Top 10 of 2014


Top 10 of 2014For most of the year, I asserted that this was kind of a down year for movies in terms of quality and to a lesser degree, of box office as well. Although there have been some really good movies that would be contenders for the best movie of the year in any year, I still think that overall there were fewer movies that had the slam dunk quality overall of years past.

Still, the movies on this top 10 list were all of very high quality and you won’t go wrong in watching any of them. I was pleased to see that there were a number of indie movies that really stepped up the game; in fact, I think it’s a safe bet to call this the Year of the Indie. While some of these are indies in name only, distributed by major studios who have developed distribution arm for foreign films and smaller scale American films produced outside of the studios (i.e. Fox Searchlight, Sony Classics and Paramount Vantage), plenty are true indies with no financing or distribution from a major.

We continue to see a migration of traditional distribution in which movies received a theatrical release, followed about six months later by a home video release and ending up with a premium cable release about a year after the initial theatrical release. That is no longer the case as people are more and more watching films at home rather than in theaters. Some of the major indie distributors like Magnolia and IFC are releasing their films in On-Demand format concurrently with their theatrical release (and often ahead of it) which makes good fiscal sense for them. Mid-majors like Weinstein and Lionsgate have begun to follow suit. Universal even decided to release the acclaimed Joe Carnahan film Stretch into on-demand without a theatrical release which is a bit disturbing but sensible as well. We might see marginal studio films going that route more often in the future.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The information given should be self-explanatory. This year we’re also adding the top 10 films’ Rotten Tomatoes and Metacritic scores as of the date I write the blurbs.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The Grand Budapest Hotel, The Wind Rises, The Babadook, Before I Disappear, Ida, The Trip to Italy, Doomsdays, Tim’s Vermeer, Copenhagen, Chef, Bad Words, The Final Member, The Zero Theorem, The Devil’s Knot, The Railway Man, Cold in July, Blue Ruin, The Fluffy Movie, The Hundred-Foot Journey, Interstellar, The Boxtrolls, The Good Lie, Birdman, Foxchaser, Wild, Slingshot, Ernest and Celestine, The Lunchbox, Jodorowsky’s Dune, The LEGO Movie, Locke, Force Majeure, Life Itself.

Captain America: The Winter Soldier10. CAPTAIN AMERICA: THE WINTER SOLDIER

(Disney/Marvel) Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Anthony Mackie, Toby Jones, Cobie Smulders, Frank Grillo, Hayley Atwell. Directed by Anthony Russo and Joe Russo

Released April 3, 2014 Steve Rogers, a.k.a. Captain America fresh from saving New York City from an alien invasion is an integral part of SHIELD, protecting the world and particularly the United States, from threats too powerful for local law enforcement to handle. But something is attacking SHIELD from within and Rogers, who knows nobody from this era after having been frozen in the Arctic for nearly half a century, doesn’t know who to trust or what to believe. He’s a black and white kind of guy in a shades of grey world.
WHY IT IS HERE: Hearkens back to the political thrillers of the 1970s coupled with a modern special effects-laden action film. Was the box office champion for much of 2014 until a Marvel mate came to take the crown from Cap. But more importantly, people began to see that Marvel movies could be a lot more than superhero films.
HIGHLIGHT SCENE: Cap takes out an elevator full of would-be assassins.
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 70/100.
BOX OFFICE RESULTS: $259.8 million domestic, $714.1M total (as of 1/13/15).
BUDGET: $170 million
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Stream on Vudu/iTunes. Rent DVD/Blu-Ray on Netflix.

Whiplash9. WHIPLASH

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang, Chris Mulkey, Damon Gupton, Suanne Spoke, Max Kasch, Charlie Ian, Jayson Blair, Kofi Siriboe, Kavita Patil. Directed by Damien Chazelle

Released October 10, 2014 A driven young jazz drummer attending a prestigious music conservatory in New York City yearns to be the best, and in order to do that will have to make sacrifices. Taken under the wing of a stern taskmaster of an instructor, the two strong wills meet head on as Chazelle asks us to consider at what point the price of greatness becomes too dear.
WHY IT IS HERE: Newcomer Chazelle has delivered a taut, engaging movie in which two performances take front and center. Teller proves that he can be a compelling lead actor, while veteran character actor Simmons delivers the performance of his career for which he has already won a Golden Globe and is the odds-on favorite for the Best Supporting Actor Oscar next month.
HIGHLIGHT SCENE: Andrew’s drum solo in a situation in which he had been set up to fail, yet ends up triumphing despite the adversity.
CRITICAL MASS: Rotten Tomatoes: 95% positive reviews. Metacritic: 88/100.
BOX OFFICE RESULTS: $6.2 million domestic, $7.1M total (as of 1/13/15),.
BUDGET: $3.3 million
STATUS: Scheduled for home video release on February 24. Digital download pre-order available on Vudu.

Gone Girl8. GONE GIRL

(20th Century Fox) Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Carrie Coon, David Clennon, Lisa Barnes, Missi Pyle, Emily Ratajkowski, Casey Wilson, Lola Kirke, Boyd Holbrook, Sela Ward. Directed by David Fincher

Released October 2, 2014 When his wife disappears, Nick Dunne fears the worst – maybe she’s been kidnapped or possibly, given the blood at the scene of the crime – murdered. But when signs point to Nick being the killer, suddenly the sympathy he’d been receiving turns to something else. Almost nobody believes him. However, even Nick doesn’t suspect what’s going on and who’s behind it.
WHY IT IS HERE: One of the big box office hits of 2014 took a lot of people by surprise. Fox did a masterful job of marketing the film without revealing its twists and turns. Fincher directs it masterfully, making sure that everything that happens onscreen has a reason for it. Pike got a Golden Globe nomination for her star-making performance and may well net an Oscar nom as well.
HIGHLIGHT SCENE: I can’t reveal too much about the scene without spoiling the surprises but let’s just call it “NPH gets lucky…or does he?”
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $167.2 million domestic (as of 1/14/15), $365.4M total.
BUDGET: $61 million
STATUS: Currently available on home video. Download from iTunes/Amazon/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Vudu/iTunes/Target Ticket.

The Imitation Game7. THE IMITATION GAME

(Weinstein) Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Alan Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill, Steven Waddington, Ilan Goodman, Jack Tarlton. Directed by Morten Tyldum

Released November 28, 2014 The story of Alan Turing wasn’t a particularly happy one. A brilliant mathematician with a lifelong passion for cyphers, he was enlisted by the British Army during the Second World War to crack what was then thought to be an unbreakable code – Enigma. The Germans used it for all their communication and the Allies were losing the war largely because of it. The socially awkward Alan has a secret of his own – and that secret might just lose the war for the Allies altogether.
WHY IT IS HERE: Well-acted throughout, with an Oscar-worthy performance by Cumberbatch in the lead role, with Knightley giving some fine support. The movie is told as something of a wartime thriller, but it’s so much more. The agonizing decisions that Turing had to make in order to make his machine work and then on keeping their progress hidden from the Germans is truly heart-wrenching.
HIGHLIGHT SCENE: An a-ha moment that leads to a breakthrough.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $41.0 million domestic (as of 1/14/15), $81.9M total..
BUDGET: $14 million.
STATUS: Still in wide release.

Mission Congo6. MISSION CONGO

(C-Colony) Pat Robertson, Robert Hinkle, Jessie Pott. Directed by David Turner and Laura Zizic

Released April 5, 2014 A compelling documentary that looks at televangelist Pat Robertson and his humanitarian aid program Operation Blessing. Ostensibly sending medical supplies and personnel to the Democratic Republic of the Congo (then known as Zaire) to help aid the hundreds of thousands of refugees from Rwanda which was then in the throes of a civil war and genocide, the filmmakers contend that Robertson’s prime focus was mining diamonds and not saving lives.
WHY IT IS HERE: While decidedly one-sided (Robertson was invited to be interviewed but declined – he’s steadfastly denied the charges) the evidence is presented in an organized and thoughtful manner. Using tax returns, archival footage and eyewitness accounts, the filmmakers put together a pretty damning case against the preacher.
HIGHLIGHT SCENE: The footage showing the real places supposedly helped by Operation Blessing and how the reality differs greatly from how Operation Blessing portrays things.
CRITICAL MASS: Rotten Tomatoes: No score yet. Metacritic: No score yet.
BOX OFFICE RESULTS: No information available.
BUDGET: Not available.
STATUS: Not available. May still be playing the festival circuit.

The Kill Team5. THE KILL TEAM

(Oscilloscope Laboratories) Adam Winfield, Jeremy Morlock, Justin Stoner, Andrew Holmes, Chris Winfield, Emma Winfield, Eric Montalvo. Directed by Dan Krauss

Released April 6, 2014 Some may remember a few years back a squadron of soldiers that was brought up on charges of unjustifiably murdering Afghan civilians and keeping human remains as souvenirs of their misdeeds. This is a documentary about the men in that squadron, how they were hung out to dry by the Army who denied the atrocities that they were later to have proven that they committed had actually happened.
WHY IT IS HERE: A very gripping look at one of the less savory incidents of the war. We focus mainly on Winfield, who tried to blow the whistle on what was happening but instead ended up in prison. This illustrates how officers are treated differently than enlisted men, how CYA is a military code in and of itself and how innocents get caught in the middle. The very best documentary of 2014, a year in which great documentaries were the norm and a Florida Film Festival favorite.
HIGHLIGHT SCENE: The aftermath of the sentencing of Adam Winfield.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $18,983 domestic (as of 1/16/14), $18,983 worldwide.
BUDGET: Not available
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Rent DVD from Netflix. Stream from iTunes/Vudu/Amazon.

Guardians of the Galaxy4, GUARDIANS OF THE GALAXY

(Disney/Marvel) Chris Pratt, Zoe Saldana, Lee Pace, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Glenn Close, John C. Reilly, Djimon Hounsou, Michael Rooker, Benicio del Toro, Karen Gillan, Josh Brolin. Directed by James Gunn

Released August 1, 2014 A group of misfits, criminals and genetic mistakes are all that stands between the universe and a power-mad fanatic who has hold of one of the most powerful artifacts in reality. Led by the displaced human Peter Quill – who prefers to be called Star Lord – the beautiful and deadly assassin Gamora, the sentient tree Groot, the genetically enhanced Rocket Raccoon and the vengeful strong man Drax the Destroyer, these five will stand against Ronan the Accuser and the machinations of the evil Thanos – and the Infinity Gem.
WHY IT IS HERE: Spectacle, action, comedy, pathos – this film has it all. The box office champion of 2014 (although that will have likely changed by the time this is published, or at least shortly thereafter), this proves that Marvel can take some of their most obscure properties and make huge box office hits out of them. Some have said this will end up being the Star Wars for this generation. Okay, well, that was me that said it. In any case, Da Queen would kill me if this didn’t at least make my Top 5.
HIGHLIGHT SCENE: One of the Guardians mourns a fallen comrade.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
BOX OFFICE RESULTS: $333.2 million domestic (as of 1/20/15), $772.8 million total.
BUDGET: $170 million.
STATUS: Available on home video. Download from Amazon/iTunes/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Target Ticket.

Her3, HER

(Warner Brothers) Joaquin Phoenix, Amy Adams, Scarlett Johansson (voice), Olivia Wilde, Chris Pratt, Rooney Mara, Kristen Wiig (voice), Bill Hader (voice). Directed by Spike Jonze

Released January 10, 2014 In the near future, we rely on computers more than ever and it takes a powerful operating system to keep up with demand. When a new OS with the capacity for learning debuts, it hits some people like a ton of bricks. For Theodore Twombly is in love – with his operating system.
WHY IT IS HERE: Although it came out for an Oscar qualifying run in December 2013, most of the country didn’t get to see it until January. Shaply funny in places with a wit and an eye for our modern social media obsessed culture. This would have ended up on last year’s even harder to crack top 10 if we’d had the opportunity to see it in December.
HIGHLIGHT SCENE: Theo and Samantha have a steamy bedtime conversation.
CRITICAL MASS: Rotten Tomatoes: 94% positive reviews. Metacritic: 90/100.
BOX OFFICE RESULTS: $25.6 million domestic (as of 1/20/15), $47.4 million total.
BUDGET: $23 million.
STATUS: Available on home video and on HBO. Download from Amazon/iTunes/Flixster/Vudu. Stream from iTunes. Rent DVD/Blu-Ray from Netflix.

