(2017) True Life Drama (Passion River) David Call, Atsuko Okatsuka, Conner Marx, Hannah Horton, Cequoia Johnson, Hassan Cristos Messiah, Molly Tollefson, Hope Shanthi, Jose Abaoag, Stewie Valencia, Sheila Houlihan, Joe Cummings, Kyle Jewell, Rosario Rieger, Nathan Christopher Haase, Geoff Garza, Reza Leal-Smartt, Rachelle Henry. Directed by Jagger Gravning
Sometimes, when a mass murder is committed, there’s a reason, an explanation that those left behind can at least understand. Other times, however, the act is senseless and we are left to wonder why the killer did what he did.
The movie is based on the 2006 Capitol Hill Massacre in Seattle. A loner, a disturbed young man identified only as Murderer (Call) in the credits, attends a rave at the Capitol Hill Arts Center. He seems aloof and quiet, but he meets Link (Marx), a happy-go-lucky prankster who invites him to an after-party at a local home owned by aspiring comic book artist Strobe Rainbow (Okatsuka) – the victims are mainly identified by their rave names.
The movie tends to move around in time quite a bit. Therefore, the murders actually occur about 15 minutes in (incongruously set to the strains of the Archies bubblegum pop hit “Sugar Sugar,” one of the most upbeat songs ever) and the rest of the film (except for the final scene) is mainly told in a series of flashbacks as the murderer hovers on the edge of conversations, a figure of judgmental indignation who grows creepier as the night progresses. He’s the kind of guy who sees life as a party that he hasn’t been invited to and as a result despises those who seem happy and part of the community
By all accounts the Seattle rave community was known for its inclusive nature and while recreational drug use was a heavy part of the scene, they also look out for one another and make sure everyone is okay.
Most of the characters other than those of Link and Strobe, are mainly undeveloped. Even the murderer is essentially labeled as an angry white guy which seems to me to be a gross over-simplification; while I applaud the director’s refusal to give the murderer a name or even a motive (to this day, nobody is sure why he erupted the way he did) it doesn’t serve the movie well to boil him down to an archetype.
Most of the conversations we overhear (through the murderer’s ears) are inane and even downright immature. The main question that bothered me while I was watching was why did this movie have to be made? To illustrate the innocence of the victims? Since they are never named, it makes me wonder if the project was done without the cooperation of the survivors and the families of the victims.
That doesn’t mean that Gravning doesn’t have some moments. There’s one sequence set at the rave where he changes the music on the soundtrack to classical music. It makes for an interesting juxtaposition and is a welcome relief from the occasionally monotonous EDM music that dominates the soundtrack. There’s also a conversation between Strobe and Link near the end of the film that has some depth that is staged in an interesting way with Strobe at the bottom of a staircase leading to the basement and Link, smiling and good-natured, leaning over the railing. Some of the shots show a nimbus of the rising sun around his head, presaging what was about to happen to him (although we saw his fate early on).
Most of the film is dimly lit by necessity but that isn’t necessarily a bad thing. The performances are solid even if the characters are mostly forgettable, although Marx and Okatsuka were both impressive and Call makes a game effort to make something of a thankless role. I’m still not 100% sure that I understand what the director had in mind, but this is nonetheless a reasonably interesting take on an act of violence that has become, tragically, so common that this particular act has been forgotten outside of Seattle.
REASONS TO SEE: Gravning makes a few interesting choices that really work nicely.
REASONS TO AVOID: Watching a party is never as much fun as being at one.
FAMILY VALUES: There is plenty of profanity, a lot of drug use and some violence.
TRIVIAL PURSUIT: Gravning was a long-time member of Seattle’s rave scene and had been invited to the rave depicted here but was unable to go.
CRITICAL MASS: As of 10/8/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Extremely Wicked, Shockingly Evil and Vile
FINAL RATING: 5.5/10
NEXT: Wrinkles the Clown