New Releases for the Week of June 14, 2019


MEN IN BLACK INTERNATIONAL

(Columbia) Chris Hemsworth, Tessa Thompson, Emma Thompson, Liam Neeson, Rebecca Ferguson, Rafe Spall, Kumail Nanjiani. Directed by F. Gary Gray

The Men in Black have long protected the Earth from extraterrestrial villains but now they face their biggest threat yet; one of their own, a mole in their own organization. Agents H and M will be challenged more than any other agent before them in this new installment in the franchise, the first without either Will Smith or Tommy Lee Jones.

See the trailer, video featurettes and clips here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for sci-fi action, some language and suggestive material)

5B

(RYOT) Hank Plante, Cliff Morrison, Mary Magee, Lorraine Day. The first dedicated AIDS ward in the country was built at San Francisco General Hospital in 1983. This is the story of those who built it; the nurses and caregivers and the often heartbreaking stories of loss, courage and triumph.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for thematic content including unsettling images, and some strong language)

American Woman

(Roadside Attractions/Vertical) Sienna Miller, Christina Hendricks, Aaron Paul, Amy Madigan. When a woman’s adult daughter disappears, she is left as caregiver for her infant granddaughter while trying to solve the mystery of her daughter’s disappearance, a journey that takes far longer than she anticipated.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language, sexual content and drug use)

The Dead Don’t Die

(Focus) Bill Murray, Adam Driver, Tilda Swinton, Carol Kane. A sleepy small town is beset by the living dead who are looking for a free meal in the latest by quirkmeister Jim Jarmusch.

See the trailer, a video featurette and a clip here
For more on the movie this is the website  
Genre: Horror Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Winter Park Village
Rating: R (for zombie violence/gore, and for language)

Late Night

(Amazon) Emma Thompson, Mindy Kaling, Hugh Dancy, John Lithgow. A veteran late night talk show host, in danger of becoming irrelevant, hires a woman of color to join her stable of writers. The two women, who couldn’t be more different, find themselves sharing more in common than they would have thought.

See the trailer, video featurettes and an interview here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: R (for language throughout and some sexual references)

Shaft

(Warner Brothers/New Line) Samuel L. Jackson, Jesse T. Usher, Richard Roundtree, Regina Hall. The son of the baddest private eye in New York City has a completely different methodology than his father. When a close friend of the son turns up dead, he will need a crash course in street tough from his dad, who was absent throughout his childhood but John Shaft has an agenda and no mutha is going to keep him from achieving it, family or not.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Action Comedy
Now Playing: Wide Release
Rating: R (for pervasive language, violence, sexual content, some drug material and brief nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Blackbear
Changeland
Hampstead
Plus One
Rainbow’s Sunset</em
The Souvenir
Vault

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Game Over
Los Viejos – The Oldies
Nureyev
Plus One
Premier Padmini
Remember Amnesia
The Souvenir

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Daughter of the Wolf
Game Over
Heavy Water
The Souvenir
Vault

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

The Dead Don’t Die
Late Night
Men in Black International
Shaft

Advertisements

New Releases for the Week of June 7, 2019


DARK PHOENIX

(20th Century Fox/Marvel) James McAvoy, Michael Fassbender, Sophie Turner, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Kodi Smit-McPhee. Directed by Simon Kinberg

During a rescue mission to space, Jean Grey of the X-Men is hit by an unknown cosmic force which causes her powers to grow out of control and her personality to become unstable. The X-Men are forced to defend themselves against their friend and as an alien race seeks to weaponize her powers, the prospect that they might have to kill one of their own.

See the trailer, video featurettes, clips and interviews here
For more on the movie this is the website
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for intense scenes of sci-fi violence and action including some gunplay, disturbing images and brief strong language)

All is True

(Sony Classics) Kenneth Branagh, Judi Dench, Ian McKellen, Kathryn Wilder. After playing this year’s Florida Film Festival, this British production is making its theatrical run. William Shakespeare has retired and seeks to make peace with his inner demons while reconnecting with a family that may be beyond reconciling with.

