Swallow


(2019) Psychological Horror (IFC MidnightHaley Bennett, Austin Stowell, Denis O’Hare, Elizabeth Marvel, David Rasche, Luna Lauren Velez, Zabryna Guevara, Laith Nakli, Babak Tafti, Nicole Kang, Olivia Perez, Kristi Kirk, Alyssa Bresnahan, Laura Dias, Elise Santora, Myra Lucretia Taylor, Nicholas M. Garofalo, Matthew Waiters, McGregory Frederique, Jackie Almonte, Mingjie Li, Sophie Max. Directed by Carlo Mirabella-Davis

 

A great movie tells a great or compelling story. We are taken from point A to point B and all the way to the end, watching the story unfold. That isn’t always the case, however. Sometimes, what makes a movie great are the things that are left unsaid.

Hunter (Bennett) would seem on the surface to have it made. She is married to a wealthy husband (Stowell), a rising star in his father’s (Rasche) firm. She lives in a gorgeous house her in-laws bought for the couple. To top it all off, she is newly pregnant. What’s not to like?

Plenty, as it turns out. As the movie progresses, we see that the in-laws, supportive and caring on the surface, pay only lip service to that persona. What they really are is condescending and controlling, particularly her mother-in-law (Marvel). Hunter has come to realize that she’s in a prison cell. A comfortable, beautiful prison cell but a prison cell nonetheless.

Her means of regaining control is by ingesting objects that aren’t edible, starting with marbles and dirt, ramping up to more dangerous items like batteries, pushpins and thumbtacks. Is she trying to off herself and/or the baby? Or is there something deeper at play here?

This squirm-inducing psychological body horror film is based on a real condition called pica. Mirabella-Davis takes the tactic of not answering all the questions; we are never given a definitive answer as to why Hunter is subjecting herself to this dangerous habit. Is it a means of courting danger and getting an adrenaline rush? Is it compensation for her past which is revealed during a conversation with her therapist (Dias). That past is dealt with eventually in a coda in which she establishes that she has a voice and is no longer content to be the submissive, mousy little housewife. The tone of the denouement is at odds with the rest of the movie which renders it much more effective.

Bennett is a revelation, delivering a mind-blowing performance that is terrifically layered, showing a surface persona that hides deep-seated anxieties and resentment. Despite Hunter’s often maddening submissive behavior, Bennett makes the character someone we can root for particularly in the last third of the movie.

The production design is also quite amazing; despite the modern conveniences (Hunter constantly plays video games on her smartphone), there is very much a 50’s/early 60’s vibe here, from Hunter’s perky blonde bob, her A-line skirt wardrobe and the 64 World’s Fair furnishings. Cinematographer Katelin Arizmendi impresses with shots bathed in lush primary colors. It’s visually a very striking film.

This isn’t for everyone. The scenes of her ingesting some of the items are cringe-inducing to say the least and the scenes of her retrieving the bloody objects from the toilet may send some straight for the exit. Still, this is a mesmerizing film that cinema buffs are going to appreciate and horror fans might just find compelling.

REASONS TO SEE: Bennett gives a bravura performance. Disturbing on in a good way on so many levels.
REASONS TO AVOID: Sometimes gets caught up in its own bizarre tone.
FAMILY VALUES: There is some profanity, plenty of sexuality and some truly disturbing behavior.
TRIVIAL PURSUIT: This is Mirabella-Davis’ first solo feature film; the movie was inspired by his grandmother’s institutionalization and eventual lobotomizing. During the film’s Tribeca screening, an audience member actually fainted during the thumbtack ingestion scene.
CRITICAL MASS: As of 3/13/20: Rotten Tomatoes: 86% positive reviews: Metacritic: 67/100
COMPARISON SHOPPING: Teeth
FINAL RATING: 7.5/10
NEXT:
Los Ultimos Frikis

New Releases for the Week of March 13, 2020


BLOODSHOT

(Columbia) Vin Diesel, Guy Pearce, Elza Gonzalez, Sam Heughan, Toby Kebbell, Talulah Riley, Alex Hernandez, Lamome Morris. Directed by Dave Wilson

When a soldier is killed in action, he is brought back to life using nanotechnology. Not only is his body improved and he is made virtually unkillable, he discovers that the corporation in charge has been tampering with his mind and memories as well. How can he fight back when he can’t be certain what’s real and what’s implanted in his memory?

