(2020) Drama (Breaking Glass) Norbert Leo Butz, Jamie Effros, Joanne Tucker, Louis Cancelmi, Cheri Oteri, Annapurna Sriram, Jaden Waldman, Garry Mitchell, Shaun O’Hagan, Chris Fischer, Roya Shanks, Kyle Overstreet, Dennis Cunningham, Polly Lee, Jack Casey, Nathaniel Schultz, Kate Dearing, Ashlei Sharpe Chestnut, Steve Ross, Ian P. Ryan, Paul Schuyler. Directed by Paul Riccio
A vital part of indie cinema is the city dweller return to their small-town home for self-reflection following some trauma or event, finding some kind of a) redemption, b) growth or c) peace. Sometimes, all three. These movies can be by-the-numbers and as such, offer little insight; however, they can also take a fresh look and shine a light on some aspect of our nature that we can relate to.
Said city boy is Martin (Effros), who has returned to his home on Cape Cod to attend his father’s funeral and settle his affairs. Martin isn’t particularly thrilled to be there; his father had always been a distant, critical and cold man who never warmed to his son. They were driven further apart after Martin’s mother passed away, and his father promptly came out as gay and took up with Ted (Butz), his yard landscaper who now lives in the house that Martin grew up in.
Both men have issues; Martin hears tales of his father’s warmth and generosity, traits he never displayed towards Martin, and feels some jealousy that others saw this side of his dad and he never did. Ted feels slighted that his lover had not changed his will and left everything to Martin, including the home that he has lived in for seven years and made so many wonderful memories in. A predatory real estate agent (Oteri) is after Martin to sell, confident she could get a nice seven-figure sum for the property. Ted doesn’t want to leave, but he doesn’t have a legal right to stay. The two men clash in all sorts of details about happens at the funeral. Ted thinks there’s some homophobia going on, but neither man, trying to deal with the grief they both feel in different ways, truly understands that the other is also grieving.
Riccio (who co-wrote the movie along with Effros) fails to resist the temptation to make all the characters in town quirky, although he doesn’t take it to the degree that it becomes annoying. Martin reconnects with his prickly teenage crush Emma (Tucker) who is married now – Martin himself has a high-maintenace girlfriend (Sriram) who is remarkably materialistic. He also befriends a little boy who hides in a water-filled garbage can, using it as a kind of DIY sensory deprivation tank. There is also the stoner pool guy Terrence (Cancelmi) who has a large hole in the ground where he likes to smoke weed and invites Martin to join him from time to time. He also dispenses pearls of wisdom that are very un-stoner-like.
Good use is made of the bucolic Cape Cod setting. The best part of the movie is the relationship between Ted and Martin. It’s generally contentious, and there are times you want to give each one a good shaking, but at others you marvel at the humanity they have. Each man is played as wounded and imperfect; Butz, in particular, shines here, shows Ted as sometimes overwhelmed in his grief.
Some have classified this as a LGBTQ film and I’m not sure that’s entirely accurate; it’s more of a film in which one of the main characters is gay, but it isn’t necessarily about his experience as a gay man. It appears that most people in town seem to accept Ted for who he is, but it would seem likely in a small New England town that he would have encountered some push back. That really isn’t explored here, though.
Overall, the tone is pretty low-key, almost to the point of lethargy. Some might find the tone unexciting, but in all honesty, I found this to be a satisfying slice of life that reminds us that yes, even our parents are capable of growth and change, and so are we. Solid, all around.
REASONS TO SEE: Complex, layered relationships.
REASONS TO AVOID: Might be a little too low-key for some.
FAMILY VALUES: There is profanity, drug use and some adult themes.
TRIVIAL PURSUIT: Butz is a two-time Tony Award winner.
=BEYOND THE THEATERS: Amazon, DirecTV, Google Play, Spectrum, Vimeo, Vudu, YouTube
=CRITICAL MASS: As of 3/4/2022: Rotten Tomatoes: 94% positive reviews; Metacritic: No score yet.
COMPARISON SHOPPING: A Beautiful Boy
FINAL RATING: 6.5/10
NEXT: Huda’s Salon