New Releases for the Week of October 22, 2021


DUNE: PART ONE

(Warner Brothers) Timothée Chalamet, Zendaya, Rebecca Ferguson, Oscar Isaac, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista. Directed by Denis Villeneuve

Possibly the most anticipated movie of 2021 is here! In the distant future, the young scion of a noble house travels to the most dangerous planet in the galaxy to confront a destiny he can’t begin to comprehend, while malevolent forces collide to take control of the most precious resource there is. But young Paul Atreides will discover an incredible secret even as he fights to protect those he loves.

See the trailer here
For more on the movie this is the website

Genre: Science Fiction
Now Playing: Wide (also on HBO Max)
Rating: PG-13 (for sequences of strong violence, some disturbing images and suggestive material)

Becoming Cousteau

(National Geographic) Jacques-Yves Cousteau, Vincent Cassel, Louis Malle, Philippe Cousteau. A man’s love for the sea becomes his ticket to exploration, invention and ultimately, unwanted celebrity. Cousteau’s name became synonymous with the oceans of our world, and he became one of the first conservationalists as he witnessed firsthand the damage being done to the deep.

See the trailer here
For more on the movie this is the website

Genre: Documentary
Now Playing: Regal Pavilion Port Orange, Regal Winter Park Village
Rating: PG-13 (for brief strong language, some disturbing images and smoking)

Every Last One of Them

(Saban) Paul Sloan, Jake Weber, Taryn Manning, Richard Dreyfuss. An ex-Black Ops soldier hunts for his missing daughter and finds the chilling truth behind her disappearance. His quest for justice turns into an obsession for revenge as he uses all his skills to find those responsible.

See the trailer here
For more on the movie this is the website

Genre: Action
Now Playing: Studio Movie Grille Sunset Walk
Rating: R (for violence, sexual assault, drug use, language throughout and nudity)

The Harder They Fall

(Netflix) Jonathan Majors, Zazie Beetz, Idris Elba, LaKeith Stanfield. When a gunslinger learns his bitter enemy has been released from prison, he puts together his old gang to confront his rival in this new school Western.

See the trailer here
For more on the movie this is the website

Genre: Western
Now Playing: Cinemark Orlando, Cinemark Universal Citywalk, Premiere Fashion Square
Rating: R (for strong violence and language)

Ron’s Gone Wrong

(20th Century) Starring the voices of Zach Galifianakis, Jack Dylan Grazer, Olivia Colman, Ed Helms. When a socially awkward middle schooler gets a digitally connected device that walks and talks, it feels at last like he might just fit in. But when the device begins to malfunction in humiliating ways, it seems like he will be more of an outcast than ever.

See the trailer /www.imdb.com/video/vi481674009here
For more on the movie this is the website

Genre: Animated Feature
Now Playing: Wide
Rating: PG (for some rude material, thematic elements and language)

The Velvet Underground

(Apple) John Cale, Lou Reed, Maureen Tucker, Sterling Morrison. The story of the band that became far more influential than successful, the darlings of the New York literati and who were championed by Andy Warhol. Diected by indie darling Todd Haynes.

See the trailer here
For more on the movie this is the website

Genre: Music Documentary
Now Playing: Enzian
Rating: R (for language, sexual content, nudity and some drug material)

Warning

(Lionsgate) Alex Pettyfer, Alice Eve, Thomas Jane, Annabelle Wallis. As humanity becomes more dependent on technology, we grow more distant from each other. When a massive global storm wreaks havoc with electronic equipment, the consequences are terrifying.

See the trailer here
For more on the movie this is the website

Genre: Science Fiction
Now Playing: Studio Movie Grille Sunset Walk
Rating: R (for language, sexual content, a sexual assault, some drug use and nudity)

COMING TO VIRTUAL CINEMA/VOD:

At the Ready
Broadcast Signal Intrusion
The Green Wave
(Thursday)
Introducing Selma Blair
(Thursday)
Shirobako: The Movie
(Tuesday)
Skull: The Mask
(Tuesday)
Somewhere With No Bridges
(Tuesday)
The Subject

SCHEDULED FOR REVIEW:

At the Ready
Becoming Cousteau
Dune
The Harder They Fall
Introducing Selma Blair
Ron’s Gone Wrong
The Velvet Underground


Malignant


Sweet dreams.

(2021) Horror (New Line) Annabelle Wallis, Maddie Hasson, George Young, Michole Briana White, Jean Louise Kelly, Susanna Thompson, Jake Abel, Jacqueline McKenzie, Christian Clemenson, Amir AboulEla, Mercedes Colon, Ingrid Bisu, Ruben Pla, Jon Lee Brody, Paula Marshall, Zoe Bell, Dan Ramos, Shaunte Johnson, Natallia Safran. Directed by James Wan

 

For those who love horror movies, James Wan is a name that is spoken with reverence. He is responsible for three of the most successful – and influential – franchises of modern horror; Saw, Insidious and The Conjuring. Of late his time has been spent branching out into big-budget action and superhero movies, but in between Aquaman installments he found time to return to the place where his heart really is.

Maddie (Wallis) has had a lot to deal with in her life. Adopted early on, she has put up with an abusive husband (Abel) and numerous miscarriages. After yet another unwarranted assault by her husband, she locks herself in her room and falls asleep. When she wakes up, he has been brutally murdered by someone with nearly superhuman strength. The detectives assigned to the case, the improbably-named Kekoa Shaw (Young) and the Wanda Sykes-channeling Regina Moss (White), are sympathetic but they are also dealing with some other murders in the Seattle area, including two retired doctors (McKenzie, Clemonson).

