New Releases for the Week of October 18, 2019


ZOMBIELAND: DOUBLE TAP

(Columbia) Woody Harrelson, Emma Stone, Jesse Eisenberg, Abigail Breslin, Rosario Dawson, Zoey Deutch, Bill Murray, Dan Aykroyd, Luke Wilson . Directed by Ruben Fleischer

Tallahassee, Columbus, Little Rock and Wichita return ten years after the hit movie, reuniting with the original writers and director. In the time that has passed, the zombies have begun to evolve, leading to a whole new set of rules. Meanwhile the snarky family bicker with one another as they travel from the American heartland to the White House, meeting up with human survivors and celebrity zombies along the way.

See the trailer here
For more on the movie this is the website
Genre: Horror Comedy
Now Playing: Wide Release
Rating: R (for bloody violence, language throughout, some drug and sexual content)

Dolemite Is My Name

(Netflix) Eddie Murphy, Wesley Snipes, Keegan-Michael Key, Mike Epps. Rudy Ray Moore made a reputation in the 70s as an African-American comic who was always willing to push the boundaries. His alter ego, Dolemite, was a rapping pimp Kung Fu master, and the character – considered too risky for any major studio – would become a defining figure of the Blaxploitation era

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Enzian Theater
Rating: R (for some sexuality, full nudity and brief language)

First Love

(Well Go USA) Masataka Kubota, Nao Omori, Shota Sometani, Becky. The latest in the oeuvre of anarchic and prolific Japanese director Takashi Miike is this wild tale of a boxer and a call girl who fall madly in love but are caught in the crossfire of a Yakuza drug smuggling scheme over the course of one night on the mean streets of Tokyo.

See the trailer here
For more on the movie this is the website  
Genre: Gangster
Now Playing: Regal Winter Park Village
Rating: NR
 

Lucy in the Sky

(Fox Searchlight) Natalie Portman, Jon Hamm, Dan Stevens, Zazie Beetz. An astronaut returns home following a transcendent experience in space but soon begins to feel that her life is meant to be lived up there. As the yearning grows stronger, her connection with reality begins to disintegrate.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC Altamonte Mall
Rating: R (for language and some sexual content)

Maleficent: Mistress of Evil

(Disney) Angelina Jolie, Elle Fanning, Michelle Pfeiffer, Sam Riley. The Princess Aurora’s impending wedding to Prince Phillip causes strife between her and her godmother Maleficent. A great war is looming between humans and fairies and the two women may find themselves on opposite sides of the conflict if they aren’t careful.

See the trailer here
For more on the movie this is the website  
Genre: Fantasy
Now Playing: Wide Release
Rating: PG (for intense sequences of fantasy action/violence and brief scary images)

Mountaintop

(Abramorama) Neil Young. Young and his legendary back-up band Crazy Horse make their first album in seven years. Their journey through personal pain, age and stubborn refusal to compromise shows at their core an undying passion for the music that binds them together.

See the trailer here
For more on the movie this is the website  
Genre: Music Documentary
Now Playing: Enzian Theater (Wednesday Only)
Rating: NR

Western Stars

(Warner Brothers) Bruce Springsteen, Patty Scialfa. Springsteen, who co-directed this film, performs songs from his latest album live.

See the trailer here
For more on the movie this is the website  
Genre: Documentary/Concert Film
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Old Mill Playhouse, Regal Pavilion Port Orange, Regal Waterford Lakes (Saturday Only)
Rating: PG (for some thematic elements, alcohol and smoking images, and brief language)

Where’s My Roy Cohn?

(Sony Classics) Roy M. Cohn, Joseph McCarthy, Barbara Walters, Donald J. Trump.  One of the most notorious lawyers who helped shape the House of Un-American Activities Committee in the 1950s, worked for the Nixon White House and helped get Donald Trump elected.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: PG-13 (for thematic content, some sexual material and violent images)

ALSO OPENING IN ORLANDO/DAYTONA:

Along Came the Devil 2
An Ideal Husband</em
Cotton Club Encore
Loro
Mary

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Pain and Glory
Wallflower

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

None

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

My People, My Country

SCHEDULED FOR REVIEW:

Lucy in the Sky
Maleficent: Mistress of Evil
Mountaintop
Wallflower
Zombieland: Double Tap

Tomb Raider


Lara Croft takes aim.

(2018) Adventure (MGM/Warner Brothers) Alicia Vikander, Dominic West, Walton Goggins, Kristin Scott Thomas, Derek Jacobi, Daniel Wu, Alexandre Willaume, Tamer Burjaq, Adrian Collins, Keenan Arrison, Andrian Mazive, Milton Schorr, Hannah John-Kamen, Peter Waison, Samuel Mak, Sky Yang, Civic Chung, Josef Altin, Billy Postlethwaite, Roger John Nsengiyumva, Jaime Winstone. Directed by Roar Uthaug

 

The Tomb Raider videogame franchise remains a benchmark in the industry. One of the first to feature a female main character, it was (and is) a rollicking adventure in the vein of Indiana Jones that requires a quick wit as well as fast fingers. Of course, lead character Lara Croft’s notoriously buxom figure didn’t hurt sales either.

After a pair of successful but mediocre movies in the late 90s and early 2000s, the franchise is being rebooted with Swedish actress Alicia Vikander in the lead role. She lives in a beautiful and opulent estate but is a bike courier to pay the bills; that’s because her father (West), a billionaire, disappeared seven years previously and Lara doesn’t want to sign the papers that will give her the inheritance because doing so would be as much as admitting he’s dead, something she steadfastly refuses to believe.

