New Releases for the Week of November 1, 2019


TERMINATOR: DARK FATE

(Paramount) Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Tristán Ulloa. Directed by Tim Miller

After having prevented Judgment Day, Sarah Connor is presented with a new threat from the future and must turn to an old friend/nemesis if she is to save the human race once again.

See the trailer here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: R (for violence throughout, language and brief nudity)

Arctic Dogs

(Entertainment Studios) Starring the voices of Jeremy Renner, Heidi Klum, James Franco, Alec Baldwin. An ambitious arctic fox, dreaming of becoming the top dog – number one courier in the Arctic – stumbles upon a nefarious plot to release greenhouse gasses to further melt the icepack and establish an evil walrus as the supreme ruler of the planet.

See the trailer here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some mild action and rude humor)

Harriet

(Focus) Cynthia Erivo, Leslie Odom Jr., Janelle Monáe, Joe Alwyn. Harriet Tubman went from being a slave to a heroic figure who rescued thousands and who would become a symbol of African-American pride.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG-13 (for thematic content throughout, violent material and language including racial epithets)

Inside Game

(iDream Machine) Scott Wolf, Eric Mabius, Will Sasso, Lindsey Morgan. A small-time con-man teams up with two childhood friends – a bookie and a referee for the NBA – to bet on games his friend is working and make millions.

See the trailer here
For more on the movie this is the website  
Genre: True Life Drama
Now Playing: AMC Disney Springs. Regal Waterford Lakes
Rating: R (for language and drug use throughout, and some sexual content)

Motherless Brooklyn

(Warner Brothers) Edward Norton, Gugu Mbatha-Raw, Bruce Willis, Bobby Cannavale. A private detective with Tourette’s Syndrome must use his obsessive mind to solve the murder of his friend and mentor.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Orlando, Regal Oviedo Marketplace, Regal Pavilion Port Orange, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: R (for language throughout including some sexual references, brief drug use, and violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Adopt a Highway
Badland
Everybody’s Talking About Jamie
For Sama
Greener Grass
Meeku Maathrame Chepthra
Paradise Hills

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Jojo Rabbit
Meeku Maathrame Chepthra

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Dark Justice
Meeku Maathrame Chepthra

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Give Me Liberty
Meeku Maathrame Chepthra

SCHEDULED FOR REVIEW:

Badland
Harriet
Jojo Rabbit
Motherless Brooklyn
Terminator: Dark Fate

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale

Ant-Man and the Wasp


The well-prepared superheroes scan the room to determine who cut the cheese.

(2018) Superhero (Disney/MarvelPaul Rudd, Evangeline Lilly, Michael Peňa, Michael Douglas, Laurence Fishburne, Hannah John-Kamen, Bobby Cannavale, Walton Goggins, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Abby Ryder Fortson, Randall Park, Michelle Pfeiffer, Tim Heidecker, Divian Ladwa, Goran Kostic, Rob Archer, Sean Thompson Kleier, Riann Steele. Directed by Peyton Reed

 

Following up Avengers: Infinity War as a Marvel superhero is like being the guy who bats after Babe Ruth; anything you do is going to be anti-climactic.

Scott Lang (Rudd) has hung up his Ant-Man mantle and placed under house arrest following the events of Captain America: Civil War and is just days away from getting his freedom back. He’s far more interested in being a better dad to his daughter Cassie (Fortson) and starting up a corporate security firm with his buddies Luis (Peňa), Dave (Harris) and Kurt (Dastmalchian) than resuming his superhero career with the tech he was awarded by crusty Dr. Hank Pym (Douglas).

But Pym and his daughter Hope (Lilly) believe they are on the verge of being able to rescue Hank’s wife and Hope’s mom Janet van Dyne (Pfeiffer) – who is also the original Wasp – from the Quantum Realm where she has been trapped for decades. Lang’s successful escape from the Realm makes him Hank’s best friend from a scientific standpoint. However, Hank’s tech is in high demand and after it are corporate espionage maven Sonny Burch (Goggins) and the insubstantial super-villain Ghost (John-Kamen). With a friendly but suspicious federal agent (Park) watching Scott’s every move and with his freedom on the line, can Scott rescue Janet and stay ahead of both the feds and the bad guys?