The trouble is that Maddie has been having vivid visions of the murders as they are happening. Her adopted sister Sydney (Hasson) is providing moral support, as well as physical care for the battered woman, but the more awful carnage that Maddie sees, the more she realizes that the killer – a spectral being calling himself Gabriel – has a deep and disturbing connection to her own past.

While it is good to see Wan back in the genre that he has been such an integral part of for decades, this isn’t his best work. The good news is that even the lesser entries in his filmography are still worth seeing. While Gabriel is unlikely to enter the pantheon of horror movie icons like Freddie Krueger, Michael Myers, Jason Voorhees, Chucky – or even Jigsaw – his supernatural strength and control of electricity (he communicates through electronic devices like radios, cell phones and loudspeakers) he is a formidable opponent. He doesn’t have the personality to be truly memorable, but the performances – when he makes his emergence in the latter half of the film is truly spectacular – but he suffices.

Wallis, who has worked in Wan’s universe in Annabelle, is also not quite memorable as Madison which is largely a fault of the writing. Faring better is Maddie Hasson as Sydney, providing occasional comic relief but just showing a bit more energy than Wallis. What’s truly memorable about the movie, though, are the technical aspects. There are some set pieces near the end that are as good as any that have been filmed for a horror movie, particularly one set in a holding cell. The gore is spectacularly done and effects, most of which are practical, well-integrated. Watching Madison’s reality melt into her vision is particularly nifty.

There are a fair number of odd plot choices, which is not uncommon for movies like this and which generally can be overlooked, but one thing that can’t is that the movie is paced a little too slowly for the first two thirds. Madison and Sydney spend a ton of time looking at case files and doing the kind of exposition that have people reaching for the fast-forward button. One thing that the script gets absolutely right is the reveal of Gabriel and who he is; it’s a knockout. Eliminate some of the research scenes and you would have a classic here. Even as is, this is an entertaining movie that is going to leave most horror buffs with a smile on their faces.

REASONS TO SEE: Terrific gore and special effects with some cringe-inducing body movements.
REASONS TO AVOID: Some may find the pace a bit too slow.
FAMILY VALUES: There is a fair amount of profanity and lots of violence – much of it bloody and disturbing.
TRIVIAL PURSUIT: Three separate people play various aspects of Gabriel; Ray Chase supplies the voice, (no spoiler) the body, and Marina Mazepa does the contortion effects.
BEYOND THE THEATERS: HBO Max (through October 10)
CRITICAL MASS: As of 9/22/21: Rotten Tomatoes: 76% positive reviews; Metacritic: 50/100.
COMPARISON SHOPPING: Basket Case
FINAL RATING: 6.5/10
NEXT:
The Magnificent Meyersons

New Releases for the Week of September 10, 2021


MALIGNANT

(New Line) Annabelle Wallis, Madison Hasson, George Young, Michole Briana White, Jean Louisa Kelly, Susanna Thompson, Jake Abel. Directed by James Wan

A woman is having terrifying visions of grisly murders, but her fear is turbocharged when she discovers that her visions are actually happening.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide
Rating: R (for strong horror violence and gruesome images, and for language)

The Card Counter

(Focus) Oscar Isaac, Tiffany Haddish, Tye Sheridan, Willem Dafoe. The latest from legendary director Paul Schrader concerns a former military interrogator turned compulsive gambler who is haunted by the decisions of his past.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village
Rating: R (for some disturbing violence, graphic nudity, language and brief sexuality)

Catch the Bullet

(Lionsgate) Peter Facinelli, Tom Skerritt, Jay Pickett, Gattin Griffith. A U.S. Marshall returns home to discover his father sick and his son kidnapped by an outlaw. Forming a posse with a trigger-happy deputy and a stoic tracker, they head out into Indian territory where the danger will increase exponentially.

See the trailer here
For more on the movie this is the website

Genre: Western
Now Playing: Studio Movie Grille Sunset Walk
Rating: R (for some violence)

Dogs

(Dekanalog) Dragos Bucur, Gheorghe Visu, Vlad Ivanov, Costel Cascavl. In this Romanian thriller, a man inherits land from his Uncle and decides to sell it off. This doesn’t sit well with the criminals who are squatting on that land, and the man must decide whether to cut and run, or stay and fight.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: Enzian On-Demand
Rating: NR

Queenpins

(STX) Kristin Bell, Kirby Howell-Baptiste, Vince Vaughn, Paul Walter Hauser. Based on actual events, a pair of coupon-clipping moms get involved in a scam of counterfeit coupons that are costing mega-corporations millions. Chased by a U.S. Postal Inspector and a hapless grocery store chain loss prevention officer, they make millions while helping fellow shoppers save on their grocery bills, blurring the line between who the real criminals are.

See the trailer here
For more on the movie this is the website

Genre: Comedy
Now Playing: Cinemark Lakeland Square, Cinemark Orlando, Cinemark Universal Citywalk
Rating: R (for language throughout)

Show Me the Father

(Affirm) Eddie George, Tony Evans, Stephen Kendrick, Sherman Smith. A faith-based documentary on the role of fathers in our American society, and how their role reflects our relationship with God.

See the trailer here
For more on the movie this is the website

Genre: Documentary
Now Playing: Wide
Rating: PG (for thematic material)

Small Engine Repair

(Vertical) Jon Bernthal, Shea Whigham, Ciara Bravo, John Pollano. Three lifelong friends gather for a night of drinking and bonding, unaware that one of them will ask the others to do a favor for his brash young daughter whom they all adore, a favor that will send their lives spinning out of control.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Avenue 16 Melbourne, AMC Disney Springs, CMX Plaza Café Orlando
Rating: R (for pervasive language, crude sexual content, strong violence, a sexual assault, and drug use)

Thalaivi

(Zee) Kangana Ranaut, Arvind Swamy, Bhagyashree, Madhoo. The story of East Indian actress turned politician J. Jayalalithaa who served six terms as Prime Minister of Tamil Nadu.