See the trailer here
For more on the movie this is the website
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for intense sequences of violence, some suggestive material, and language)

Big Time Adolescence

(NEON) Pete Davidson, Griffin Gluck, Sydney Sweeney, Jon Cryer. A high school kid tries to navigate life with the aid of a college dropout friend who shows him all the wrong decisions; it will remain for his dad to try and clean up the mess and rein in his son’s bad habits.

See the trailer here
For more on the movie this is the website  
Genre: Dramedy
Now Playing: Cinematique of Daytona
Rating: R (for drug content, alcohol use, pervasive language, and sexual references – all involving teens)

Cruel Peter

(Vertical) Henry Douthwaite, Rosie Fellner, Terrence Booth, Claudio Castrogiovanni. A century after a cruel and vicious bully is killed in an act of revenge, an archaeologist and his daughter, grieving for his wife (her mother), come to the scene of the crime. The daughter’s attempts to contact her deceased mother result in her possession by the spirit of the brutal bully. Her father now msut save her from a curse that he has no idea how to break.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Studio Movie Grill Sunset Walk
Rating: NR

Extra Ordinary

(Good Deed) Maeve Higgins, Barry Ward, Will Forte, Claudia O’Doherty. A small-town driving instructor with the power to communicate with the other side faces a demonic plot by a has-been rock star to make a deal with the devil and send an innocent soul to hell. Aided by the girl’s father, she will take on some unusual paranormal activities if she is to save the soul – and the world, or at least the immediate community.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Enzian Theater
Rating: R (for language, sexual content and some horror violence)

Hope Gap

(Roadside Attractions/Screen Media) Bill Nighy, Annette Bening, Josh O’Connor, Alysha Hart. A couple’s visit to their son takes an unexpected turn with the father confides that he is leaving his wife of 29 years for another. She is left to pick up the pieces and rebuild her life, while the son deals with the emotional fallout.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Old Mill Playhouse, Regal Winter Park Village
Rating: PG (for some thematic elements and brief strong language)

The Hunt

(Blumhouse/Universal) Betty Gilpin, Ike Barinholtz, Emma Roberts, Hilary Swank. A group of people wake up in a clearing not knowing how they got there or why they’re there. They are there, as it turns out, to be hunted by a group of “global elites” but one woman who knows the Hunt better than they do is going to turn around the game on her captors. The movie was delayed from last year due to a series of shootings that hit too close to home; the movie is also notable in that President Trump decried it without having seen it.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: R (for strong blood violence, and language throughout)

The Postcard Killings

(RJLE) Jeffrey Dean Morgan, Famke Janssen, Cush Jumbo, Denis O’Hare  A New York detective grieves for his wife and daughter who were brutally murdered in London. He travels to the UK and discovers that the killings were one of a series of similar crimes, each one preceded by a postcard sent to a local journalist. He must race against time to stop the killings and get justice for his family.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Old Mill Playhouse
Rating: NR

Swallow

(IFC Midnight) Haley Bennett, Austin Stowell, Elizabeth Marvel, David Rasche. A beautiful housewife seems to have everything – a wealthy husband, a supportive family, a beautiful house and a baby on the way. However, the high expectations of her husband and his family cause her to manifest her stress by swallowing objects that are increasingly dangerous.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Barnstorm Theater
Rating: R (for brief sexuality/nudity)

Tuscaloosa

(Cinedigm) Devon Bostick, Natalia Dyer, Tate Donovan, Marchant Davis. In Alabama circa 1972, a young man falls for a patient at his father’s mental hospital, while his best friend gets involved in the civil rights movement which doesn’t sit well with the powerful civic leaders of Tuscaloosa.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Barnstorm Theater
Rating: NR

Wendy

(Searchlight) Yashua Mack, Devin France, Gage Naquin, Gavin Naquin. A re-imagining of the Peter Pan story told through the eyes of Wendy Darling and through the inventive mind of Beasts of the Southern Wild director Benh Zeitlin.

