New Releases for the Week of March 6, 2020


ONWARD

(Disney/Pixar) Starring the voices of Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer, Tracey Ullman, Wilmer Valderrama, Ali Wong. Directed by Dan Scanlon

In what Disney describes as a “suburban fantasy world,” two teenage elf brothers go on a quest to complete a spell that will allow them to reunite with their deceased father. The problem is that the spell will expire in 24 hours and they will lose the chance forever if they don’t complete it in time.

See the trailer here
For more on the movie this is the website
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action/peril and some mild thematic elements)

Baaghi 3

(Fox Star) Tiger Shroff, Shraddha Kapoor, Ritesh Deshmukh, Jameel Khoury. A man whose brother has been brutally kidnapped by jihadists goes on a bloody rampage to get his brother home safely, even if it means he must single-handedly take on an entire nation.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: AMC West Oaks, Amstar Lake Mary, Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

The Banker

(Apple+) Anthony Mackie, Samuel L. Jackson, Nicholas Hoult, Nia Long. The true story of two African-American entrepreneurs who buy a bank using a working-class white man as a front, to serve the African-American community and help them achieve the American dream. Their success brings the scrutiny of the federal government.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Barnstorm Theater
Rating: PG-13 (some strong language including a sexual reference and racial epithets, and smoking throughout)

Beneath Us

(Vital) Lynn Collins, James Tupper, Rigo Sanchez, Roberto “Sanz” Sanchez. A group of undocumented workers get a job working for a privileged white couple. The job turns into a nightmare when they are brutalized by the couple, but the men fight back.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: AMC Altamonte Mall, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for violence, language and some nudity)

Final Kill

(Cinedigm) Billy Zane, Randy Couture, Ed Morrone, Danny Trejo. A mercenary takes one last mission: to protect a family hiding out in Central America from a crime cartel. However, the job proves to be far more complicated than it seemed and it will take all of the merc’s skills and experience to get himself and his charges out alive.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Barnstorm Theater
Rating: NR

Greed

(Sony Classics) Steve Coogan, Isla Fisher, David Mitchell, Shirley Henderson. A retail billionaire, the very face of conspicuous consumption, decides to plan a spectacular 60th birthday party for himself on the Greek island of Mykonos.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Avenue 16 Melbourne, AMC Disney Springs, Epic Theaters of Clermont, Old Mill Playhouse, Regal Pointe Orlando, Regal The Loop, Regal Winter Park Village
Rating: R (for pervasive language and drug use)

Once Were Brothers: Robbie Robertson and the Band

(Magnolia) Robbie Robertson, Levi Helm, Martin Scorsese, Bruce Springsteen. The story of one of the most revered and influential bands of the Sixties, who backed up Dylan on some of his seminal albums and who made timeless hits of their own before falling apart.

See the trailer here
For more on the movie this is the website  
Genre: Music Biography
Now Playing: Enzian Theater
Rating: R (for some language and drug references)

Ordinary Love

(Bleecker Street) Liam Neeson, Lesley Manville, Amit Shah, David Wilmot. A fiercely loving couple entering their golden years face their greatest challenge together when the wife is diagnosed with breast cancer.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Barnstorm Theater, Regal Winter Park Village
Rating: R (for brief sexuality/nudity)

The Way Back

(Warner Brothers) Ben Affleck, Al Madrigal, Michaela Watkins, Glynn Turman. A one-time high school basketball phenom who had a chance to attend a major college and eventually go pro instead walks away from the game, a decision he comes to regret. Years later, he gets a chance at redemption when he is hired to coach the basketball team at his alma mater.

See the trailer here
For more on the movie this is the website  
Genre: Sports Drama
Now Playing: Wide Release
Rating: R (for language throughout including some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Foxtrot Six
Kannum Kannum Kollaiyadithaal
Mayabazaar 2016

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

And Then We Danced
Balloon
Foxtrot Six
The Jesus Rolls
Mayabazaar 2016
Only
Trance

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Kannum Kannum Kollaiyadithaal
Mayabazaar 2016

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Mayabazaar 2016
Where There is Darkness

SCHEDULED FOR REVIEW:

Greed
Once Were Brothers: Robbie Robertson and the Band
Onward
Ordinary Love
The Way Back

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Jewish Film Festival, Boca Raton, FL
Miami Film Festival, Miami FL
Through Women’s Eyes International Film Festival, Sarasota FL

Islam and the Future of Tolerance


Sam Harris is looking for peace.