See the trailer here
For more on the movie this is the website

Genre: Biographical Drama
Now Playing: AMC West Oaks
Rating: NR

We Need to Do Something

(IFC Midnight) Sierra McCormick, Vinessa Shaw, Pat Healy, Lisette Alexis. When taking shelter from a strange and violent storm, a family becomes threatened by horrors they may have brought in with them.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Enzian
Rating: NR

Wildland

(Film Movement) Sandra Guldberg Kampp, Sidse Babett Knudsen, Joachim Fjelstrup, Elliott Crosset Hove. After her mom is killed in a car accident, a teenage girl moves in with her aunt and two sons. They seem a loving family, but they lead a criminal life. When an unforeseen murder puts the family under scrutiny, they are forced to decide how far they’ll go to protect one another.

See the trailer here
For more on the movie this is the website

Genre: Crime
Now Playing: Enzian On-Demand
Rating: NR

COMING TO VIRTUAL CINEMA/VOD:

Blood Brothers: Muhammad Ali and Malcolm X (Thursday)
Chompy and the Girls
(Tuesday)
Dating & New York
Detainee 001
Hood River
The Influencer
(Tuesday)
Nightbooks
(Wednesday)
Skinwalker: The Howl of the Rougarou
(Tuesday)
Straight Outta Nowhere
(Tuesday)
The Voyeurs

SCHEDULED FOR REVIEW:

The Card Counter
Dating & New York
Hood River
The Influencer
Malignant

Boss Level


Reliving the future.

(2021) Action (Hulu) Frank Grillo, Mel Gibson, Naomi Watts, Will Sasso, Annabelle Wallis, Sheaun McKinney, Selina Lo, Michelle Yeoh, Ken Jeong, Meadow Williams, Mathilde Ollivier, Rio Grillo, Armida Lopez, Buster Reeves, Eric Etebari, Quinton “Rampage” Jackson, Rashad Evans, Joe Knezevich, Adam Simon, Rob Gronkowski, Melanie Kiran. Directed by Joe Carnahan

 

It goes without saying that an action movie should have thrilling action sequences. But it is equally important that an action movie be fun. So many of them take themselves so seriously that we end up wondering when Scorsese started making mindless action flicks. Well, he hasn’t yet but he might just approve of this one. Or, he might not. You be the judge.

Roy Pulver (F. Grillo) wakes up with a machete whistling towards his head. Being an ex-Delta Force commando who has a particular set of skills, he is able to dodge his would-be killer, and also avoid the chain gun being fired at his apartment from a hovering helicopter. As the final wreckage of his place becomes explosive (no damage deposit return for Roy), he leaps out into a passing dump truck, rolls gracefully into the street with his upswept coif neatly in place, and commandeers a sports car from a screaming, whining civilian and roars off, to be chased by a legion of assassins. Roy has no idea who wants him dead, or why. All he knows is that in the end, they kill him and always by 12:47pm. Then he wakes up and starts the whole process all over again.

Now, this concept has been used in a variety of genres with results that vary in quality. I have news for you, though – this one is better than most. It has an incredible cast, including Gibson as the well-meaning but out of his mind military-corporate bad guy (Gibson is getting a second career as a heavy after he self-sabotaged his A-list career as the kind of action hero that might well have had the lead heroic role in the movie had it been made in 1987), Watts as Roy’s scientist ex-wife who works for Gibson, Sasso as Gibson’s major-domo, Jeong as a wise-cracking bartender, Yeoh as a legendary sword master and so on. Roy is beset by a group of assassins each with their own gimmick, from the guy who looks suspiciously like him (whom he calls “Roy #2”) to a pair of Teutonic twins of African descent and grumpy disposition as well as a smug self-aggrandizing Asian swordswoman who announces her name every time she dispatches poor old Roy and confirming that she, in fact, is the one responsible for the carnage. She probably needs to talk to a legal expert.

If you think of this as an action-packed videogame, you will likely come as close as you’re going to in understanding what this movie is about. My advice is not to think too hard about it; best to just go with the flow and mow down baddies while your perfectly coifed hair remains uncannily in place. The movie plays a lot like a videogame (the title gives it away) and gamers will likely find this of slight interest but would probably prefer to play a game over seeing a movie. Gamers are natural-born control freaks, don’t you know?

As for the fun quotient, it’s through the roof. This isn’t meant to be taken too seriously; it moves at a pace equivalent to the chain gun fire that punctuates every morning in Roy’s apartment. You’re not really given a whole lot of time to think, although if you do you’re apt to get a headache so I would advise against it. It’s big, loud and dumb with a sick soundtrack that will keep your grin fixed as immovably in place as Grillo’s hair, and it requires no investment whatsoever other than the hour and a quarter of the movie’s compact running time. It’s a wise investment, though; action movies are rapidly morphing into big budget eye candy that requires the entire population of China to buy a ticket in order to almost break even at the box office. While there are some pretty nifty special effects (and Grillo’s hair is clearly either green screened, or a product of alien technology), it doesn’t appear they broke the bank with their budget and Grillo, it turns out, is a companionable action star who you will have no problem rooting for. If there are a few too many side quests (such as Roy trying to get to know his son, who isn’t aware that Roy is his dad – now that’s kind of messed up) it can be forgiven because Carnahan, already one of the best at action in the business, packs so much into it’s short running time you don’t begrudge a little padding. This one is worth getting a subscription to Hulu for all by itself and when you throw in the upcoming animated M.O.D.O.K. series with Patton Oswald waiting in the wings, you probably should seriously consider it.

