(2019) Horror (Blumhouse/Universal) Imogen Poots, Aleyse Shannon, Lily Donoghue, Brittany O’Grady, Caleb Eberhardt, Cary Elwes, Simon Mead, Madeleine Adams, Nathalie Morris, Ben Black, Zoë Robins, Ryan McIntyre, Mark Nelson, Jonny McBride, Lucy Currey. Directed by Sophia Takal
In the #MeToo era when we are beginning to turn away from tropes and customs that have proven to be historically damaging to women and that have contributed to a culture of rape and toxic masculinity, it is interesting to consider what remakes of classic slasher films would look like through that lens. Now, wonder no longer.
As Hawthorn College approaches the winter break, sorority sister Riley (Poots) – a quiet girl who had been sexually assaulted three years earlier by a member of a frat – prepares to celebrate the holidays with her sisters in the Mu Kappa Epsilon sorority; activist/feminist Kris (Shannon) who politicizes absolutely everything – student/athlete Marty (Donoghue) and sweet-natured Jesse (O’Grady). As their sisters head home for the holidays, there’s a bit of tension as the girls perform a pointed song at a notorious talent show at their brother fraternity DKO that holds their feet to the fire for their antics. This doesn’t sit well, to say the least.
Meanwhile, young Lindsay (Currey) is stalked by a masked figure while walking home in the dark on a well-lit street. Let’s just say Lindsay won’t be opening any presents this year. And as the girls are stalked and murdered one by one, the rush to find out who is behind the disappearances of the girls with no help from the campus police, who are sure the girls have taken off to be with boyfriends, is a life-or-death venture.
Takal, who co-wrote the script with April Wolfe, inspired by the 1974 original (which was also remade in 2006), has given the film a definite feminist slant which may make a certain segment of horror fans a bit uncomfortable. The tone can get strident at time, but it brings up some salient points about the portrayal of women as targets. The problem, though, is that in pointing out the inherent misogyny of slasher films, they utilize the trope of attractive young women being stalked and terrorized before being slaughtered. It seems at best a bit cynical and at worst pandering to the core demographic of horror movies. They seem to be defeating their own purpose.
That said, Takal made sure that the film trimmed enough to receive a PG-13 rating in order to appeal to young women who might not necessarily be horror film fans, but this is something of a tactical mistake. The movie lacks any kind of edge or bite that a little gore might have provided. It is curiously bloodless; a co-ed who’d been stabbed through the chest with an icicle and is then dragged through the snow leaving a kind of macabre snow angel behind her, bleeds not at all. That doesn’t fly. It doesn’t help matters that none of the murders are particularly inventive, contributing to the film’s overall blandness.
The movie is a bit of a hot mess – the introduction of a supernatural element in the denouement is unwelcome and a bit of a cop-out – but there are some fine actresses here, even if their characters aren’t particularly well-fleshed out. The dialogue also sounds a lot like conversations college-aged women might have – ot that I’m privy to any conversations of college-aged women. This is a horror movie whose heart is in the right place, but is ultimately failed by poor execution.
REASONS TO SEE: Points for taking on the patriarchy.
REASONS TO AVOID: Pretty much standard slasher fare.
FAMILY VALUES: There is a goodly amount of violence, sexual content, profanity, teen drinking, and a plot element involving a sexual assault.
TRIVIAL PURSUIT: The address of the sorority house is 1974 Elm Road, a reference to the year the original Black Christmas came out.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Google Play, HBO Max, Microsoft, Redbox, Spectrum, Vudu, YouTube
CRITICAL MASS: As of 10/27/21: Rotten Tomatoes: 39% positive reviews; Metacritic: 49/100.
COMPARISON SHOPPING: Sorority House Massacre
FINAL RATING: 6/10
NEXT: Six Days of Darkness in yo’ face!