The Double2. THE DOUBLE

(Magnolia) Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Yasmin Paige, Noah Taylor, James Fox, Cathy Moriarty, J. Mascis. Directed by Richard Ayoade

Released May 9, 2014 Simon is a mousy but hard-working office drone has an existence of invisibility; people forget that he’s worked there for seven years and the girl of his dreams won’t even give him a second glance. All that changes when James starts working in the office. James is everything that  Simon is not – self-confident, charismatic and irresistible to women. However, James is also everything that Simon is – an exact physical double. And, to Simon’s despair, he is taking over Simon’s life.
WHY IT IS HERE: Yeah, I know that the retro-futurist look is nothing new but few movies take advantage of it as well as this one, and none since Brazil in an office environment. Eisenberg delivers the kind of performance that serves notice that he’s not a nebbish-y kid anymore. This was the best narrative film from this year’s Florida Film Festival and my favorite overall.
HIGHLIGHT SCENE: Some cops talk to Simon about the chances he’ll commit suicide.
CRITICAL MASS: Rotten Tomatoes: 82% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $200,406 (as of 1/21/15), $1.7 million total.
BUDGET: Not available.
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/Target Ticket. Stream on Netflix/Amazon/iTunes/Vudu/Target Ticket. Rent Blu-Ray/DVD on Netflix.

Boyhood1. BOYHOOD

(IFC) Ethan Hawke, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, Steven Prince, Bonnie Cross, Marco Perella, Libby Villari. Directed by Richard Linklater

Released July 11, 2014 We capture the life of a young boy growing into a young man over a 12-year period. Young Mason, his single mom, his sister Samantha and his dad cope with the vagaries of being a divorced family, through abusive stepdads, periods of acting out, attempts to find himself as he goes through high school and prepares for college. Filmed over a period of 12 years with the same cast and much of the same crew makes the aging process natural and believable.
WHY IT IS HERE: If Roger Ebert and Gene Siskel were still alive, I believe they’d both likely vote this the film of the decade or at least one of them. This is the ultimate slice of life film and Linklater deserves all the accolades he’s received for this movie. There are no mysteries, no explosions, no contrived romances – but nonetheless this movie pulls you in and affects you deeply, thanks to some wonderful performances and Coltrane’s natural abilities. Sometimes the universe lines up in such a way that everything works the way you hope it would – this is one such instance.
HIGHLIGHT SCENE: There are several but there’s a conversation between Mason and his dad at a graduation party which is priceless.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 100/100.
BOX OFFICE RESULTS: $24.6 million domestic (as of 1/21/15), $43.8M total.
BUDGET: $4 million.
STATUS: Currently available on home video. Download from Amazon/iTunes/Vudu/Flixster. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Flixster.

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Birdman


The angel on Michael Keaton's shoulder may be a devil in disguise.

The angel on Michael Keaton’s shoulder may be a devil in disguise.

(2014) Drama (Fox Searchlight) Michael Keaton, Edward Norton, Emma Stone, Zach Galifianakis, Naomi Watts, Andrea Riseborough, Amy Ryan, Lindsay Duncan, Jeremy Shamos, Damian Young, Keenan Shimizu, Merritt Weaver, Natalie Gold, Clark Middleton, Jimmy Marsh Garland, Akira Ito, Michael Siberry, Katherine O’Sullivan. Directed by Alejandro Gonzalez Inirritu

Our identity is sometimes self-affixed. Other times it is forced upon us by circumstances, or by others. When you are a celebrity, you are often trapped within the latter situation. A memorable role or performance can change people’s perception of you until you realize that you aren’t seen as anything separate from that performance or role. You become trapped in that role forever.

Riggan Thomson (Keaton) has had such a role. The superhero Birdman made his career through three hugely successful movies but after three of them he decided to turn his back on the part which by then was far too late. By the time he’d turned down Birdman 4 he was already yesterday’s news, a has-been.

Itching to make a comeback, he’s putting on a Broadway production that he has written, directed and is starring in. adapted from the Raymond Carver short story What We Talk About When We Talk About Love. With his closest friend and lawyer Jake (Galifianakis) helping him with the business end, he has cast his girlfriend Laura (Riseborough), first time Broadway actress Lesley (Watts) and Ralph (Shamos), possibly the worst actor ever. When a fluke accident knocks Ralph out before the first preview performance and Jake frantic to find a replacement, Lesley offers to call Mike (Norton), with whom she once had a relationship. Mike, being a big star who could certainly draw larger audiences, is immediately brought in even though some have misgivings about Mike’s general attitude and backstabbing tendencies.

Riggan and Jake have sunk everything into this venture and know that if it fails, Riggan’s career is done. With Riggan’s adult daughter Sam (Stone) acting as his personal assistant to offer support – okay, to rip her father a new one at every opportunity, a vicious New York Times theater critic (Duncan) waiting in the wings to savage the play because she hates Hollywood stars with a passion, it is no wonder Riggan is beginning to have delusions of telekinetic superpowers, of hearing the voice of his cinematic alter-ego in his head with whom he has long conversations. Can Riggan pull this off and save his career?

Inirritu has tended to do dramas with a kind of heavy hand in the past with movies like Babel and Biutiful to his credit. This is more of a heavy handed comedy in many ways although at the end of the day I think it is more accurately classified a drama with fantasy and comedic overtones.

Keaton, who once played Batman in two Tim Burton movies back in the day, is inspired casting. In return he delivers his greatest performance to date. Riggan is a tortured soul of missed opportunities, bad turns and ill-advised choices. Those are the kinds of things that keep a person up all night and Riggan clearly isn’t getting much sleep. His chance at redemption is a long-shot at best and Riggan knows it. Years wasted away from his family that ended his marriage to a faithful wife (Ryan) and created a rift between Riggan and Sam. On top of that, he’s having delusions, hallucinations – call them what you will – which make more sense to him than the sensory input from the reality around him.

Give him a good supporting cast and a terrific script and you have a winner without fail. One of the things I like about Birdman besides Keaton is the ambiguity within the script. In many ways, you are given “just the facts” without any editorializing. You are left to make your own opinions with the information you’re given. If you need an example ask yourself this when you leave the theater: What did Sam see at the window? Those who have seen the movie will get the reference. My friends and I debated that very question after the movie was over and I don’t think any two of us had exactly the same answer.

Inarritu chose to shoot the film to resemble one long continuous shot a la Rope by Alfred Hitchcock. A lot of critics have praised this technique but I thought it got a little gimmicky, particularly near the end of the movie when they were running out of ways of transitioning from one point of view to the next.

This isn’t a mainstream movie although it isn’t so far out that mainstream audiences can’t enjoy it. This isn’t a typical indie movie either although it isn’t so Hollywood that indie audiences won’t embrace it. Not everyone is going to like it although critics have thus far enthusiastically recommended the movie but while most of the people who saw it with me admitted that they liked it, there were some who were ambivalent about it. I won’t say it’s a transformative movie experience although I will say it’s insightful – and allows you to reach those insights honestly. It is likely to be an Oscar contender although I suspect that there are other movies that are more likely to win the gold statue come February. However, I think a lot of people are going to see this as one of the year’s best movies and I really can’t fault them for that.

REASONS TO GO: May be Keaton’s best performance ever. Line between fantasy and reality is thin. Ambiguous where it needs to be. Terrific supporting cast.
REASONS TO STAY: A little gimmicky in places.
FAMILY VALUES: A whole lot of swearing, some brief violence and sexuality.
TRIVIAL PURSUIT: Most of the movie was shot at the St. James theater on Broadway, one of the most prestigious theaters on the Great White Way where such plays as Oklahoma, The King and I, Becket and Hello, Dolly all made their Broadway debuts.
CRITICAL MASS: As of 11/10/14: Rotten Tomatoes: 94% positive reviews. Metacritic: 89/100.
COMPARISON SHOPPING: Big Fish
FINAL RATING: 8.5/10
NEXT: St. Vincent

New Releases for the Week of November 7, 2014


InterstellarINTERSTELLAR

(Paramount) Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Ellen Burstyn, John Lithgow, Casey Affleck. Directed by Christopher Nolan

The Earth is dying. It will soon be unable to support life as all our ecological chickens are coming home to roost. Desperate to preserve our species, an expedition is sent through a newly-discovered wormhole to find habitable planets that one day may be our new homes, but the trip will be full of perilous unknowns and those who are sent to the stars will be separated from everyone and everything they love.

See the trailer, interviews, a featurette and a promo here.
For more on the movie this is the website.
Release formats: Standard, IMAX (opened Tuesday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for some intense perilous action and brief strong language)

Big Hero 6

(Disney/Marvel) Starring the voices of Ryan Potter, Scott Adsit, T.J. Miller, Jamie Chung. In a future megalopolis, a young boy stung by a family tragedy gets involved with his brother’s inflatable robot Baymax who was programmed to heal the sick. However, the boy, his robot and his friends get caught up in the machinations of an evil villain who was at the core of the boy’s pain. The boy will transform himself, his robot and friends into high tech heroes to fight the madman who threatens to destroy everything – and everyone – he loves. Sound familiar?

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action and peril, some rude humor, and thematic elements)

 

Birdman

(Fox Searchlight) Michael Keaton, Zach Galifianakis, Edward Norton, Emma Stone. An actor best known for playing a costumed superhero decades before is making one last comeback on Broadway in the hopes of reviving a moribund career as well as to reconnect with a family that has given up on him. Getting in the way is his own ego and an encroachment of his fantasy life into his reality.

See the trailer, a clip and B-roll video here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dark Comedy/Fantasy
Now Playing: Enzian Theater
Rating: R (for language throughout, some sexual content and brief violence)

The Blue Room

(IFC/Sundance Selects) Matthieu Amalric, Lea Drucker, Stephanie Cleau, Laurent Poitrenaux. A torrid extramarital affair between a successful family man and a beautiful woman ends with the man being question by the police. What happened to their relationship? And what is the man accused of doing? This stylish and sexy thriller was directed by Amalric, one of France’s most accomplished actors.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village
Rating: R (for sexual content including graphic nudity) 

Elsa and Fred

(Millennium) Shirley MacLaine, Christopher Plummer, Marcia Gay Harden, Scott Bakula. A curmudgeonly man who wants only to live out his remaining years with as little human contact as possible moves into a seniors apartment complex in New Orleans. However, a gregarious neighbor absolutely refuses to let him give up on life and the two strike up a friendship that deepens unexpectedly. Now treading in an emotional minefield, the two struggle to make it through without everything blowing up in their faces.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Downtown Disney
Rating: PG-13 (for brief strong language)

Laggies

(A24) Keira Knightley, Chloe Grace Moretz, Sam Rockwell, Jeff Garlin. 26 and not ready for adulthood quite yet, a young woman panics when her boyfriend proposes and goes to live with her new 16-year-old friend and her friend’s damaged dad. Dragging herself kicking and screaming into adulthood is one thing but arriving there wiser than when you left childhood is a whole other thing.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dramedy
Now Playing: Select Theaters
Rating: R (for language, some sexual material and teen partying)

 