(2018) Documentary (The Orchard) Maajd Nawaz, Sam Harris, Douglas Murray, Ayaan Hirsi Ali. Directed by Desh Amila and Jay Shapiro

 

It is a given that it is a bad idea to discuss politics and religion if you want things to be sociable. Harris, a neuroscientist, is an atheist who has become symbolic of the New Atheist movement. Nawaz is a former radical Islamist who after being rescued from an Egyptian jail by Amnesty International has become an outspoken advocate for religious reform within Islam. Initially when they met, a discussion over the possibility of reform within Islam led to a rift between the two men.

Eventually, they decided to talk things out and discovered that they were more like than unalike. While they both have fundamental differences in philosophy, both agree that Islam needs reform, and that the way to do it properly is not through violence but through conversation. The two men had just such a conversation (which fortunately was recorded with excerpts from it played here) which led to them co-authoring a book whose name this documentary has taken as a title and whose subject matter has inspired this film.

Both men are articulate and intelligent; listening to them talk is absolutely fascinating. They are also passionate believers in their ideas, with Harris in particular suggesting a willingness to have his mind changed. Watching this movie is like being privy to a conversation between two intellectual equals who not only have differing points of view, they are both willing to admit the points of view that they share as well. At times the movie gets a little bit talky which might scare some people off (if the subject matter doesn’t to begin with) but I found the movie never got dull. Your opinion may differ on that score.

While the directors use some interesting visual metaphors to what’s happening (like using tightrope walkers to illustrate the difficulty both men faced when they re-convened in 2014) they mostly stick to interview-style tactics to discuss the backgrounds of the two main subjects, particularly when it comes to Nawaz whose background in England going from a fairly happy high school student to a radical Muslim is compelling. He would join the radical Hizb Ut-Tahir group and become an important recruiter to their cause. After 9-11 (he was in Cairo recruiting at the time) he was arrested by the Egyptian police and tortured. It was only through the intervention of Amnesty International that he was released; the fact that it was Westerners who saw to his rescue led to his transformation from radical Islamist to advocate for reform.

The questions raised by the movie are worthy ones and to be honest these are questions we are all going to need to grapple with. The last third of the film both men take aim at liberals who have a tendency to overreact to criticism of Islam by immediately playing the bigotry card. The infamous Real Time With Bill Maher show on which actor Ben Affleck blew a gasket when host Maher and guest Harris referred to Islam as “the mother lode of bad ideas.” He said that the sentiment was “gross and racist,” and at the time I agreed with him.

Watching this though I see what Harris and Maher were trying to get across a little bit more clearly. They are absolutely correct that liberals are becoming more and more entrenched and intolerant in their beliefs that true liberals march in lockstep when it comes to issues of cultural appropriation, sexual politics and other liberal sacred cows. Criticism of bad ideas is at the heart of liberalism and if we can’t do that without someone yelling “cultural insensitivity,” then we have failed. However, words do matter and I can understand why Affleck blew a fuse – going back and watching the clip over again (it’s on HBO Go) the language both Harris and Maher used was inflammatory. That becomes more of an issue when Nawaz argues that strict interpretation of what the Quran says may not necessarily reflect what the intent was of the writer to get across; the language has changed considerably in the interim, as well as the context.

This is fascinating stuff although some may find it dull and overly intellectual. For my part, I think that film should occasionally give our brains an opportunity to be exercised and tackling controversial but relevant questions about explosive subjects is in general a good thing. This is a dynamic if occasionally dry movie that is unafraid to tackle a subject most of us don’t care to think about – but we really should.

REASONS TO GO: The viewer is forced to reexamine their beliefs. This is more of an intellectual film than an emotional one. There are some interesting visual metaphors.
REASONS TO STAY: The film may be a bit too talky for some.
FAMILY VALUES: The thematic content is not suitable for children. There is also some profanity including racial epithets.
TRIVIAL PURSUIT: Harris and Nawaz met at a dinner following a debate in which Nawaz felt he had his rear handed to him; Harris, admittedly tipsy, asked questions of the obviously hurt Nawaz that led to a non-violent standoff. Four years later, Harris reached out to Nawaz and had a lengthy phone conversation; both men found to their surprise that they had more common ground than they thought.
BEYOND THE THEATERS: Amazon, iTunes, Microsoft, Vudu
CRITICAL MASS: As of 12/19/18: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: The Thinking Atheist
FINAL RATING: 8/10
NEXT:
Ben is Back

Justice League


Could this be Ben Affleck’s last appearance as Batman?

