American Animals


These aren’t your father’s Reservoir Dogs although they may look it.

(2018) True Crime (The Orchard) Evan Peters, Ann Dowd, Barry Keoghan, Blake Jenner, Udo Kier, Jared Abrahamson, Drew Starkey, Lara Grice, Jane McNeill, Wayne Duvall, Gary Basaraba, Kevin L. Johnson, Whitney Goin, Jason Caceres, Gretchen Koerner, Elijah Everett, Warren Lipka, Spencer Reinhard, Chas Allen, Eric Borsuk, Betty Jean Gooch. Directed by Bart Layton

Everything looks easier in the movies. Real life is significantly harder. In real life, the hero doesn’t get the girl let alone ride off into the sunset with her, luck doesn’t side with the virtuous and crime never ever pays.

In 2004, Transylvania University in Lexington, Kentucky was rocked by the violent robbery that took place in their rare books section. It was further rocked when it turned out that the perpetrators were students attending the university (and the neighboring University of Kentucky). All of the criminals came from well-to-do or at least comfortably middle class families. None of them had a history of criminal behavior. So what happened?

Layton, a veteran British TV documentarian with one previous feature film (The Imposter) to his credit, fuses comedy and drama along with the documentary in this his first narrative feature film in a startling mash-up that moves at a frenetic pace like the best of Steven Soderbergh’s heist movies. He casts a quartet of talented young actors to play the leads and then utilizes the actual subjects themselves to insert commentary that is often contradictory as human recollection often is, and at times even interact with their fictional selves.

The mastermind is Warren Lipka (Peters), a young man who suspects that he will lead an unremarkable life, a fate worse than death in his opinion. If he doesn’t have the temperament or the skills to do something for the betterment of all, well it’s better to be infamous than un-famous. His childhood best friend is Spencer Reinhard (Keoghan), who while touring his university is shown the John James Audubon first edition Birds of America, one of the most valuable books in the world and one that happens to be housed at Transylvania University. When he remarks upon it to his friend, the wheels begin turning in Lipka’s mind as he sees it as the way to make his mark. He’s seen enough heist movies to know what is needed to make the robbery work.

At first the discussions are all very theoretical but gradually over time these discussions cross the line into planning an actual robbery. The two know they could never pull this off on their own so they rope in fellow students Eric Borsuk (Abrahamson), a mega-organized math whiz, and entitled jock Chas Allen (Jenner) who will drive the getaway car. Their only obstacle; the kindly middle-aged librarian Betty Jean Gooch (Dowd) who is physically present in the library at all times. The boys are confident they can overcome the security measures protecting the book.

While the movie doesn’t have the pizzazz, the flair or the star power of the Oceans franchise, it does have a tone all its own and a unique viewpoint. While the gimmick of conflicting testimony has been used in other movies before (notably and most recently I, Tonya) it is utilized brilliantly here and doesn’t seem gimmicky at all.

This was the opening night film at this year’s Florida Film Festival; it was also at Sundance where it made a notable splash. There is good reason for both of those facts; this is a wildly entertaining and occasionally poignant film with enough teen hubris to choke a horse. It’s just now completing its theatrical run at the Enzian and will shortly be available on VOD although I would highly recommend that readers in Orlando check it out at the Enzian. While there is one brutal and shocking scene of violence that might be difficult for the sensitive, this is essential viewing and all efforts should be made to see this movie one way or another. The real crime is if you fail to do so.

REASONS TO GO: This is a refreshingly original take on the heist film. Layton mashes up drama, comedy and documentary into a new genre all its own. The pacing is perfect. Fine performances by Keoghan and Jenner.
REASONS TO STAY: There is one scene that may be a little bit too much for those sensitive to violence.
FAMILY VALUES: There is plenty of profanity, some drug use and a scene of brutal violence.
TRIVIAL PURSUIT: Although the film is set at Transylvania University in Kentucky where the events actually happened, the movie was filmed in North Carolina at Davidson College.
CRITICAL MASS: As of 8/12/18: Rotten Tomatoes: 86% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Bank Job
FINAL RATING: 9/10
NEXT:
A Quiet Place