Mr. Pip

(Freestyle Releasing) Hugh Laurie, Kerry Fox, Eka Darville, Xzannjah Matsi. During the brutal civil war in Bougainville in the 1990s, an English teacher – the last Englishman in the village – makes a connection with his students through the reading of Dickens’ Great Expectations. A wildly imaginative young girl begins to believe that Pip, whom the young girl calls “Mr. Pip” is her friend and he takes her into the fantastic world of Dickens’ London. However her belief in her friend Mr. Pip inadvertently puts the entire village in mortal peril.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Touchstar Southchase
Rating: PG-13 (for disturbing situations involving violence and threat, and for some mature thematic material and brief language)

On Any Sunday, The Next Chapter

(Rd Bull Media House) Travis Pastrana, Marc Marquez, Dani Pedrosa, Doug Henry. The 1971 documentary film On Any Sunday helped popularize motorcycle racing in the United States. More than four decades later, the oldest son of the original film’s director revisits the sport, showing its acceptance as an Extreme Sport and becoming more popular than ever.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Documentary
Now Playing: Select Theaters
Rating: PG-13 (for disturbing situations involving violence and threat, and for some mature thematic material and brief language)

Whiplash

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist. An ambitious jazz drummer, wanting to become elite at his chosen profession, is tutored by an autocratic teacher who continues to push him to the breaking point. Either the student will crack like a walnut and lose everything or he’ll reach his potential and become one of the best drummers in the world.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for strong language including some sexual references)

Four-Warned: October 2014


FuryEvery month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Most of the movies will never play theatrically where you live (unless you live in either New York or Los Angeles) but many of those that won’t will be available through Video-on-Demand; check with your local cable or satellite providers to find out if any specific movie is available through that medium.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release strategy: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. FURY (1.5)
2. GONE GIRL (1.6)
TIE. THE JUDGE (1.6)
4. ST. VINCENT (1.7)
TIE. DRACULA UNTOLD (1.7)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. BIRDMAN (1.0)
2. DIPLOMACY (1.1)
3. RUDDERLESS (1.3)
TIE. WHIPLASH (1.3)
TIE. KILL THE MESSENGER (1.3)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

OCTOBER 1, 2014

THE DECENT ONE (Kino-Lorber) Genre: Documentary. Correspondence and restored film from German archives show Heinrich Himmler, one of the true monsters of the Nazi regime, to have quite a different self-image than how history views him. Release Strategy: New York City only. RATING: 2.6 Nobody ever thinks of themselves as monsters but some of the footage in the trailer was fascinating.
MEN, WOMEN AND CHILDREN (Paramount) Genre: Ensemble Drama. Explores how the internet impacts relationships of several high school students and their parents. Release Strategy: Limited (expands October 10 & October 17). RATING: 1.9 Really good young cast and director Jason Reitman makes this something to look forward to.

OCTOBER 2, 2014

BANG BANG (Fox Star) Genre: Bollywood. A mousy bank receptionist gets caught up in the adventure of a lifetime when a mysterious man comes into her life. Release Strategy: Limited. RATING: 2.0 A remake of the Tom Cruise vehicle Knight and Day; could appeal to audiences beyond the usual Bollywood enthusiasts.

OCTOBER 3, 2014

A GOOD MARRIAGE (Screen Media) Genre: Thriller. Happily married for more than 20 years, a woman stumbles across a box under a worktable that changes completely her perception of the man she married.. Release Strategy: Limited. RATING: 2.7 From the mind of Stephen King and starring the great Joan Allen who has been not as much onscreen as I would like.
ANNABELLE (New Line) Genre: Horror. For his pregnant wife, an expectant father buys the gift of a vintage doll in a wedding dress, but an attack by a satanic cult gives the doll a demonic presence. Release Strategy: Wide. RATING: 1.9 A prequel to the excellent horror film The Conjuring.
BITTER HONEY (Elemental) Genre: Documentary. Polygamy is more accepted in Indonesia; this film follows three families in Bali and in particular the wives and their place in Indonesian society. Release Strategy: Los Angeles only. RATING: 2.4 Definitely has the feel of being made by an academic but a fascinating subject nonetheless.
THE BLUE ROOM (Sundance Selects) Genre: Drama. A couple meet for an illicit romance but it ends up with the man under police scrutiny. Release Strategy: New York City only. RATING: 2.0 Examines the French attitudes towards infidelity with the great Matthieu Almaric starring – and directing.
DRIVE HARD (RLJ/Image) Genre: Action. A former race car champion turned driving instructor is hijacked by a desperate criminal to be the getaway driver in his $9 million heist. Release Strategy: Limited. RATING: 1.8 Looks much more fun than I thought; with John Cusack and Thomas Jane in it, I guess I should have known better.
GONE GIRL (20th Century Fox) Genre: Thriller. When a beautiful woman disappears on her fifth wedding anniversary, the husband comes under scrutiny and their apparently perfect marriage begins to dissolve into lies, deceit and secrets. Release Strategy: Wide. RATING: 1.6 Ben Affleck has been on a winning streak of late and David Fincher is an always interesting director.
THE GOOD LIE (Warner Brothers) Genre: True Life Drama. Sudanese refugees who arrive in the U.S. prior to 9-11 are separated from their sister and prevail on a sympathetic social worker to help them. Release Strategy: Limited. RATING: 2.6 The first of two first-rate Reese Witherspoon performances this fall.
THE HERO OF COLOR CITY (Magnolia) Genre: Animated Feature. Heroic crayons take on the monsters from a child’s imagination to keep said monsters from hoarding all the colors for themselves. Release Strategy: Wide. RATING: 3.1 Looks a little cheesy but then again I think this is really meant for younger kids.
LAST HIJACK (Submarine) Genre: Documentary. The life of a Somali pirate told from his point of view through film of his everyday life and animated sequences. Release Strategy: New York City/Los Angeles. RATING: 1.8 A powerful subject but not sure the trailer captures that power.
LEFT BEHIND (Stoney Lake) Genre: Faith-Based Drama. After the rapture, those who remain in this world discover why it was a good thing to get called up to heaven Release Strategy: Wide. RATING: 3.9 While going from Kirk Cameron to Nicolas Cage is arguably a trade-up, this isn’t necessarily a movie I wanted to see the first time let alone this time.
THE LIBERATOR (Cohen Media Group) Genre: Biographical Drama. Simon Bolivar is one of the most beloved historical figures in Latin America; this movie explains why. Release Strategy: Limited. RATING: 2.0 Although this movie has been rescheduled a couple of times, the trailer looks intriguing and it could do some indie-level box office damage.
THE SUPREME PRICE (Self-Released) Genre: Documentary. The democratically elected president of Nigeria is overthrown by a military coup and his wife assassinated when she tries to carry on his ideals; now their daughter returns to Nigeria to try and restore democracy to a nation in which the corruption is entrenched. Release Strategy: New York City/Los Angeles. RATING: 2.0 Powerful stuff, but some of the Nigerians’ accents are so thick that the extended trailer would benefit from subtitles.

OCTOBER 7, 2014

STRETCH (Universal) Genre: Action Comedy. During the course of a single night, a desperate limo driver is obliged to perform increasingly twisted tasks for his reclusive billionaire fare. Release Strategy: VOD. RATING: 2.2 From Joe Carnahan, a director whose projects always seem to have something interesting about them.

OCTOBER 10, 2014

ADDICTED (CODEBLACK) Genre: Drama. A successful female executive with a great family and loving husband falls for an artist client and begins a torrid affair, discovering that her physical needs have become an obsession. Release Strategy: Wide. RATING: 3.2 Yet another movie this month dealing with marital infidelity.
ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY (Disney) Genre: Family. What should have been a great day turns into the most miserable day ever for one particular family. Release Strategy: Wide. RATING: 2.9 Has at least Steve Carell in it to recommend it.
AUTOMATA (Millennium) Genre: Science Fiction. The investigation of potential manipulation of a robot’s programming exposes a dire threat to humanity. Release Strategy: Limited. RATING: 2.1 Has a distinctly Asimovian feel to the film.
THE CANAL (The Orchard) Genre: Horror. A man suspects that dark spirits in his home, the scene of a grisly turn-of-the-last-century murder, may be trying to destroy him and his family. Release Strategy: Limited. RATING: 1.9 Creepy, atmospheric Irish horror – is there anything better at Halloween?
DEAD SNOW 2: RED VS. DEAD (Well Go USA) Genre: Horror Comedy. The survivor of the first movie wants to get revenge on the Nazi zombies – by raising an army of the undead of his own. Release Strategy: Limited. RATING: 1.6 Might just be THE best horror movie of the season.
THE DEVIL’S HAND (Roadside Attractions) Genre: Horror. One of six girls born on the sixth day of the six month in a small devout village is destined to be the Devil’s Hand. Release Strategy: Limited. RATING: 2.8 A cross between a teen slasher movie and a supernatural horror film set in an Amish community.
DRACULA UNTOLD (Universal/Legendary) Genre: Horror Action. His family and people threatened, a Romanian warlord determines to protect them anyway he can – even if it means literally making a deal with the devil. Release Strategy: Wide (Standard, IMAX). RATING: 1.7 An alternative take on the origins of history’s most famous vampire.
I AM ALI (Focus World) Genre: Documentary. The Greatest Boxer of All Time’s life and career are recounted through unprecedented access to his archives and interviews with those closest to him. Release Strategy: Limited. RATING: 2.8 An icon from when boxing mattered.
THE JUDGE (Warner Brothers) Genre: Drama. When his estranged father who is in the throes of early dementia is accused of murder, his high-priced lawyer son reluctantly accepts the task of defending a man he can’t stand. Release Strategy: Wide. RATING: 1.6 Robert W. Downey is almost always entertaining.
KILL THE MESSENGER (Focus) Genre: Thriller. San Jose Mercury News reporter Gary Webb discovers a story with far-reaching implications into our government and the war on drugs, but his discoveries put his job, family and eventually his life at risk. Release Strategy: Limited (expands October 17 and October 24). RATING: 1.3 A true story involving one of the last heroic journalists of our time with Jeremy Renner as Webb.
ONE CHANCE (Weinstein) Genre: Musical Biography. The true story of Paul Potts, a shop assistant whose incredible performances on a British singing competition show took that country by storm. Release Strategy: Wide. RATING: 2.9 A movie whose release date has been shifted by Weinstein so many times it’s a wonder this hasn’t gone direct to VOD.
THE OVERNIGHTERS (Drafthouse) Genre: Documentary. With oil creating a boom in a small town in North Dakota, housing has become an issue; when a pastor opens up his church to itinerant oil workers he creates unexpected controversy that is exacerbated by secrets from his own past. Release Strategy: Limited. RATING: 2.0 Looks incredibly powerful, not just a snapshot of a moment but also of our attitudes towards those who work in our country.
THE PACT 2 (IFC Midnight) Genre: Horror. A woman’s life, which she seems to have put together in a careful fashion, begins to unravel when horrific nightmares begin to intrude on her waking life. Release Strategy: Limited. RATING: 2.7 A serial killer comes back from the grave film with better special effects than most for the genre.
ST. VINCENT (Weinstein) Genre: Comedy. Having moved into a new neighborhood, a single mom is forced to hire her curmudgeonly neighbor to babysit her kid. Release Strategy: Limited (opening wide October 24). RATING: 1.7 Looks like another winner for Bill Murray.
WHIPLASH (Sony Classics) Genre: Drama. An ambitious jazz drummer butts heads with his tyrannical drum teacher, pushing him to the brink of greatness – and possibly, insanity. Release Strategy: Limited. RATING: 1.3 Some say this is the best movie to come out of Sundance this year.
YOU’RE NOT YOU (eOne) Genre: Drama. An unconventional friendship forms between a successful classical pianist diagnosed with Lou Gehrig’s Disease and the chaotic college student and wannabe rock star who is hired to care for her. Release Strategy: Limited. RATING: 2.2 Looks a bit like a tearjerker but with an amazing cast headed up by Oscar winner Hilary Swank.