This, like the first Ant-Man film the tone is light and irreverent – not to the same degree as Thor: Ragnarok but more like a 90s sitcom; not a bad thing at all There are some genuinely funny lines and bits and if you don’t think about the physics of the Pym particles too much the plot moves along at a nice clip. The stakes here aren’t very high, compared to other recent Marvel films, but who says every superhero movie has to be about The End of the World As We Know It?

Rudd continues to be intensely likable and thankfully they integrate Lilly into the action much more; I wouldn’t mind seeing a Wasp solo movie down the line someday (from my pen to Kevin Feige’s ears). The effects are solid and the cast is awfully strong This isn’t the kind of grand-slam that Marvel has been hitting regularly lately but it certainly is a solid base hit that most Marvel fans should enjoy.

REASONS TO SEE: Lilly as the Wasp is integrated better into the story.
REASONS TO AVOID: A little bit watered down from the first film.
FAMILY VALUES: There is some comic book violence.
TRIVIAL PURSUIT: The younger version of Bill Foster in the flashback sequences is played by Langston Fishburne, son of Laurence who plays the older Bill Foster.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Movies Anywhere, Netflix, Redbox, Vudu, YouTube
CRITICAL MASS: As of 9/19/19: Rotten Tomatoes: 88% positive reviews: Metacritic: 70/100.
COMPARISON SHOPPING: Fantastic Voyage
FINAL RATING: 6.5/10
NEXT:
Bathroom Stalls and Parking Lots

New Releases for the Week of July 6, 2018


ANT-MAN AND THE WASP

(Disney/Marvel) Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, Hannah John-Kamen. Directed by Peyton Reed

Scott Lang deals with the consequences of his decisions made during Captain America: Civil War, trying to balance his responsibilities as a father and as a superhero. When Hank Pym and Hope Van Dyne come to him with an urgent mission with personal ramifications for them both, Scott wants to help but wonders how his choices will effect his relationship with his daughter.

See the trailer, interviews, video featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D, D-BOX, D-BOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD-3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for some sci-fi action violence)

Boundaries

(Sony Classics) Vera Farmiga, Christopher Plummer, Lewis MacDougall, Christopher Lloyd. A struggling single mom and her precocious son are forced to drive her freewheeling, pot-dealing devil-may-care father across the country after he is kicked out of the nursing home she put him in.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Old Mill Playhouse, Regal Winter Park Village

Rating: R (for drug material, language, some sexual references and nude sketches)

The First Purge

(Universal/Blumhouse) Y’lan Noel, Lex Scott Davis, Marisa Tomei, Joivan Wade. This is where it all began; the New Founding Fathers’ solution to crime – let everyone get it all out of their system in one night be it looting, assault or murder. It’s a lot different than the Purge we’ve come to know.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release (opened Wednesday)

Rating: R (for strong disturbing violence throughout, pervasive language, some sexuality and drug use)

Na Band Na Baraati

(HUM) Komal Farooqi, Saram Jaffery, Ali Kazmi, Zuhair Jaffery. A Pakistani family living in Toronto has their hands full planning a wedding for both their sons. Traditions from their homeland collide with expectations in a new world that they don’t entirely understand; nor does it understand them.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Touchstar Southchase

Rating: NR

No Postage Necessary

(Two Roads) George Blagden, Charleene Closshey, Robbie Kay, Raymond J. Barry. A convicted computer hacker, barred from using the Internet and not quite scraping by working minimum wage jobs, takes to stealing mail to make ends meet. He reads a letter a beautiful young woman wrote to her husband, a Marine killed in Afghanistan. Intrigued, he begins to fall in love with her. Hoping to be the man she deserves and the man he’s always thought he could be, he tries to turn his life around but the past has a way of catching up with you

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for some drug references and brief language)

Whitney

(Miramax/Roadside Attractions) Whitney Houston, Cissy Houston, Bobby Brown, Kevin Costner. She was one of the most distinctive voices of her generation and one of the greatest female vocalists ever. She had everything; a loving family, a skyrocketing career, fame and talent beyond measure. Her meteoric rise was matched by a startling fall ending in the tragedy of a life ended too soon. This is her story, buttressed by plenty of interview and performance footage.

See the trailer here.
For more on the movie this is the website
Release Formats: Standard
Genre: Music Documentary
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, AMC West Oaks, Old Mill Playhouse, Regal Ormond Beach, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13 (for some thematic elements and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Neither Wolf Nor Dog
Pantham

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Ava
En El Septimo Dia
Pantham
Tej I Love You
Under the Tree

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Amma I Love You
Bleeding Steel
Tej I Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amma I Love You
Pantham
Tej I Love You

SCHEDULED FOR REVIEW:

Ant-Man and the Wasp
The First Purge
Whitney

Jumanji: Welcome to the Jungle


Going to the market is a little different in Jumanji.