(2017) Superhero (Warner Brothers) Ben Affleck, Gal Gadot, Henry Cavill, Amy Adams, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Ciarán Hinds, Amber Heard, Joe Morton, Billy Crudup, Lisa Loven Kongsli, Ingvar Sigurdsson, David Thewlis, Marc McClure, Sergi Constance, Julian Lewis Jones, Salóme Gunnarsdóttir. Directed by Zach Snyder

 

With the critical and commercial success of Wonder Woman earlier this year, expectations were high that the DC Extended Universe – the comic book publisher’s cinematic arm and their version of the Marvel Cinematic Universe – was at last ready to turn around after movies that were disappointing to both fans of the comics and accountants at Warner Brothers alike. That optimism proved to be unfounded as the film, though a hit at the box office was not as successful as the studio execs hoped and after another drubbing from fans and critics alike, the DCEU would eventually undergo massive restructuring. The question is was the movie really that bad?

Well, yes and no. The plot is fairly simple – a cosmic baddy known as Steppenwolf (Hinds in full motion capture splendor) is after three McGuffins called Mother Boxes secreted in various places on Earth. Batman (Affleck), ever the vigilant detective, divines that the Earth is about to come under attack but Wonder Woman (Gadot) is aware that the attack is already under way. With Superman (Cavill) out of the picture, Batman realizes they’ll need a team of superheroes to battle the nearly omnipotent Steppenwolf. He gathers the three others he’s aware of; Aquaman (Momoa) who has dominion over the ocean and those who dwell within it, Cyborg (Fisher) who is learning to adjust to his mostly machine body, and the Flash (Miller), a teen speedster very much unlike the CW version. While the latter is eager to join, the first two are reluctant until they are convinced that they are sorely needed. Massive battle sequences full of mind-numbing CGI follow.

I have to say I found the film entertaining for the most part. Momoa and Fisher make excellent heroes and in their first appearances in anything other than a brief cameo show that they are fully capable of heading up their own films – Momoa’s Aquaman is actually next on the DCEU schedule in December. Gadot and Affleck have proven themselves to be strong screen presences and both know what to do with their material and do it well. The one exception was Miller as The Flash; Snyder and his writers inexplicably went the annoying wisecracking teen route with the character which has already been tried with Quicksilver in the X-Men movies; it worked far better there. Miller is actually a really good young actor but he was sabotaged by the character who is just a jarring note that doesn’t fit in well with the rest of the team.

Snyder has a habit of using a lot of kinetic camera movement and that’s okay but given the massive amount of CGI being used in the movie the effect becomes mind-numbing and overwhelming. It’s visual overload and not in a good way. I would have preferred a little less CGI and a lot more character development but Snyder hasn’t shown the latter to be one of his strengths in any movie that he’s undertaken to date.

For me, the biggest problem with Justice League is Steppenwolf. Not so much in Hinds’ performance capture or his voice work but simply the character as written has absolutely no personality whatsoever and he just felt like a cookie cutter villain who is all like “Oh yes, I want to destroy the world because..” *yawn*

Even with all that going against that I still think that this movie gives some hope that the DCEU can turn things around. As I said there’s been a massive shake-up at the top with a new executive overseeing the franchise – Walter Hamada from New Line who helped build The Conjuring into a multi-film universe that has been as successful in every sense of the word as the DCEU has not been. Although the jury is out on whether Affleck will remain as the Batman for any further films (smart money is that he won’t), Gadot is a proven commodity and it appears both Momoa and Fisher have the ability to take a franchise film and run with it. With the Shazam movie on the horizon as well as a sequel to Wonder Woman there is still something to look forward to in the DCEU. I’m not sure they’re ready to equal Marvel’s cinematic success but there’s no reason to assume that they can’t get there.