OCTOBER 15, 2014

DIPLOMACY (Zeitgeist) Genre: Drama. The confrontation between a Nazi general and a Swedish diplomat becomes a game of high stakes. Release Strategy: New York City only. RATING: 1.1 With the Allies knocking on the doors of Paris, the Nazis intended to destroy the city; one man alone stood in the way as this riveting drama proposes.

OCTOBER 16, 2014

THE TOWN THAT DREADED SUNDOWN (Orion/MGM) Genre: Horror. 65 years after a masked serial killer terrorized a Texas town, the murders begin again but is it something more sinister than a copycat killer? Release Strategy: Limited. RATING: 2.8 A spooky remake of a supposedly true story.

OCTOBER 17, 2014

THE BEST OF ME (Relativity) Genre: Romance. Two lovers are reunited 20 years later after life has kicked them around some and the woman is married to another man. Release Strategy: Wide. RATING: 3.3 Nicholas Sparks is at it again.
BIRDMAN (Fox Searchlight) Genre: Comedy. Trying to resurrect a stalled career, an actor best-known for playing an iconic superhero mounts a Broadway play, battling his own ego and the pressures surrounding him as he gives one last effort to make things right in his life. Release Strategy: Limited. RATING: 1.0 The latest from Alejandro Gonzales Inarritu looks funny, sad, beautiful and wonderful all at once.
THE BOOK OF LIFE (20th Century Fox) Genre: Animated Feature. Two young men battling for the heart of the same women attract the attention of supernatural entities who bet on the winner; one, hoping to tip the scales, sends one of the men to the land of the Dead. Release Strategy: Wide. RATING: 1.8 Set in the style of the Mexican Day of the Dead, the Guillermo del Toro-produced toon has a look that is completely unique and utterly enchanting.
THE CULTURE HIGH (eOne) Genre: Documentary. Examines both sides of the debate around legalizing marijuana. Release Strategy: Limited. RATING: 2.9 While the documentarians clearly favor legalization, they seem open to presenting opposing viewpoints.
DEAR WHITE PEOPLE (Roadside Attractions) Genre: Comedy. Four African-American students deal with racial attitudes in the 21st century in different ways. Release Strategy: Limited. RATING: 2.4 I’m still on the fence about this one; the trailer looked a bit stereotypical.
DEFAULT (Amplify) Genre: Thriller. Somali pirates capture a chartered plane with a legendary journalist aboard, demanding to be interviewed which the journalist agrees to without realizing the motives are much more deadly than he realizes. Release Strategy: Limited. RATING: 2.7 Somali pirates seem to have become an object of obsession in Hollywood lately.
FELONY (Gravitas) Genre: Crime Thriller. Three detectives are involved in the critical injury of a child; one committed a crime, one is covering it up and the third will try to expose it. Release Strategy: Limited. RATING: 2.0 Australian film with a terrific cast including Tom Wilkinson and Joel Edgerton.
FURY (Columbia) Genre: War. In the waning days of the Second World War, a tank crew behind enemy lines try to survive the furious final fight and make it home. Release Strategy: Wide. RATING: 1.5 Brad Pitt may be looking at another Oscar nomination.
HOUSEBOUND (XLRator) Genre: Horror Comedy. Sentenced to home detention in her mom’s house, a career criminal discovers that her mom’s babbling about the house being haunted turn out to be true. Release Strategy: Limited. RATING: 2.4 Keep Calm and Watch British Horror Movies.
LISTEN UP, PHILIP (Tribeca) Genre: Drama. A self-centered novelist seeks refuge in his idol’s summer home and gets an unexpected reality check. Release Strategy: New York City (expands October 24). RATING: 2.1 Looks pretty funny in a twisted sort of way.
RUDDERLESS (Goldwyn) Genre: Drama. The death of his son inspires his alcoholic dad to begin performing his son’s songs in public. Release Strategy: Limited. RATING: 1.4 The directing debut of William H. Macy offers a fine cast and a strong story.
THE TALE OF PRINCESS KAGUYA (GKIDS) Genre: Animated Feature. A baby discovered in a glowing bamboo stalk is raised by human parents to become a beautiful princess. Release Strategy: New York City/Los Angeles/Toronto. RATING: 1.6 Based on an ancient Japanese legend, this is the latest film (and last for awhile, possibly forever) from Studio Ghibli.
YOUNG ONES (Screen Media) Genre: Science Fiction. In a dystopic future in which water is disappearing from the Earth, a farmer fights to protect his land and his family. Release Strategy: Limited. RATING: 2.6 Not sure if this is post-apocalyptic action film or political statement.

OCTOBER 24, 2014

1,000 TIMES GOODNIGHT(Film Movement) Genre: Drama. A badly injured war photographer returns home to get an ultimatum from her husband and children; choose between her family and her career. Release Strategy: Limited. RATING: 2.1 Rarely do we see the price paid by the families of journalists who risk their lives doing their jobs.
CITIZENFOUR (Radius) Genre: Documentary. In the midst of making a documentary about security abuses in Post-9/11 America a filmmaker receives cryptic e-mails from a source that ends up being Edward Snowden. Release Strategy: Limited. RATING: 2.5 The details of how a whistleblower brought one of the biggest scandals in the history of the American intelligence community may well be a fascinating movie but couldn’t find a trailer.
EXISTS (Lionsgate) Genre: Horror. On the way to a weekend camping trip, five friends accidentally unleash an ancient horror hell-bent on revenge. Release Strategy: Limited. RATING: 1.9 The director of The Blair Witch Project brings us what might be the scariest Sasquatch movie ever.
FORCE MAJEURE (Magnolia) Genre: Dramedy. The actions of a father during a family ski trip lead to his wife questioning his character and indeed whether she should remain married to him. Release Strategy: Limited. RATING: 1.4 Funny and thought-provoking, a rare combination.
THE HEART MACHINE (IFC) Genre: Romance. An online relationship takes a strange turn when the man discovers that the woman may not be a long distance romance at all – she may actually live in his town. Release Strategy: New York City only. RATING: 2.8 Love and obsession in the digital age.
JOHN WICK (Lionsgate) Genre: Action Thriller. A hitman comes out of retirement to take on the gangsters who took everything from him. Release Strategy: Wide. RATING: 2.2 Keanu Reeves in the kind of role that Liam Neeson has been getting lately.
LAGGIES (A24) Genre: Dramedy. Not quite ready to grow up yet, a 20-something girl hides out from a prospective fiancé in the home of a 16-year-old friend and her single dad. Release Strategy: Limited. RATING: 2.0 This Sundance favorite from one of my favorite young directors Lynn Shelton has a stellar cast.
LIFE OF RILEY (Kino Lorber) Genre: Romance. Three French couples living in the English countryside must navigate their way through emotional entanglements. Release Strategy: Limited. RATING: 2.3 A new Alain Resnais film is always worth seeking out.
LOW DOWN (Oscilloscope Laboratories) Genre: Biographical Drama. The relationship between a young girl and her aspiring musician father is complicated as they try to survive Los Angeles in the 70s. Release Strategy: New York City (opening in Los Angeles October 31). RATING: 2.0 Astonishing cast captures the era, the drug use and the music.
OUIJA (Universal) Genre: Supernatural Horror. In an attempt to contact her recently deceased sister using a Ouija board, a young woman may have inadvertently contacted the malevolent force that killed her. Release Strategy: Wide. RATING: 1.7 The latest from the Blumhouse bunch looks plenty scary.
STONEHEARST ASYLUM (Millennium) Genre: Horror. Newly graduated from med school, a doctor takes a position at a mental institution and falls for one of his colleagues, unaware of the repercussions of a recent staffing change. Release Strategy: Limited. RATING: 2.2 An adaptation from an Edgar Allen Poe short story.
WHITE BIRD IN A BLIZZARD (Magnolia) Genre: Thriller. The disappearance of her mother several years earlier profoundly effects a young college student as she confronts her own denial of the events surrounding it. Release Strategy: Limited. RATING: 2.4 Shailene Woodley just keeps getting better and better.

OCTOBER 29, 2014

REVENGE OF THE MEKONS (Music Box) Genre: Musical Documentary. Emerging from the punk scene in the UK in 1977, this long-running band continues to make exciting and relevant music today by consistently changing and adopting new influences. Release Strategy: New York City only. RATING: 1.7 A band that has made some of the greatest music of the post-punk era but has had terrible luck with record labels and remains mostly a cult favorite today.

OCTOBER 31, 2014

ABCS OF DEATH 2 (Magnet) Genre: Horror Anthology. Once again, 26 directors from around the world contribute short films based on different letters of the alphabet with a horror theme. Release Strategy: Limited. RATING: 2.0 The first one had flashes of genius but was wildly uneven.
BEFORE I GO TO SLEEP (Clarius) Genre: Thriller. Every time a woman goes to sleep, she wakes up with no new memories of what happened that day; but disturbing truths begin to emerge that make her suspect everyone around her. Release Strategy: Limited. RATING: 3.9 Sounds a lot like 50 First Dates crossed with Memento.
HORNS (Radius) Genre: Supernatural Horror. Accused of raping and murdering his girlfriend, a young man wakes up with a set of horns which compel people to confess their sins and act out their hidden fantasies and decides to use their power to find out what really happened to his girlfriend. Release Strategy: Limited. RATING: 1.6 A tour-de-force for director Alexandre Aja and another career-building performance for Daniel Radcliffe.
NIGHTCRAWLER (Open Road) Genre: Thriller. Desperate for work, an unemployed man falls into the fast-paced underbelly of crime journalism in L.A. and slowly begins to unravel. Release Strategy: Wide. RATING: 2.4 Jake Gyllenhaal at the top of his game.
SAW (Lionsgate) Genre: Horror. Returning for one week only comes one of the seminal torture porn films. Release Strategy: Wide. RATING: 2.6 Remember when we got a new movie in this franchise every Halloween?

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Annabelle, Gone Girl, The Good Lie, Alexander and the Terrible Horrible No Good Very Bad Day, Dracula Untold, The Judge, Kill the Messenger, One Chance, St. Vincent, Whiplash, Birdman, The Book of Life, Fury, John Wick, Ouija, Nightcrawler

2014 Fall/Holiday Preview


fallnholiday2014

It has been by all accounts a rough summer for Hollywood and theater owners in particular. The box office is down and the responsibility for that has to lie with the filmmakers; to wit, the product hasn’t really been as exciting as previous summers. Sure there have been some exceptions – Dawn of the Planet of the Apes was one of the pleasant surprises, while Guardians of the Galaxy got off to a record start in August and shortly before this was published became the year’s number one hit. People flocked to see the sub-mediocre Transformers; Age of Extinction in droves, particularly overseas where record crowds pushed the movie over the billion dollar mark at the box office. With no Pixar film in the theaters this summer, the family audience stayed away from theaters for the most part this summer – even a fairly good quality How to Train Your Dragon 2 made disappointing numbers considering the lack of competition. For the most part, movies underperformed and reviews were pretty dismal for such non-blockbusters as Blended and Planes: Fire and Rescue. Even films that were blockbusters – like The Amazing Spider-Man 2 and Maleficent – didn’t get the kind of numbers the studios were expecting.

With Guardians and Teenage Mutant Ninja Turtles giving the box office a needed boost going into the football season which traditionally is fairly weak for the box office right up until the Holidays, we can look forward to a few guaranteed hits – The Hunger Games: Mockingjay Part 1 for example looks to continue the hot streak of this young adult hit series. The Hobbit trilogy from Peter Jackson concludes with The Hobbit: Battle of the Five Armies and Christopher Nolan’s Interstellar will make Thanksgiving box office bells ring. Given all the publicity that the musical Annie has been getting from Columbia, I wouldn’t be surprised if this also made big bank.