Then she gets wind of a possible location where her father might be and off she goes to find him. It will involve finding the tomb of a cruel Japanese queen, avoiding a terrible curse as well as barbaric corporate sorts who seek to open the tomb and unleash hell on the world. Aided only by a drunken sailor, Lara goes off to save the day but she is not yet the confident adventuress that inhabits the video games. Yes, this is an origin story.

On the surface of it, casting Vikander as Croft is a slam dunk move. She’s truly a wonderful actress, has ballet training and moreover is a fan of the videogame. She bulked up on muscle and performed some of her own stunts for the film but oddly enough, her portrayal of Croft didn’t really connect with me. In fact, I found the whole tone of the film to be flat in an off-putting way. It probably didn’t help that the screening I attended was virtually deserted. There just didn’t seem to be as much chemistry or energy going on in the movie.

Some of the stunts and action set pieces are more than up to snuff. When the movie channels the old serials (which it does do from time to time), it seems to do better. The expository scenes are where the film shows the most problems. Also, some of the CGI is murky and hard to see; I didn’t view this in 3D so I can only imagine how bad it looked in that format.

There are enough thrills and fun for me to give it a mild recommendation but with the caveat that many of the reasons that videogames don’t translate well to movies are present here. Fans of the videogame series probably won’t like this much and fans of adventure films in general probably will agree with them. If you keep your expectations low, this can be a good time however.

REASONS TO GO: Some of the action sequences are quite exciting.
REASONS TO STAY: Vikander doesn’t seem a good fit for the role.
FAMILY VALUES: There is plenty of action and violence as well as some brief profanity.
TRIVIAL PURSUIT: The only two actresses to date to play Lara Croft in the film versions – Angelina Jolie and Vikander – are also both Oscar winners.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 6/24/18: Rotten Tomatoes: 48% positive reviews: Metacritic: 48/100.
COMPARISON SHOPPING: King Solomon’s Mine
FINAL RATING: 6/10
NEXT:
Game Night

Kung Fu Panda 3


Pandas and rabbits and pigs, oh my!!!

Pandas and rabbits and pigs, oh my!!!

(2016) Animated Feature (DreamWorks Animation) Starring the voices of Jack Black, Bryan Cranston, Angelina Jolie, Dustin Hoffman, Jackie Chan, Seth Rogen, David Cross, J.K. Simmons, Lucy Liu, Kate Hudson, Randall Duk Kim, Steele Gagnon, Liam Knight, Wayne Knight, Al Roker, Barbara Dirickson, Willie Geist, Fred Tatasciore, Ming Tsai, April Hong. Directed by Jennifer Yuh Nelson and Allesandro Carloni

Know thyself is a long-standing axiom, but it is hard to know who you are when you don’t know where you come from, or from who. It can leave us with a sense of feeling lost, floundering in a dark sea without any reference points.

You would think Po (Black) has at least some sense of who he is. After all, he is the Dragon Warrior. But he’s also an orphan, raised by Mr. Ping (Hong), the noodle vendor – who happens to be a duck to Po’s panda. Po has just figured that he was the only one.

But there is trouble brewing. In the spirit world, renegade General Kai (Simmons) has been stealing the chi (lifeforce) of all the great masters in the afterlife, which seems problematic at best considering they’re all dead. He’s even managed to grab the chi of Master Oogway (Kim). However, Oogway has a trick up his sleeve, one that is not revealed until later.

The addition of Master Oogway’s chi has given Kai enough power to return to the mortal world where he plans on gathering up all the chi of all the kung fu masters on the planet, culminating with the Dragon Warrior’s. The Dragon Warrior however is very much distracted. Master Shifu (Hoffman) is retiring and he wants Po to take over training the Furious Five, which is disastrous. The appearance of Li (Cranston), who turns out to be Po’s long-lost dad, leads Po and his adopted father Ping to the farthest reaches of China to the secret village of the pandas, where he meets all his long lost relatives.

Po is ecstatic and happy having found not just his people but himself but still has been unable to master chi, something that the pandas were reputed to be masters of. When the news arrives that Kai has beaten the Furious Five save for Tigress (Jolie) and he is on his way to the hidden panda village, Po realizes that there is no way he can beat Kai by himself. He is going to need an army – of pandas. But how to make these lazy, dumpling-eating, hill rolling creatures, as gentle as can be, an army?

The third installment in the KFP franchise has done pretty well at the box office despite its January release date and competition from Star Wars: The Force Awakens. However, of the three films in the trilogy (and this is supposedly the last one as the studio has revealed no further plans to continue the franchise at present, although the success of this movie leads me to think that DreamWorks might be reconsidering that decision) this is the weakest to my eye.

Many of the characters who made the series a success are limited to essentially cameo roles. Hoffman as Master Shifu is limited to maybe a couple of dozen lines after being essentially a main character for the first two films and the Furious Five are mainly an afterthought, appearing together in just one scene. While there are plenty of new characters to make an impression here (including Hudson as a seductive ribbon dancing panda), Kai as a villain seems no different than either of the first two villains, supernatural origin or no.

Black is earnest enough as Po and continues to center the franchise as a character who is slowly learning to believe in himself, which also is getting a bit tired but I suppose if you’re going to be child-oriented as an animated feature, a simple lesson in self-belief or being who you want to be needs to be front and center. I’m not saying this is a bad thing, only that there is nothing here that really stands out from any other animated feature out there.

Maybe I wasn’t in the right mood for a kidflick, particularly in an auditorium full of noxious little brats who were plainly too young or too undisciplined to be in a movie theater but this one left me pretty flat. In many ways this is not quite as good as the second film which got a similar rating, but I didn’t see enough wrong with this one to go down a notch. I got the sense the kids enjoyed the movie (particularly the little boys) and that the parents were more or less happy that their tykes weren’t at home driving them crazy. And that’s not really what I’d consider reason enough to see a film with the kids, animated or not.

REASONS TO GO: Plenty of fun new characters.
REASONS TO STAY: Left me feeling pretty “meh.”
FAMILY VALUES: Some animated martial arts action and slightly rude humor.
TRIVIAL PURSUIT: Has the longest time between sequels for any DreamWorks Animation film with five years.
CRITICAL MASS: As of 2/23/16: Rotten Tomatoes: 82% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: The Tigger Movie
FINAL RATING: 5/10
NEXT: The Witch

New Releases for the Week of January 29, 2015


Kung Fu Panda 3KUNG FU PANDA 3

(DreamWorks Animation) Starring the voices of Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan, Seth Rogen, Lucy Liu, Bryan Cranston. Directed by Jennifer Yuh Nelson and Alessandro Carloni

Po is the most unlikely Kung Fu master in China, but he has built a great life. However, when his long-lost father appears, Po is whisked away to a hidden panda village, a paradise for the corpulent bears. However, there is trouble brewing; the demonic Kai has been resurrected and is sweeping across China, defeating all the Kung Fu masters in his wake. It will take an army to stop him – but all Po has is peace-loving dumpling-chomping pandas. Can he whip them into shape before Kai takes over all of China?

See the trailer, clips, interviews, promo video and premiere live stream footage here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for martial arts action and some mild rude humor)

50 Shades of Black

(Open Road) Marlon Wayans, Kali Hawk, Fred Willard, Mike Epps. The 50 Shades of Grey franchise gets the parody treatment from master comedian Marlon Wayans.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Parody
Now Playing: Wide Release

Rating: R (for strong crude sexual content including some graphic nudity, and for language throughout)

The Finest Hours

(Disney) Chris Pine, Holliday Grainger, Casey Affleck, Eric Bana. On February 18, 1952, a massive nor’easter struck the American east coast, causing the oil tanker S.S. Pendleton to break and half, trapping 30 men in the sinking stern. The nearest Coast Guard station sends out a rescue mission in a wooden lifeboat with an ill-equipped engine and virtually no navigation equipment to face hurricane force winds, 60 foot waves and freezing temperatures to reach the ship before time runs out. And yes, this really happened.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of peril)

Ip Man 3

(Well Go USA) Donnie Yen, Lynn Hung, Jin Zhang, Mike Tyson. A crooked developer aims to take over the city and martial arts master Ip Man feels compelled to take a stand and right the wrongs being perpetrated against his neighbors. While the story is fiction, Ip Man was a real man who was Bruce Lee’s martial arts teacher.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts
Now Playing: AMC Disney Springs

Rating: PG-13 (for sequences of martial arts violence and brief strong language)

Jane Got a Gun

(Weinstein) Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich. A woman trying to leave her past behind her finds it hot on her trail again in the form of the ultra-violent Bishop Boys gang. With her husband badly injured and her family in peril, she turns to an ex-lover – a gunslinger – to protect her home and her family from certain destruction.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: Wide Release

Rating: R (for violence and some action)

Lazer Team

(Rooster Teeth) Colton Dunn, Alan Ritchson, Burnie Burns, Allie DeBerry. When four video game-playing losers discover a UFO crash site, they unwittingly genetically bond with advanced battle suits which they will then have to put to good use defending the Earth which is really gonna need it – oh dear God the Earth is in so much trouble!

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: AMC Disney Springs

Rating: PG-13 (for sexual material including references, language, action violence, teen partying and smoking)

New Releases for the Week of November 20, 2015


The Hunger Games Mockingjay Part 2THE HUNGER GAMES: MOCKINGJAY – PART 2

(Lionsgate) Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Julianne Moore, Donald Sutherland, Philip Seymour Hoffman. Directed by Francis Lawrence

This is it, folks, the final showdown between President Snow and his goon squad of Capitol elitists and Katness Everdeen and her rebellion of the people. Panem is in full-blown civil war and President Snow is obsessed with destroying Katness. She sets out to assassinate him but will encounter a fiendish labyrinth of traps, moral dilemmas and physical punishment that rivals any she faced in her two Hunger Games. This one is for all the marbles.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of violence and action, and for some thematic material)

By the Sea

(Universal) Brat Pitt, Angelina Jolie Pitt, Melanie Laurent, Niels Arestrup. An American writer and his wife come to a tranquil French seaside resort in the 1970s and are joined there by a young newlywed couple as well as a pair of locals. The troubled marriage of the Americans soon begins to rear its ugly head and while they try to resolve their differences, their problems soon reveal issues with the others as well.

See the trailer, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexuality, nudity and language)

Man Up

(Saban) Simon Pegg, Olivia Williams, Lake Bell, Rory Kinnear. An American woman at Waterloo Station in London is mistaken for a British man’s blind date. Rather than explain that she is not, she impulsively decides to go for it. What begins as a lark turns into the most uncommon first date ever.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs

Rating: R (for language and sexual references)

The Night Before

(Columbia) Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzie Caplan. Every Christmas Eve, three boyhood friends get together to celebrate with one of their number, whose parents died on that day years and years ago. Now however, one of their number has become too famous to be involved while another is getting ready to have kids of his own. So the three decide that this will be their last night of Christmas Eve debauchery, and they will celebrate it by going out in style – at the most debauched, depraved and notorious Christmas Eve party in New York. Assuming they can find it of course.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for drug use and language throughout, some strong sexual content and graphic nudity)

Secret In Their Eyes

(STX Entertainment) Julia Roberts, Chiwetel Ejiofor, Nicole Kidman, Alfred Molina. A tight knit investigative team are rocked to the core when the daughter of one of their number is discovered brutally and inexplicably murdered. More than a decade later, after painstakingly searching for the killer, finally one of them gets the break he needs to resolve the case and bring the killer to justice. But even he is not prepared for the secret that one of them carries, and brings him to a crossroad where he must choose between justice and vengeance which in this case may not necessarily be the same thing.

See the trailer, interviews, clips, a featurette and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG=13 (for thematic material involving disturbing violent content, language and some sexual references)

Spotlight

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. In the mid-90s the investigative journalism team of the Boston Globe came across a story about a pedophile priest who had been shuttled from one parish to another by the Catholic Church without any warning to those in the new parish of the priest’s tendencies to abuse altar boys. As they dig deeper, they discover the scandal goes a lot deeper, covers many, many more diocese and goes to the very top of the Catholic Church. This scandal nearly took down the Roman Catholic church and would pave the way for the reformative-minded Pope Francis to take over the Vatican.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village

Rating: R (for some language including sexual references)

Unbroken


I've got some good news and some bad news...

I’ve got some good news and some bad news…

(2014) True Life Drama (Universal) Jack O’Connell, Garrett Hedlund, Domhnall Gleeson, Takamasa Ishihara, Finn Wittrock, Jai Courtney, Maddalena Ischiale, Vincenzo Amato, John Magaro, Luke Treadaway, Louis McIntosh, Ross Anderson, C.J. Valleroy, John D’Leo, Alex Russell, Jordan Patrick Smith, Spencer Lofranco, Stephen J. Douglas, Morgan Griffin. Directed by Angelina Jolie

Live doesn’t treat us all the same way. Some people it throws greater challenges to than others. While we often think of the things life hurls at ourselves personally as things that are enormous obstacles at least to us, there are people who, when we see what life has thrown at them we can all agree they had a really rough time of it.

Louis Zamperini (O’Connell) was a bombardier in the Pacific theater during World War II. Before that, he had been something of a hooligan as a child (Valleroy), picked on for his Italian heritage but convinced by his brother Pete (D’Leo) to try out for the track team. Louis is a strong runner and eventually makes the U.S. Olympic team and has the highest finish of any American in the 5,000 meter at the 1936 Olympics in Berlin. He’s expected to medal in 1940, but by then the world was otherwise occupied.

While out on a search and rescue mission, the plane he’s on basically falls apart, three of the four engines fail and the pilot is forced to ditch the plane into the Pacific. Three crewmen survive the crash – Pete (Gleeson), Mac (Wittrock) and Louis. The men are adrift for 47 days and are eventually picked up. Unfortunately, they are picked up by the Japanese navy.

Taken as prisoners of war, the men are separated and Louis is sent to a camp where the vicious Corporal Watanabe (Ishihari) is in charge. A petulant man used to wealth and privilege, he is seething that he couldn’t get an officer’s position and is instead relegated to duty he considers beneath him. He takes it out on Louis, an Olympic athlete who is already far more successful in his life than Watanabe, whom the prisoners have nicknamed the Bird, has been. Louis is often singled out for savage beatings and cruel punishments. What he endures is far more than most of us would be physically able to and survive, but Louis isn’t like most of us.

Jolie had been taken by the bestselling book based on Louis’ experiences and had been amazed to find out that Zamperini’s home was in sight of her own Southern California abode. The two became friends and Jolie was determined to make this movie about his life. Unfortunately, the real Zamperini passed away in 2014 well before the film was released, although he did live long enough to see a rough cut of the film in the hospital shortly before he passed away.

Jolie has a good eye as a director and her first film in that capacity, In the Land of Milk and Honey was an encouraging debut. There were some decisions here that she made that I don’t think worked in the film. For example, the first sequence in the movie is Louis and his crew on a bombing run. The scene highlights Jolie’s strengths as a director, keeping the camera inside the plane for the most part, giving us an idea of what it’s like to be in a tin tube being shot at while trying to complete a precision bombing run. The scene is very compelling and tense and yet Jolie chooses that moment to break away and do a flashback of Louis’ boyhood shenanigans. That’s all well and good but what she wound up doing was undercutting the audience’s connection to the scene. She would have been better served in this case to tell the story in a more linear fashion and skip the flashbacks but in her defense, flashbacks have become a much more common element in films over the past few years. Some films shouldn’t have them.

O’Connell has to carry the film and he does a credible job. He shows a great deal of potential (and has already gotten a couple of high-profile roles in upcoming movies largely due to his performance here) and while he didn’t knock it out of the park completely, he did get a solid base hit and I don’t doubt there are some good things to come from this young English actor.

The mostly-male supporting cast has some good young talent, including Gleeson, Wittrock and Garrett Hedlund as a sympathetic American officer in the P.O.W. camp. A lot of focus will be on Ishihara as Watanabe; the baby-faced young actor brings out the monster in Watanabe, giving him three dimensions when the tendency would be to make him less human. Making him more human really makes him more of a monster, in my opinion.

This has to be one of the bigger disappointments of 2014. I was really looking forward to this film and thought it might well be an Oscar contender, but that didn’t turn out to be the case. A lot of people hated on this movie which was why we got to this movie so late in the season, but it was a lot better than I’d heard it was, but still not as good as I’d hoped it would be. Zamperini was an extraordinary man and definitely deserved to have his story told. I just wish that the movie based on his life could have been a bit better.

REASONS TO GO: O’Connell does a fine job. Zamperini was an amazing gentleman deserving of a cinematic biography.
REASONS TO STAY: The flashbacks aren’t as organic as they should have been. Too many platitudes.
FAMILY VALUES: War violence including scenes of intense brutality in the POW camp along with some brief rough language.
TRIVIAL PURSUIT: Ishihari is actually the Japanese pop star Miyavi but his iMDB credits list him under his given name. He actually had a very difficult time with some of the cruelties he had to perform and actually vomited on-set during one scene. The real Watanabe was unrepentant about his actions in a 1998 interview on the occasion of the Olympic torch run depicted in the film.
CRITICAL MASS: As of 1/18/15: Rotten Tomatoes: 51% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: The Railway Man
FINAL RATING: 6/10
NEXT: Blackthorn

Beowulf (2007)


If I saw Angelina Jolie rising naked out of a cave pool, I'd draw my sword too - but it would likely be a different sword.

If I saw Angelina Jolie rising naked out of a cave pool, I’d draw my sword too – but it would likely be a different sword.

(2007) Animated Feature (Paramount) Starring the voices of Ray Winstone, Anthony Hopkins, Angelina Jolie, John Malkovich, Robin Wright Penn, Brendan Gleeson, Dominic Keating, Alison Lohman, Crispin Glover, Costas Mandylor, Chris Coppola, Charlotte Salt, Julene Renee, Sebastian Roche, Chris Coppola, Sonja Fortag, Jacquie Barnbrook. Directed by Robert Zemeckis

We are in the midst of a cinematic superhero golden age. However, even before comic books there were heroes. Gilgamesh, Hercules, Theseus – all names that were spoken of with honor in ancient days. The legend of Beowulf is one of the oldest examples of heroic literature but today, few know his story – and it is a mighty one.

King Hrothgar (Hopkins) of Denmark and his much younger queen Wealthow (Penn) are celebrating their grand new meadhall in fine drunken fashion. The aging king may lament the lack of a son and heir but he has a full life of heroic deeds to sing of. He is drunk to the disgust of his queen, but to the praise of his warriors. The noise reaches the ears of the monster Grendel (Glover). Being a monster, he reacts predictably. None of the drunken Danes can stand up to the misshapen creature, as the smarmy adviser Unferth (Malkovich) cowers in a cistern. The carnage is considerable.

Fully aware that none of his people have the strength or courage to defeat the monster, Hrothgar sends word to all the nations of the earth that a hero is required. His desperate cry is answered by Beowulf (Winstone) of the Geats, a vain swaggering man who can thankfully back up his boasts. Although his trusted right hand man Wiglaf (Gleason) has reservations about the whole situation, he has his friend’s back.

Beowulf is greeted less than enthusiastically by the suspicious Danes, who find his stories a tad tall. Wealthow, for her part, finds the studly Geat intriguing, while Beowulf does the same. Hrothgar, who was friends with Beowulf’s father, is grateful to have him there to rid him of his curse. He orders a great celebration in the Meadhall, which is sure to attract Grendel’s notice.

True to form, Grendel arrives and again wreaks great havoc. The cocky Beowulf, who is fully naked since Grendel wears no armor nor carries any sword, watches his men get bounced around the room like ping pong balls, but soon sees Grendel’s weakness and exploits it. At length, he manages to chain the creature up so that it is half in, half out of the doorway and uses the chain to rip the arm off of the beast, which limps home to mama (Jolie). His killer’s name is the last word on his lips.

 

The grieving and furious mom (she has no name either in the movie nor the story it is based on) takes out her fury on Beowulf’s men. Only Wiglaf escapes the slaughter being down by the boat preparing it for the trip home. Beowulf is also spared by the demon, but only because she has plans for him. Beowulf has been given a beautiful dragon horn as a gift by Hrothgar, who has also promised Beowulf the throne of Denmark when Hrothgar dies, but with the demon still loose in the land, Beowulf knows he must kill the mother of the monster before he can truly call himself a hero, but he will face his greatest challenge; his own vanity and pride. Will he be hero enough to overcome them?

Yes, this is the same motion capture animation Zemeckis utilized in The Polar Express, but this is far more than the one-man show that movie was. Zemeckis hired a very impressive group of actors, led by Winstone – one of the finest character actors of his generation – and Hopkins, one of the finest actors period. They roar with the best of them here. Although you get a sense of the faces of the actors, they are altered enough so that they don’t quite look the same. Still, how can you go wrong with a cast that includes Gleason, Penn, Malkovich, Jolie and Lohman?

The animation here was stunning in its day – seven years ago While they are going for an almost photo-realistic style, it is still obviously animation and the characters have that lifeless expression that came with 3D photorealism in its earliest stages. Still, there are times when you forget that it isn’t live action, and that’s saying something. I saw this in a 2-D version which spared me the headaches of 3-D animation, but judging from what I saw, the 3-D version would probably be terrifying. The music is suitably heroic and martial. Not many are familiar with Beowulf’s story, one of the oldest heroic epics we are aware of.

As I said earlier, the cast is first-rate. There is quite a bit of entertainment to be had here. Winstone’s take on Beowulf makes him a big-time blowhard, but noble nonetheless – a tough trick to pull off.

There’s quite a bit of shouting and chest-beating here. The testosterone levels are abundant to say the least, even among the women in the cast. However, Neil Gaiman wrote the script which should tell you all you need to know about the quality of the writing.

Da Queen was not interested at all in catching this, so I didn’t see it until it hit On Demand. I would have liked to see this on a big screen – the visuals are worth it. Even on a small screen, it’s impressive. I wouldn’t say it’s up with Polar Express or the Back to the Future series in Zemeckis’ resume, but this is solid nonetheless.

WHY RENT THIS: Impressive visuals. Even in motion capture Winstone, Gleeson and Hopkins are terrific actors.

WHY RENT SOMETHING ELSE: Curiously lifeless. An over-abundance of testosterone.

FAMILY MATTERS: There is some animated nudity and quite a bit of carnage. The monsters can be awfully frightening, This PG-13 could easily have wound up being R-rated without too much of a stretch.

TRIVIAL PURSUITS: Glover previously worked with Zemeckis on Back to the Future.

NOTABLE HOME VIDEO FEATURES: There are featurettes on the history of the story of Beowulf, and how it made it from story to screen. The making-of featurettes are also unusually interesting given the demands of motion capture and the larger-than-life nature of the actors involved.

BOX OFFICE PERFORMANCE: $196.4M on a $150M production budget.

COMPARISON SHOPPING: King Arthur

FINAL RATING: 7/10

NEXT: Wish I Was Here

Maleficent


Angelina Jolie in full-on Maleficent mode.

Angelina Jolie in full-on Maleficent mode.

(2014) Fantasy (Disney) Angelina Jolie, Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, Lesley Manville, Brenton Thwaites, Kenneth Cranham, Hannah New, Sarah Flind, Isobelle Molloy, Michael Higgins, Ella Purnell, Jackson Bews, Angus Wright, Janet McTeer (voice), Oliver Maltman, Eleanor Worthington-Cox, Vivienne Jolie-Pitt. Directed by Robert Stromberg

Little boys everywhere know this to be true: never mess with a Disney princess. That’s a war in which there is no winning. Of course, little boys grow up and forget the lessons they knew when they were young.

Most of us know the story of Sleeping Beauty, the fairy tale in which Princes Aurora, daughter of a greedy king, is cursed by a wicked sorceress to sleep for eternity, only awakening with true love’s kiss. Of course, that’s just one side of the story.

Maleficent (Jolie) is the aforementioned wicked sorceress, but she wasn’t always that way. Once she was a young woman in the enchanted land known as the Moors, adjacent to a human kingdom ruled by a greedy king (but not the aforementioned one). Reacting to rumors of wealth in the Moors, the King (Cranham) brings his army to bear on the Moor. However, Maleficent isn’t just any ol’ young woman; she’s charismatic, a leader of the denizens of the Moor and she rallies her people to fight off the invasion, personally humiliating the King and sending him back to his castle with his tail between his legs (figuratively; the only tails in this war belong to the people of the Moor).

Furious, the King promises his daughter and the crown of the land to whoever kills Maleficent. Stefan (Copley), an ambitious pageboy in the service of the King, overhears this and realizes an opportunity is at hand. He alone of anyone in the Kingdom has the best chance of accomplishing this; that’s because he has had a relationship with Maleficent since boyhood and the fairy-born sorceress has feelings for him.

He steals out to the Moors and canoodles with Maleficent, slipping her a sleeping draught in the process. While she’s out, he can’t quite bring himself to kill her but still manages to do something dreadful, enough to win himself the throne and the princess as well as the enduring hatred of the sorceress and every big boy knows never to mess with a woman scorned.

She waits for Stefan to have a child of his own before leveling her terrible curse – that the newborn babe will live to her 16th year, growing in beauty and grace, beloved by all. Before sundown on her 16th birthday she will prick her finger on a spinning wheel and fall into a sleep like death, never to awaken again. Only true love’s kiss will awaken her.

Horrified, Stefan orders all the spinning wheels in the kingdom collected and broken into pieces and then burned, their remains stored in the castle. He sends the infant to a remote corner of his kingdom, a bucolic cottage where she will be raised by three fairies in human form; Knotgrass (Staunton), Fittle (Manville) and Thistlewit (Temple).

The infant grows into a beautiful young girl (Fanning), beloved by the women she knows as her aunts but also observed by Maleficent and her minion, Diaval (Riley), a crow that Maleficent changes into human form from time to time (among other things). Maleficent, somewhat curious about the girl she has cursed, brings her into the Moor and soon becomes enchanted herself by the girl’s love and beauty. She slowly begins to regret her actions because Maleficent knows why her curse is so terrible – that there is no such thing as true love.

Stromberg made his name in Hollywood as the production designer for such films as Avatar and Oz, the Great and Powerful. This is his first feature film as a director and given his expertise, he was given the largest budget ever for a first-time director. To his credit, you can see every penny on the screen. This is a visually stunning movie and the Moors is as enchanting an environment as you’re likely to see at the movies this year.

But even given the gorgeous effects, the best thing about the movie is Angelina Jolie. I don’t know if she’d consider this an insult, but she was born to play this role. Her intimidating stare, her malevolent smile, her ice-cold eyes make for a perfect villain, and to make matters even better, she resembles facially the cartoon Maleficent quite closely (in fact, most of the actors were cast for their physical resemblance to the characters of the Sleeping Beauty animated feature).

Jolie gives the character depth, from the anguished cry when she is betrayed by Stefan to the evil grin as she throws soldiers around in the air like she’s juggling bowling pins and to the softening of her heart as she begins to fall under Aurora’s sway. This isn’t the kind of thing that wins Oscars but it is nonetheless one of the better acting performances that you’re going to find at the movies in 2014. She nails this role.

Which is where we come to the big question about the movie. Disney purists have howled that the new movie messes with Maleficent, turning her into a sympathetic character rather than the deliciously evil villain of the original 1959 film and of course they have a point. The movie takes a page from Wicked not only in looking at a classic story from the point of view of its villain, but in explaining the villain’s motivations for her actions and in the end, making other characters the true villain while making the original villain somewhat heroic. Wicked has been in film development for a decade and perhaps we’ll see it on the big screen someday but for now, Maleficent does the same thing for Sleeping Beauty. While some will find it intriguing, others may be less sanguine about seeing a beloved story messed with.

I liked Riley in the role of Maleficent’s flunky. He is courtly and occasionally sour; “Don’t change me into a dog. Dogs eat birds,” he grouses at his mistress at one point. He makes a fine foil for Jolie. Fanning’s role has been described as a “happy idiot” which isn’t far from the mark but her character doesn’t give Fanning, who has shown tremendous skill in meatier roles, much to work with. She’s mainly here to be cursed and the source of Maleficent’s regret and she does both solidly.

There are some logical lapses here. For example, Stefan orders all the spinning wheels destroyed and yet at the crucial time there’s a bunch of them (broken apart to be sure) sitting in the castle, waiting for Aurora to come and prick her finger on them. Why wouldn’t you burn them to ash and then bury the ashes to be sure? Nobody ever accused King Stefan of thinking clearly however.

In any case, I will say that Da Queen has always been a huge fan of the character – it is her favorite Disney villain – and she felt let down by the film. To both of our surprise, I wound up actually liking the movie more than she did and I’m not the Disney fan she is. Take that for what it’s worth. Still, if you don’t come in with expectations that this is going to be a live action version of Sleeping Beauty that sticks exactly with canon, you’ll find that this is another solidly entertaining summer movie that may not have a ton of substance (although there are some subtexts here that are intriguing, though not terribly developed) but will take you away and out of your lives for a couple of hours and that’s never a bad thing.

REASONS TO GO: Jolie is perfect for the role. Incredible production design and special effects. Well-cast.

REASONS TO STAY: May offend Disney purists. Maleficent not evil so much as throwing a tantrum. A few logical holes.

FAMILY VALUES: There is plenty of action, battle violence and some pretty frightening images. The really little ones will probably be terrified of the dragon and of some of the Moor creatures.

TRIVIAL PURSUIT: This is Jolie’s first film in four years.

CRITICAL MASS: As of 6/4/14: Rotten Tomatoes: 50% positive reviews. Metacritic: 55/100.

COMPARISON SHOPPING: The Man Without a Face

FINAL RATING: 7/10

NEXT: Copenhagen

New Releases for the Week of May 30, 2014


MaleficentMALEFICENT

(Disney) Angelina Jolie, Elle Fanning, Sharlto Copley, Lesley Manville, Imelda Staunton, Juno Temple, Sam Riley, Brenton Thwaites, Kenneth Cranham. Directed by Robert Stromberg

A fairy with pure heart living in a peaceful forest kingdom has that peace disrupted by an invading army. She rises to become a fierce warrior for her people but an act of ultimate betrayal transforms her from a defender of good to an evil sorceress. She casts a curse on the invading king’s granddaughter Aurora but comes to realize that the girl may hold the key to peace in the kingdom and perhaps her own redemption. A live-action film based on the Disney animated classic Sleeping Beauty.

See the trailer, clips, interviews, a featurette and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Fantasy

Rating: PG (for sequences of fantasy action and violence including frightening images)

A Million Ways to Die in the West

(Universal) Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried.A cowardly sheep farmer in the old West becomes obsessed with how easy it is to buy the farm (not his sheep farm) in that place and time. Even his girlfriend has left him for another man because of his spineless behavior. When a mysterious woman comes to town, she helps him find that spine and the two begin to fall in love. However it turns out she’s married to a psychotic gunfighter who comes to town looking to kill somebody. Will the farmer’s new found courage help him stand up for his woman or will he be #263, 458 of a million ways to die in the West?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy/Western

Rating: R (for strong crude and sexual content, language throughout, some violence and drug material)

Ida

(Music Box) Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik, Jerzy Trela. In communist Poland in the early 1960s, a novitiate prepares to take her vows as a nun when her Mother Superior sends her to spend time with her only living relative, a former judge for the Soviet courts with a reputation for harshness. From her the nun-to-be discovers that her past isn’t at all what she thought it was and that her future might not be either. This played at the Florida Film Festival this past April; read my review here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for thematic elements, some sexuality and smoking)

A Mighty Heart


Angelina Jolie reads her reviews.

Angelina Jolie reads her reviews.

(2007) True Life Drama (Paramount Vantage) Angelina Jolie, Dan Futterman, Archie Panjabi, Irfan Khan, Will Patton, Sajid Hasan, Denis O’Hare, Aly Khan, Adnan Siddiqui, Perrine Moran, Jeffry Kaplow, Ahmed Jamal, Demetri Goritsas, Mohammed Azfal, Ahmed Jamal, Imran Patel, Veronique Darleguy, Gary Wilmes, Jean-Jacques Scaerou, Jillian Armenante. Directed by Michael Winterbottom

Our Film Library

On January 23, 2002, a journalist for the Wall Street Journal investigating ties between “shoe bomber” Richard Reid and Al Qaeda was kidnapped from the streets of Karachi, Pakistan by a group of Muslim extremists. His wife was five months pregnant with their son at the time.

The kidnapping of Daniel Pearl (Futterman) is today a fairly well-known occurrence by most Americans. His wife, Mariane (Jolie) would write a biography of her husband which described their life together and the harrowing last days of his life, before he was beheaded by his captors on February 1 despite her many pleas for clemency and denials of the terrorist assertions that Pearl was a CIA spy (to this day there have been no links shown between Pearl and any intelligence agency).

The movie made from her book mostly shows Pearl through flashback in almost idyllic tones. Most of the film’s plot revolves around Mariane’s ordeal as she tries to remain as composed as possible considering the extraordinary circumstances as well as the efforts by the United States Diplomatic Security Services, exemplified by Special Agent Randall Bennett (Patton), the Department of Justice and the Pakistani Capital City Police, exemplified by Officer Mir Zubair Mahmood (Khan) to track down the kidnappers and bring them to justice.

Throughout she is supported by close friends like Asra Nomani (Panjabi) and colleagues of her husband such as his WSJ editor John Bussey (O’Hare) and Steve LeVine (Wilmes), ultimately this is an ordeal Mariane must go through alone. That she went through it with such grace and dignity is a credit to the triumph of humanity over depravity.

Jolie delivered a performance that may be the crowning achievement of her career in this film. It was certainly Oscar-worthy, although the movie’s June release date and box office failure likely were the causes of her not receiving a nomination for Best Actress. She plays Mariane with a good deal of emotional control, although the scene in which she is informed of her husband’s death is absolutely devastating. There is also a sense of her concern early in the film as she has some friends over for dinner, but the place setting for her husband who was on his way to an interview remains empty; her glances in the direction of the empty chair are subtle yet telling.

Both Jolie and Futterman resemble their real-life counterparts somewhat eerily (particularly in Futterman’s case). In fact, I would have liked to have seen Futterman as Pearl a bit more in the storyline; after all, Mariane Pearl wrote the book about her husband and not about herself. However, the focus of the movie is entirely on Mariane and Daniel is almost an afterthought in many ways except in flashbacks which show an almost idyllic lifestyle between the two. Oddly, these flashbacks seem a little overly manipulative and overly idealized. Daniel Pearl is in many ways not present in the film that is ostensibly about his wife but is in reality more about his death. In my mind, that does a disservice to not only the good man that he was but also the work that he did.

That said, I found it troubling that the casting of Jolie was groused about by some critics who said that they found her celebrity distracting when viewing her performance. Personally, I think film critics who can’t get past the celebrity of an actor are probably not in the right profession. Every actor brings something of their own personality and experiences into the performance of their roles; if you are judging a performance by what TMZ is saying about an actor, you aren’t doing your job. But I digress.

Winterbottom adopts an almost documentary style in telling his story, although the flashbacks tend to put paid to the documentary feel of the film. After watching the film, I did feel that I wished I knew more about Pearl the man; those who feel similarly can get more of a sense of who he was should probably see the Emmy-winning HBO documentary The Journalist and the Jihadi which tells Pearl’s story with some background on his life in addition to the story of his kidnapping and execution.

At the end of the day, what happened to Daniel Pearl was barbarous and undeserved. However, it also must be said that he was more than just the last days of his life – he was a loving husband, a dutiful son, a proud Jew, a skilled writer, an insightful journalist and a thrilled father-to-be. Looking at his life as a tragedy tells only half the story. However, one cannot deny that Mariane Pearl makes for an interesting film subject as well and Jolie’s performance is truly inspiring. I can’t help feeling however that the film would have benefited from more of her husband’s presence, rather than being just a memory. He was and remains more than that to her.

WHY RENT THIS: A magnificent performance by Jolie.

WHY RENT SOMETHING ELSE: Manipulative and focuses less on the late journalist than it does on his wife.

FAMILY VALUES:  There is some horrific violence herein as well as some sexuality and its share of bad language.

TRIVIAL PURSUIT: A featurette on the nonprofit Committee to Protect Journalists which rose out of this incident as well as a Public Service Announcement for the Pearl Foundation.

NOTABLE HOME VIDEO EXTRAS: $18.9M on a $16M production budget.

COMPARISON SHOPPING: Harrison’s Flowers

FINAL RATING: 7/10

NEXT: The conclusion of Our Film Library!