See the trailer, clips and an interview here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Regal Oviedo Marketplace
Rating: PG-13 (for thematic elements, suggestive material and language)

Bharat

(Viva) Salman Khan, Katrina Kaif, Tabu, Disha Patani. As the day of India’s independence dawns, a man makes a promise to his father that he will keep his family together no matter what. Over the next 60 years, he keeps that promise despite the challenges thrown at him by each passing decade.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

Loopers: The Caddie’s Long Walk

(Gravitas) Bill Murray, Lee Trevino, Nick Faldo, Ben Crenshaw. While golf was invented in Scotland in the 15th century, it has only really boomed in popularity over the last century or so with golfers becoming huge celebrities. However, who gives a thought to the men who carry the clubs of those superstars? This is their story.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Old Mill Playhouse, Regal Pointe Orlando
Rating: PG (for some suggestive/rude humor, mild thematic elements, and smoking images)

The Secret Life of Pets 2

(Universal/Illumination) Starring the voices of Patton Oswalt, Kevin Hart, Harrison Ford, Tiffany Haddish. Max and his friends in his apartment building continue their adventures from the first film as they head back out to explore the big city.

See the trailer, video featurettes and clips here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some action and rude humor)

The Tomorrow Man

(Bleecker Street) John Lithgow, Blythe Danner, Derek Cecil, Katie Aselton. A grumpy old man prepares for a disaster that may never happen. He meets a woman who can’t let go of the things she has. Together they fall in love but can they figure out a way not to get lost in each other’s stuff? This was another film that played this year’s Florida Film Festival.

See the trailer and clips here
For more on the movie this is the website  
Genre: Dramedy
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for brief strong language and some suggestive material)

ALSO OPENING IN ORLANDO/DAYTONA:

Changeland
Mouthpiece
Virus

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

All About My Mother
Meeting Gorbachev
My Best Summer
The Silence of Others
The Souvenir
Wrong No. 2

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Abduction
The Brink
The Souvenir

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

All is True
Dark Phoenix
The Secret Life of Pets 2
The Tomorrow Man

New Releases for the Week of April 6, 2018


A QUIET PLACE

(Paramount) Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds, Leon Russom, Cade Woodward, Doris McCarthy. Directed by Steven Spielberg

The Earth has been overrun by deadly creatures that hunt totally by sound; even the slightest noise an be fatal. A family finds a refuge in an abandoned home but soon determines that survival does not thrive in silence.

See the trailer, clips, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, DBOX, Dolby Atmos, IMAX, RPX, XD
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror and some bloody images)

Blockers

(Universal) Leslie Mann, John Cena, Ike Barinholtz, Kathryn Newton. The parents of three beautiful high school-aged daughters are horrified to discover that their sweet little princesses have made a pact to lose their virginity on prom night. Now they head out on a desperate mission to keep the maidenheads of their daughters strictly out-of-bounds.

See the trailer, clips, video featurettes, an interview and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R  (for crude and sexual content, and language throughout, drug content, teen partying, and some graphic nudity)

Chappaquiddick

(Entertainment Studios) Kate Mara, Clancy Brown, Jason Clarke, Olivia Thirlby. This is the story of the infamous scandal that rocked the Democratic Party to its core and essentially put a permanent “Keep Out” sign on the White House lawn for Ted Kennedy.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material, disturbing images, some strong language, and historical smoking)

Isle of Dogs

(Fox Searchlight) Starring the voices of Bryan Cranston, Greta Gerwig, Bill Murray, Edward Norton. In a future where a tyrant has banished all dogs to a contaminated island, a brave young boy goes to the forbidden island to find his lost dog and bring him home. This is the latest from Wes Anderson of The Grand Hotel Budapest and The Fantastic Mr. Fox fame.

See the trailer, video featurettes, interviews and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements and violent images)

The Miracle Season

(LD Entertainment) Helen Hunt, William Hurt, Tiera Skovbye, Erin Moriarty. A powerhouse high school girls volleyball team is hit by a terrible tragedy. They must find a way to pull together and put themselves in a position to win the State Championship but the odds are against them.

See the trailer, clips, interviews, a video featurette and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sports Drama
Now Playing: Wide Release

Rating: PG (for thematic elements)

ALSO OPENING IN ORLANDO/DAYTONA:

Chal Mohan Ranga
Furlough
Never Not Love You
Spinning Man

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Chal Mohan Ranga
Gemini
Never Not Love You
Subedar Joginder Singh
The Workshop

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Never Not Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Other Side of Hope

SCHEDULED FOR REVIEW:

A Quiet Place
The Workshop

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Orlando FL

Ghostbusters (2016)


Uncorking the genii.