We can look forward to some Oscar contenders as well, with early word touting Foxcatcher with Steve Carell generating Oscar buzz for the first time in his career in a dramatic role. Tim Burton’s Big Eyes will bring some attention for Christoph Waltz and Amy Adams and probably for Burton himself, while the World War II epic Fury with its ensemble cast may get Brad Pitt some face time with the Academy.

But all is not serious at the multiplex this season. Seth Rogen and James Franco re-team in The Interview, St. Vincent stars an irascible Bill Murray. Horrible Bosses 2 is bound to bring some belly laughs and Hot Tub Time Machine 2 will take us back to the future while Dumb and Dumber To reunites Jeff Daniels and Jim Carey. The sequels don’t stop there however as Night at the Museum: Secret of the Tomb, Dolphin Tale 2,The Hunger Games: Mockingjay Part 1 and The Hobbit: Battle of Five Armies brings old favorites back to the screen for another go-round.

Families who might have been disappointed with the offerings this past summer will have more than a few reasons to head back to the multiplex, with Paddington, The Boxtrolls, Alexander and the Terrible Horrible No Good Very Bad Day, Book of Life, Tale of the Princess Kaguya, Night at the Museum: Secret of the Tomb, The Penguins of Madagascar, Dolphin Tale 2, Big Hero 6 and Annie all beckoning kids to drag their parents to the theaters. Those who prefer a little horror in their motion picture diet will have a cornucopia of selections, from Annabelle (a spinoff from The Conjuring), Ouija, Demonic, Jessabelle, Dracula Untold, The Canal, The Pyramid, Horns and Tusk all there looking to scare our socks off. There will also be plenty of action with The Equalizer, Kill the Messenger, A Walk Among Tombstones and Fury giving action junkies their fix.
Music fans will also have reasons to brave the chilly weather and hit the theaters as Annie, Into the Woods, One Chance and Beyond the Lights which will all hopefully have audiences tapping their toes. Indie film fans will also have some excuses to patronize their local art houses with such acclaimed fare as Foxcatcher, Escobar: Paradise Lost, Tale of the Princess Kaguya, Wild, One Chance, Birdman, TuskLeviathan, The Zero Theorem, Laggies, Frontera and The Disappearance of Eleanor Rigby all lining up for the film buff dollar. Science Fiction is always a presence at the end of the year and this year is no exception with such futuristic goodies as Interstellar, The Hunger Games: Mockingjay Part 1, Hot Tub Time Machine 2, The Maze Runner, The Congress, The Zero Theorem and The Scribbler on tap. Those who like their movies on an epic scale can look forward to The Hobbit: Battle of the Five Armies and Exodus: Gods and Kings. Finally, you can always find plenty of drama in the fall and holiday lineup and with Nightcrawlers, Gone Girl, The Judge, Rosewater and Big Eyes audiences will get their share of serious.

The stars always come out in the fall and 2014 is no exception as you’ll get to do some star-gazing with the late Robin Williams (Night at the Museum: Secret of the Tomb, Merry Friggen’ Christmas), Philip Seymour Hoffman (The Hunger Games: Mockingjay Part 1), Amy Adams (Big Eyes), Ed Harris (Frontera), Morgan Freeman (Dolphin Tale 2), Reese Witherspoon (Wild, The Good Lie), Billy Bob Thornton (The Judge), Bill Hader (The Skeleton Twins), Jason Bateman (This Is Where I Leave You, Horrible Bosses 2), Liam Neeson (A Walk Among Tombstones), Daniel Radcliffe (Horns), Christoph Waltz (The Zero Theorem, Big Eyes), Denzel Washington (The Equalizer), Ben Affleck (Gone Girl), Simon Pegg (Hector and the Search for Happiness), Steve Carell (Alexander and the Terrible, Horrible, No Good, Very Bad Day and Foxcatcher), Seth Rogen (The Interview), Robert Downey Jr., (The Judge), Meryl Streep (Into the Woods), Michael Keaton (Birdman), Jake Gyllenhaal (Nightcrawlers), Bill Murray (St. Vincent), Jeremy Renner (Kill the Messenger), Matthew McConaughey (Interstellar), Jim Carrey (Dumb and Dumber To), Brad Pitt (Fury), Jennifer Lawrence (The Hunger Games: Mockingjay Part 1), Jason Sudeikis (Horrible Bosses 2), Jamie Foxx (Annie), Ben Stiller (Night at the Museum: Secret of the Tomb), Martin Freeman (The Hobbit: Battle of the Five Armies), James Franco (The Interview),Keira Knightley (Laggies), Kirsten Wiig (The Skeleton Twins), Robert Duvall (The Judge), Michael Caine (Interstellar), Cameron Diaz (Annie) and Christian Bale (Exodus: Gods and Kings). There will also be plenty of talent behind the camera with Peter Jackson, Ridley Scott, Alexandre Aja, Christopher Nolan, Tim Burton, Kevin Smith, Terry Gilliam, Rob Marshall and David Fincher all directing films this season.

This of course is just a start as there will be additions (and deletions) from what you see here before all is said and done. Most of the fairly high-profile films though are pretty much set in stone barring disaster. So does this whet your appetite for what’s going on this fall? Hope so. If you want more, be sure and check out our monthly feature Four-Warned for a listing of everything opening both in limited and wide release that month and our weekly preview for what’s coming to the Central Florida multiplexes that week. Otherwise, let’s stop all this blather and get into the good stuff!

SEPTEMBER

Generally September is a month that serves as a segue from the summer blockbusters to the autumn harvest of Oscar contenders. While it is a month that usually has lower profile movies and films the studio has little faith in, there are often some gems among the debris. Hoping to make some box office hay while the sun still shines will be a reboot of an ’80s TV show, an adaptation of a beloved young adult novel, a sequel to an inspirational family hit and the latest from the stop-motion animation studio Laika.

The Equalizer

DEANS LIST

THE EQUALIZER
RELEASE DATE: September 26, 2014
STUDIO: Columbia
STARRING: Denzel Washington, Marton Csokas, Chloe Grace Moretz, David Harbour, Bill Pullman, Melissa Leo, Robert Wahlberg, Johnny Messner
STORY: A man with a set of particular skills is trying to put his past behind him and live a quiet life working in a Home Depot-like store. When he meets a young girl who is being abused at the hands of the Russian mobsters who control her, he cannot stand by and do nothing. Russian mafia, look out – the Equalizer is on your tail!
PROSPECTS: A very different take on the 80s TV classic with Edward Woodward in the title role. Washington is more of an ass kicker. He has been more selective about what movies he makes than a lot of other stars, so certainly his fans will be eager to see this.
OBSTACLES: Theatrical attendance tends to be pretty lackluster in September with the start of the football season, school returning to session and the fall TV premieres all happening.
FACTOID: Leo guest starred in an Equalizer telefilm back in 1985.

GRADUATED WITH HONORS

A WALK AMONG THE TOMBSTONES
RELEASE DATE: September 19, 2014
STUDIO: Universal
STARRING: Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook, Sebastian Roche, Stephanie Andujar, Whitney Able, Mark Consuelos
STORY: An unlicensed private eye who is ex-NYPD reluctantly takes on a job from a heroin trafficker whose wife was kidnapped and murdered. He soon learns that this isn’t the first time the perpetrators have committed this crime nor will it be the last – and they are aware of his presence in the game.
PROSPECTS: Neeson has become one of the most reliable action stars of the past ten years. This has a suitably creepy vibe to it. Neeson’s films tend to perform well in off months.
OBSTACLES: His last movie was a bit disappointing commercially and critically.
FACTOID: Neeson’s character in this movie is actually taken from a series of 17 novels by author Lawrence Block of which this is the tenth; the character also appeared in the movie 8 Million Ways to Die played by Jeff Bridges.

THE MAZE RUNNER
RELEASE DATE: September 19, 2014
STUDIO: 20th Century Fox
STARRING: Dylan O’Brien, Thomas Brodie-Sangster, Kaya Scodelario, Ami Ameen, Will Poulter, Patricia Clarkson, Ki Hong Lee, Blake Cooper
STORY: A young man wakes up in a mysterious maze with no memories of who he is or where he’s from. The only escape is to become a runner and try to find a way out of the maze which nobody has ever done. However when a young girl arrives who seems to have her memories and knows who the young man is, everything changes.
PROSPECTS: One of the most iconic and beloved young adult novels finally makes it to the big screen.
OBSTACLES: A cast of mostly unknown young actors. Not a good deal of hunk factor to bring the teenage girls.
FACTOID: Catherine Hardwicke was originally set to direct this.

THE BOXTROLLS
RELEASE DATE: September 26, 2014
STUDIO: Focus/Laika
STARRING THE VOICES OF: Ben Kingsley, Toni Collette, Elle Fanning, Jared Harris, Simon Pegg, Nick Frost, Richard Ayoade, Tracy Morgan, Isaac Hempstead-Wright
STORY: A group of mischievous subterranean creatures have raised a human child as their own are threatened by the villainous Archibald Snatcher who vows to rid the world of the Boxtrolls. The human ventures above ground and finds a spirited young girl as an ally and together they put together an audacious plan to save the boy’s family.
PROSPECTS: Laika has been responsible for some of the quirkiest and most beloved animations of recent years.
OBSTACLES: The Laika films have tended to appeal more to adults than to kids.
FACTOID: Based on the novel Here Be Monsters! by Alan Snow.

ALTERNATIVE EDUCATION

THE SKELETON TWINS
RELEASE DATE: September 12, 2014
STUDIO: Roadside Attractions
STARRING: Kristen Wiig, Bill Hader, Ty Burrell, Luke Wilson, Boyd Holbrook, Kathleen Rose Perkins, Joanna Gleason, Ian Hyland, Jennifer Lafleur
STORY: A pair of estranged twins whose lives have turned out not just disappointing but a downright disaster are unexpectedly forced into a reunion. They are forced to confront their own mistakes and failures and discover that repairing their relationship might well be the key to turning their lives around.
PROSPECTS: Has everything in the formula for indie circuit success; a terrific cast with a few well-known names, a truly funny trailer and a distributor that has gotten behind the movie after showing success with recent releases.
OBSTACLES: Since Bridesmaids Wiig really hasn’t shown she can carry a movie and Hader, while being a terrific support guy, is an unknown quantity when in a leading role.
FACTOID: Anna Farris was originally cast in the lead role, but an unusually long development period forced her to drop out of the project, eventually to be replaced by Wiig.

COMMUNITY COLLEGE

SEPTEMBER 5, 2014

Opening in limited release, FRONTERA (Magnolia) examines the fallout when a rancher’s wife is killed while riding in her own ranch property and the most likely suspect is a Mexican national crossing into this country illegally.

SEPTEMBER 12, 2014

In THE DISAPPEARANCE OF ELEANOR RIGBY (Weinstein) a once-happy couple struggles to maintain their relationship in the wake of a tragedy as they discover that the people they once loved are literally strangers to one another now. DOLPHIN TALE 2 (Warner Brothers) returns to the inspirational story of Winter, the dolphin in a Florida aquarium whose tail fluke was replaced by an artificial device to allow her to continue swimming and her new friend Hope, rescued by the same aquarium in 2010. NO GOOD DEED (Screen Gems) stars Idris Elba as an escaped convict who gains entry into the home of housewife Taraji P. Henson by pretending he’s the victim of a car accident and proceeds to terrorize the woman and her children who must fight back against the intruder. In SEARCH PARTY (Universal) a new groom is taken hostage and ends up wearing nothing but a pair of gold leggings in the Mexican desert while his best friends bumble around trying to find him.