(2017) Adventure (Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Rhys Darby, Bobby Cannavale, Nick Jonas, Alex Wolff, Ser’Darius Blain, Madison Iseman, Morgan Turner, Sean Buxton, Mason Guccione, Marin Hinkle, Tracy Bonner, Najah Jackson, Natasha Charles Parker, Kat Altman, Maribeth Monroe, Missi Pyle. Directed by Jake Kasdan

 

There’s no doubt about it; there are pitfalls involved when making a sequel to a beloved and iconic family film 22 years after the fact. The original 1996 film Jumanji starring the late and equally beloved Robin Williams was based on a Chris van Allsburg-penned children’s book about a board game that had a bit of magic to it, bringing the jungle world of Jumanji into a small town complete with mischievous monkeys, scary spiders, rampaging herds of animals and a sadistic hunter named Van Pelt.

The sequel is a little bit updated. It starts with a young teen in 1996 being sucked into a mysterious console video game much as Alan Parrish was back in the day. Somehow the console with the videogame still in it made its way to a high school audio-video room which a group of disparate teens on detention have been tasked with cleaning up. The game is discovered and videogame nut Spencer (Wolff) is keen on playing it. Fridge (Blain), the football star in trouble because he’d enlisted Spencer to write a term paper for him reluctantly accedes as does Martha (Turner), a shy nerd and Bethany (Iseman), a Queen Bee of the school.

Of course the four teens are sucked inside the game and re-materialize as the avatars they’ve chosen; Spencer becomes the muscular and heroic Smolder Bravestone (Johnson), Fridge the manic but diminutive zoologist Mouse Finbar (Hart), Martha the sultry martial artist Ruby Roundhouse (Gillan) and most amusing of all, Bethany the middle aged and out-of-shape cartographer Sheldon “Shelly” Oberon (Black). It is the star power of these four that truly makes the film work.

In any case, they are given unique and special powers as well as weaknesses, some of which are amusing – for example, eating cake will make Mouse Finbar explode. Each of the avatars have three lives available; when they use them all up, they are gone from the game permanently and maybe out of real life as well. They are given the mission of retrieving a magic emerald from villainous Van Pelt (Cannavale) – very different than the one in the original – and restoring it into a gigantic panther statue in order to restore balance to the land of Jumanji. Along the way they’ll battle poisonous snakes, voracious hippos, a herd of rampaging rhinos and not-too-bright but vicious henchmen.

One of the big criticisms of the original Jumanji – best articulated by the late, great Roger Ebert – was that the children in the film were often in realistic peril, perhaps much too much for a film aimed at children. Kasdan solves this dilemma by having the young teens morphed into adult avatars which although being in peril throughout can at least say they weren’t children in peril. Parents concerned about this aspect of the original can rest easy.

As I said, the four leads are really the reason to see the movie. Kasdan wisely plays to the strengths of the actors; the rapid-fire delivery of Hart, the easygoing charm of Johnson, Black’s ability to be absolutely uninhibited and Gillan’s lustrous physicality. Fans may recognize her as Nebula in Guardians of the Galaxy but Doctor Who fans may not recognize anything of Amy Pond in Ruby Roundhouse.

The present-day sequences with the actors playing the teens (not all of whom are juveniles – Blain is thirty years old at the time of release – are less compelling but then again how would you expect even veteran young actors like Wolff to compete with some of the biggest stars in the business? I suppose it’s not really fair but then again it is noticeable that the charm drops precipitously during the bookending sequences of pre-game and post-game.

I have to admit that despite the star power of the cast that I didn’t hold very high hopes for this one. I knew that inevitably it would be compared to the 1996 original and I was pretty sure that it would come out getting the short end of the stick but actually that wasn’t the case. In some ways, the more recent version is better than the original – certainly in the CGI and while Williams delivered a terrific performance along with Bonnie Hunt, the fab four of Johnson, Hart, Black and Gillan all were just as good if not better. I was pleasantly surprised by this and it might just end up in our permanent video collection when the time comes. The fact that the film did some marvelous box office numbers and has already had a sequel greenlit just confirms that the movie-going public agrees.