REASONS TO GO: The film was reasonably entertaining. Momoa and Fisher acquitted themselves well. Affleck and Gadot continue to impress in their roles. There is still hope that the DCEU can turn itself around.
REASONS TO STAY: Miller’s Flash is way too annoying. The camera is too kinetic and the screen too filled with CGI, making everything look overwhelming and busy. Steppenwolf had zero personality which is a massive problem for your lead villain.
FAMILY VALUES: The film is loaded with action and violence.
TRIVIAL PURSUIT: Snyder’s daughter passed away during shooting; at first he and his wife (a producer on the film) tried to stay on as a way to work through their grief but after two months both decided to step down to spend time with their family. Joss Whedon stepped in and completed post-production as well as overseeing some reshoots
CRITICAL MASS: As of 1/19/18: Rotten Tomatoes: 40% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: Avengers: Age of Ultron
FINAL RATING: 7/10
NEXT:
Kangaroo: A Love/Hate Story

New Releases for the Week of November 17, 2017


THE JUSTICE LEAGUE

(Warner Brothers) Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Ciaran Hinds, Jesse Eisenberg, Amber Heard, Jeremy Irons, Amy Adams, Connie Nielsen. Directed by Zack Snyder

With Superman no longer in the picture, Earth is facing a threat beyond any it has surmounted up to now. Batman gathers the heroes of Earth – Wonder Woman, Aquaman, The Flash and Cyborg – to stand against the threat of Steppenwolf and his legions but they may not be enough.

See the trailer, interviews, clips, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX, DBOX, Dolby, RPX
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action)

Lady Bird

(A24) Saoirse Ronan, Odeya Rush, Timothée Chalamet, Laurie Metcalf. A spirited and iconoclastic young woman living in Northern California with a mom who doesn’t understand her confronts the obstacles of growing up as she tries to reconcile her own burgeoning sexuality. The director is writer and actress Greta Gerwig.

See the trailer, a clip and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language, sexual content, brief graphic nudity and teen partying)

Sidemen: Long Road to Glory

(Abramorama) Pinetop Perkins, Willie “Big Eyes” Smith, Hubert Sumlin, Marc Maron. Three musicians who helped develop the Chicago blues sound with such legends as Howlin Wolf and Muddy Waters have influenced not only the blues but popular music in general and rock and roll specifically. Late in life, they would win a Grammy on their own. This is their incredible story.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)
Rating: NR

The Star

(Columbia) Starring the voices of Steven Yeun, Kristin Chenoweth, Christopher Plummer, Zachary Levi. The story of the first Christmas as seen through the eyes of the animals who were present.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some thematic elements)

Wonder

(Lionsgate) Julia Roberts, Owen Wilson, Jacob Tremblay, Mandy Patinkin. A young boy with facial disfigurements attends a mainstream school for the first time. Unsure of himself and self-conscious about his face, he endures bullying but slowly begins to win everyone over in the school with his amazing perseverance and optimistic attitude.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG (for thematic elements including bullying, and some mild language)

ALSO OPENING IN ORLANDO/DAYTONA:

Cook Off
Frank Serpico
Khakee: The Power of Police
Theeran Adhigaaram Ondru
Tumhari Sulu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Aida’s Secrets
Khakee: The Power of Police
Last Flag Flying
Novitiate
Theeran Adhigaaram Ondru
Tragedy Girls
Tumhari Sulu

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Khakee: The Power of Police
Theeran Adhigaaram Ondru

ALSO OPENING IN JACKSONVILLE:

Ghost Bride
Khakee: The Power of Police
Theeran Adhigaaram Ondru

SCHEDULED FOR REVIEW:

Justice League
Lady Bird
Novitiate
Sidemen: Long Road to Glory
Wonder

Live By Night


Ben  Affleck is all business.

Ben Affleck is all business.

(2016) Crime Drama (Warner Brothers) Ben Affleck, Zoe Saldana, Chris Cooper, Chris Messina, Brendan Gleeson, Elle Fanning, Robert Glenister, Matthew Maher, Remo Girone, Sienna Miller, Miguel J. Pimentel, Titus Welliver, Max Casella, JD Evermore, Clark Gregg, Anthony Michael Hall, Derek Mears, Christian Clemenson, Chris Sullivan, Veronica Alcino. Directed by Ben Affleck

 

What makes a good man do bad things? Sometimes it’s circumstance, sometimes desperation, sometimes it’s because they believe that they are doing it for a greater good. Once they a good man goes down that path however, how long before it changes him from a good man to a bad one?

Joe Coughlin (Affleck) went to the First World War as a good man. The son of a police captain (Gleeson), he returns home to Boston disillusioned and bitter, vowing not to follow orders ever again. He becomes a petty thief with a small gang but Coughlin is bold and smart and soon comes to the attention of Irish mob boss Albert White (Glenister). Coughlin wants no part of a gang but it’s one of those situations where he doesn’t have any attractive alternatives.