Uncorking the genii.

(2016) Horror Comedy (Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey, Zach Woods, Ed Begley Jr., Charles Dance, Karan Soni, Bill Murray, Dan Aykroyd, Nate Corddry, Ozzy Osbourne, Andy Garcia, Annie Potts, Cecily Strong, Ernie Hudson, Sigourney Weaver, Al Roker, Susan Park, Katie Dippold. Directed by Paul Feig

 

I have to make a confession; I was not pleased about the prospects of an all-female Ghostbusters team at first; for one thing, it seemed kind of gimmicky to me, a means of establishing a bit of notoriety before the movie opened. The more I thought about it though, I figured I was just using that as an excuse; I was being a sexist so as a critic I swallowed my pride, sucked it up and tried to look at the movie as objectively as I could.

That’s not to say that it’s possible; like millions of others, the original Ghostbusters is one of my all-time favorite films. When you take on a remake of a classic that is so beloved, comparisons between that film and yours are going to be inevitable. Surely Paul Feig had to know that. But I don’t think he expected the venom that would be directed at his choice to change the gender the team; fanboys absolutely lost their minds, some going so far as to claim that it “ruined their childhoods” which is generally an indication that their childhoods probably should be ruined, if that was all it took.

The storyline here is pretty similar to the original; a trio of scientists – Erin Gilbert (Wiig), a physicist; Abby Yates (McCarthy) a paranormal investigator, and Jillian Holtzmann (McKinnon), an engineer – are brought together to investigate a haunting. Erin and Abby had once co-authored a book – Ghost from Our Past – but had a falling out. Erin was trying to distance herself from those days and when the book shows up on Amazon just as she’s about to become tenured at Columbia University, she and Abby are brought together. Eventually, Abby agrees to pull the book from Amazon on the condition that Erin allows them to investigate a paranormal activity at a local mansion that had been brought to Erin’s attention by the home’s curator (Begley).

When their investigation is successful beyond their wildest dreams, they enlist Abby’s new partner Jillian who is like a kid in a toy store on Christmas morning – she has all sorts of devices to try out, including a proton pack and a ghost capturing device. With Erin cashiered from Columbia who has found out about her somewhat unorthodox beliefs in the supernatural, the three decide to start up a ghost investigation business. During an investigation into a New York subway, they are assisted by Patty Tolan (Jones), an MTA employee with an encyclopedic knowledge of New York City history, particularly the haunted kind. She joins the team as the fourth Ghostbuster (as they are now called, much to Erin’s annoyance).

They hire a receptionist to handle the calls which turns out to be Kevin (Hemsworth), a male model who gets the job because he dampens Erin’s panties more than anything – he proves to be an utter imbecile and not much use at all answering the phone. As they investigate, they discover that someone has been creating gateways allowing the ghosts to come into New York. That someone is uber-nerd Rowan North (Casey) who has some very unpleasant plans for a world that has rejected him and ignored him. When someone plans a paranormal apocalypse, who ya gonna call?

The special effects are spectacular here, which is definitely an unexpected plus – Feig has never really worked an effects-heavy film before but he does a fine job here with the CGI. It’s impressive without being overwhelming. The cinematography is gorgeous and most of the technical end of the movie is soundly executed. I also think that his casting is spot-on – on paper.

Unfortunately, on celluloid is where I have the issues. The chemistry between the team just isn’t as strong as it was for Murray, Aykroyd, Hudson (who all have cameos) and the late Harold Ramis, whose son appears in a brief cameo and who also appears as a bust outside of Erin’s office at Columbia. McKinnon is a little too over the top at times as is Jones who’s shrieking is almost anachronistic, sounding uncomfortably like depictions of African-American characters in horror comedies from say 50-75 years ago.

Wiig and McCarthy are both strong comic actresses who have given terrific performances in other movies, but they are both overly bland here. McCarthy is strangely subdued; I sometimes complain about her characterization in other comedic roles but I would have welcomed more of that energy she brought to those roles here. Wiig is generally an extremely understated performer and was completely miscast; they needed someone who had a little more of a presence. This may surprise some, but I think Leslie Jones might have been better suited for the role of the physicist/doubter, Kate McKinnon better as Abby, Melissa McCarthy more fun as Patty and maybe a different actress – Amy Schumer for example – as Jillian. But still, just reshuffling the roles might not have helped; the ladies just don’t seem as comfortable around each other as they should be.

