Be Good


Having a baby can be fun!

Having a baby can be fun!

(2012) Dramedy (Obrigado) Thomas J. Madden, Amy Seimetz, Tessa Day Looby, Todd Looby, Billy Phelan, Quentin Hirsley, Jim Jacob, Kathryn Henderson, Paul Gordon, Joe Swanberg, David Leonard, J.D. Won. Directed by Todd Looby

 Florida Film Festival 2013

Parenthood has become a very different proposition in 2013. The economic realities of having a baby in the 21st century are sobering for anyone, let alone a young family that isn’t pulling in big bucks.

Mary (Seimetz) is getting ready for her first day back at work for a charitable foundation benefitting Guatemalan children after having been out six months on maternity leave. Her husband Paul (Madden), an independent filmmaker who has had much more critical praise than financial success, is staying home watching baby Pearl (director Looby’s real-life daughter Tessa) while he writes his latest screenplay on a Mexican anti-drug crusader known as El Flaco. He figures he’ll do this while Pearl is taking her naps.

Unfortunately Pearl isn’t inclined to co-operate as baby’s are wont to do so Paul slowly begins to lose focus. She isn’t sleeping much at night either so Paul exiles himself to the couch to catch what rest he can. In the meantime, Mary is growing more and more frustrated with Paul’s inability to make money and her own exile at work. She wants very much to spend more time bonding with her baby – an imperative most moms can relate to I’m sure. Something’s got to give.

Looby is developing a reputation on the film festival circuit as a promising young storyteller and this is the kind of film that can enhance a reputation like that. This isn’t some Hollywood idealized look at how babies transform the life of a young couple – they do of course but not always in positive ways. Like anything else, parenting is an imperfect pursuit because people are imperfect. Those first couple of years of having a baby is exhausting; it’s a wonder any of us survive it. Exhausted people have a tendency to take out their frustrations in unhealthy ways.

Paul and Mary are basically good people who are in a situation where Mary is forced to be the provider, a situation not as unusual as it once was. The benefits she gets through her job are the only thing making it possible to have Pearl. The medical expenses of pregnancy, delivery and post-natal care alone are staggering without insurance. The toll taking care of a small creature who is completely dependent on you is significant as well; it wears one down.

This isn’t a depressing movie by any means – there’s a lot of love here. Looby based the film on his own experiences and in fact wrote and directed the movie while being a house husband, his wife working in much the same manner Mary does here (there’s an amusing scene where Mary finds a quiet store room to do her breast pumping and a co-worker walks in on her – one wonders how much biography is going on as opposed to fiction). I think he accurately captures the frustrations of new parents but also the rewards of newly parenting.

This isn’t going to rewrite the book on movies about new parents but by the same token it will leave you feeling fondly towards the characters and the situation. While new parents might well use it as a partial primer as to what to expect (and understand that every baby is different as is pointed out poignantly during a scene in which real life director Swanberg, playing himself, runs into Paul outside of a doctor’s office) this may well prove more useful as a movie about the changing roles of men and women in relationships. Either way, kudos to the filmmaker for keeping it real – something that is much harder to do than you might think.

REASONS TO GO: Realistic look at the obstacles facing new parents.

REASONS TO STAY: Not necessarily inspirational nor instructional. Perhaps a bit too indie-centric.

FAMILY VALUES:  There’s a bit of language and some sexuality but not a lot.

TRIVIAL PURSUIT: The film’s assertion that Joe directed eight movies in the six months since his baby was born is a bit of a dig at the real Joe Swanberg’s prolific output of 14 movies before he turned 30.

CRITICAL MASS: There have been no reviews published for the film for either Rotten Tomatoes or Metacritic.

COMPARISON SHOPPING: A Beautiful Belly

FINAL RATING: 6.5/10

NEXT: Starbuck and more coverage of the 2013 Florida Film Festival!

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Florida Film Festival 2013


Florida Film Festival 2013

The Florida Film Festival will be returning from April 5 through April 14. As in years past, Cinema365 is proud to cover our local film festival and this year will be bigger and better than any year before, with 173 features and short films taking up screen time. Voted one of the 50 best film festivals in the world, it’s different than the industry shmoozefests that are Sundance, Tribeca and TIFF. Those are places where filmmakers go to make a deal. FFF is where they go to mingle with the audience. There is an intimate feel that is missing from some film festivals where there is so much going on that you’re exhausted from day one. There is a more leisurely pace here but even so by the 14th you may well be reaching your limit.

The guest of honor this year is legendary Hollywood actress Tippi Hedren who will be honored with a screening of her classic film The Birds. She’ll be on hand to answer qustions, some of which hopefully will be about her new film Free Samples which will also be playing at the festival. These events always sell out so you won’t want to wait too long before getting your ticket. Also attending the festival will be renowned stuntwoman/actress Zoe Bell who will be on hand for a screening of Deathproof, the Quentin Tarantino-directed half of Grindhouse.  She’s done some of the most amazing stunts of the past decade so you won’t want to miss that either. Finally for those of a more romantic bent, the Festival will have Sunday brunch on the 14th with a screening of one of my all-time favorites The Princess Bride with star Cary Elwes in attendence. This promises to be an unforgettable event and, like the other celebrity appearances, is likely to sell out early.