Unfortunately, soon White’s mistress Emma Gould (Miller) comes to Joe’s attention and the two start carrying on a rather dangerous clandestine relationship. Of course, it inevitably leads to tragedy and Joe goes to jail. When he gets out, Boston is essentially closed to him and he goes south to Tampa along with his right hand man Dion Bartolo (Messina) where they will oversee the rum running operation of Italian mob boss Maso Pescatore (Girone). There he meets two pivotal people – police chief Figgis (Cooper) and Graciela (Saldana); the former he forges a business relationship with and the latter a romantic one.

Joe’s interracial romance soon garners the attention of the Ku Klux Klan who makes life a mess for Joe. Joe appeals to Chief Figgis for help but the Klan’s most visible guy (Maher) happens to be the Chief’s brother-in-law. Although he admires and respects the Chief a great deal Joe uses blackmail photos of the Chief’s daughter Loretta (Fanning) to force the Chief to betray his brother-in-law.

Some time after that, Joe hits upon the idea of building casinos in Florida and begins construction on a magnificent one. Pescatore is happy because Joe is making him cartfuls of money and plenty of important people want to see the casino built. However, Joe is opposed by an evangelist – Loretta Figgis – who helps turn public and political opinion against him. Now Joe is in a great deal of hot water and finds himself once again between the two Boston mob bosses except that this time they are BOTH against him. Surviving this battle may not be possible.

Let’s cut to the chase; this is the weakest entry in Affleck’s otherwise stellar directing filmography. That doesn’t mean this is a terrible film, it’s just the most convoluted and least interesting of Affleck’s films to date. Don’t get me wrong; he’s a truly talented director and some of the scenes he has shot here are simply magic, but there aren’t enough of them to make a cohesive whole. Some of the blame lies at the feet of Dennis Lehane whose book this is based upon; the book itself was somewhat plot-heavy and it doesn’t translate to the silver screen as well as other books that the author wrote like Mystic River for example.

There are a ton of characters in here and a pretty high-end cast; that leads to a logjam of performances, some of which get short shrift and others seem to simply disappear in the bedlam. Standing out are Cooper as the bereaved and aggrieved chief of police, Saldana as the patient girlfriend and Messina as the loyal right hand man. All three get substantial screen time; not so much for fine actors like Miller, Gleeson and Greenwood among others.

And with all this, sometimes it feels like you’re riding a lazy Southern river that seems to be all bend and no destination. There are at least three false endings and when the final credits role there is a feeling of relief. The movie could have very easily ended at a much earlier point (I won’t say where but if Ben Affleck wants to e-mail me, I’d be glad to discuss it with him) and have been much more satisfying than the place it finally did end.

I’m hoping this was just a fluke and that on his next film Affleck returns to form. He has shown in his career that he’s a bit streaky, both to the positive and to the negative. He is capable of greatness and he is also capable of movies that are utterly forgettable. This falls in the latter category – it’s not horrible, not really cringe-worthy; just inconsequential. That’s not an adjective you want used in connection with your film and I’m sure Affleck doesn’t want to make films that even potentially could have that adjective used to describe them. I sure don’t like feeling that the adjective is apt.

This is a nice looking movie that captures the era convincingly to my mind. Affleck looks pretty chic in the tailored suits of the era and the ladies have that elegance that the 30s were known for. There is a fair amount of violence – some of it bloody – but you would expect that in a film about gangsters. There is also a moral ambiguity that might be troubling for some. When watching the Corleone family, you got a sense that they knew what they were doing was wrong but this was what they knew how to do. Coughlin seems to have more options and a moral compass but he still chooses to do things that are expedient rather than right. I suppose that’s true for a lot of us.