REASONS TO SEE: Captures the charm of a side-scrolling shooter game. Frenetic and funny.
REASONS TO AVOID: As with most pictures with this gimmick, it does eventually start to get old.
FAMILY VALUES: There’s all sorts of violence and a fair amount of profanity.
TRIVIAL PURSUIT: Roy’s son Joe is played by Frank Grillo’w real-life son Rio.
BEYOND THE THEATERS: Hulu
CRITICAL MASS: As of 4/7/21: Rotten Tomatoes: 73% positive reviews; Metacritic: 56/100.
COMPARISON SHOPPING: Edge of Tomorrow
FINAL RATING: 7.5/10
NEXT:
Say Your Prayers

Tag


Jeremy Renner knows he’s better than you.

(2018) Comedy (New LineEd Helms, Jeremy Renner, Jon Hamm, Isla fisher, Lil Rel Howley, Hannibal Burress, Annabelle Wallis, Jake Johnson, Nora Dunn, Leslie Bibb, Rashida Jones, Steve Berg, Indiana Sifuentes, Trayce Malachi, Jock McKissic, Thomas Middleditch, Al Mitchell, Sebastian Maniscalco, Vince Pisani, Kurt Yue, Kate Kneeland.  Directed by Jeff Tomsic

 

There’s a line in the movie that really rings true; “We don’t stop playing because we get old; we get old because we stop playing.” Keeping that child-like part of ourselves alive means we’re ever changing, ever growing. Play can be a part of that; it teaches us about ourselves, if nothing else.

Hoagie (Helms), Jerry (Renner), Bob (Hamm), Chili (Johnson) and Sable (Burress) have been playing the same game of tag for thirty years. They’ve grown up a little bit since then; they’ve relocated all over the country from their native Spokane and have gone on to their own lives and their own families. But for one month every year – May, as it turns out – they are fair game to a no-holds-barred take-no-prisoners form of the children’s game.

It has helped keep their bonds strong even though they lead separate lives but for four of them, there’s a unifying factor – Jerry has never ever been tagged “it,” not even once, in thirty years. This will be the year, even though financier Bob has a reporter (Wallis) trailing him, even though Hoagie’s wife (Fisher) is about to lose her mind with competitive fire and even though Chili will be back in the territory where his ex-wife (Jones) dwells. For this will be the last year; Jerry is taking himself a bride (Bibb) and this will be his last year playing the game.

The filmmakers could have gone a few different routes with this and they elected to try and go down two different paths at once; the raunchy one and the heartwarming one. As fellow critic Roger Moore observed, they may have missed an opportunity by going the PG-13 route and thus attracting a larger audience pool but as it was, they didn’t do so badly.

The raunchy stuff isn’t as raunchy as other comedies that go there but it is enough to warn home viewers from letting their tweens and youngsters get hold of it. The element that gives the viewer some good warm fuzzies is well-earned without being too treacly, although there is a bit of a twist that was a little over-the-top.

As far as the comedy bits (mostly having to do with the lengths the players will go to tag Jerry and the lengths he’ll go to keep from getting tagged) while they were generally well-executed, some bent the boundaries of suspension of disbelief to the breaking point. That aside, this was a little bit better than I expected it to be although not quite as good as Game Night.

REASONS TO SEE: Occasionally heart-warming comedy about the bonds of friendship.
REASONS TO AVOID: Some of the comedy is a bit far-fetched.
FAMILY VALUES: There is a fair amount of profanity, brief nudity, some crude sexual content and drug use.
TRIVIAL PURSUIT: This is loosely based on an ongoing game of tag played by four friends in Spokane, Washington.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, HBO Go, iTunes, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 7/10/19: Rotten Tomatoes: 56% positive reviews: Metacritic: 56/100.
COMPARISON SHOPPING: The Hangover Part II
FINAL RATING: 6.5/10
NEXT:
American Heretics: The Politics of the Gospel

The Mummy (2017)


Tom Cruise and Annabelle Wallis are up in the air waiting on the future of the Dark Universe.

(2017) Horror (Universal) Tom Cruise, Russell Crowe, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Simon Atherton, Stephen Thompson, James Arama, Matthew Wilkas, Sohm Kapila, Sean Cameron Mitchell, Rez Kempton, Erol Ismail, Selva Rasalingam, Shanina Shaik, Javier Botet, Hadrian Howard, Dylan Smith, Parker Sawyers, Bella Georgiou. Directed by Alex Kurtzman

 

Given that the Marvel Cinematic Universe has become a license to print money for Disney, it’s no wonder that shared universes are all the rage in Hollywood. A shared universe differs from a franchise in that whereas franchise films feature the same characters appearing in different films that are literal sequels, a shared universe has different characters appearing in different films that share a common background and often different characters appear in the films of other characters.

Universal has decided to throw their hat into the ring with the Dark Universe, a shared cinematic universe featuring their classic monsters which if you ask me is a tip-top idea; back in the heyday of Universal monster movies, the studio made big bucks when they would have films with three or four of their monsters sharing screen time in the same movie so in a way they have already done the shared universe thing. Can they it work in the 21st century?

Nick Morton (Cruise) is a U.S. Army officer who moonlights as a soldier of fortune “liberating” ancient artifacts from the various countries he serves in and selling them on the black market. Nick is not so much amoral as he is self-serving and his sidekick Vail (Johnson) knows it. When they are ambushed by insurgents during a long reconnaissance in Iraq, Nick calls in an airstrike which in turn reveals an ancient Egyptian tomb.