But a film festival is all about, well, films and as usual there are a plethora of exciting entries at this year’s festival. While I’m not going to preview them all here, I will give you some films that I think are worth looking out for. The opening night slot is always a big deal at any film festival and the FFF is no different. This year the honor goes to Twenty Feet from Stardom, an acclaimed documentary that drew raves at Sundance earlier this year. For those who love classic rock and roll, the film focuses on the backup singers who share the stage and recording studio with some of the biggest stars and on the biggest hits of all time. It’s an amazing get up and dance kind of movie that is bound to have opening nighters boogaloo-ing in the aisles. Opening night is another event that sells out early so you’ll want to order your ticets as soon as you can.

Unfinished Song stars Terrence Stamp and Vanessa Redgrave in a film that reminds me a little bit of Young @ Heart, about a grumpy senior whose life is transformed by singing in a chorus. Lore takes place at the end of World War II in occupied Germany when a group of children whose parents were arrested as Nazis try to make their way across the country to their grandmother’s. Renoir is the story of the love triangle between the great Impressionist, his son and his model slash muse. It looks achingly beautiful. Mud stars Matthew McConaughey , Reese Witherspoon and Sam Shepard in a thriller about a couple of kids who befriend a man on the run from the law, who is haunted by the woman who may have inspired him to do wrong.

V/H/S 2 is the sequel to the hit indie horror anthology and should be packing them in at midnight showings. So too should Cockneys vs. Zombies, a East End-set zombie flick that looks to be a worthy successor to Shaun of the Dead with a wicked sense of humor that had preview audiences laughing til they screamed. Starbuck is a French-Canadian film about a man who is ready to be a father of his girlfriend’s child although she is none too certain about his paternal skills. Matters aren’t helped when it is discovered that as a repeated sperm donor back in the day he had wound up fathering over 500 children. I’m sure his tie collection will be legendary.

SOMM is a food documentary chronicling the difficult process of becoming certified as a master sommelier. In the music realm Big Star: Nothing Can Hurt Me and AKA Doc Pomus look back at legendary figures in classic rock and roll while Bad Brains: A Band in DC looks at one of the most influential punk bands of all time.

The narrative competition films have some real promising entries this year, with The Forgotten Kingdom following a young man’s journey to reconnect with his family in Leostho, Putzel which is a different kind of romantic comedy (I know a lot of rom-coms claim that but this one really looks like the real deal), The History of Future Folk which has the daft premise of an alien invasion which goes awry when the aliens decide to become folksingers, All the Light in the Sky in the meantime follows an aging actress who is watching her indie career dwindle as younger actresses nab the roles that once went to her. Nancy, Please is a terrifying thriller about the roommate from Hell who goes to extreme lengths to reclaim the book she left behind and Be Good which observes new parents adopting to their changing roles.

The documentary competition is equally impressive with Year of the Living Dead which looks back on the lasting impact of George A. Romero’s legendary Night of the Living Dead while Magical Universe explores the bizaare world of artist Al Carbee’s Barbie-centric art. Shepard and Dark explores the unique and moving friendship (mostly expressed through correspondence) between actor/playwright Sam Shepard and Johnny Dark who was at one time married to the mother of Shepard’s wife. Informant traces the path of Brandon Darby from respected activist to FBI informant while Far Out Isn’t Far Enough: The Tomi Ungerer Story traces the career of revolutionary children’s book illustrator Tomi Ungerer.

And that’s just scratching the surface. Films like 8 1/2, Sleeper, The Sting and Pulp Fiction will also be screened as well as a plethora of foreign films, short films, documentaries, narrative features, family films and animated shorts. Individual tickets will go on sale on March 17th (this Sunday) although you can still buy passes and packages of five, ten and twenty vouchers which can be redeemed for individual films right now. For more details on the festival, ticket purchase information and directions to the festival venues, click on the logo above which will take you right to the Festival website. That same logo will appear on all festival film reviews even after the festival is over.

It should be noted that nearly every year since I started attending this event my number one movie on the year-end countdown has played at the Festival. Some of the films that have played here have gone on to commercial success (The Blair Witch Project) or Oscar nominations (Winter’s Bone). While there are no guarantees, I can tell you that this is one of the best-curated festivals that I’m aware of and the overall quality of the films that play it are nothing short of spectacular.

Enzian president Henry Maldonado liked the Festival to a gathering of friends, not unlike a reunion and he’s right. The atmosphere at the Festival is like none other I’ve experienced. Part of that is due to the bucolic scenery at the Enzian itself (although the atmosphere at the neighboring Regal multiplex in Winter Park Village where many of the screenings take place is no less idyllic) but most of the credit goes to the staff, volunteers and the attendees themselves. This is the kind of thing that loses something in the translation but once experienced for yourself will hook you for life. Even if I were to move out of the Orlando area, I’d come back every year for the FFF. I hope I’ll see some of my Orlando-area readers at the Festival; those who can travel to come see it should make the effort to do so. This is no theme park but if you’re a movie buff, this is so much better.