See the trailer here
For more on the movie this is the website  
Genre: Fantasy
Now Playing: AMC Disney Springs, Regal Winter Park Village
Rating: PG-13 (for brief violent/bloody images)

ALSO OPENING IN ORLANDO/DAYTONA:

Angrezi Medium
I Still Believe

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Angrezi Medium
Bacurau
Balloon
Chal Mera Putt 2
I Still Believe
Straight Up – Canceled

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Angrezi Medium
Block Z
Corpus Christi
I Still Believe

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Angrezi Medium
I Still Believe

SCHEDULED FOR REVIEW:

Bacurau
Big Time Adolescence
Bloodshot
Extra Ordinary
The Hunt
Swallow

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Film Festival, Miami FL

12 Strong


Chris Hemsworth to the rescue!

(2018) True Life War (Warner Brothers) Chris Hemsworth, Michael Shannon, Michael Peña, Navid Negahban, Trevante Rhodes, Geoff Stults, Thad Luckinbill, Austin Hébert, Austin Stowell, Ben O’Toole, Kenneth Miller, Kenny Sheard, Jack Kesy, Rob Riggle, William Fichtner, Arshia Mandavi, Elsa Pataky, Marie Wagenman, Allison King, Samuel Kamphuis, Lauren Myers. Directed by Nicolai Fuglsig

 

After the attacks of 9-11, the military was caught a bit disorganized and flat-footed. Who do we attack? There was no geo-political entity that one could say “There! If we fight them, we can keep from having more terrorist attacks on the United States.” It wasn’t like Pearl Harbor; we knew who did it and we knew who had to pay.

It is true that a group of Marines – 12 of ‘em – went into Afghanistan early in 2012 to link up with the Afghan Northern Alliance and take down some Taliban baddies. While the ads for the film hysterically said that if we didn’t win this battle that there would be MORE terrorist attacks (there’s no evidence to suggest that was true) there’s no doubt that the men who went into Afghanistan only to find out that the terrain required horses rather than trucks and jeeps – and only one of them knew how to ride – were heroic, credits to the military and to their country.

Hemsworth has become a dependable star from the Thor films to other appearances. Here he shows off that he can be a badass without a magic hammer and his charisma and charm still stand him in good stead even when the film is dead serious. It helps that he has a fine support cast behind him, including Shannon who gets a rare non-villainous role.

While the movie felt more like a recruitment poster than entertainment at times, it still accomplishes the latter goal for the most part at least. While I thought it was a little long and may have been guilty of doing an inappropriate victory dance when we’re still fighting the same bloody war sixteen years (as of this writing) and counting afterwards, it at least will get American hearts beating and American chests pounded by American fists. Military lovers, have at this one.

REASONS TO GO: Hemsworth continues to develop into a solid leading man.
REASONS TO STAY: Many times the film didn’t feel as authentic as others covering the war did.
FAMILY VALUES: There’s lots of war violence and plenty of profanity throughout.
TRIVIAL PURSUIT: Riggle plays Colonel Max Bowers in the film; a Marine before he became a noted actor, Riggle actually served under the real Max Bowers at approximately the same time period the film is set in.
CRITICAL MASS: As of 3/13/18: Rotten Tomatoes: 54% positive reviews. Metacritic: 54/100.
COMPARISON SHOPPING: 13 Hours: The Secret Soldiers of Benghazi
FINAL RATING: 6/10
NEXT:
Winter Brothers

New Releases for the Week of January 19, 2018


12 STRONG

(Warner Brothers) Chris Hemsworth, Michael Shannon, William Fichtner, Elsa Pataky, Michael Peña, Rob Riggle, Austin Stowell, Taylor Sheridan, Geoff Stults. Directed by Nicolai Fuglsig