REASONS TO GO: The adult actors are smashing. This is much better than I expected it to be.
REASONS TO STAY: The actors playing the juveniles are pretty meh.
FAMILY VALUES: There is plenty of action violence, some suggestive content and brief mild profanity.
TRIVIAL PURSUIT: Johnson and Hart previously starred together in Central Intelligence.
CRITICAL MASS: As of 2/18/18: Rotten Tomatoes: 76% positive reviews. Metacritic: 58/100
COMPARISON SHOPPING: Big
FINAL RATING: 7.5/10
NEXT:
Casting JonBenet

I, Tonya


Some mother and daughter relationships aren’t exactly storybook perfect.

(2017) Biographical Dramedy (Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson, Paul Walter Hauser, Bobby Cannavale, Bojana Novakovic, Caitlin Carver, Maizie Smith, Mckenna Grace, Suehyla El-Attar, Jason Davis, Mea Allen, Cory Chapman, Amy Fox, Cara Mantella, Joshua Mikel, Lynne Ashe, Steve Wedan, Brandon O’Dell, Kelly O’Neal. Directed by Craig Gillespie

 

Fame is a double edged sword. It can give you the keys to the kingdom; everything in life you ever could want. It can also turn back savagely on you and make you a national laughingstock.

Those around in the mid-1990s will remember Tonya Harding (Robbie) as a gifted figure skater who had a legitimate shot at Olympic gold. The first (and to date only) woman to complete a triple axel in competition, it all came crashing down on her just prior to the 1994 Olympics in Norway.

This acid-tongued biopic shows Tonya being pushed into the rink by her overbearing mother LaVona (Janney). Single, bitter and ruthless, LaVona pushes Tonya through physical and emotional abuse, explaining it off as “she skates better angry.” A legitimate athlete, Tonya had a hard time winning judges over with her handmade costumes and her rough-around-the-edges charm.

Tonya moves from one abusive relationship to another; she meets Jeff Gillooly (Stan) at the rink. He falls head over heels for the waif who is something of a combination of Miss America and pro wrestling valet to the working class Gillooly. The two end up marrying but the relationship is tempestuous. He has a vicious temper and that temper gets physical.

She’s desperately lonely and wants to be accepted for what she is – one of the world’s best in her sport. However, her crude language and temperament get the better of her and she continues to place lower than she thinks she deserves. Then, she has that one perfect day – nailing the triple axel and winning the U.S. Figure Skating Championships, making her the odds-on favorite to medal at the Olympics. A combination of bad luck and bad decisions keep getting in her way however, and after separating, then reconciling and at last separating again with Gillooly, she switches coaches and looks to try and make a comeback. Her rivalry with Nancy Kerrigan (Carver) and a death threat that thoroughly plays with Tonya’s head and threatens to derail her chances once again leads Gillooly to conspire with his friend Shawn Eckhardt (Hauser)  to do the same to Kerrigan – except the incompetent Eckhardt decides on his own to take it a step further…

The movie is based on a series of face to face interviews with Harding and Gillooly which are often contradictory. The interviews are recreated with Robbie and Stan standing in. The actors also show the events that are being described, often stopping and turning to the camera and addressing the audience to say “I never did this,” or “She actually did this,” or make some other comment. The breaking of the fourth wall is effective and provides some of the best and most comedic moments of the film.

Several critics have groused that the film seems to be using domestic abuse (and there is a lot of it, starkly and graphically portrayed) as a punch line, but that’s quite the knee-jerk reaction in my humble opinion. Perhaps there are some folks who might find that stuff funny but there weren’t any in the screening I attended. The domestic abuse was in stark contrast to the lighter moments of sheer dumbassery displayed by Eckhardt and Gillooly, reflected by some of the more bizarre “you couldn’t make this stuff up” aspects of the actual events.

Gillespie and writer Steven Rogers make it clear their sympathies are with Harding, who was definitely dealt a difficult hand by life. She came from poverty and had to struggle for everything; to her mom’s credit (and you really can’t give her much) she found a way to outfit her with skates and skating lessons which couldn’t have been cheap. However, LaVona does some pretty awful things; she refuses to allow little Tonya a bathroom break until the poor child pees herself on the ice, which only elicits a disgusted expression from Mommy Dearest who will certainly elicit similar expressions from audience members. Class distinctions are a major theme in the film; Harding often acts like trailer trash (to use an awful expression which is to the poor the equivalent of a slur) because that’s all she knows. Still, she wills herself into success and that’s something she is almost never given credit for, mainly because she became tabloid fodder and the butt of late night comedian’s jokes.