REASONS TO GO: Affleck remains a gifted director even on his less successful films.
REASONS TO STAY: A meandering plot sabotages the film.
FAMILY VALUES: There is some fairly graphic violence, lots of profanity and a little sexuality
TRIVIAL PURSUIT: This is the second movie based on a Dennis Lehane novel that Affleck has directed (the first was Gone Baby Gone back in 2007).
CRITICAL MASS: As of 2/24/17: Rotten Tomatoes: 34% positive reviews. Metacritic: 49/100.
COMPARISON SHOPPING: The Untouchables
FINAL RATING: 6/10
NEXT: Marathon: The Patriot’s Day Bombing

New Releases for the Week of January 13, 2017


Patriot's DayPATRIOT’S DAY

(CBS) Mark Wahlberg, John Goodman, Michele Monaghan, Kevin Bacon, J.K. Simmons, Paige MacLean, Rachel Brosnahan, Christopher O’Shea. Directed by Peter Berg

A watershed mark for our nation over the past few years is the Boston Marathon bombing of 2013. Not only did it galvanize a city but an entire nation learned the meaning of the term “Boston strong.” This movie takes a look at the event from the viewpoint of first responders, survivors and those who investigated the crime and relentlessly pursued the bombers, this is a look at an unspeakable act that led to unmistakable courage.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for violence, realistically graphic injury images, language throughout and some drug use)

The Bye Bye Man

(STX) Carrie-Ann Moss, Faye Dunaway, Douglas Smith, Doug Jones. Don’t imagine him. Don’t even think about him. Whatever you do, don’t you dare mention his name. Otherwise, the Bye Bye Man will get inside you and force you to commit terrible acts of pure evil. Three college friends are about to find out that there is never any escape from the Bye Bye Man.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for bloody horror violence, language and some sexuality)

The Crash

(Vertigo) Frank Grillo, Minnie Driver, AnnaSophia Robb, Dianna Agron. In the near future, the United States is under attack by cyber-terrorists who want to bring our economy to its knees. In desperation, the federal government enlists the aid of white collar criminals to stop the hack and take down the terrorists – before our nation comes to a grinding halt.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG (for thematic elements and some language)

Elle

(Sony Classics) Isabelle Huppert, Laurent Lafitte, Anne Consigny, Charles Berling. The ruthless head of a French video game company is sexually assaulted in her home. Not willing to take this  lying down, she relentlessly chases after her rapist and in so doing gets involved in a game of cat and mouse which threatens to spiral out of control.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village

Rating: R (for violence involving sexual assault, disturbing sexual content, some grisly images, brief graphic nudity, and language)

Live by Night

(Warner Brothers) Ben Affleck, Elle Fanning, Brendan Gleeson, Sienna Miller. A veteran of World War I becomes a self-proclaimed outlaw although one who really isn’t cut out for the bootlegger’s life – he’s far too good-hearted, a trait that can lead to serious difficulties with some of the more amoral elements of that element. Driven to get revenge for the wrongs against him, he travels from the cold winters of Boston to the warm tropics of Tampa with a plan to make right those wrongs.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime Drama
Now Playing: Wide Release

Rating: R (for strong violence, language throughout, and some sexuality/nudity)

Monster Trucks

(Paramount) Lucas Till, Rob Lowe, Danny Glover, Amy Ryan. A young man is desperate to escape the small town and boring life he’s been born into and it seems likely doomed to remain in. His plan is to build himself a monster truck, become a champion driver, and leave his dust speck of a town in his rearview. What he doesn’t count on is the alien presence that invades his truck and gives it a life of his own. Now he is certain to get out of town; but if someone finds out his secret, it’s likely he’s going to spend the rest of his life in a secret government base! Which might be just a little bit of an improvement…

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Family
Now Playing: Wide Release

Rating: PG (for action, peril, brief scary images and some rude humor)

Silence

(Paramount) Andrew Garfield, Adam Driver, Liam Neeson, Ciaran Hinds. The latest from director Martin Scorsese concerns a pair of Christian missionaries who undertake a dangerous mission to feudal Japan. They go there in search of their mentor, who disappeared after renouncing the faith, something both men believe he would never do. They enter a country and culture both mysterious and beautiful – and deadly in that their faith is outlawed and they could be killed on sight.

See the trailer and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing violent content)

Sleepless

(Open Road) Jamie Foxx, Michelle Monaghan, Gabrielle Union, Dermot Mulroney. A corrupt Vegas undercover cop finds the stakes just a little bit higher after a heist gone wrong puts a vicious gang of mobsters after him. When they kidnap his son, he realizes they have no intention of letting his boy go. He’ll have to resort to every dirty trick there is, call on every favor and be just a little bit meaner than those who have his boy if they are both to survive the night.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong language and language throughout)

The Accountant (2016)


Ben Affleck sets his sights on those who criticized his casting as Batman.

Ben Affleck sets his sights on those who criticized his casting as Batman.

