(2013) Supernatural Horror (Universal) Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier, Isabelle Nelisse, Daniel Kash, Javier Botet, Jane Moffat, Morgan McGarry, David Fox, Dominic Cuzzocrea, Christopher Marren, Ray Kahnert, Hannah Cheesman, Julia Chantrey. Directed by Andres Muschietti
The bond between a mother and her child is something that simply can’t be broken. It is stronger than diamonds and carries its own gravitational pull that makes a black hole look like a refrigerator magnet. That bond is there for life – and some say, beyond.
This story starts with murder, of a man who loses it and kills his estranged wife and ex-partner and kidnaps his two children. He takes them, not quite intentionally, to a dilapidated cabin in the remote woods of Virginia called oddly enough Helvetia (with Mad Men-era retro furniture) where he intends to shoot them, and then himself. However fate – in the guise of a malevolent presence – intervenes.
Five years later, the two girls are still missing and their Uncle Lucas (Coster-Waldau) is still looking for them although his funds are running low – he’s been utilizing the inheritance from his successful brother. Lucas apparently “draws things” although it’s never really established whether he draws paintings or cartoons or whatnot. Anyway his girlfriend Annabel (Chastain), a rocker chick who plays bass in a punk-edged indie rock band, is a little put off by her boyfriend’s obsession especially since she can’t get pregnant herself.
However quite accidentally Burnsie (Fox), the tracker that Lucas has hired for the task, stumbles on the cabin and finds the girls – Victoria (Charpentier), now eight and her sister Lilly (Nelisse) who is six. The two girls are nearly feral although Victoria seems to be recovering her ability to speak. Lilly, in particular, is nearly mute, moving in an eerie spider-like motion.
It’s nothing short of a miracle that two such young children could survive in an isolated cabin on their own for so long but nobody seems to be questioning that. In fact, their psychiatrist Dr. Dreyfus (Kash) thinks that in a stable home environment that the girls might achieve some normalcy. While Lucas’ Aunt Jean (Moffat) is anxious to get custody, Lucas is actually much closer to the girls and with some help from Dr. Dreyfus gets the judge (Kahnert) to agree once the University arranges for a nice suburban home for Lucas and Annabel to move into.
But things aren’t all My Little Pony in suburban Virginia. The girls are both extremely traumatized and look at Lucas and particularly Annabel with some wariness. They refer to an invisible entity they call Mama who looks after her – and apparently she’s dropped by the ‘burbs to keep an eye on her girls. And after Lucas is removed from the picture, it is up to Annabel – who neither wants the job nor thinks herself able to do it – to take care of two very difficult children.
But a funny thing happens on the way to the horror film. Annabel begins to bond with the two girls (in particular with Victoria) and this Mama doesn’t like at all, not in the slightest. Dr. Dreyfus isn’t much of a help – he has his own agenda which isn’t necessarily in the best interests of the girls. And Mama isn’t recognizing any agenda but her own which isn’t good news for Annabel or the girls.
This is based on a short previously directed by Muschietti and was produced by fan favorite and all-around good guy Guillermo del Toro. Spanish horror tends to be really atmospheric and Muschietti has a flair for it, making the cabin look anachronistic and genuinely creepy. Everything from the movement of the actors which isn’t quite natural to the suburban setting which is deceptively ordinary contributes to the overall vibe that things aren’t right a’tall.
Enjoy Chastain in this role folks, because you won’t see her in this kind of movie ever again – or at least it’s very unlikely you will. Right now if I had to name the best actress working in Hollywood right now, today, this moment, it would be Jessica Chastain. She has that chameleon-like quality that Meryl Streep possesses that allows her to take on virtually any kind of role and not just make it hers but make it unique as well. Here she’s channeling her inner Joan Jett and gives Annabel a gamine like quality that is endearing with the immature feel of a teenage boy who hasn’t quite grown up yet. Annabel grows up a great deal during the course of the movie and Chastain makes those changes organic. You don’t often go to see a horror movie for the acting performances but this is one of those exceptions where you should.
Coster-Waldau, so excellent as Jamie Lannister in Game of Thrones on HBO is solid here, reminding me a little bit of Viggo Mortensen. He plays the dual role of Luke and his doomed brother and wisely lets Chastain take center stage. He’s a terrific actor in his own right and has all sorts of leading man potential. In addition, the two young juvenile actresses do extremely well – Charpentier as the emotional center reaching for the mundane and Nelisse as Lilly who has one foot in the spirit world wherein Mama dwells.
Mama’s backstory is nothing to write home about and when she is revealed she isn’t all that impressive but when she moves through the floor or ceiling it’s chillingly effective. Mama needs to elicit a certain amount of sympathy from the audience but in this case she doesn’t really inspire enough which is a hard feat I know but it would have made the movie exponentially more effective. As it is given Chastain’s performance this is a horror movie mainstream audiences should go see.
REASONS TO GO: Creepy in all the right places. Jessica Chastain is the best actress in Hollywood right now period. Nice ghostly effects.
REASONS TO STAY: Story a little bit convoluted. Final look of Mama is a bit of a letdown.
FAMILY VALUES: There are some pretty scary images some of which are pretty disturbing, some thematic issues and a few nasty scares.
TRIVIAL PURSUIT: Originally scheduled for a Halloween 2012 release, the movie got bumped up to January which proved to be a smart move as it recouped its entire production and marketing cost in its opening weekend, debuting at number one at the box office.
CRITICAL MASS: As of 2/9/13: Rotten Tomatoes: 63% positive reviews. Metacritic: 58/100. Although the reviews are somewhat mixed, there are more positive than negative.
COMPARISON SHOPPING: The Woman in Black
FINAL RATING: 6/10
NEXT: The Sorcerer and the White Snake