SEPTEMBER 19, 2014

HECTOR AND THE SEARCH FOR HAPPINESS (Relativity) stars Simon Pegg as a psychiatrist whose advice isn’t really making his patients any happier; he determines to go out and experience life and find out what it is that truly makes people happy. PRIDE (CBS) is based on the true story of a mining strike in Margaret Thatcher’s Britain which inspires a group of London gay and lesbian activists to raise money for the striking workers who are initially leery of taking money from the group but as they eventually learn to find common ground they discover that strength comes from standing strong together. THE SCRIBBLER (XLRator) which opens in limited release is a sci-fi tale about a disturbed young woman who uses an experimental treatment to eliminate her multiple personalities one at a time, but begins to worry that one of the personalities to be eliminated might be her true one THIS IS WHERE I LEAVE YOU (Warner Brothers) has an all-star cast and is about a dysfunctional family that has dispersed all over the country only to be brought back together under one roof for a week to fulfill the dying wish of their father. In TUSK (A24), a journalist falls into the story of a lifetime as he interviews a reputed explorer with a penchant for walruses and a dark, disturbing secret. Kevin Smith directs this quirky horror tale. THE ZERO THEOREM (Amplify) is visionary director Terry Gilliam’s latest and stars Christoph Waltz as an eccentric agoraphobic computer genius working on a project delegated to him by an equally mysterious Matt Damon in an effort to find a meaning of life – or lack thereof. The movie got a special screening at the Enzian earlier this year; you can read my review of it here.

SEPTEMBER 24, 2014

JACK AND THE CUCKOO CLOCK HEART (Dada) is a whimsical animated feature for adults and set in a wondrous world of fantastic inventions and unforgettable characters. While it is listed as a wide release, it is possible this might end up getting a limited release instead.

SEPTEMBER 26, 2014

On the other hand, THE TWO FACES OF JANUARY (Magnolia) most definitely is opening in limited release and stars Viggo Mortensen and Kirsten Dunst as an American couple traveling in Greece in the early ’60s who encounter Oscar Isaac as a Greek-speaking American tour guide who scams tourists on the side. He becomes infatuated with the wife and when the couple invite him to dinner, it turns out neither the couple nor the tour guide are exactly what they seem to be.

HOW THEY DID LAST YEAR

A look back at how last year’s previewed movies did at the box office. The budgets and box office numbers are courtesy of Box Office Mojo. My verdicts are based on the typical studio formula that for a movie to break even it must make twice its production budget; any movie that achieves that will be labeled as profitable. I define hit movies as those that make three times the production budget and blockbusters as anything that makes $200 million in domestic box office or more, or made five times the production budget with a minimum of $100 million in domestic box office. The first four movies listed are the four main previewed items; I’ve also chosen a selection of other major releases that made the preview issue as well.

RIDDICK (Universal) Budget: $38 Million. Domestic Gross: $42.0M Total: $98.3M Verdict: Made Money.
CLOUDY WITH A CHANCE OF MEATBALLS 2 (Columbia) Budget: $78M. Domestic Gross: $119.8M Total: $274.3M Verdict: Hit.
RUSH (Universal) Budget: $38M. Domestic Gross: $27.0M Total: $90.3M Verdict: Made Money.
DON JON (Relativity) Budget: $6M. Domestic Gross: $24.5M Total: $30.5M Verdict: Big Hit.
INSIDIOUS CHAPTER 2 (FilmDistrict) Budget: $5M. Domestic Gross: $83.6M Total: $161.9M Verdict: Blockbuster.
THE FAMILY (Relativity) Budget: $30M. Domestic Gross: $36.9M Total: $78.4M Verdict: Made Money.
PRISONERS (Warner Brothers) Budget: $46M. Domestic Gross: $61.0M Total: $122.1M Verdict: Made Money.
BAGGAGE CLAIM (Fox Searchlight) Budget: $8.5M. Domestic Gross: $21.6M Total: $22.5M Verdict: Made Money.
WINNIE MANDELA (Image) Budget: N/A. Domestic Gross: $80,634. Total: $80,634. Verdict: Likely Flop.
METALLICA: THROUGH THE NEVER (Picturehouse) Budget: $18M. Domestic Gross: $3.4M Total: $8.0 Verdict: Flop.

OCTOBER

As autumn leaves swirl in the streets and Halloween decorations begin to appear everywhere, there will be plenty of scares coming our way this month with a board game that opens a portal for something truly evil, a spinoff from a smash hit horror film from recent years, a new take on a classic horror icon and an animated feature set in the land of the dead. For those not looking to be scared, there’s a quirky comedy with an SNL legend, mysteries involving an estranged father and son and a husband who may or may not have murdered his missing wife, the reboot of a hit Christian book series and a bestselling children’s book getting the Disney treatment.

Gone Girl

DEANS LIST

GONE GIRL
RELEASE DATE: October 3, 2014
STUDIO: 20th Century Fox
STARRING: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Kim Dickens, Patrick Fugit, Missi Pyle, Boyd Holbrook, Scoot McNairy, Sela Ward
STORY: On the occasion of his fifth wedding anniversary, a man reports his wife missing. His portrayal of a perfect marriage begins to crumble under intense police scrutiny and his bizarre behavior and outright lies make him suspect number one.
PROSPECTS: October has been Affleck’s month as of late, with such films as Runner Runner, The Town and Argo released during that month of the year. While he didn’t direct this effort, he is certainly front and center here.
OBSTACLES: Affleck tends to do better in movies he directs himself. However, this time he finds himself under the tutelage of David Fincher, so that might well give him a leg up. However, the subject matter is something of a downer.
FACTOID: Although the movie is set in North Carolina, it was actually filmed in Cape Girardeau, Missouri.

GRADUATED WITH HONORS

OUIJA
RELEASE DATE: October 24, 2014
STUDIO: Universal
STARRING: Olivia Cooke, Ana Coto, Darren Kagasoff, Bianca A. Santos, Douglas Smith, Matthew Settle, Vivis Colombetti, Robyn Lively, Lin Shaye, Bill Watterson
STORY: A group of young people start messing around with a Ouija board, but this one happens to be not just any Ouija board and the place that they do the messing not just any place.
PROSPECTS: Ouija boards are a large part of our supernatural culture and while they have played a part in horror movies over the years, there have been surprisingly few dedicated to them.
OBSTACLES: The trailer didn’t particularly stand out, and with a fairly unknown cast and crew behind the camera this may have to come out of left field to be successful.
FACTOID: Hasbro’s film division has been working on a Ouija board film for more than five years.

THE JUDGE
RELEASE DATE: October 10, 2014
STUDIO: Warner Brothers
STARRING: Robert Downey Jr., Robert Duvall, Vera Farmiga, Vincent D’Onofrio, Billy Bob Thornton, Balthazar Getty, Dax Shepard, Denis O’Hare, David Krumholtz
STORY: A high-powered big city defense lawyer returns to his rural Indiana home on the occasion for his mother’s funeral and encounters his estranged father, a respected judge. When the father is accused of murder, the son becomes his attorney in a case that looks indefensible.
PROSPECTS: Downey and Duvall are two of the most respected actors in the business. With a fine supporting cast, this could be an early Oscar contender.
OBSTACLES: Nothing indicates in the trailer or through internet buzz that this is being considered as anything more than studio fall filler.
FACTOID: Farmiga beat out Elizabeth Banks for the female lead.

ALTERNATIVE EDUCATION

BIRDMAN
RELEASE DATE: October 17, 2014
STUDIO: Fox Searchlight
STARRING: Michael Keaton, Zach Galifianakis, Edward Norton, Emma Stone, Amy Ryan, Andrea Riseborough, Naomi Watts, Lindsay Duncan
STORY: An actor famous for portraying an iconic super hero in a movie franchise attempts to mount a Broadway play in order to rescue his career and help him restore his humility when his out-of-control ego threatens to derail everything.
PROSPECTS: Big Internet buzz on this one. Word of mouth says this Alejandro Gonzalez Inarritu-directed effort could be a sleeper hit.
OBSTACLES: Inarritu is better known for directing ensemble dramas rather than comedies. Keaton hasn’t really carried a hit movie in decades.
FACTOID: Although there is a Hanna-Barbera character of the same name, the Birdman character of this movie has no relation to the cartoon character.

COMMUNITY COLLEGE

OCTOBER 3, 2014

ANNABELLE (New Line) is a spinoff from the horror hit from last year, The Conjuring and follows the demonic doll Annabelle’s history as she wreaks havoc in the lives of her owners, a nice kickoff to the Halloween season. THE GOOD LIE (Warner Brothers) stars Reese Witherspoon in a story based on true events in which orphans of the Sudan’s brutal civil war find asylum in the United States and how a courageous social worker fought an American bureaucracy frozen by the events of 9/11 to reunite them with their sister. This opens in limited release. In THE HERO OF COLOR CITY (Magnolia) a box of heroic crayons must save Color City from a monster accidentally released from a child’s drawing. This is an animated feature and while it is currently listed for wide release, I would bet money that it will wind up being a platform limited release when all is said and done. LEFT BEHIND (Stoney Lake) reboots the Christian rapture book series with Nicolas Cage in the lead role. THE LIBERATOR (Cohen Media Group), opening in limited release, stars Edgar Ramirez in the title role in this biopic of Simon Bolivar, one of the most revered and beloved figures in South America, who liberated thousands from the colonial powers of the 19th century.

OCTOBER 10, 2014

In ADDICTED (Lionsgate) a married woman with a dream life embarks on a dangerous affair with a hunky young artist, a path which may be too tempting for her to resist. ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY (Disney) stars Steve Carell and Jennifer Garner in this comedy about a family having the kind of day that makes all other bad days look idyllic in comparison. KILL THE MESSENGER (Focus) is opening in platform limited release, with Jeremy Renner starring as Gary Webb, the San Jose Mercury News reporter whose investigation of the link between crack cocaine smuggling, the CIA and arms for Nicaraguan rebels would win him a Pulitzer but cost him far more. ONE CHANCE (Weinstein) is the much-delayed biopic of Paul Potts, the unlikely operatic winner of the hit Britain’s Got Talent and the overwhelming odds he overcame to do it.

OCTOBER 17, 2014

THE BEST OF ME (Relativity) is the latest Nicholas Sparks adaptation and follows a couple who were once high school sweethearts but whose relationship fell apart. 20 years later, they are reunited at a funeral for a friend and the old sparks are rekindled, but also present are the forces that tore them apart the first time around. THE BOOK OF LIFE (20th Century Fox) is a colorful and unique animated feature produced by Guillermo del Toro set in Mexico as well as in the World of the Dead. Two men battle for the heart of a beautiful young woman but one must overcome immense odds to win that sacred heart. DRACULA UNTOLD (Universal) is a new take on the legend of Vlad Tepes, also known as Dracula as he must sacrifice everything to protect his family and his country – and the cost of that sacrifice may be much more than he bargained for. FURY (Columbia) stars Brad Pitt and is set in the waning days of World War II as a tank crew battles to survive the furious last days of the war. NIGHTCRAWLER (Open Road) is the tale of a driven, ambitious young man who enters the breakneck world of L.A. crime journalism. Jake Gyllenhaal stars.

OCTOBER 24, 2014

JOHN WICK (Lionsgate) stars Keanu Reeves in a story about a retired hit man who is forced back into the game by a sadistic young thug who wants to take him down. It’s one of those “be careful what you ask for” tales. Opening in limited release is the Sundance hit LAGGIES (A24) with Keira Knightley as a 20-something who is having trouble growing up, hiding out in the home of a 16-year-old friend and her world-weary single dad. ST. VINCENT (Weinstein) is the latest tour de force for Bill Murray as an irascible old man and unrepentant reprobate who decides to earn some extra cash for his gambling and drinking habits by babysitting a neighbor’s kid. This leads to an unexpected friendship. STONEHEARST ASYLUM (Millennium) opens in limited release and is a British horror film about a medical school grad who is assigned to a mental institution and eventually falls for one of his colleagues, but a change in staffing may bring about unspeakable terror for them both.

OCTOBER 31, 2014

HORNS (Radius) stars Daniel Radcliffe in an unusual horror film directed by Spanish master Alexandre Aja about a man accused of raping and murdering his girlfriend and who starts to grow horns on his head that have the power to force people to confess their darkest secrets and give in to their deepest desires, and decides to use his new-found power to find and exact revenge upon the real killer.