Even as the smoke was still rising from the rubble of the World Trade Center, a special forces team was dispatched to Afghanistan to prepare the way for the conventional military. Led by a new captain and untested in battle, the team must work with a local warlord to take on the Taliban and find themselves vastly outnumbered and fighting in an unfamiliar style that may doom their mission before it even starts.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, IMAX, 4DX, DBox, XD, RPX
Genre: True War Drama
Now Playing: Wide Release

Rating: R (for war violence and language throughout)

Chavela

(Music Box) Chavela Vargas, Pedro Almodóvar, Laura Garcia-Lorca, Miguel Bosé.  Largely unknown outside of the Latin community, Chavela Vargas was one of the most influential ranchero singers of her time, a powerhouse whose influence echoes throughout the Latin music world after her death. A lesbian in a culture that didn’t take too kindly to different forms of sexuality, she remains an icon in the Latin LGBTQ+ community to this day. This is the latest installment in the Enzian’s monthly Music Monday series.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR  

Den of Thieves

(STX) Gerard Butler, O’Shea Jackson Jr, 50 Cent, Pablo Schreiber. The movie follows an elite unit of the Los Angeles County Sheriff’s Department and a skilled crew of bank robbers as the two teams head on a collision course as the robbers plan the biggest heist ever – a robbery of the Federal Reserve Bank in Los Angeles.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, Dolby Atmos
Genre: Crime Action
Now Playing: Wide Release

Rating: R (for violence, language and some sexuality/nudity)

Forever My Girl

(Roadside Attractions/LD Entertainment) Alex Roe, Jessica Rothe, John Benjamin Hickey, Tyler Riggs. After leaving his fiancé at the altar, a young man returns to his small home after achieving stardom in country music. He hopes to rebuild the relationships that his actions wiped out – and one in particular – which has a specific complication he never counted on.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Lake Square, AMC New Smyrna, AMC Universal Cineplex, AMC West Oaks, Amstar Lake Mary, Cinemark Artegon Marketplace, Epic Theaters of Clermont, Old Mill Playhouse, Regal Ormond Beach, Regal Oviedo Mall, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for thematic elements including drinking, and for language)

Mary and the Witch’s Flower

(GKIDS) Starring the voices of Ruby Barnhill, Kate Winslet, Jim Broadbent, Ewen Bremner. A teenage girl finds a strange plant with a beautiful flower growing in the wild and discovers that it grants her fantastic powers. She is whisked away to a magic school where witches are cultivated and trained. She finally has found a place where she fits in – but discovers there’s a dark side to the school.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Anime
Now Playing: AMC Disney Springs, AMC Universal Cineplex, AMC West Oaks, Cinemark Artegon Marketplace, Regal Pointe Orlando

Rating: NR

Phantom Thread

(Focus) Daniel Day-Lewis, Vicky Krieps, Lesley Manville, Gina McKee. A renowned dress designer in London during the 1950s lives a very precise, ordered life – one might say fastidious. Into that life comes the strong-willed Alma who becomes his lover and his muse, turns his life upside down and leads him down paths he never would have imagined taking. Day-Lewis has said this is his final film performance so this is worth seeing on that basis alone.

See the trailer, clips and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Cobb Plaza Cinema Café, Epic Theaters of Clermont, Regal Ormond Beach, Regal Oviedo Mall, Regal Pointe Orlando, Regal Port Orange, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language)

ALSO OPENING IN ORLANDO/DAYTONA:

Freak Show

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Better Tomorrow 2018
Felcite
The Final Year
Freak Show
Gintama
Happy End
Mom and Dad
The Wound

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Delirium
Mom and Dad

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Mom and Dad

SCHEDULED FOR REVIEW:

12 Strong
Chavela
Den of Thieves
Forever My Girl
Mom and Dad
Phantom Thread

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Saint Augustine Film Festival

Battle of the Sexes


Billie Jean King and Bobbie Riggs: together again.

