(2020) Documentary (Kino Lorber) Jordan O’Donegan (narrator), Jim Fujiwara, David Mitchell. Directed by Jerry Rothwell
Raising a child requires patience. This is especially true for parents of kids on the autism spectrum. They are often unable to communicate what they are thinking and feeling, some to the point that they are essentially non-verbal, requiring different means of expression. A young 13-year-old Japanese child named Naoki Higashida wrote a book, detailing what goes on inside his head and why he will jump up and down, seemingly for no reason (it’s to self-soothe).
The book has become something of a revelation for parents with autistic children who are unable to or have difficulty communicating. The film, which uses a voice actor to narrate passages from the book, visits five kids in similar situations from around the world. Amrit, in India, communicates using drawings and paintings to illustrate not only what her daily routine is, but how she experiences the world.
In England, Joss (the son of two of the producers for the film) battles memories of past traumas that feel current to him; for example, when his father goes to pick up a pizza for dinner, he has a meltdown in the car with his mother, insisting that there is no more pizza – until his dad appears, pizza and sodas in hand. His mother’s patience and loving reassurances are heartbreaking.
In America, close friends Ben and Emma communicate by pointing at letters on an alphabet board. They are surprisingly articulate – at one point, Ben says (through the alphabet board) “I think we can change the conversation around autism by being part of the conversation.” Finally, the film shifts to Sierra Leone where the parents of Jestina (the youngest child depicted here) face an almost insurmountable barrier of misinformation, superstition and fear (some autistic children are put to death there) as they try to bring a greater understanding of who these kids are and what they are capable of to villages who may see them as being demonically possessed.
The film does its best to replicate the overload of sensory input that those on the spectrum encounter every day, and at times this is effective. The passages from the book are illuminating and are effectively used, and when Higashida admits “I don’t pretend for a moment that everything I’ve written applies to all autistic people,” we are reminded that just like all children are different, so is every case of autism. What might be successful in one case may not be in another and while we get a sense of the loyalty and diligence that parents of kids on the spectrum have to possess, it can be daunting for those who aren’t directly affected by autistic family members or friends to see what these kids and their families go through every day.
Does the movie provide the same kind of eye-opening revelations that the book does? I don’t think so, no. There is an approximation of what Higashida is trying to get across and while we see more viewpoints than just his own, we also end up feeling somewhat scattered and overwhelmed. And that might be what Rothwell is trying to get across, but I don’t think that is the whole of it, or at least it shouldn’t be. Still, the movie might be an effective tool for those who are less experienced with autism and how it affects both the children and their parents, and that can’t be discounted either.
REASONS TO SEE: An often-compelling glimpse inside those who are unable to communicate.
REASONS TO AVOID: Requires some patience to get through.
FAMILY VALUES: There is some profanity.
TRIVIAL PURSUIT: The film won an audience award for documentary features at the 2020 Sundance Film Festival.
BEYOND THE THEATERS: Virtual Cinema
CRITICAL MASS: As of 1/21/21: Rotten Tomatoes: 98% positive reviews; Metacritic: 83/100.
COMPARISON SHOPPING: Notes on Blindness
FINAL RATING: 6.5/10
NEXT: One Night in Miami