Nick’s superior Colonel Greenway (Vance) enlists archaeologist Jennifer Halsey (Wallis) to examine the tomb which she reports is more like a prison. Nick discovers a sarcophagus inside a pool of mercury and raises it. With the insurgents returning, Greenway orders the sarcophagus put on an army transport plane and sent to England for further study.

What Nick doesn’t know is that the tomb is that of Ahmanet (Boutella), an ambitious Egyptian princess in line for the throne until one of Pharaoh’s concubines gives birth to a son. Knowing this will relegate her to the sidelines, she slaughters her entire family and prepares her lover to be sacrificed so that the spirit of the evil god Set can take over his body but the pharaoh’s guards discover what she is up to and for her awful crimes she is sentenced to be mummified alive.

What Nick also doesn’t know is that his pal Vail has been bitten by a camel spider which was controlled by the evil princess and is now controlled by Ahmanet. On board the transport he goes on a rampage in an effort to free the mummy but is killed; Ahmanet instead sends a massive flock of crows to bring the plane down. Nick at the last moment puts a parachute on Jennifer and sends her out the door. He is apparently killed in the plane crash.

The thing is, he’s not quite dead yet. He wakes up and nobody is more mystified than he as to why he’s still alive. However, Vail’s ghost informs him (in a conceit right out of American Werewolf in London) that Nick has been marked by Ahmanet to be the new vessel for Set, completing her bargain with the god and giving her unlimited power on Earth. However, in order to do that she’s is going to have to find two relics – a ruby and a dagger – that are hidden in England.

Nick finds out that Jennifer is an employee of a company called Prodigium which was created to fight supernatural enemies on Earth by a man named Henry Jekyll (Crowe), a brilliant scientist who harbors a secret that pretty much everybody knows he won’t be able to Hyde. Stopping Ahmanet is job one at the moment. However, Ahmanet has been busy. She’s been regenerating by feeding on the living and her powers to control the dead are growing. Nick knows he can run but he can’t hide – he and Ahmanet have a psychic connection now. How do you fight against a monster that has virtually unlimited power?

Most people are going to compare this to the 1999 version of The Mummy. Do yourself a favor and don’t, as hard as it is not to have that film in your head when watching this one. The Brendan Fraser version is a rollicking roller coaster ride that is sheer entertainment from beginning to end. This one is far more ponderous. Kurtzman, a veteran writer, has penned some big movies for some big franchises and who has been placed in creative control of the Dark Universe. He’s indulging in some world building here and that might be understandable but the problem is that he’s really cramming way too much into a single movie. Things get convoluted and while the Prodigium stuff is fascinating, the ancient Egyptian backstory is not. This feels less fun and more of a chore to get through so that the other movies can come along and fit in to the sandbox Kurtzman and his fellow writers are constructing. That’s not how you want to feel coming out of a big summer tentpole movie, particularly one in which you want to establish a billion dollar franchise. This has the feel of a movie-by-committee.

Cruise is beginning to show some signs of middle age but he still has the smile wattage and the screen presence to pull this off. Crowe makes Jekyll an enigma who you want to learn more about; both of these performances bode well for future ventures. Boutella also makes a pretty decent movie monster. She’s sexy AND scary, a nice combination. Wallis is less memorable although I think that’s more a function of the writing and less of her performance.

The CGI is less than sparkling; it’s not that it is out and out bad, it’s just not exciting. These days the CGI has to dazzle to a certain degree and here it merely fills in the gaps. I will say that the plane crash sequence here is flat-out amazing; it’s truly the highlight of the film and is a scene I wouldn’t mind seeing again. Not enough to want to buy the movie though.

Kurtzman is packing too many elements in here. We see bits of Indiana Jones, of the aforementioned American Werewolf and even Aliens. The whole movie feels ponderous and derivative where it should be fun and exciting, or at least scary as hell. The movie ends up being not so much boring as unimaginative and lacking in any reason to want to see the scheduled follow-up Bride of Frankenstein (which has since been yanked from the Universal release schedule – something tells me some major re-tooling is underway). When you’re trying to establish a new cinematic universe, that’s the opposite of the effect you want your movie to have on your audience.

REASONS TO GO: The character of Henry Jekyll and the Prodigium backstory have potential.
REASONS TO STAY: Too many elements borrowed liberally from much better films make this less of a thrill ride than the 1999 version.
FAMILY VALUES: There’s plenty of violence, action and scary images; there’s also a smattering of sexually suggestive material including some brief partial nudity.
TRIVIAL PURSUIT: With this film and his starring role in American Made, this is the first time since 2012 that Cruise has starred in more than one film in the same calendar year.
BEYOND THE THEATERS:  Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 10/10/17: Rotten Tomatoes: 16% positive reviews. Metacritic: 34/100.
COMPARISON SHOPPING: The Mummy: Tomb of the Dragon Emperor
FINAL RATING: 5/10
NEXT:
Loving Vincent

King Arthur: Legend of the Sword


Pulling the sword from the stone was easy; uniting the kingdom was hard.

(2017) Fantasy Action (Warner Brothers) Charlie Hunnam, Jude Law, Eric Bana, Djimon Hounsou, Astrid Bergés-Frisbey, Aidan Gillen, Freddie Fox, Craig McGinlay, Tom Wu, Kingsley Ben-Adir, Neil Maskell, Annabelle Wallis, Geoff Bell, Poppy Delevingne, Millie Brady, Nicola Wren, Wil Coban, Bleu Landau, Jacqui Ainsley, Lorraine Bruce, Georgina Campbell. Directed by Guy Ritchie

 

One of the most enduring legends in Western European history is that of King Arthur. Loosely based on an actual Anglican King shortly after the fall of Rome, he has become associated with all that is good about English royalty; a fair and just ruler, a mighty warrior and a man wise enough to know his own failings, his court at Camelot is widely characterized bittersweetly as a brief and shining moment in history.

