Inside the Rain

Ben is tired of explaining that it’s NOT the Coronavirus.

(2019) Dramedy (Act 13) Aaron Fisher, Rosie Perez, Eric Roberts, Ellen Toland, Catherine Curtin, Paul Schulze, Donnell Rawlings, Rita Raider, Natalie Carter, Katie Claire McGrath, Jesse Means, Jaz Goodreau, Ryan Donowho, Kerri Sohn, Thom Niemann, Alex Emanuel, Christina Toth, Jacob Wheeler, Chelsea Watts, Miriam Morales, Jowin Marie Batoon. Directed by Aaron Fisher

 

I always feel a bit guilty reviewing movies that are autobiographical. It’s like reviewing somebody’s life; “Sorry, your life isn’t interesting enough. Your life could have used a few more car chases.”

There are no car chases in Aaron Fisher’s life. Here he plays Ben Glass, a young man who has an amazing array of mental issues, including ADHD, personality disorder, and the crown jewel, bipolar disorder. He takes a staggering array of drugs to essentially function. He is under the care of brash New York psychiatrist Dr. Holloway (Perez) who thinks she can make a significant difference in his life in only six weeks.

While at a party, the often-socially awkward Ben hooks up with Daisy (McGrath), a comely co-ed but when she makes it clear that the one-night stand is just that, he goes into a downward spiral that leads to a suicide attempt. While he is welcomed back to the University following what is, judging from the reaction of his Mom (Curtin) and Dad (Schulze) not the first time he’s tried it, Daisy stops by his dorm room just as Ben is organizing his array of pills into a weekly pill container. She mistakes this for a preparation for another attempt and the police are called. The university, having a strict two-strike policy, moves to expel Ben.

Ben feels the injustice of the thing and won’t go down without a fight, despite advice from his parents and shrink to do just that. Ben plans to appeal and when Dad won’t provide a lawyer, Ben hits upon the idea of filming a dramatic recreation of events which he feels sure will convince the board of appeals of his innocence and get him reinstated immediately. He even has a female lead – Emma (Toland), an escort/stripper/sushi girl who he grows sweet on after rescuing her from some boorish Wall Street types. If Ben’s parents and therapist thought fighting the expulsion was a bad idea, wait until they get a load of this idea…

I’m not sure how much of the material here is fictional and how much is based on actual incidents in Fisher’s life; certainly there are elements of both in the movie. There are times it’s hard to watch Fisher self-destruct as he goes off his meds; it gives viewers a hint of what the families of those with severe mood changes can go through. Amazingly, Fisher remains for the most part sympathetic throughout, although Ben can be profoundly unlikable at times. How willing you are to tolerate those phases are going to really inform how much you like the movie. Some folks simply won’t have the patience for it.

I can’t give this an unqualified recommendation though; at times this feels very much like Fisher made this for himself and without regard for a potential audience. Some of the humor doesn’t exactly hit the target squarely, although there are some really genuinely funny bits here.

In some ways this is a frustrating movie; there is tons of potential here but the missteps and perhaps the ego of the director keep it out of our grasp. Leaving a film feeling frustrated is never a good thing and that’s essentially why I didn’t give the movie higher marks. That doesn’t mean I don’t respect what was being done here.

REASONS TO SEE: A nifty surf guitar soundtrack.
REASONS TO AVOID: Spending time with Ben can be exhausting.
FAMILY VALUES: There is profanity, sex, drug use, and violence.
TRIVIAL PURSUIT: Former welterweight world champion Zab Judah makes a cameo as one of Dr. Holloway’s patients, much to the delight of boxing fan Perez who wasn’t aware he would be on set.
CRITICAL MASS: As of 3/23/20: Rotten Tomatoes: 82% positive reviews, Metacritic: 51/100
COMPARISON SHOPPING: Aspie Seeks Love
FINAL RATING: 5.5/10
NEXT: Ema

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Church & State

Utah: democracy or theocracy?