(2017) True Life Drama (Fox Searchlight) Emma Stone, Steve Carell, Andrea Riseborough, Natalie Morales, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Eric Christian Olsen, Fred Armisen, Austin Stowell, Wallace Langham, Martha MacIsaac, Lauren Kline, Mickey Sumner, Fidan Manashirova, Jessica McNamee, Ashley Weinhold. Directed by Jonathan Dayton and Valerie Faris

 

The 1973 tennis match between Billie Jean King, then the best female player in the world, and Bobby Riggs, a middle aged former Wimbledon champion was in many ways the epitome of excessive hype and sensationalism, two things America does particularly well. Some have looked at it as a metaphor for the struggle of women to gain equality but in many ways it really was just an over-bloated carnival sideshow that caught the attention of the world when it happened.

King (Stone) was busy trying to get the Woman’s Tennis Association off the ground; wearied by years of being dismissed by the male elite of the USLTA, then the ruling body for American tennis, and worse yet receiving only about one eighth the prize money that men received, she and her fast-tallking chain-smoking publicist Gladys Heldman (Silverman) are not looking necessarily to make a statement other than create an organization that will promote women’s tennis properly. King wasn’t particularly political but she did have a sense of fairness that was more developed than most.

Riggs (Carell) was a hustler and a man with a gambling problem whose career greatness was well behind him. Hitting upon an idea that he thought would generate him the kind of money that would keep him and his family comfortable, he wanted to play the best female player in the world and beat her to show that even an over-the-hill male player could beat the best woman. King at first refused but when Margaret Court (MacIsaac) who had the number one ranking at the time accepted the challenge – and lost – King felt obliged to take the match, particularly since the defeat could sink the WTA before it was even afloat.

To complicate matters, King had begun a romance with hairdresser Marilyn Barrett (Riseborough) that gave King the first realization that she was a lesbian. Of course it was a much different time back then; the revelation of her sexuality could wipe out the credibility of the WTA and of course destroy her marriage to her husband Larry (Stowell) who was genuinely supportive and someone she didn’t want to hurt. There was a ton of pressure on Billie Jean King coming to a head in the Astrodome on September 20, 1973.

Stone does an outstanding job as King, despite not having a particular physical resemblance to the tennis great. She does pull off King’s high wattage squinty smile very nicely and many of her vocal mannerisms. She doesn’t play King as a confident leader which was perhaps the public perception of her, but as someone who was thrust into a role she didn’t particularly want to play but accepted the role she’d been given. Stone has an outside chance of an Oscar nomination for her work but because the movie was released in September, kind of a no man’s land for award season, the chances are a little bit more slender than they might have been had the movie gotten a November or December release.

Carell also does a really good job as Riggs, capturing the huckster public persona and the personal charm Riggs displayed on the camera. We also get the sense – which those who knew Riggs well, including Billie Jean King have often stated – that the chauvinism was an act for him, a means of hyping up the match and of making a buck. There are moments of genuine warmth and Carell delivers them note-perfectly.

Dayton and Faris really give us a sense of the era nicely including a killer soundtrack – it’s nice that movies are really nailing era soundtracks these days – and the fashions and design of the time. They do make a tactical error in spending so much time on the romance between Billie Jean and Marilyn; while I do think that King’s discovery of her sexuality was an important component to her life at the time it was by no means the only one. The romance is over-emphasized and slows down the movie’s momentum and pads the running time a bit much. There really aren’t a lot of sparks between Stone and Riseborough and it makes the movie overall feel a bit flatter than it needed to be.

Still, this is a fairly enjoyable movie that if you’re patient can be quite entertaining. I wouldn’t call it a gem (some critics have) but neither would I call it a failure either. Misogynists will probably detest the movie and radical feminists may think it’s a bit soft. However those of us in between will find a good comfortable place to enjoy the spectacle.