King Uther Pendragon (Bana) of England is by all accounts a good and just king but he is overthrown by his ambitious brother Vortigen (Law) who is aided by demonic black magic. Uther is killed but his little son Arthur is saved and whisked off into obscurity. As Vortigen rules with cruelty and fear, Arthur grows up in the streets of London, raised by prostitutes and becoming a petty crime lord and pimp. Vortigen has become increasingly paranoid due to a prophecy that says he will be killed by the true king and his throne taken. There is a sword called Excalibur buried deep in the rock near the king’s castle and by legend only the true king can pull it from its sheath. All men in the kingdom of a certain age are required to have a try at pulling it but only Arthur succeeds.

Rescued by Bedivere (Hounsou), one of his father’s last remaining knights, and a beautiful Mage (Bergés-Frisbey) Arthur undergoes intensive training on how to fight. Arthur is reluctant to help – he wants no part of the sword or the responsibility of kingship but as his friends are attacked and imperiled, Arthur soon realizes that he cannot avoid his destiny. Accepting the power of the sword, he proves to be a nearly unbeatable warrior but Vortigen is vicious and ends up capturing the Mage and the son of one of Arthur’s best friends who has been killed by Vortigen personally. Ordered to surrender or watch his friends be executed, Arthur must become the King he was meant to be if he is to save his friends – and England.

This is certainly not your father’s Arthur. Reimagined by Ritchie who has previously messed with Sherlock Holmes – another British icon – the film is effects-heavy and somewhat darker than Mallory’s better-known version of the English hero. There are some fairly impressive creature effects here although nothing particularly groundbreaking. There are a few liberties taken with the plot – there is an obviously Asian martial arts instructor at Camelot centuries before Marco Polo opened up trade relations. That’s a big whoopsie.

The film is mostly grey in hue which gives a kind of dreary atmosphere. It doesn’t help matters that the battle sequences are mostly shot with handheld cameras which while giving a sense of the chaos of battle also give the audience vertigo. I’ll never understand why directors think that’s artistic; it’s just freaking annoying.

Hunnam has been given some high-profile roles over the past few years and I think he shows his potential most here. He’s not really your typical action hero and that’s a good thing but it can make things a little tough on directors who aren’t used to a screen presence like his. Not every director knows what to do with him. Ritchie does,, however, and that bodes well for Hunnam’s future.

Law has had a good career and does exceptionally well here as the villain. He’s played villainous roles before and seems well-suited to them; as Vortigen he’s as vile a villain as can be which makes for good cinema. A great hero requires a great villain, after all. Sadly Law is sabotaged by a script in which the plot meanders and is often disjointed and confusing. Despite the spectacle and despite some well-staged action sequences, I found some of the film boring which is a cardinal sin for action films.

This was meant to be the first episode in a new shared cinematic universe which was slated for at least six films. The film bombed at the box office so it seems unlikely short of a miraculous life on VOD and home video that the series will continue. There were to be installments concentrating on other Arthurian heroes such as Merlin, Guinevere and Lancelot – none of whom appear in this film – but that ambitious plan seems to be moot at this point. The thing about cinematic universes is that in order for people to want to see the other films in the series they’re first going to have to be wowed and excited by the first film and that simply doesn’t happen here. There are some good cinematic ideas and Law is a terrific villain but there just isn’t enough to make anyone eagerly anticipate the next film in the series.

REASONS TO GO: Hunnam acquits himself with more confidence here. Law makes for a hiss-worthy villain.
REASONS TO STAY: The plot is extremely disjointed. The film suffers from an excess of shaky-cam in the battle sequences.
FAMILY VALUES: There is bloodshed and violence, some sexually suggestive material and a smattering of profanity.
TRIVIAL PURSUIT: Hunnam was introduced to the Arthurian legend by the John Boorman film Excalibur,  a movie he has watched repeatedly over the years.
CRITICAL MASS: As of 8/14/17: Rotten Tomatoes: 28% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: King Arthur (2004)
FINAL RATING: 6/10
NEXT: Wakefield

Mine (2016)


Armie Hammer considers his options.

(2016) War (Well Go USA) Armie Hammer, Annabelle Wallis, Tom Cullen, Clint Dyer, Geoff Bell, Juliet Aubrey, Inés Piñar Mille, Luka Peros, Daniel Sandoval, Agustin Rodriguez, Yesarela Arzumendi, Manuel Medero, David Kirk Taylor (voice), Edoardo Purgatori (voice). Directed by Fabio Guaglione and Fabio Resinaro

 

Our adventures in the Middle East have put the United States in a Gordian knot of a predicament. We cannot withdraw from Iraq and Afghanistan without creating chaos and yet if we stay we seem to become more tightly ensnared. We cannot stay put and yet we cannot step away.

Mike (Hammer) is a U.S. Marine sniper on a mission to take out a high-ranking terrorist. Intel has put him in a remote part of the desert far from anywhere, accompanied by his spotter Tommy (Cullen). Mike has the suspect in his sights but it turns out that he is there not to plan mayhem with his fellow terrorists but to see his son married. Mike hesitates and inadvertently gives away their position. The mission is officially FUBAR.

He and Tommy are forced to flee across the unforgiving desert. Sand storms have grounded the helicopters that would normally pick them up so they’re going to have to hoof it to a village six kilometers across the desert. With limited supplies, it will not be an easy journey but given their military training they should be able to make it. That is, until they walk dead into a minefield.

Mike ends up stepping on a mine but is able to stop himself from lifting his foot and detonating it. Tommy isn’t so lucky. He blows himself in half and leaves Mike to fend for himself. Using a little bit of improvising, he is able to contact his handlers and tell them of his predicament; they still can’t get their helicopters off the ground and with their assets deployed elsewhere it will be 52 long hours before someone can get to a lone Marine standing on a land mine.

As Mike is baked in the desert sun and runs out of water, he meets a friendly Berber (Dyer) who urges him to take a chance, step off the mine and free himself but Mike can’t do it. He begins to hallucinate and flashes back to a beautiful girlfriend (Wallis) he can’t quite commit to (but definitely should), an abusive alcoholic father (Bell) who called Mike’s spine into question and a mother (Aubrey) whose recent bout with cancer has left Mike shaken to the core and running away rather than facing what has befallen him at home.

With thirst, wild dogs, vengeful terrorists and sand storms besetting him, it is a test of Mike’s will in order to survive. Can he survive with one foot planted on the mine or will he take a leap of faith and free himself from his situation?

The movie is very much a metaphor for the American involvement in the Middle East, but that’s not really what drew me to this film. It isn’t easy to make a movie about a man locked in place in the middle of nowhere interesting and engaging and I wasn’t sure if the Italian duo known as Fabio and Fabio could pull it off but pull it off they did.

Much of the reason they did is that Hammer delivers a performance that improves and grows as the movie goes on. Initially he’s a ramrod-straight Marine with not just a stick up his butt but a dang Redwood up there, but as he starts to face his past so close to death, he becomes much more relatable. Hammer is extremely likable as an actor but the Lone Ranger debacle effectively derailed his career for big budget franchise films. This is the kind of movie that can put him back in the running for those sorts of roles.

There are some lapses in logic here; for one thing, a Marine sniper team never sets out into the desert all by their lonesome. There is going to be a support crew and a backup plan in case the sniper can’t get a shot at his target – and anyway a drone strike would have been far more effective in that situation. Also, standing with your weight on one foot for more than two days would have physiological effects on his muscles; there should have been some sort of reference to that in the movie. Even a Marine can’t prevent his body from doing what it is meant to do. Finally, a sand storm the size and magnitude of what was depicted in the film is not going to just leave a few cupfuls of sand on someone caught in it; it’s going to just about bury him and likely either suffocate him or at the very least blow him off of the land mine. The winds in one of those things are not that far from hurricane force.

All those unwelcome plot points aside, the movie still worked for me although I can understand why there was some eye-rolling in critical circles. I found that Hammer’s performance made up for the writing deficiencies and while the broken home-abusive father-commitment phobia subplots were a bit clichéd Hammer gave his character enough depth and dignity to put some real bite into those old tropes. I might have wished that Wallis had been given more than a generic “awesome girlfriend” character to work with – I would have liked to see what made Mike fall in love with her in the first place – and I might have wished that the Berber hadn’t been so much the “Magic Negro” trope of the sort that made The Legend of Bagger Vance so annoying. But as far as gripping premises go, I certainly got more than I wished.

REASONS TO GO: An intriguing concept that is pulled off nicely. Hammer gives a performance that gets stronger as the movie goes on.
REASONS TO STAY: Loses points for logical lapses and plot holes.. .
FAMILY VALUES: There is plenty of violence and profanity as well as some gruesome images.
TRIVIAL PURSUIT: Although set in the Middle East, the movie was filmed in the Canary Island substituting for the desert. The sandstorms were added digitally.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Vudu
CRITICAL MASS: As of 4/7/17: Rotten Tomatoes: 19% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Buried
FINAL RATING: 7/10
NEXT: Get Out

New Releases for the Week of April 7, 2017


SMURFS: THE LOST VILLAGE

(Sony Animation) Starring the voices of Demi Lovato, Julia Roberts, Mandy Patinkin, Rainn Wilson, Jack McBrayer, Michelle Rodriguez, Ellie Kemper. Directed by Kelly Asbury

Has anyone ever wondered why there is only one girl Smurf? Neither have I but I’m sure someone has. Smurfette sets out with her friends through the Forbidden Forest to find a mysterious village before the evil sorcerer Gargamel does and when they do, we find out where all the girl Smurfs are. How Smurfy is that?

See the trailer, clips, interviews, featurettes, premiere footage and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some mild action and rude humor)

1 Mile to You

(Gravitas) Melanie Lynskey, Tim Roth, Billy Crudup, Stefanie Scott. When a teenage boy’s friends die in a car accident, he is completely devastated. He takes up running to deal with the pain and also to remember his friends. His running however catches the attention of track coaches who recognize his raw potential. Can they bring him from dwelling on his past into creating a bright future?