(2016) Thriller (Warner Brothers) Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, Jean Smart, Andy Umberger, Alison Wright, Jason Davis, Robert C. Treveiler, Mary Kraft, Seth Lee, Jake Presley, Izzy French, Ron Prather, Susan Williams, Gary Basaraba, Fernando Chien, Alex Collins, Sheila Maddox. Directed by Gavin O’Connor

 

Most people have an idea of autism that is decidedly out of step with reality. The truth is that there all sorts of different types of autism and all sorts of different types of autistics. Some are low functioning, unable to take care of themselves and who are requiring of supervision. These are generally the types of autism that we tend to picture when we think about autism at all. Others are high functioning, some to the point where you wouldn’t know they were autistic if they didn’t tell you. The myth about autism that is most pervasive and most untrue is that autism goes hand in hand with mental retardation. Some autistics can be brilliant. Some can even be deadly.

Christian Wolff (Affleck) was born with a gift – a genius at problem solving. He’s a math whiz and able to ferret out patterns you and I could never see. He is also autistic, unable to interact well socially although he’d like to. He has rigid habits that govern his life; his breakfast is the same, every day, arranged on the plate in the very same way. He has his silverware in a drawer, arranged exactly the way he wants them – with no extraneous flatware to clog up his drawers. He likes things simple in his life.

Perhaps that’s because his job is so complex. You see, he’s an accountant and not just for anyone; he uncooks the books for some of the world’s most dangerous criminals, ranging from drug kingpins to assassins to terrorists to warlords. This has attracted the attention of the Treasury Department and it’s lead agent, Ray King (Simmons) who is getting ready to retire but who has been chasing the accountant for years. He wants to get him as a crowning achievement to his career so he enlists agent Marybeth Medina (Addai-Robinson) who is even more brilliant than he.

In the meantime, Wolff has been brought in by a biomedical robotics firm called Living Robotics to investigate some irregularities in their accounting, irregularities unearthed by a junior accountant – the chirpy Dana Cummings (Kendrick). CEO Lamar Black (Lithgow) wants these irregularities cleared up before he takes the company public. Wolff begins his investigation and turns up something – something that puts he and Dana in mortal danger, as a killer named Braxton (Bernthal) shows up to clean house at Living Robotics.

I like the concept here a lot; a high-functioning autistic action hero and Affleck is the perfect choice to play him. Affleck can play closed-off as well as anybody in the business and he shows that skill here. Christian is socially awkward and a little bit wary of social interactions. When Dana starts flirting with him, he’s attracted but he doesn’t know how to react. The scenes between the two are some of the best in the film. The other supporting roles are solid here as well, although Lithgow may have left a few too many tooth marks on the scenery for comfort.

One of the issues I have with the film is that I don’t think O’Connor and screenwriter Bill Dubuque were quite sure whether they wanted to make a thriller or an action film. Perhaps they wanted to make a hybrid of both but the pendulum kept swinging in one direction or the other and it ended up being unsatisfying in that regard. Worse yet, there are several plot twists, including one regarding the Braxton character which may as well have neon arrows pointing to them and blinking graphics screaming “HERE! PLOT TWIST! YOU’LL NEVER GET THIS ONE!!!!!” and of course anyone with a reasonable amount of experience at the movies should figure it out early on.

I like Affleck a lot as an actor; always have, even when his career was in a slump. Heck, I even liked him in Gigli which is saying something. He does elevate this somewhat, as does Kendrick and to a lesser extent, Addai-Robinson and Tambor (whose scenes are all too brief as Wolff’s mentor). It’s enough for me to give this flawed film a mild recommendation. It’s not a movie to write home about but neither is it one to troll Internet forums over. It’s a solidly made bit of entertaining fluff that will keep you occupied and be promptly forgotten. That may be enough in a lot of ways, especially in these stressful times, but it could have been a whole lot more.

REASONS TO GO: Affleck is terrific here and his chemistry with Kendrick is authentic.
REASONS TO STAY: Most of the plot twists are telegraphed and the movie falls apart towards the end.
FAMILY VALUES: There is plenty of violence as well as regular occurrences of profanity
TRIVIAL PURSUIT: While the film is set in Plainfield, Illinois (just outside of Chicago) it was shot in Atlanta where the production company got much better tax incentives than Illinois offered.
CRITICAL MASS: As of 11/12/16: Rotten Tomatoes: 51% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: The Transporter
FINAL RATING: 6/10
NEXT: Keeping Up with the Joneses