Miss Potter


Miss Potter

Norman Warne and Beatrix Potter inspect a proof of her first book.

(2006) Biographical Drama (Weinstein) Renee Zellweger, Ewan McGregor, Emily Watson, Barbara Flynn, Bill Paterson, Lloyd Owen, Anton Lesser, David Bamber. Directed by Chris Noonan

Most of us are aware of Peter Rabbit, Flopsy, Mopsy and Cottontail – they are indelible parts of our childhood. Some of us might even be aware of Beatrix Potter, the 19th century author and creator of those wonderful characters. Most of us, however, know nearly nothing of her, which considering she is the best-selling children’s author of all time – she has sold more books than both Dr. Seuss and J.K. Rowling – is a bit of a shame.

Zellweger means to change that. A fan of the famed author, the biopic of Beatrix Potter was something of a labor of love for the star. She plays Potter as an un-lovely but imaginative spinster, living in the home of her wealthy parents who despair of ever marrying her off as she rejects suitor after suitor, most of them brought before her because of their titles or bloodline. Beatrix, however, will have none of that. She’ll marry for love or not at all.

She also is a talented artist, a skill encouraged by her father (Paterson) who was something of an artist himself before his family forced him to take up a more respectable vocation – the law, which ironically he rarely practiced. She also has a talent at making up stories, one which kept her and her brother entertained as children. Now, she means to entertain other children with her tales, but she goes from publishing house to publishing house only to meet rejection and scorn. She finally finds one, Warne House, which is willing to publish her but only believes she’ll make a marginal profit. They fob her off on Norman (McGregor), youngest son of the family and thought to be something of a foul-up.

Norman, however, proves to be almost as enthusiastic about the project as Miss Potter herself, and the two engage in a marvelous simpatico that results in some of the classic children’s books of all times. Norman introduces Beatrix to his sister Millie (Watson) and the two become fast friends, a friendship that deepens as Beatrix falls in love with her editor. The two propose to marry, but Beatrix’s parents are aghast. Firstly, Norman is a tradesman – why, the very thing is beneath them. Secondly, by Victorian standards, they’ve barely met. The overbearing mother (Flynn) and the somewhat more sympathetic father finally arrange a truce with their distraught daughter – if she still feels the same way at the end of the summer, then the marriage will receive their blessing. Reluctantly, Beatrix agrees, expecting to hear wedding bells at the conclusion of her time at their house in the English Lake Country. Tragically, it is not wedding bells but a funeral dirge that she will hear as Norman sickens and dies in her absence.

Devastated, she moves to a home in her beloved Lake Country in a charming farm house (which still exists today, by the way). There, she finds solace in a new vocation – as an activist in preserving the Lake Country from over-development, and in the arms of a realtor (Owen) that she first met when he was a young man.

Fantasy segments bring the drawings of Beatrix Potter to life, and while unfortunately Zellweger’s performance is a bit bland (but to be fare, Miss Potter in reality was a bit bland), nonetheless you feel as if you’ve gotten some insight into the woman at the film’s conclusion, a very satisfactory outcome for any biopic. I enjoyed McGregor’s performance and the English supporting cast is first-rate, although not well-known.

I love the recreation of the period, which feels authentic and allows a glimpse at the daily lives of the well-to-do, not to mention the psyche of the nouveau riche of the time. And, of course, there are the wonderful tales of Beatrix Potter; watching her creations come to life in her head was revisiting beloved old friends for me. This is truly a charming movie that isn’t overwhelming, but a solid effort nonetheless.

REASONS TO RENT: Charming fantasy sequences. Solid performances by McGregor and support cast. Nice recreation of the period.

REASONS TO RENT SOMETHING ELSE: Zellweger a bit bland. Story drags a bit in the middle third.

FAMILY VALUES: There’s some mildly naughty words but really nothing your kids haven’t already heard.

TRIVIAL PURSUIT: The “Hilltop” house that Beatrix Potter retreats to in the Lake District is actually Yew Tree Farm in the town of Coniston in the Lake District, not far from where Potter actually lived.

NOTABLE DVD FEATURES: There is a feature on the real Beatrix Potter and the marketing of her books which was one of the first books to market the characters to children and made Potter one of the wealthiest authors of her time.

BOX OFFICE PERFORMANCE: $35.1M on an unreported production budget; I’d hazard a guess that the movie was slightly profitable.

FINAL RATING: 7/10

TOMORROW: Two Lovers

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