HOW THEY DID LAST YEAR

CAPTAIN PHILLIPS (Columbia) Budget: $55M. Domestic Gross: $107.1M Total: $218.8M Verdict: Big Hit.
GRAVITY (Warner Brothers) Budget: $100M. Domestic Gross: $274.1M Total: $716.4M Verdict: Blockbuster.
ESCAPE PLAN (Summit) Budget: $50M. Domestic Gross: $25.1M Total: $137.3M Verdict: Made Money.
THE FIFTH ESTATE (Touchstone) Budget: $28M. Domestic Gross: $3.3M Total: $8.6M Verdict: Flop.
BAD GRANDPA (Paramount) Budget: $15M. Domestic Gross: $102.0M Total: $151.8 Verdict: Blockbuster.
12 YEARS A SLAVE (Fox Searchlight) Budget: $20M. Domestic Gross: $56.7M Total: $187.7 Verdict: Big Hit.
RUNNER RUNNER (20th Century Fox) Budget: $30M. Domestic Gross: $19.3M Total: $62.7M Verdict: Broke Even.
MACHETE KILLS (Open Road) Budget: $20M. Domestic Gross: $8.0M Total: $15.0M Verdict: Lost Money.
THE COUNSELOR (20th Century Fox) Budget: $25M. Domestic Gross: $16.9M Total: $71.0M Verdict: Made Money.
ROMEO AND JULIET (Relativity) Budget: $24M. Domestic Gross: $1.1M Total: $1.1M Verdict: Flop.

NOVEMBER

As the weather grows colder, the multiplex starts heating up as new blockbusters arrive along with early contenders for Oscar gold. This year we can count on a new sci-fi spectacle from Dark Knight director Christopher Nolan, the first animated feature of a Marvel comic, sequels to a megahit young adult science fiction franchise and an over-the-top workplace comedy, a spin-off from a hit animated franchise and the reunion of one of the dumbest comic duos ever.

Interstellar

DEANS LIST

INTERSTELLAR
RELEASE DATE: November 7, 2014
STUDIO: Paramount
STARRING: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Ellen Burstyn, John Lithgow, Michael Caine, Casey Affleck, Wes Bentley, Topher Grace
STORY: The Earth is dying, unable to support the human race or any other race for that matter. In desperation, we look to the stars and build a craft that might take us there. Time is of the essence and the toll that is taken on the astronauts and those who love them will be terrible indeed.
PROSPECTS: Christopher Nolan once again goes the sci-fi route and with Inception under his belt, this one is more of a traditional science fiction film with starships and alien worlds. With the super hot McConaughey headlining, this is a sure winner.
OBSTACLES: There has been a glut of science fiction on both the big screen and the small; the public might be more in the mood of a Guardians of the Galaxy-type movie which this is not. With the exception of Blade Runner most cerebral science fiction has failed to do well at the box office.
FACTOID: Steven Spielberg was originally intended to direct this and while he was attached he hired Jonathan Nolan to write a draft of the script. When Spielberg moved on to other projects, Nolan suggested this project to his brother Christopher.

GRADUATED WITH HONORS

THE PENGUINS OF MADAGASCAR
RELEASE DATE: November 26, 2014
STUDIO: DreamWorks Animation
STARRING THE VOICES OF: Tom McGrath, Chris Miller, Christopher Knights, Benedict Cumberbatch, Ken Jeong, Peter Stormare, John Malkovich, Werner Herzog
STORY: The penguins, perhaps the most accomplished spies the world never heard of, join forces with a spy agency the world has never heard of to stop Dr. Octavius Brine, a megalomaniacal would-be world dictator the world has never heard of.
PROSPECTS: Like the Minions of the Despicable Me films, the penguins have been the best thing about this animated film franchise. They get their own movie and hopefully, will run – or waddle – with it.
OBSTACLES: This has not exactly been the year of the family film. The Penguins also have their own TV show so the thought of shelling out hard-earned cash to go see them in a theater might not be so attractive for parents.
FACTOID: The filmmakers wanted Robert Stack to voice Skipper but he passed away before filming began.

THE HUNGER GAMES: MOCKINGJAY – PART 1
RELEASE DATE: November 21, 2014
STUDIO: Lionsgate
STARRING: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Elizabeth Banks, Phillip Seymour Hoffman, Julianne Moore
STORY: Katniss is forced to flee to District 13 after her triumph in Catching Fire. From there she becomes the face of the rebellion as she fights to save Peeta, the ones she loves and the innocent of Panem from the ruthless President Snow.
PROSPECTS: Another slam dunk. This is one of the most successful film franchises of this decade and doesn’t look to slow down any with one more film left after this.
OBSTACLES: Can’t really see any.
FACTOID: Hoffman passed away with one week left of shooting for both of the Mockingjay films. Rather than recast the role, his part was finished with some rewriting as well as digital special effects.

BIG HERO 6
RELEASE DATE: November 7, 2014
STUDIO: Disney
STARRING THE VOICES OF: Ryan Potter, Scott Adsit, T.J. Miller, Genesis Rodriguez, Jamie Chung, Damon Wayans Jr., Maya Rudolph, James Cromwell
STORY: A young robotics genius in the high-tech city of San Fransokyo in the future discovers a criminal plot to take over the city. With his faithful but mostly harmless robot companion Baymax, he leads a team of reluctant crimefighters on a mission to save the city.
PROSPECTS: The first animated Marvel feature from Disney. Given that it is opening in the same successful weekend slot as Frozen and Wreck-It Ralph, there’s a good chance that this will be the big animated feature winner this year in terms of box office.
OBSTACLES: Marvel and Disney can be disparate audiences.
FACTOID: While based on a Marvel property, this doesn’t take place inside the Marvel Cinematic Universe.

ALTERNATIVE EDUCATION

FOXCATCHER
RELEASE DATE: November 14, 2014
STUDIO: Sony Classics
STARRING: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, Anthony Michael Hall, Tara Subkoff
STORY: The true story of Olympic wrestling hopeful Mark Schultz, his brother Dave and Mark’s benefactor John Du Pont who founded a wrestling facility dedicated to preparing athletes for the 1988 Seoul Olympics, but led instead to tragedy.
PROSPECTS: Carell is getting huge Oscar buzz in what is said to be the performance of his career. Director Bennett Miller has been involved with two Oscar nominated films previously; Capote and Moneyball.
OBSTACLES: Olympic wrestling is much less popular than the professional sort practiced by the WWE and fans of the latter might not take well to the wrestling style of the former.
FACTOID: The actual Foxcatcher Farm where the training facility was located was sold off after the events of this film; a private school and a development of multi-million dollar homes stand there now.

COMMUNITY COLLEGE

NOVEMBER 7, 2014

JESSABELLE (Lionsgate) is a Southern Gothic horror flick opening in limited release in which a young woman returns to her decaying Louisiana home to recuperate from a horrific car accident, only to discover that the horror awaiting her back home is far more deadly. MERRY FRIGGIN’ CHRISTMAS (Phase Four), opening in limited release, is one of Robin Williams’ final films. He plays a kooky dad whose estranged son finally relents and agrees to spend Christmas with his old man. However when the son discovers he left all of the Christmas gifts at home, Dad, son and younger brother take off on an epic road trip. OPEN WINDOWS (Cinedigm) is an unusual thriller from acclaimed director Nacho Vigalondo in which a superfan wins a date with his favorite actress. When she balks at actually going on the date, her sleazy manager instead gives the fan the option of access to hidden camera feeds originating from her home. This puts her – and him – in unexpected danger. Opens in limited release. Also opening in limited release. ROSEWATER (Open Road) is based on the true story of journalist Maziar Bahari who was captured by the Iranian Revolutionary Guard while there working for the BBC and held and tortured. Comedian/political commentator Jon Stewart directed. THE THEORY OF EVERYTHING (Focus) stars Eddie Redmayne as the brilliant physicist Stephen Hawking as he copes with a devastating illness to become one of the most honored living scientists. While it is listed in limited release, expect that this will be fairly widely available.

NOVEMBER 14, 2014

BEYOND THE LIGHTS (Relativity) is kind of a new take on The Guardian as a global pop superstar falls for a cop and aspiring politician who works her security detail. Despite attempts to keep the two separated, true love lives on in the end, yadda yadda yadda. DUMB AND DUMBER TO (Universal) reunites Jim Carey and Jeff Daniels as the most brain-dead comedy team ever as they and the Farrelly brothers, once one of the hottest comedy directors on the planet, take a spin down the comeback trail.

NOVEMBER 21, 2014

Opening in limited release, EXTRATERRESTRIAL (IFC) comes from director Colin Minihan, one half of the Vicious Brothers who directed Grave Encounters. Here, friends taking a break at a remote mountain cabin witness the crash of an alien spacecraft, which signals the beginning of a fight for survival. THE IMITATION GAME (Weinstein) is the story of prickly mathematician Alan Turing who broke the Enigma code in World War II but was later persecuted for his homosexuality. Benedict Cumberbatch stars. VHS: VIRAL (Magnolia) is the latest in the horror anthology series, with top young directors in the genre filming a series of short videos related to a group of teens’ obsessive pursuit of Internet fame. Like the first two movies in the series, this will be released in limited markets.

NOVEMBER 26, 2014

HORRIBLE BOSSES 2 (New Line) reunites Jason Bateman, Jason Sudeikis and Charlie Day as three put-upon employees who decide to start their own business. Hoodwinked by a slick investor, they come up with a hare-brained scheme to kidnap his son and ransom control of the company back to themselves.

HOW THEY DID LAST YEAR

ENDER’S GAME (Summit) Budget: $110M. Domestic Gross: $61.7Total: $125.5M Verdict: Lost Money.
THOR: THE DARK WORLD (Disney/Marvel) Budget: $170M. Domestic Gross: $206.4M Total: $644.8M. Verdict: Big Hit.
THE HUNGER GAMES: CATCHING FIRE (Lionsgate) Budget: $130M. Domestic Gross: $424.7M Total: $864.6M Verdict: Blockbuster.
FROZEN (Disney) Budget: $150M. Domestic Gross: $400.7M Total: $1.3B. Verdict: Blockbuster.
THE WOLF OF WALL STREET (Paramount) Budget: $100M. Domestic Gross: $116.9M Total: $392.0M Verdict: Big Hit.
OLDBOY (FilmDistrict) Budget: $30M. Domestic Gross: $2.2M Total: $4.9M Verdict: Flop.
THE DELIVERY MAN (Touchstone) Budget: $26M. Domestic Gross: $30.7M. Total: $51.2M Verdict: Broke Even.
THE BOOK THIEF (20th Century Fox) Budget: $19M. Domestic Gross: $21.5M Total: $76.6M Verdict: Big Hit.
ABOUT TIME (Universal) Budget: $12M Domestic Gross: $15.3M Total: $87.1M Verdict: Big Hit.
HOMEFRONT (Open Road) Budget: $22M Domestic Gross: $20.2M Total: $43.1M Verdict: Broke Even.
THE DALLAS BUYERS CLUB (Focus) Budget: $5M Domestic Gross: $27.3M Total: $55.2M Verdict: Big Hit.
MANDELA: LONG WALK TO FREEDOM (Weinstein) Budget: $35M. Domestic Gross: $8.3M Total: $27.3M Verdict: Lost Money.
BLACK NATIVITY (Fox Searchlight) Budget: $17.5M Domestic Gross: $7.0M Total: $7.5M Verdict: Flop.
LAST VEGAS (CBS) Budget: $28M Domestic Gross: $63.9M Total: $134.4M Verdict: Big Hit.
THE BEST MAN’S HOLIDAY (Universal) Budget: $17M Domestic Gross: $70.5M Total: $71.6M Verdict: Big Hit.
FREE BIRDS (Relativity) Budget: $55M Domestic Gross: $55.8M Total: $110.4M Verdict: Broke Even.