REASONS TO GO: The performances of Stone and Carell are stellar. The directors evoke the era of the 70s nicely.
REASONS TO STAY: The movie has a bit of a soap opera-esque feel. The film is a bit flat.
FAMILY VALUES: There is some sexual content and brief nudity.
TRIVIAL PURSUIT: Carell previously worked with Dayton and Faris in Little Miss Sunshine.
BEYOND THE THEATER: Amazon, Fandango Now, Frontier, Google Play, iTunes, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/6/18: Rotten Tomatoes: 86% positive reviews. Metacritic: 73/100
COMPARISON SHOPPING: Wimbledon
FINAL RATING: 6.5/10
NEXT:
Victoria and Abdul

Colossal


Put ’em up!

(2017) Sci-Fi Dramedy (Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake Nelson, Dan Stevens, Hannah Cheramy, Nathan Ellison, Sarah Surh, Haeun Hannah Cho, Carlos Joe Costa, Melissa Montgomery, Christine Lee, Rukiya Bernard, James Yi, Alyssa Dawson, Miho Suzuki, Charles Raahul Singh, Jenny Mitchell, Maddie Smith, Everett Adams, Agamdeep Darshi. Directed by Nacho Vigalondo

It is said that within all of us there are both angels and monsters. For the most part, the majority of us try as hard as we can to keep that monster inside and let the angel out but it can be difficult, particularly if we are coping with more than we can handle. That’s when those monsters can show their faces and take control.

Gloria (Hathaway) has some issues. She is chronically unemployed or underemployed. She goes out and parties with friends most nights; sometimes for days. She drinks far too much and often doesn’t remember what she did the night before. Finally, her boyfriend Tim (Stevens) has had enough. While he loves Gloria, he can’t stand being around her anymore. Nothing he can say or do has helped. It’s time for him to remove this toxic person from his life and he not only dumps her, he packs up her stuff and tells her she has to move out of their New York apartment…or rather, his New York apartment.

With no other options, Gloria moves back to her childhood home upstate that her recently deceased mom left to her. While there she runs into childhood playmate Oscar (Sudeikis) who has an inheritance of his own – his parents bar. He offers Gloria a job waitressing there which she gratefully accepts although perhaps working in a bar isn’t exactly the best place to be for an alcoholic. By day, Oscar helps out by buying her things to help furnish her empty home; by night, they work at the bar which has bottomed out in popularity in recent years. Oscar has closed off a huge chunk of it, decorated in cowboy fashion. Gloria resolves to spruce it up and reopen it. In between, there are late nights drinking with Oscar and his friends Garth (Nelson), a philosophical drunk and Joel (Stowell), a handsome local who catches Gloria’s eye.

But things take a turn for the strange when news reports show a gigantic monster rampaging in Seoul, South Korea and then disappearing. Like everyone else, Gloria is amazed and alarmed. Unlike everyone else, Gloria discovers she has a strange connection with the monster. The monster makes strange hand gestures that are very much reminiscent of the same quirky gestures Gloria makes. She also discovers that the monsters rampages take place when she is in the playground at a local park. She begins to realize that she is the monster.

Before too long, a second monster appears – a giant robot and Gloria’s monster is needed to do battle with it. She also finds she needs to do battle in real life as well with someone she trusted who has become abusive and controlling. Can she summon the strength to fight on both fronts and in doing so, save the lives of millions of people in Seoul?

Giant monster or kaiju films have regained popularity recently with the successes of Godzilla and Kong: Skull Island as well as dozens of films in Asia. This is a very different take on them. Spanish director Vigalondo has been an up-and-coming name in horror films in recent years and this might just be his best work yet. It’s imaginative and thought-provoking, the latter of which being a rare quality in movies that are as entertaining as this one.

Hathaway gives a marvelous performance as a woman who has lost control of her life and who’s made a ton of bad choices, many of which were informed by alcohol abuse. She is appealing here as she is in most of her films and even though her character isn’t always doing the right thing we still end up rooting for her. Sudeikis is also a very likable screen personality and while the movie begins with him playing a role that is typical for him it changes somewhat as the film progresses. It’s really a marvelous role for him as it allows him to expand his range.