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Case for Christ

(Pure Flix) Mike Vogel, Erika Christensen, Faye Dunaway, Robert Forster. Based on the experiences of Lee Strobel, an award-winning journalist and atheist, he sets out to disprove the existence of Christ after his wife undergoes a faith renewal. What he discovers in his investigation is not what he expected at all.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith Drama
Now Playing: Wide Release

Rating: PG (for thematic elements including medical descriptions of crucifixion, and incidental smoking)

Going in Style

(New Line) Morgan Freeman, Michael Caine, Alan Arkin, Ann-Margaret. Three retirees, lifelong friends all, are startled when their pension fund is wiped out by the greed of a bank. Desperate to make ends meet, they decide to not only solve their financial problems but exact a little justice as well when they determine to rob the very bank that stole their money. Poetic justice, yes, but much easier said than done when you consider that none of them has committed a crime in their lives.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for drug content, language and some suggestive material)

Mine

(Well Go USA) Armie Hammer, Tom Cullen, Annabelle Wallis, Clint Dyer. After their assignment ends in failure, a U.S. Marine sniper and his spotter are forced to cross the desert when the helicopter assigned to evacuate them from the enemy zone is grounded due to sand storms. Nearing the village where they will be driven back to their base, the two find themselves in a field of land mines where the sniper has stepped on a mine and cannot move without setting it off. Low on food and water with no way to go even a step further, he is forced to contemplate what got him there in the first place. Look for a review of this in Cinema365 tomorrow.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War
Now Playing: AMC Disney Springs

Rating: NR

My Life as a Zucchini

(GKIDS) Starring the voices of Will Forte, Nick Offerman, Ellen Page, Amy Sedaris. Nominated for a Best Animated Feature Oscar in the most recent Academy awards, this charming French stop-motion film follows an imaginative young boy who is sent to an orphanage after his mother passes away suddenly. Lonely in a sometimes hostile environment, he searches for a family to call his own while learning to trust once again. The Enzian will be presenting the film both in its original French with subtitles as well as an English language version. Be sure and check which version is playing when you head out to the theater.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Enzian Theater

Rating: PG-13 (for thematic elements and suggestive material)

Queen of the Desert

(IFC) Nicole Kidman, James Franco, Robert Pattinson, Damian Lewis. The true story of Gertrude Bell, a English woman in the early years of the 20th century who chafed at the role she was relegated to in Victorian England. She traveled to the Middle East and fell in love with the culture and the freedoms it afforded her. Her views on the Bedouin helped shape the course of the century and indeed the modern world itself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for brief nudity and some thematic elements)

Raw

(Focus World) Garance Marillier, Ella Rumpf, Rabah Nait Oufella, Laurent Lucas. A vegetarian who is following in her family’s footsteps to become a veterinarian undergoes a ritual hazing involving eating meat. This awakens a taste for flesh inside her that becomes more and more irresistible until it threatens to consume her. This French film was the talk of the most recent Cannes Film Festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying)

Your Name

(FUNimation) Starring the voices of Michael Sinterniklaas, Stephanie Sheh, Kyle Hebert, Cassandra Morris. This beautiful anime, the number one movie in Japan last year, concerns two young people who randomly switch bodies from time to time. They learn to communicate with each other and eventually, bond for each other. At last that realize that they need to meet face to face but making that happen proves to be a much thornier problem than either one could anticipate.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for thematic elements, suggestive content, brief language and smoking)

New Releases for the Week of November 11, 2016


MoonlightMOONLIGHT

(A24) Mahershala Ali, Naomie Harris, André Holland, Trevante Rhodes, Jharrel Jerome, Edson Jean, Janelle Monáe, Ashton Sanders, Jaden PinerDirected by Barry Jenkins

This highly acclaimed film focuses on a young African-American man at three different points in his life, his experiences with love and connection and how he handles his oncoming sexuality. The movie won a huge buzz at this year’s Toronto Film Festival and has been getting some legitimate Oscar buzz.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality, drug use, brief violence and language throughout)

Almost Christmas

(Universal) Danny Glover, Gabrielle Union, Omar Epps, Mo’nique. The patriarch of an extended family is about to gather his family together for their first holiday season without their mother. His family is on the dysfunctional side and all he wants for Christmas is for them all to just get along for once. However if this family can pull itself together without tearing itself apart it would be a kind of Christmas miracle.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Holiday Comedy
Now Playing: Wide Release

Rating: PG-13 (for suggestive material, drug content and language)

Arrival

(Paramount) Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg. When ginormous spacecraft land on sites throughout the globe, a team of world-class scientists – including an expert linguist – are assembled to make contact with the aliens inside the craft. However, with the world teetering on the brink of global war, the linguist will take a chance to find the answers that might just keep humanity from destroying itself.

See the trailer, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Come and Find Me

(Saban/Lionsgate) Aaron Paul, Annabelle Wallis, Garret Dillahunt, Zachary Knighton. An idyllic romance comes to a baffling halt when David’s girlfriend disappears without a trace. Frantic, he goes out searching for her, finding her trail to be increasingly perilous. Realizing that he didn’t know his girlfriend at all, he reaches a point where if he’s going to see her alive again, he’s going to have to take an enormous risk…but is she worth it?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Dog Eat Dog

(RLJ Entertainment) Nicolas Cage, Willem Dafoe, Christopher Matthew Cook, Louisa Krause. Based on the book by Eddie Bunker and directed by Paul Schrader, this movie follows a trio of ex-cons trying to eke out an existence in the underbelly of Los Angeles. They are hired by a Cleveland mobster to kidnap the baby of a rival. When they botch the kidnapping, they find themselves on the run from both the mobsters and the cops, vowing at every turn that they aren’t going back to jail.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Don’t Look Down

(Gravitas) Richard Branson, Eve Branson, Per Lindstrand, Mike Kendrick. Richard Branson is best-known as a billionaire who founded Virgin Records and later, Virgin Airlines. He is also a long-time hot air balloon enthusiast who has made his life goal to break world records on that front. This documentary follows his attempts to do just that.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Shut In

(EuropaCorp/Relativity) Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay. A widowed child psychologist cares for her comatose son and a troubled young boy. When the patient turns up missing, the psychologist blames herself for his disappearance but soon begins to believe that his ghost is haunting her and her son. When a vicious storm traps her in her house, she must find a way to defend herself and her defenseless son from something she can’t explain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror and some violence/bloody images, nudity, thematic elements and brief strong language)