their minds, some going so far as to claim that it “ruined their childhoods” which is generally an indication that their childhoods probably should be ruined, if that was all it took.

The storyline here is pretty similar to the original; a trio of scientists – Erin Gilbert (Wiig), a physicist; Abby Yates (McCarthy) a paranormal investigator, and Jillian Holtzmann (McKinnon), an engineer – are brought together to investigate a haunting. Erin and Abby had once co-authored a book – Ghost from Our Past – but had a falling out. Erin was trying to distance herself from those days and when the book shows up on Amazon just as she’s about to become tenured at Columbia University, she and Abby are brought together. Eventually, Abby agrees to pull the book from Amazon on the condition that Erin allows them to investigate a paranormal activity at a local mansion that had been brought to Erin’s attention by the home’s curator (Begley).

When their investigation is successful beyond their wildest dreams, they enlist Abby’s new partner Jillian who is like a kid in a toy store on Christmas morning – she has all sorts of devices to try out, including a proton pack and a ghost capturing device. With Erin cashiered from Columbia who has found out about her somewhat unorthodox beliefs in the supernatural, the three decide to start up a ghost investigation business. During an investigation into a New York subway, they are assisted by Patty Tolan (Jones), an MTA employee with an encyclopedic knowledge of New York City history, particularly the haunted kind. She joins the team as the fourth Ghostbuster (as they are now called, much to Erin’s annoyance).

They hire a receptionist to handle the calls which turns out to be Kevin (Hemsworth), a male model who gets the job because he dampens Erin’s panties more than anything – he proves to be an utter imbecile and not much use at all answering the phone. As they investigate, they discover that someone has been creating gateways allowing the ghosts to come into New York. That someone is uber-nerd Rowan North (Casey) who has some very unpleasant plans for a world that has rejected him and ignored him. When someone plans a paranormal apocalypse, who ya gonna call?

The special effects are spectacular here, which is definitely an unexpected plus – Feig has never really worked an effects-heavy film before but he does a fine job here with the CGI. It’s impressive without being overwhelming. The cinematography is gorgeous and most of the technical end of the movie is soundly executed. I also think that his casting is spot-on – on paper.

Unfortunately, on celluloid is where I have the issues. The chemistry between the team just isn’t as strong as it was for Murray, Aykroyd, Hudson (who all have cameos) and the late Harold Ramis, whose son appears in a brief cameo and who also appears as a bust outside of Erin’s office at Columbia. McKinnon is a little too over the top at times as is Jones who’s shrieking is almost anachronistic, sounding uncomfortably like depictions of African-American characters in horror comedies from say 50-75 years ago.

Wiig and McCarthy are both strong comic actresses who have given terrific performances in other movies, but they are both overly bland here. McCarthy is strangely subdued; I sometimes complain about her characterization in other comedic roles but I would have welcomed more of that energy she brought to those roles here. Wiig is generally an extremely understated performer and was completely miscast; they needed someone who had a little more of a presence. This may surprise some, but I think Leslie Jones might have been better suited for the role of the physicist/doubter, Kate McKinnon better as Abby, Melissa McCarthy more fun as Patty and maybe a different actress – Amy Schumer for example – as Jillian. But still, just reshuffling the roles might not have helped; the ladies just don’t seem as comfortable around each other as they should be.

Despite all of the issues I have with the team, the script isn’t half-bad and there are some very funny moments. The cameos are welcome, but also serve to remind us of how much better the original was than the remake and Feig might have been better advised to leave them out, particularly since he chose to do a reboot rather than a sequel, which I think might have been a better move. Still, one has to give him points for trying, but trying doesn’t save a movie that’s just average.

REASONS TO GO: The effects are impressive.
REASONS TO STAY: It simply doesn’t hold up to the original.
FAMILY VALUES: Some somewhat rude humor and a bit of supernatural action and violence.
TRIVIAL PURSUIT:  The book Ghost from Our Past supposedly co-written by lead characters Erin and Abby, is really for sale on Amazon.
CRITICAL MASS: As of 7/30/16: Rotten Tomatoes: 73% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: A Haunted House
FINAL RATING: 6/10
NEXT: The Legend of Tarzan

New Releases for the Week of July 15, 2016


GhostbustersGHOSTBUSTERS

(Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Charles Dance, Andy Garcia, Cecily Strong. Directed by Paul Feig

Four women with different skills – an engineer, a physicist, a paranormal investigator and a subway token taker who knows New York City like the back of her hand – come together to fight a supernatural threat that menaces the Big Apple. This is a reboot of the 1984 classic which has been a bit controversial in the fanboy community because they are using an all-female team. Most of the original cast makes cameo appearances.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for supernatural action and some crude humor)

The Infiltrator

(Broad Green) Bryan Cranston, Diane Krueger, Benjamin Bratt, John Leguizamo. The true story of DEA agent Robert Mazur who went undercover in Pablo Escobar’s organization and ended up masterminding the biggest drug bust in U.S. history. Along with his team, Mazur is risking his family and his very life to take down one of the biggest drug kingpins in the world.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for strong violence, language throughout, some sexual content and drug material)

Undrafted

(Vertical) Tyler Hoechlin, Aaron Tveit, Chace Crawford, James Belushi. It was just a summer intramural baseball game, and for this bunch of misfit players who have not much of a future in the sport, it shouldn’t have been anything more than that. Unpredictably, it becomes the most important game of their lives.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR