Annabelle: Creation


The power of Christ compels you!

(2017) Horror (New Line) Anthony LaPaglia, Samara Lee, Miranda Otto, Brad Greenquist, Lulu Wilson, Tabitha Bateman, Stephanie Sigman, Mark Bramhall, Grace Fulton, Philippa Coulthard, Taylor Buck, Lou Lou Safran, Joseph Bishara, Alicia Vela-Bailey, Lotta Losten, Fred Tatasciore (voice), Brian Howe, Adam Bartley, Kerry O’Malley. Directed by David F. Sandberg

Creepy haunted dolls have been a staple of the horror genre for a very long time. Sometimes they are the avatars for demonic spirits; other times they are physically possessed. They are sometimes played for laughs but there are few things scarier than a demonic doll coming at you while brandishing a knife with intent to do homicide.

I imagine nobody would know that better than Sam Mullins (LaPaglia) since he is a dollmaker. He is also a grieving father; his daughter Bee (Lee) was killed in a tragic auto accident some seven years earlier (this is set in the late 1940s/early 1950s by the way). Since then, he has retreated back to the California farmhouse that is also his workshop along with his disfigured and disabled wife Esther (Otto).

When he hears of an orphanage in need of some housing space, he invites them to stay in his spacious home. For the six girls who are brought to the Mullins farm, it’s like heaven on Earth. Their caretaker, Sister Charlotte (Sigman) is grateful that they have a place to stay, particularly for the two youngest, polio-stricken Janice (Bateman) whose leg is in a brace and her cheerful, optimistic bestie Linda (Wilson) who has sworn to stay together with Janice no matter what.

There is one room that is locked in the whole house, one of two that the girls are forbidden to enter; one is the bedroom where Esther rests; the locked door is Bee’s former bedroom. However, when Janice discovers the door to Bee’s room open and ventures in, she finds there a doll that seemingly can move on its own and the spirit of Bee begging for help. What does Bee need? “Your soul,” she snarls and Janice is on the road to Linda Blair-land. Soon after the orphans and the grieving couple are going to be doing a lot of running, screaming and in some cases, bleeding.

This is a prequel to the first Annabelle film which in turn was a prequel to The Conjuring. Sandberg was apparently reluctant to tackle this initially after achieving a rep with the successful Lights Out  He decided to do it because the film is almost a stand-alone entry; very little of the rest of the Conjured universe is even referenced here. With Creation netting $300 million (and counting) at the box office on a production budget of $35 million, you can bet he’ll have the juice to pick and choose his next few projects at his leisure.

The movie is a slow burner; it starts off slowly, builds gradually than erupts in the third act in a chaotic whirlwind of gore and terror – very old school when it comes to that and you’ll find no objection coming from this critic on that count. I also like the air of melancholy that Sandberg sets up and is particularly enacted by LaPaglia who is a much underrated actor. Sigman gets to look worried an awful lot and Otto gets almost no screen time whatsoever but makes good use of the time she does get.

The rest of the cast playing the orphans are all very attractive and well-scrubbed although they are mostly given one-note characters to play; the mean one, the flunky, the perky one and so on. Bateman does a credible job playing the frightened Janice, a young girl who’s gotten a raw deal from life although that deal gets even worse when Annabelle shows up; the before and after portrayals show some real talent for Bateman. I’m not familiar with Hart of Dixie, the TV show she was a regular on but judging on her performance here I think she certainly has a future.

Although critics were solidly behind this one, I found it to be the weakest entry in the franchise so far and mainly because it really doesn’t have much of a personality. While there are a few legitimately good scares here, the vast majority of them are pretty predictable. The plot utilizes a lot of elements that are typical for horror films including the panic-driven dumb moves by the protagonists. There felt like a shortage of imagination in writing this film which is what really bothered me about it. The CGI was a little subpar as well.

Still, this is a solid horror movie that will entertain; it just doesn’t hold up as well next to the other entrants in the franchise. Given its box office success and with at least two more spin-offs in the works from the second Conjuring movie, I can say with confidence that we haven’t seen the last of Annabelle quite yet.

REASONS TO GO: LaPaglia gives a melancholy performance. There are a few really nasty scares here.
REASONS TO STAY: It’s definitely the weakest entry in the franchise thus far. It feels a bit short on imagination with too many horror movie clichés in the mix.
FAMILY VALUES: There are some horrific images, lots of violence and situations of terror.
TRIVIAL PURSUIT: This is the first movie in The Conjuring franchise in which Ed and Lorraine Warren are not mentioned in any way.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 10/27/17: Rotten Tomatoes: 69% positive reviews. Metacritic: 62/100.
COMPARISON SHOPPING: Child’s Play
FINAL RATING: 6.5/10
NEXT:
Six Days of Darkness continues!

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New Releases for the Week of August 11, 2017


ANNABELLE: CREATION

(New Line) Stephanie Sigman, Miranda Otto, Lulu Wilson, Anthony LaPaglia, Talitha Bateman, Alicia Vela-Bailey, Kerry O’Malley, Philippa Coulthard, Joseph Bishara. Directed by David F. Sandberg

The universe of The Conjuring adds some backstory as the demonic doll of the first film gets a prequel. A group of orphans moves into a large home where a dollmaker lives with his wife. The couple are still grieving their daughter who died in a tragic accident but when they are sure she wants them to make a doll for her to put her soul into. However, it’s not their beloved daughter in the doll but something far more malevolent.

See the trailer and San Diego Comic Con panel footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence and terror)

The Glass Castle

(Lionsgate) Brie Larson, Woody Harrelson, Naomi Watts, Ella Anderson. Based on the bestselling memoir of Jeanette Walls, reporter and former MSNBC gossip columnist, Jeanette grew up moving from place to place at the behest of her Bohemian father who firmly believed in living by his own set of rules. The effect that had on Jeanette and her family was both negative but also strangely positive.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon, Regal Oviedo, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for mature thematic content involving family dysfunction, and for some language and smoking)

The Nut Job: Nutty by Nature

(Open Road) Starring the voices of Will Arnett, Katherine Heigl, Maya Rudolph, Jackie Chan. The nut-eating denizens of the Nut House suddenly find themselves homeless but manage to land on their feet in a wonderful park. When the mayor announces plans to erect an amusement park on the site, they must band together to save their new home.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and some rude humor)

ALSO OPENING IN ORLANDO/DAYTONA:

Brave New Jersey
City of Ghosts
The Lie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Toilet: Ek Prem Katha
VIP 2: Vellaiyilla Pattathari

ALSO OPENING IN MIAMI:

Amnesia
Brigsby Bear
Catastrópico
Footnotes
From the Land of the Moon
Jaya Janaki Nayaka
Mune: Guardian of the Moon
Once Upon a Time 3D
Pilgrimage
Step
Toilet: Ek Prem Katha
The Veil
The Women’s Balcony

ALSO OPENING IN TAMPA:

Jaya Janaki Nayaka
Landline
Lie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Pilgrimage
Toilet: Ek Prem Katha
The Veil
VIP 2: Vellaiyilla Pattathari

ALSO OPENING IN JACKSONVILLE:

Endless Poetry
Jaya Janaki Nayaka
Landline
Lie
The Little Hours
Maudie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Toilet: Ek Prem Katha
VIP 2: Vellaiyilla Pattathari

SCHEDULED FOR REVIEW:

Amnesia
Annabelle: Creation
Brave New Jersey
City of Ghosts
The Glass Castle
Landline

Pick of the Litter – August 2017


BLOCKBUSTER OF THE MONTH

Annabelle: Creation

(New Line) Miranda Otto, Anthony LaPaglia, Stephanie Sigman, Talitha Bateman. A dollmaker and his wife are struck by a horrible tragedy when their little girl dies in a car accident. Grieving for years, they eventually open their home to a nun and several girls from an orphanage who need a place to stay. However, the dollmaker and his wife are hiding a terrible secret; in a moment of weakness, they allowed what they thought was the spirit of their deceased daughter to inhabit a doll they call Annabelle. But what lives inside Annabelle is something far more evil. Quietly, the Conjuring universe has become a very lucrative horror franchise with spin-offs and sequels in the works. August 11

INDEPENDENT PICKS

 

Columbus

(Superlative) John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin. Some movies are visceral and gritty; others are almost like daydreams washing over you like an incoming tide on a tropical beach. Columbus is like that as a young Korean man goes to Columbus, Indiana where his estranged father – a famous architect – lies in a coma. There he meets a bright young woman with a promising future who has her whole life ahead of her but is choosing to stay in Columbus to care for her drug-addicted mother. This movie was one of the most talked-about films at this year’s Sundance Film Festival. August 4

Icarus

(Netflix) Bryan Fogel, Grigory Rodchenkov, Nikita Kamaev. A chance meeting with a Russian scientist led journalist Bryan Fogel into a netherworld of sports doping. As the story started to take the twists and turns of a Cold War-era spy thriller, people connected with the story began to turn up dead. One of the greatest scandals in the history of sports unravels before your eyes in this highly anticipated Netflix documentary. August 4

The Only Living Boy in New York

(Roadside Attractions) Callum Turner, Jeff Bridges, Pierce Brosnan, Kate Beckinsale. A recent college graduate tries desperately to find himself at home in New York City. Despite the best efforts of his parents – or maybe because of them – he finds himself adrift. When he falls in love with a beautiful young girl whose only interest in him is platonic he feels doubly lost but then he discovers that his father is having an affair with a beautiful woman and when he stalks her and eventually begins to interact with her, his whole life changes. This is the latest from director Marc Webb who wowed me with his (500) Days of Summer. August 11

Dave Made a Maze

(Gravitas) Nick Thune, Stephanie Allynne, Kirsten Vangsness, Scott Krinsky. One of the most imaginative and enjoyable films to come out of this year’s Florida Film Festival gets its theatrical release. Dave, a kind of aimless drifter, constructs a cardboard maze in his living room one boring weekend while his girlfriend is out of town. When she comes home, she discovers that he has become lost in the maze which is much larger on the inside. Enlisting some of his hipster friends, she mounts a rescue expedition over his objections – you see, this labyrinth comes complete with a minotaur. You can read my review of the film here. August 18

Beach Rats

(Neon) Harris Dickinson, Madeline Weinstein, Kate Hodge, Neal Huff. A young man living on the outskirts of Brooklyn struggles to find his own identity, desperate to escape a stagnant home life. Caught between his delinquent friends, a potential new girlfriend and older men he meets online, he is left with a choice to be who he is or to be who everyone else wants him to be. This was one of the unsung films to come out of Sundance but it could wind up having some Oscar implications later this year. August 25