New Releases for the Week of August 10, 2018


THE MEG

(Warner Brothers) Jason Statham, Bingbing Li, Rainn Wilson, Cliff Curtis, Winston Chao, Sophia Cai, Ruby Rose, Page Kennedy, Robert Taylor, Olafur Darri Olafsson. Directed by Jon Turteltaub

An oceanographer is terrorized by what he claims is a 70-foot shark. Ridiculed and disbelieved, when it turns out that the creature indeed exists and is a prehistoric Megalodon that has somehow survived in the depths of the ocean, he must put aside his fears in order to rescue a trapped submarine.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, D-BOX, D-BOX 3D, Dolby, IMAX, RPX, RPX 3D, XD, XD 3D
Genre: Action
Now Playing: Wide Release

Rating: PG -13(for action/peril, bloody images and some language)

A Prayer Before Dawn

(A24) Joe Cole, Pornchanok Mabklang, Panya Yimmumphai, Vithaya Pansringarm. A young British boxer is incarcerated in two of Thailand’s most brutal prisons. He is allowed to enter a Muay Thai tournament to fight for his freedom, but every fight could be his last  as no holds whatsoever are barred. Based on a true story, the film has been available for DirecTV subscribers for about a month now and is just now seeing a limited theatrical release.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Universal Cineplex

Rating: R (for strong violence including a brutal rape sequence, drug use and language throughout, some sexual content and nudity)

American Animals

(The Orchard) Evan Peters, Ann Dowd, Barry Keoghan, Blake Jenner. A group of young men plan an audacious heist to steal priceless books from a University library. No less audacious is the way director Bart Layton tells the story with the actual participants offering peanut gallery comments. This was the opening night film at this year’s Florida Film Festival.

See the trailer, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: True Crime
Now Playing: Enzian Theater

Rating: R (for language throughout, some drug use and brief crude/sexual material)

BlacKKKlansman

(Focus) John David Washington, Adam Driver, Topher Grace, Alec Baldwin. Spike Lee’s latest is based on the true story of an African-American cop who manages to get an in with the KKK over the phone. He is forced to recruit a white cop to play him for face-to-face meetings.

See the trailer, interviews and a video featurette here.
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: True Crime
Now Playing: Wide Release

Rating: R (for language throughout, including racial epithets, and for disturbing/violent material and some sexual references)

Dog Days

(LD Entertainment) Nina Dobrev, Vanessa Hudgens, Finn Wolfhard, Eva Longoria. The lives of several L.A. dog owners (and would-be dog owners) intersect through the efforts of their dogs in this ensemble piece that looks  at how our four legged best friends enhance our lives.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Wide Release

Rating: PG (for rude and suggestive content, and for language)

Slender Man

(Screen Gems) Joey King, Julia Goldani Telles, Jaz Sinclair, Javier Botet. A group of friends in a small town in Massachusetts discover the Internet creepypasta figure the Slender Man and set out to disprove his existence. When one of them mysteriously disappears however, their own skepticism begins to crumble.

See the trailer here
For more on the movie this is the website</a
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Release Formats: Standard, D-BOX
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing images, sequences of terror, thematic elements and language including crude sexual references)

Vishwaroopam 2

(Reliance) Kamal Haasan, Rahul Bose, Shekhar Kapur, Pooja Kumar. After foiling an Al Qaeda plot in New York in the first movie, anti-terrorism expert Wisam chases his quarry as they plan an even more infernal plot to undermine the world’s most stable democracies – including India.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Cinemark Artegon Marketplace

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Along Came the Devil
Hope Springs Eternal
On Chesil Beach
Our House
Srinivasa Kalyanam

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Ashke
Cuban Food Stories
Goodachari
McQueen
Puzzle
Satan’s Slaves
Sergio and Sergei
Srinivasa Kalyanam
Summer of ‘84
What Keeps You Alive

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Far From the Tree
Srinivasa Kalyanam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bag of Marbles
Eating Animals
Srinivasa Kalyanam

SCHEDULED FOR REVIEW:

American Animals
Blackkklansman
Eating Animals
Far From the Tree
The Meg
Our House
Slenderman
Summer of ‘84

Dunkirk (2017)


Waiting to evacuate, a British soldier nervously scans the sky for Nazi planes in Dunkirk.

