(2015) Thriller (Oscilloscope Laboratories) Helen Rogers, Alexandra Turshen, Lauren Molina, Larry Fessenden, Adam Cornelius, Dan Brennan, Kimberly Flynn, Ian Robinson, Jack Brenner, Mike Keller. Directed by Dan Berk and Robert Olsen
We all make mistakes in life but some can’t be taken back. When you make a really awful mistake, sometimes one bad decision can lead to a cascade of them.
It is the holidays and Holly (Rogers), Cali (Turshen) and Mel (Molina) are bored. They’ve been at Mel’s house having a holiday feast and have been playing Scrabble. Like most young college-age women, they want to do something fun and smoking weed with Mel’s younger brother (Robinson) just isn’t it.
Cali then manages to convince her friends to move the party to her Uncle’s house which turns out to be a McMansion of the cavernous sort. The girls continue drinking, play vintage arcade games and horse around. However as Holly explores the house, it becomes clear that the family that lives there is Asian and Cali is most decidedly a blonde and blue-eyed Caucasian. When confronted, Cali admits that the house doesn’t really belong to her Uncle so much as to a family she used to babysit for.
The girls then decide to put an end to their festivities and leave but before they can get out, the groundskeeper (Fessenden) surprises them. A struggle ensues and Holly accidentally sends the hapless man tumbling down the staircase to the bottom where he lands with a sickening crack.
Now the girls have done something that can’t be undone. Cali becomes the alpha female and convinces her friends that while what happened was bad, it need not destroy their lives. They cook up elaborate plans to hide the body but before they do they discover that, in the immortal words of Monty Python, he’s “not quite dead yet.” Now faced with a moral dilemma, they find their moral compass is spinning like a top.
Berk and Olsen, who also co-wrote the movie, have the three girls representing Freud’s concepts of the id, the ego and the superego. Cali is a shoot first and ask questions later kinda gal, whose only instinct is for self-preservation. Holly is the voice of reason, often drowned out by Cali’s hysterics. Mel basically floats in the breeze, going in whichever direction seems to be convenient at the moment. The dynamics between the three change with Holly or Cali asserting dominance and Mel’s support going to whoever seems to be in charge at the moment. It leads to some pretty gruesome acts by the ladies, complete with primal screams in case the Freudian overtones weren’t enough.
The girls are all fine actresses, veterans of a variety of indie projects. They do pretty well here, as does Fessenden who is one of indie cinema’s most recognizable names and faces. Some of the supporting cast doesn’t do as well, with one actor whom I won’t embarrass doing a noticeably awful job.
As thrillers go, the suspense level isn’t super high, but I think that the changing dynamics of the three leads is more the point than creating an edge of your seats thrill ride. This is more of a cerebral thriller although there are visceral elements to it (as when Helen tries to manufacture elements that a sexual assault occurred) which may be squirm inducing for some.
It’s a fairly short film, so the action is compact. The filmmakers do a lot with a little and that’s heartening. As first features go, this isn’t half bad but what bothers me is that there really isn’t anything terribly new or original here, although this kind of movie is generally done with male leads for which I give the filmmakers points. However, the plot is definitely something you’ll have seen before.
REASONS TO GO: Gender roles are a bit different than is the norm for this type of film. Love the Freudian aspects.
REASONS TO STAY: Not all of the acting is stellar. The escalating violence is a bit disturbing.
FAMILY VALUES: Bloody violence, teen drinking and drug use and a surfeit of profanity.
TRIVIAL PURSUIT: Premiered at this year’s Slamdance.
CRITICAL MASS: As of 5/23/15: Rotten Tomatoes: no score yet. Metacritic: no score yet.
COMPARISON SHOPPING: Stuck
FINAL RATING: 5.5/10
NEXT: Imperial Dreams