Despite all of the issues I have with the team, the script isn’t half-bad and there are some very funny moments. The cameos are welcome, but also serve to remind us of how much better the original was than the remake and Feig might have been better advised to leave them out, particularly since he chose to do a reboot rather than a sequel, which I think might have been a better move. Still, one has to give him points for trying, but trying doesn’t save a movie that’s just average.

REASONS TO GO: The effects are impressive.
REASONS TO STAY: It simply doesn’t hold up to the original.
FAMILY VALUES: Some somewhat rude humor and a bit of supernatural action and violence.
TRIVIAL PURSUIT:  The book Ghost from Our Past supposedly co-written by lead characters Erin and Abby, is really for sale on Amazon.
CRITICAL MASS: As of 7/30/16: Rotten Tomatoes: 73% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: A Haunted House
FINAL RATING: 6/10
NEXT: The Legend of Tarzan

The Jungle Book (2016)


Audiences are going ape for The Jungle Book.

Audiences are going ape for The Jungle Book.

(2016) Family (Disney) Neel Sethi, Bill Murray (voice), Ben Kingsley (voice), Idris Elba (voice), Lupita Nyong’o (voice), Scarlett Johansson (voice), Giancarlo Esposito (voice), Christopher Walken (voice), Garry Shandling (voice), Brighton Rose (voice), Emjay Anthony (voice), Jon Favreau (voice), Russell Peters (voice), Sam Raimi (voice), Ritesh Rajan, Sara Arrington (voice). Directed by Jon Favreau

 

Rudyard Kipling’s The Jungle Book is rightly considered a children’s classic. The Disney animated version, while not near the top of their list, is at least considered one of the better animated films of its era, complete with a passel of Sherman brothers tunes that continue to be quoted by Disney in their theme parks and commercials.

A live action version continues Disney’s string of live action features based on their animated films and in many ways this is the most challenging project yet. Director Favreau, who is best known for the first two Iron Man films, was an inspired choice to direct this, having done family films as well as big special effects extravaganzas as well.

Mowgli (Sethi) is a young human child raised by wolves after the death of his father (Rajan). Alpha male Akela (Esposito) and his noble wife Raksha (Nyong’o) take on the responsibility of raising the boy as a wolf. Try as he might to fit in, Mowgli has just two legs and no claws to speak of. However he is a cheerful boy and an inventive thinker. Panther Bagheera (Kingsley) is also nearby, making sure that Mowgli is raised right.

Also nearby, unfortunately, is Shere Khan (Elba), a disfigured tiger whose burns had been received at the hands of Mowgli’s dad before the big cat sent him on his way to meet his maker. When Shere Khan finds out that Mowgli is about, he blows a gasket. No human will live safely in his forest while he lives, and Shere Khan sets out to eliminate Mowgli from the board.

Akela and Bagheera agree that Mowgli must leave the pack, despite the laws of the pack that seem to indicate that the pack is stronger together rather than splitting up. Bagheera tries to escort Mowgli to the safety of the human village but Shere Khan finds out and Mowgli and Bagheera are separated. Mowgli is found by Baloo ((Murray), a happy-go-lucky bear who finds a stroke of good luck when Mowgli, ever-inventive, figures out a way for Baloo to get the honeycombs that are high on the top of a mountain that Baloo is unable to reach. Even in this idyllic interlude, the jungle isn’t safe; not only is the tiger after Mowgli but so is King Louie (Walken), the clever but crazed leader of the apes who has an eye on the secret of fire which only Mowgli can unravel as well as Kaa (Johansson), a seductive serpent whose only concern is making Mowgli her lunch.

Sethi is the only onscreen actor who gets any significant time; all the other animal characters and indeed the jungle setting itself is all digitally created. It’s an impressive technical achievement, achieving a photorealistic jungle as well as the animals within it. The computer animators achieve actual personalities in the anthropomorphic subjects, with Baloo’s happy-go-lucky bear augmented by Murray’s acerbic wit; Bagheera’s sleek black form is bolstered with his expressions of annoyance and occasional contentment. It is somewhat ironic that only Mowgli himself is poorly drawn as a character.

It’s not that Sethi is a bad actor – far from it. He shows some real athleticism in his role, but the dialogue for him is a little one-note and Sethi doesn’t vary much in his line reading. Like some child actors, he comes off as a little too sure of himself and perhaps Mowgli’s wolf upbringing might explain this, but Mowgli comes off as almost arrogant to the point of Trumpness.

The voice actors all do wonderful work, particularly Murray and Kingsley, but Johansson, Nyong’o and Walken also distinguish themselves. Favreau is inventive in the way he uses tracking shots and flashbacks, and the movie is never visually boring.

The animated edition is where most of the cues for this movie arise, but there are also other elements from other movies, some surprising. There are nods to Apocalypse Now, for example, when King Louie reveals himself. The appearance of three songs from the original movie is all welcome and you haven’t lived until you’ve heard Christopher Walken warbling “Wanna Be Like You.”

This is some of the best family entertainment you’re going to find in a year that’s shaping up to offer some truly interesting family films that this critic is eager to check out. That’s good news as there has been a bit of a dry spell when it’s come to high quality family entertainment. This one is going to make it into the video library for a lot of kids who will be demanding it from parents who won’t mind giving in. Definitely one of the best family films in years.

REASONS TO GO: Amazing animal effects look completely real. A classic honored with a terrific rendition. Nice little shout-outs to the animated version.
REASONS TO STAY: While Sethi is less annoying then he might have been, he was occasionally a bit overly smug for my taste.
FAMILY VALUES: There is some violence here as well as a child in peril.
TRIVIAL PURSUIT: This is the first Disney version of The Jungle Book in which Bagheera and Shere Khan fight.
CRITICAL MASS: As of 6/1/16: Rotten Tomatoes: 95% positive reviews. Metacritic: 77/100.
COMPARISON SHOPPING: Tarzan
FINAL RATING: 8.5/10
NEXT: Honeyglue

New Releases for the Week of April 15, 2016


The Jungle BookTHE JUNGLE BOOK

(Disney) Bill Murray (voice), Neel Sethi, Ben Kingsley (voice), Scarlett Johansson (voice), Idris Elba (voice), Lupita Nyong’o (voice), Garry Shandling (voice). Directed by Jon Favreau

An orphaned boy, raised by a pack of wolves, is forced to leave the only home he’s ever known when a fearsome tiger, bearing the scars inflicted by man, decrees that nothing human will survive in his jungle. Aided by a carefree bear and a stern panther, the boy learns not only to survive the harsh realities of the jungle but to become powerful and strong. Based not only on Rudyard Kipling’s classic stories but also on the timeless Disney cartoon as well.

See the trailer, an interview and Super Bowl footage here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Adventure
Now Playing: Wide Release

Rating: PG (for some sequences of scary action and peril)

13 Cameras

(7th and Broadway/Gravitas) Neville Archambault, Sarah Baldwin, Sean Carrigan, Jim Cummings. A newlywed couple moves into a dilapidated home in a rundown neighborhood. Not long after, the fights begin as do the disagreements. But their marital discord must take a back seat to the fact that their grim and lascivious landlord who lives across the street has been spying on them in the most intimate ways possible from the day they moved in.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Barbershop: The Next Cut

(New Line) Ice Cube, Cedric the Entertainer, Regina Hall, Sean Patrick Thomas. Calvin’s Barbershop is a lot different than the last time we checked in a decade ago. For one thing, it’s no longer a male bastion in the neighborhood; Calvin has been forced by tough economic times to merge with a local salon, making it a co-ed experience. The neighborhood has changed a great deal too; far from being the peaceful, family-friendly environment it once was, it is beset by violence and gang warfare. Calvin knows he needs to rally the good people of the neighborhood to stand up to the gangs – but will it be enough?

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for sexual material and language)

Criminal

(Summit) Kevin Costner, Ryan Reynolds, Gal Gadot, Alice Eve. A global catastrophe is imminent and the only thing stopping it is the information in the head of a CIA operative. Unfortunately, said operative is dead which can make information retrieval problematic. However, saving the day (maybe) is a new technology that will allow the memories and skills of the operative to be imprinted on another brain. Unfortunately, the only person who is compatible with the operative is a death row inmate who has his own agenda. The world is in deep crap, bubba.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

Fan

(Yash Raj) Shah Rukh Khan, Joelle Koisi, Mariola Jaworska, Farah Ahmed. A father and his 8-year-old son have as close a bond as any father and son ever. But when the boy develops inexplicable powers, there are forces – not all of them looking out for the welfare of the boy – who want to exploit that power for themselves. The two go on the run, chased by mysterious forces with only the boy’s extraordinary powers and his father’s love and courage to protect them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

A Very Murray Christmas


More fun to make than it is to watch?

More fun to make than it is to watch?

(2015) Musical (Netflix) Bill Murray, Paul Shaffer, George Clooney, Miley Cyrus, Chris Rock, Michael Cera, Rashida Jones, Jason Schwartzman, Maya Rudolph, Jenny Lewis, Amy Poehler, David Johansen, Dmitri Dimitrov, Julie White, Phoenix. Directed by Sofia Coppola

Back in the day, celebs like Dean Martin and Judy Garland used to put on Christmas specials and variety shows that would have the thinnest of plot lines but were mainly an excuse for them to sing a few Christmas tunes, have a few friends show up and generally just be themselves.

Director Sofia Coppola is trying to resurrect that vibe and has picked the perfect guy to do it; Murray plays a version of himself, contracted to do a live Christmas special at the Hotel Carlyle in New York City with its retro-cool Bemelmans’s Bar and Cafe Carlyle. An impressive guest list and audience however has evaporated as the city is paralyzed by a blizzard. Sensing catastrophe, Murray sinks into a booze-fueled depression as Hollywood handler-types (Poehler, White) and wanna-be agents (Cera) beset his Christmas mellow.

Guests happen by (Rock) or turn up as hotel employees (Lewis as a waitress, who has one of the better songs when she covers the Pogues’ “Fairytale of New York”, the band Phoenix whose frontman is married to Coppola, as a group of singing chefs) and musical numbers ensue. Murray captures the barfly/hipster mode nicely and sings adequately, but this is the type of Christmas show you’ll want to watch with a shaker full of martinis, a bowlful of peanuts and a pack of cigarettes.

Murray is a genial host but not in the tradition of a Dean Martin, a Mel Tormé or a Steve and Edie. Yes, he’s got that same rumpled charm that Dino had, but there is a weather-beaten feel to him, like someone who’s been too far and seen too much. The show opens with a bluesy downbeat Christmas song that sets the tone; world-weary Murray feeling the depression that often accompanies the Holidays. Essentially confined to the hotel by the weather and prowling the hallways like a claustrophobic cat, he hangs out in the bar and drinks away his sorrow, interacting with a bride (Jones) and groom (Schwartzman) whose wedding fell apart and whose relationship may be as well and listening to a lounge singer (Rudolph) belt out a few Christmas tunes.

Much of the action takes place in the hotel, other than a fantasy sequence featuring Clooney and Cyrus that takes place after Murray passes out. This is the kind of Christmas special for the crowd that identifies strongly with Mickey Rourke in Barfly or Nicolas Cage in Leaving Las Vegas. And yet, there is a hipness to it, like Murray has us in on the coolest night in that crazy New York town ever, a place where Chris Rock might just stumble in from out of the cold and warble a duet of “Do You Hear What I Hear?” with Murray.

So this isn’t for everybody, needless to say. Some will find it too irreverent and even take insult – those who think there’s a war on Christmas might see this as yet another salvo (it’s not). I think it’s far more subversive, taking a pot shot at our attitudes towards the holiday and snickering at it, reminding us at once that there are those who are lonely and depressed at this time of year, but also reminding us that the holidays can take a bunch of strangers and make them family, even if just for one night. In that sense, A Very Murray Christmas is suffused with holiday magic. I don’t know that this would bear repeated viewings but I suspect that those who revel in this sort of thing will make it an annual tradition. As for me, I’ll take A Charlie Brown Christmas every time.

REASONS TO GO: Hippest Christmas special ever. Murray is always a hoot.
REASONS TO STAY: Might be overly irreverent for some. A bit heavy on the quirk.
FAMILY VALUES: Some profanity, adult themes, drinking and general attitude.
TRIVIAL PURSUIT: Bill Murray doesn’t have Netflix and refuses to get it, which means he won’t be able to watch his own movie – not that he does that anyway.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 12/11/15: Rotten Tomatoes: 79% positive reviews. Metacritic: 69/100.
COMPARISON SHOPPING: Scrooged
FINAL RATING: 6.5/10
NEXT: Children of Men