(2017) War (Warner Brothers) Fionn Whitehead, Barry Keoghan, Mark Rylance, Cillian Murphy, Kenneth Branagh, Tom Hardy, Tom Glynn-Carney, James D’Arcy, Harry Styles, Will Attenborough, Aneurin Barnard, Jack Lowden, Billy Howle, Matthew Marsh, Richard Sanderson, Bobby Lockwood, Mikey Collins, Dean Ridge, Adam Long, Bradley Hall, Miranda Nolan. Directed by Christopher Nolan

 

Dunkirk remains one of the seminal moments in the Second World War. Churchill’s stirring speech “We shall never surrender!” was written about the event. For those whose history is rusty, when the Nazis overran France some 400,000 soldiers were stranded on the beaches of Dunkirk. With Hitler’s troops drawing the noose tight, the English were staring at the obliteration of most of their army and essentially the complete loss of Western Europe.

Nolan aims to capture the desperation and chaos of those few days using three time-dilated stories each centered around a single element; a week following soldiers waiting to die or be rescued on the jetty and on the beach, a day aboard one of the civilian rescue vessels desperately trying to ferry as many soldiers back to safety as possible, this one captained by the noble Mr. Dawson (Rylance) and an hour in the air with a pair of daring RAF pilots (Hardy, Lowden) trying to take out the Luftwaffe planes trying to bomb and strafe the beaches and the British naval vessels trying to evacuate the troops.

Like Memento, Nolan uses time differently than most linear storytelling techniques in order to….well, I’m not quite sure. It is confusing at times to follow the goings on when you are jumping ahead and back in time depending on whether you’re in a boat, plane or beach. It also leads to a curious difficulty in telling the different characters apart for the most part; the soldiers and sailors are all fresh faced and largely unknown with a few exceptions and those exceptions tend to stand out, particularly Rylance and to a lesser extent, Branagh as a stolid Naval commander and Murphy as a shell-shocked soldier pulled out of the ocean by Rylance.

The technical achievement here is impressive, maybe even mind-blowing. I’m not just talking about the special effects but on all the elements of the film, from the lighting (often utilizing a washed out pastel color palate that gives a visual accounting of the hopelessness of the waiting soldiers) to the way the shots are lined up to the sound design to the way there’s virtually no let-up in the tension from the opening shot to the closing credits.

Some of the few remaining Dunkirk survivors who viewed the film at its London premiere observed that the sound wasn’t quite as loud during the real bombing and strafing which apparently Nolan found amusing and when you think about it, has a ring of the “Turn down that music ya whippersnappers” to it. Not that I’m an expert but this may be the most authentic war movie since the D-day scene in Saving Private Ryan raised the bar on war movies in general.

There was talk this was going to be an Oscar contender way back in July when this was released and to that end Warner Brothers is planning a re-release to remind Academy voters not to forget about this film among all the year-end prestige releases. And, for those wondering, that is also why it hasn’t been released to home video just yet. If you haven’t seen it in a theater, by all means make a point to do so when the re-release occurs. You won’t be sorry.

REASONS TO GO: This may be the most realistic depiction of war since Saving Private Ryan. The tension generated here is absolutely relentless. Rylance has become one of the most reliable actors working today.
REASONS TO STAY: Those sensitive to loud noises may have issues with this.
FAMILY VALUES: There is some very intense war violence as well as occasional profanity.
TRIVIAL PURSUIT: This is the first movie directed by Nolan to portray real events.
CRITICAL MASS: As of 11/26/17: Rotten Tomatoes: 92% positive reviews. Metacritic: 94/100.
COMPARISON SHOPPING: The Longest Day
FINAL RATING: 8.5/10
NEXT:
Diana: Our Mother, Her Life and Her Legacy