While the special effects reflect the movie’s small budget, the movie explores all sorts of things during the course of its run time from living with substance abusers to domestic violence and taking responsibility. These are some heavy topics for what is essentially a kaiju comedy that turns into something a little deeper.

This played the Florida Film Festival last month and one of the programmers for the Festival reported that a couple of angry ladies accosted him following the screening of this film and complained that it glorifies domestic abuse. Quite frankly with respect to the ladies making the complaint, I believe that their interpretation is quite a bit off the mark. One of the points that the movie is making is that domestic violence can come from people who are the nicest of guys outwardly; that’s why it’s so shocking when it happens in the film. Rather than glorifying domestic violence, the scenes depicting it show it for what it is – a disgusting, cowardly act.

While the movie’s final third is a little less impressive than the first two, it maintains interest throughout. Vigalondo has the annoying habit of having the onscreen characters visibly react to things that the audience can’t see which after having been done a few times gets to be a little bit annoying, but that’s really small potatoes. This is an inventive take on the giant monster movies that is both retro and modern. It’s cinematic fun of the highest order and should be a must-see for anyone who likes good entertainment with a dash of perspective.

REASONS TO GO: It’s definitely a different take on kaiju films. Hathaway makes an appealing drunk. Sudeikis is so charming to begin with his attitude change is all the more shocking. It is refreshing for a movie this entertaining to be this thoughtful as well.
REASONS TO STAY: It loses steam about 2/3 of the way through. The film has the annoying habit of showing actors reacting to things not revealed to the audience.
FAMILY VALUES: There is a whole lot of profanity and scenes of mass destruction and violence.
TRIVIAL PURSUIT: Hathaway was in the second trimester of her pregnancy while she filmed this.
CRITICAL MASS: As of 5/5/17: Rotten Tomatoes: 79% positive reviews. Metacritic: 70/100.
COMPARISON SHOPPING: Big in Japan
FINAL RATING: 8/10
NEXT: Unrest

New Releases for the Week of May 5, 2017


GUARDIANS OF THE GALAXY VOL. 2

(Disney/Marvel) Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Kurt Russell, Karen Gillan, Michael Rooker. Directed by James Gunn

The summer blockbuster season is here and it kicks off with a bang as the ragtag bunch of outsiders who saved the galaxy in 2014 return to save it again and boy, does it need saving!  As the Guardians try to fathom the mystery of who Peter Quill’s father is, a new threat looms that will challenge this somewhat argumentative team and lead into next summer’s Avengers: Infinity War. Stay after the closing credits roll for no less than five post-credits scenes.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence, language and brief suggestive content)

Colossal

(Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake-Nelson. Gloria has to pick her life up and start all over again after her boyfriend, tiring of her constant partying and her alcohol issues, throws her out. She heads to her old hometown to live in the house her mom left her when she passed away. Gloria runs into an old school chum who gives her a job at his bar, but the two watch in horror as a giant monster terrorizes Seoul, South Korea. When it turns out Gloria has a strange connection with the creature, things get really weird. This Florida Film Festival favorite is the first movie to play the Enzian post-festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references and gestures, and for brief nudity)

The Dinner

(The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall. Two brothers – one a popular congressman running for governor, the younger a troubled man estranged from his golden boy older brother since childhood, get together for dinner at one of the most fashionable restaurants in town. Their teenage boys, despite the hostility between their dads, are the closest of friends – and together have committed a horrible crime. While their guilt hasn’t been discovered and may never be, their parents have to face their consciences and decide how far they are willing to go to protect the ones they love.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for disturbing violent content, and language throughout)

Norman

(Sony Classics) Richard Gere, Dan Stevens, Steve Buscemi, Michael Sheen. Norman, a man living on the fringes of New York City’s powerful manages to give an Israeli politician a gift of expensive shoes when the latter is visiting the Big Apple at a low point in his career. Cut to several years later when that politician is now Prime Minister and Norman uses the cache of his legitimate connection to put together a complex financial deal that threatens to blow apart and cause an international scandal. Norman, finally where he wants to be, could lose everything if he doesn’t make things right.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)