(2018) Documentary (Blue Fox/Breaking Glass) Mark Lawrence, Peggy Tomsic, Steve Urquhart, Jim Magleby, Jennifer Dobner, Derek Kitchen, Moudi Sbeity, Kody Partridge, Laura Wood, Bob Evans, David Knowlton, Kate Call, Kate Kendell, Missy Larsson. Directed by Holly Tuckett and Kendall Wilcox

 

In 2015, same-sex marriage was made legal throughout the United States, ending a fight which had been escalating over the past…well, going back to the Stonewall Riots. It marked a sea change in American attitudes towards its LGBTQ citizens as popular support for the cause grew.

One of the first salvos fired in the battle for marriage equality took place in Utah. Amendment 3, which had been approved by 66% of the predominantly Mormon voters and approved by the Church of Latter-Day Saints itself (albeit only tacitly). Mark Lawrence, a middle-aged gay man who had moved to Utah from San Francisco to care for his ailing father, had always regretted not marching for AIDS when he lived in the Bay Area in the 80s. He felt moved to do something about what he considered a morally objectionable law – and thought that if he sued the State of Utah, he would have a reasonable chance of winning on constitutional law grounds.

But nobody wanted to help him do it. Inexperienced in activism and fundraising, he founded the group Restore Our Humanity for the purpose of fundraising for the lawsuit, and set out to find someone to help set it up. He was met by stony resistance from all of the national organizations he contacted; most felt that in a state as red as Utah there was absolutely no chance they could get the law overturned. At last, he found a small law firm who was willing to take on the case, and a lawyer named Peggy Tomsic who was willing to take it on – which meant not only taking on the State of Utah but by extension, the Church of Latter-Day Saints as well (the film takes the stance that the Mormons largely control the state from a political angle – many of the state legislators are Mormons, so they do have a case).

It would turn out to be one of the first cases to be tried in a federal court on the subject of same-sex marriage and the State of Utah, feeling that they not only had the will of the people behind them but also the full force of the law, were unprepared when the judge ruled in favor of the plaintiffs; they were so confident in their chances that they did not have a Stay of implementation writ ready to go on, which is common practice in suits like this. Seventeen days would go by with hundreds of same-sex couples receiving marriage licenses before a stay was finally filed.

But the fight was only beginning. There was an appeal to be filed and there would be in-fighting between the legal team, the plaintiffs (which couldn’t be Lawrence since he wasn’t in a relationship at the time) and Lawrence, who eventually dissolved the organization he founded to fight Amendment 3 and said disconsolately afterwards “If I had to do it all again? I probably wouldn’t have.”

The filmmakers tell the story of the lawsuit pretty well. There is a good deal of archival footage, promotional footage from the Church of Latter-Day Saints (they declined all interview requests they received from the filmmakers) and talking head interviews. Some of the footage is chilling, such as the Mormon elder who gives his approval to someone beating up a gay man, or the repeated insistence that they have nothing against gay people and that it’s not personal, but…y’all are perverts and you need to get out of Salt Lake, pretty much.

This is very much an underdog story and it is viscerally pleasing from that point of view. Lawrence is an interesting enough subject but he can be abrasive and the filmmakers shift their focus from him to lawyer Peggy Tomsic who as a lesbian definitely had skin in the game; she had a long-time partner and the two of them were caring for a small boy that they couldn’t legally adopt because of their marital status (or lack thereof) and were well-aware that he could be snatched away from them at any moment. Her story really shows the casual cruelty, the true evil, of the stance that those proponents of the gay marriage ban took. As Tomsic says, as much as they claim it is about the welfare of the children, at the end of the day it is not because keeping kids out of a stable home with two parents benefits nobody.

The story is a fascinating one, but it is a very locally-oriented one and the documentaries that focused on the fight for marital equality on a national level will probably hold more interest. However, for those looking to dive deeper on how that came to happen against what some thought were nearly insurmountable odds, could find this worth a look.

REASONS TO SEE: Concise storytelling.
REASONS TO AVOID: Territory covered on the national level more effectively.
FAMILY VALUES: There are some adult themes and some profanity.
TRIVIAL PURSUIT: The film was a Special Jury Award winner at the 2018 American Documentary Film Festival.
BEYOND THE THEATER: Amazon, AppleTV, Hoopla, Vudu
CRITICAL MASS: As of 1/22/20: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: The Case Against 8
FINAL RATING: 6.5/10
NEXT: The Happy Prince