DECEMBER

The last month of the year tends to send the box office out with a bang as big budget blockbusters vie with Oscar contenders for screens. This year we’ll be taking our last trip to Middle Earth, watch Ridley Scott get Biblical, see new re-imaginings of two hit musicals, watch a beloved children’s book character come to life and see the life story of a genuine American hero that you may never have heard of until now.

The Hobbit: Battle of Five Armies

DEANS LIST

THE HOBBIT: THE BATTLE OF THE FIVE ARMIES
RELEASE DATE: December 17, 2014
STUDIO: New Line/MGM
STARRING: Martin Freeman, Ian McKellen, Richard Armitage, Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Stephen Fry, Cate Blanchett, Ian Holm
STORY: The Dwarves having reclaimed Erebor, Smaug wreaks havoc on Lake-town while an Orc army makes its stealthy way to Lonely Mountain. Human, Elf and Dwarf armies must unite to face the darkness or perish separately forever.
PROSPECTS: This being the last visit to Middle Earth possibly ever (although director Peter Jackson has reportedly been mulling over The Silmarillion as a future project) should get the fans out in droves. The last installment of The Lord of the Rings trilogy was also the biggest hit.
OBSTACLES: The Hobbit trilogy has disappointed both at the box office and in the hearts of the Middle Earth faithful.
FACTOID: Although Cate Blanchett appears in all three films, she was only on set for eight days of the more than 266 days of shooting (not including the additional shoots in the summer of 2013).

GRADUATED WITH HONORS

NIGHT AT THE MUSEUM: SECRET OF THE TOMB
RELEASE DATE: December 19, 2014
STUDIO: 20th Century Fox
STARRING: Ben Stiller, Robin Williams, Owen Wilson, Steve Coogan, Ricky Gervais, Rebel Wilson, Ben Kingsley, Dan Stevens, Rami Malek, Dick van Dyke
STORY: The magical…um, serving tray or whatever it is, has been brought to London to the British National Museum along with some other artifacts from the New York Museum of Natural History. However the…um, bedpan or whatever it is no longer functions correctly and it will be up to Larry the Security Guard to find a way to restore it before all his friends are lost forever.
PROSPECTS: The first two films did monster box office despite lukewarm reviews. This one will be one of the great Robin Williams’ final film roles which is certainly going to bring people out in droves.
OBSTACLES: This hasn’t exactly been the kind of franchise that people have fallen in love with despite the box office numbers. Weak word of mouth could really hurt it.
FACTOID: Not only is this Williams’ final major studio film, it is also the last film for the late Mickey Rooney who has a cameo.

ANNIE
RELEASE DATE: December 19, 2014
STUDIO: Columbia
STARRING: Jamie Foxx, Cameron Diaz, Quvenzhané Wells, Rose Byrne, Bobby Cannevale, Adewale Akinnuoye-Agbaje, David Zayas, Mike Birbiglia
STORY: A cheerfully optimistic foster kid with an obscenely positive attitude enters the life of a New York City mayoral candidate (and billionaire) and becomes something of a good luck charm for him. While he uses her to further his pursuits, he may not realize that she is changing him in ways he never expected.
PROSPECTS: This has been a perennial Broadway musical favorite, and has already been a big hit on the big screen. Columbia has been pushing the movie very hard.
OBSTACLES: Purists might object to some of the changes in this movie version from the original musical and the source comic strip.
FACTOID: Producer Will Smith originally envisioned this as a starring role for his daughter Willow (talk about a stage dad!) but by the time production was ready to get underway, she had grown too old to play Annie and Wells, fresh off her success in Beasts of the Southern Wild got the job instead.

BIG EYES
RELEASE DATE: December 25, 2014
STUDIO: Weinstein
STARRING: Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter, Jason Schwartzman, Terence Stamp, Jon Polito, Andrew Airlie
STORY: Walter Keane was one of the most successful painters of the late 50s and early 60s but he hid a staggering secret; the paintings were actually done by his wife Margaret and he was taking credit for her work.
PROSPECTS: A really fascinating story that few people know anything about. Could be a big awards contender come Oscar time.
OBSTACLES: Tim Burton is not exactly box office gold as directors go. Weinstein hasn’t really promoted this at all to date and this may end up being moved to another date next year.
FACTOID: The second biographical film that Burton has directed, the first being Ed Wood.

INTO THE WOODS
RELEASE DATE: December 25, 2014
STUDIO: Disney
STARRING: Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Tracey Ullman, Christine Baranski, Lucy Punch
STORY: A story uniting the characters of Grimm’s Fairy Tales as a baker and his wife, desperate to have a baby, are cursed by a witch and find themselves entwined in the tales of Jack and the Beanstalk, Cinderella, Little Red Riding Hood and Rapunzel.
PROSPECTS: One of Stephen Sondheim’s most beloved musicals which has inexplicably never made it to the big screen until now.
OBSTACLES: Will face heavy competition from Annie.
FACTOID: Sondheim wrote two original songs for the production, both of which were cut from the final film.

ALTERNATIVE EDUCATION

WILD
RELEASE DATE: December 5, 2014 (limited)
STUDIO: Fox Searchlight
STARRING: Reese Witherspoon, Laura Dern, Thomas Sadoski, Gaby Hoffman, Michael Huisman, W. Earl Brown, Kevin Rankin, Keene McRae
STORY: After her marriage disintegrates and she embarks on a decade of reckless and destructive behavior, Cheryl Strayed decides to walk the thousand mile Pacific Crest trail on her own despite having no experience with hiking.
PROSPECTS: This true story looks like a legitimate Oscar possibility for Witherspoon who has become one of those actresses who seems to have an Oscar-worthy performance every year.
OBSTACLES: Limited release and a very inwardly-focused narrative may not exactly lead to box office bonanza, although the same studio had big success with 12 Years a Slave last year.
FACTOID: The screenplay was written by noted British novelist Nick Hornby.

COMMUNITY COLLEGE

DECEMBER 5, 2014

THE PYRAMID (20th Century Fox) is a horror film in which modern day explorers discover a new pyramid buried in the sands of Egypt and then discover up close and personally the realities of an Egyptian curse.

DECEMBER 12, 2014

DEMONIC (Dimension) is about the investigation of a massacre in an abandoned house in which five college students were brutally murdered; one of the survivors explains that they were paranormal investigators whose ghost hunting woke up something truly terrifying. EXODUS: GODS AND KINGS (20th Century Fox) is the retelling of the legend of Moses and Ramses from director Ridley Scott, with Christian Bale and Joel Edgerton in the respective roles. INHERENT VICE (Warner Brothers) features an all-star cast in a Paul Thomas Anderson film of a Thomas Pynchon novel set in the swinging ’60s.

DECEMBER 19, 2014

Opening in limited release, MR. TURNER (Sony Classics) stars Timothy Spall as British painter J.M.W. Turner, an eccentric who lived a colorful life and produced paintings that still divide the art world between acclaim and vilification.

DECEMBER 25, 2014

AMERICAN SNIPER (Warner Brothers), which opens in limited release and then expands to wide release on January 16, is the latest from director Clint Eastwood and tells the story of legendary Navy SEAL sniper Chris Kyle, who has recorded more confirmed sniper kills than any U.S. military man in history. HOT TUB TIME MACHINE 2 (Paramount/MGM) returns most of the cast of the first film (sans John Cusack) who this time go back to the future to keep one of them from premature death. THE INTERVIEW (Columbia) received some controversy when North Korea threatened to go to war with the United States if this was to be released. It stars Seth Rogen and James Franco as a dimwitted talk show host and his producer who nab an interview with Kim Jong Un and are recruited by the CIA to assassinate him. It just makes one wonder; why would anyone go to war over Seth Rogen? PADDINGTON (Weinstein) is a live action/animated hybrid of the beloved children’s book character Paddington Bear and the second trailer for it looks like it may well be the best family film of the year. SELMA (Paramount), opening in limited release but expanding to a wide release on January 9, is the account of the civil rights march from Selma to Montgomery, Alabama which sparked outrage at the tactics that the Alabama state troopers and locals used to stop the march and eventually led President Lyndon Johnson to sign the Voting Rights Act of 1965. UNBROKEN (Universal) is the incredible but true story of Louis Zamperini, an American Olympian who during World War II survived a plane crash in the Pacific and 47 harrowing days in a raft at sea, only to be picked up by a Japanese warship and face internment in a harsh Japanese prisoner of war camp.

DECEMBER 31, 2014

LEVIATHAN (Sony Classics) opens in limited release and is a Russian film about a land dispute in a remote Russian village that ripples through the family and community involved and exposes the corruption in the Russian judicial system. This was one of the most acclaimed movies to come out of Sundance this year.

HOW THEY DID LAST YEAR

ANCHORMAN: THE LEGEND CONTINUES (Paramount) Budget: $50M. Domestic Gross: $125.2M Total: $173.7M Verdict: Hit.
THE HOBBIT: THE DESOLATION OF SMAUG (New Line) Budget: $225M. Domestic Gross: $258.4M Total: $958.4M Verdict: Big Hit.
JACK RYAN: SHADOW RECRUIT (Paramount) Budget: $60M. Domestic Gross: $50.6M Total: $135.5M Verdict: Broke Even.
SAVING MR. BANKS (Disney) Budget: $35M. Domestic Gross: $83.3M Total: $112.5M Verdict: Hit.
INSIDE LLEWYN DAVIS (CBS) Budget: $11M. Domestic Gross: $13.2M Total: $32.9M Verdict: Hit.
THE MONUMENTS MEN (Columbia) Budget: $70M. Domestic Gross: $78.0M Total: $155.0M Verdict: Made Money.
THE SECRET LIFE OF WALTER MITTY (20th Century Fox) Budget: $90M. Domestic Gross: $58.2M Total: $188.1 Verdict: Broke Even.
WALKING WITH DINOSAURS (20th Century Fox) Budget: $80M. Domestic Gross: $36.1M Total: $126.6M Verdict: Lost Money.
OUT OF THE FURNACE (Relativity) Budget: $22M. Domestic Gross: $11.3M Total: $14.1M Verdict: Flop.
47 RONIN (Universal) Budget: $175M. Domestic Gross: $38.4M Total: $151.0M Verdict: Flop.
GRUDGE MATCH (Warner Brothers) Budget: $40M. Domestic Gross: $29.8M Total: $44.9M Verdict: Lost Money.
TYLER PERRY’S A MADEA CHRISTMAS (Lionsgate) Budget: $25M. Domestic Gross: $52.5M Total: $52.5M Verdict: Broke Even.
AUGUST: OSAGE COUNTY (Weinstein) Budget: $25M. Domestic Gross: $37.7M Total: $74.2M Verdict: Hit.

So there you have it, the last preview of the year and hopefully we’ll go out with a bang with some box office hits and some great movies that will keep the Oscar buzz going into the new year. As always; release dates are always subject to change, especially the farther out you go so be sure and check your local listings before heading out to your local multiplex.

There is a lot to look forward to next year which has studio accountants quivering with excitement – and film buffs and fanboys as well. A crowded schedule of movies that are already on a lot of people’s radars include the return of Star Wars to theaters, the new Avengers movie as well as the beginning of Marvel’s third cinematic phase, new installments in the Jurassic Park, Mad Max, Terminator, Fast and Furious, Divergent and The Hunger Games franchises, adaptations of Assassin’s Creed and The Jungle Book as well as a return of Pixar with Inside Out as well as the lovable Minions from Despicable Me getting their own movie – and a lot more. There are those who are whispering that 2015 may well be the greatest year in movies in decades and we’ll talk about all of it in the 2015 preview coming at the end of December. Until then, thanks for reading our Fall/Holiday preview edition and we’ll see you at the movies.