Robbie is scary good in the movie, making Tonya hard-assed but also vulnerable. We see the pain in her face when she gives a smile for the cameras but that smile is as tight as saran wrap on her face and threatens to break at any moment. Robbie captures the attitude and vocal patterns of someone from those circumstances and makes Tonya a living, breathing person instead of a media invention.

Janney, who was so good in The West Wing returns to that kind of greatness with a much different role. There is nothing to like about LaVona and Janney gives us a character who is unapologetic and a little bit whacko. We sense that she’s been kicked in the teeth enough but there’s little context; all we see is that life has made her a ten karat bitch and someone who put Tonya on a collision course with infamy.

This is an Oscar contender on a lot of different levels and one of the best movies of the year. It’s just now hitting a limited release and should be going wide shortly. This is one you’ll want to see; even if the Tonya Harding scandal doesn’t interest you, if good filmmaking and incredible acting are more your thing, this movie covers both of those bases with room to spare.

REASONS TO GO: Robbie and Janney both give award-worthy performances. Some excellent camera work, particularly in the skating scenes. The soundtrack is near-perfect. Harding is turned from a joke into a sympathetic character.
REASONS TO STAY: The biting social commentary seems at odds with some of the humor.
FAMILY VALUES: There is plenty of profanity, a scene of shocking violence and some sexuality.
TRIVIAL PURSUIT: Janney actually trained as a figure skater through most of her youth until an accident caused a leg injury that effectively ended her career.
CRITICAL MASS: As of 1/12/17: Rotten Tomatoes: 89% positive reviews. Metacritic: 77/100.
COMPARISON SHOPPING: Florence Foster Jenkins
FINAL RATING: 8.5/10
NEXT:
Jigsaw

New Releases for the Week of December 22, 2017


JUMANJI: WELCOME TO THE JUNGLE

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Rhys Darby, Bobby Cannavale, Nick Jonas, Alex Wolff, Missi Pyle.  Directed by Jake Kasdan

A group of four bored teenagers discover an old video console and while fooling around with it are somehow transported into the game’s jungle setting, becoming the avatars they chose. They discover their strengths and weaknesses (don’t give Fridge any cake) and must work together if they are to survive the game and make it home. Based on the Robin Williams classic movie Jumanji.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for adventure action, suggestive content and some language)

All the Money in the World

(Tri-Star) Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer. Sometimes, truth is stranger than fiction; in the 70s, the heir to a billion-dollar oil fortune was kidnapped and held for ransom. His grandfather, the richest man on Earth, refused to pay it despite having his grandson’s ear sliced off as proof the kidnappers meant business, leaving his mom to rescue her boy on her own. Also stranger than fiction, disgraced actor Kevin Spacey was originally cast as oil baron J. Paul Getty. After being accused of sexual misconduct and only weeks before the release date, director Ridley Scott decided to erase Spacey from the film and digitally insert Christopher Plummer instead. Like I said, stranger than fiction.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opens Monday)

Rating: R (for language, some violence, disturbing images and brief drug content)

Darkest Hour

(Focus) Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn, Lily James. Early in World War II, the United Kingdom must replace their Prime Minister with a compromise candidate that nobody really wanted; Winston Churchill. He is given a nation to lead on the brink of complete military collapse; their army is trapped in Dunkirk and their navy and air force have taken a pounding. Somehow this unpopular Prime Minister must summon the will to lead his country through the darkest hour in their history.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG-13 (for some thematic material)

Downsizing

(Paramount) Matt Damon, Christoph Waltz, Kristen Wiig, Jason Sudeikis. A middle class couple makes the decision that a new shrinking technique will make their lives better. When the wife backs out at the last moment, the husband is left to begin a new life in a new world and rediscovers wonder and purpose.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release

Rating: R (for language including sexual references, some graphic nudity and drug use)

Father Figures

(Warner Brothers) Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons. Two twin brothers discover that their father, whom they were told was dead, was in fact possibly very much alive – but their mother wasn’t sure which man out of several possibilities their actual dad is. They decide to go on a road trip to find out for certain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language and sexual references throughout)

The Greatest Showman

(20th Century Fox) Hugh Jackman, Michelle Williams, Zac Efron, Zendaya. The story of the legendary P.T. Barnum whose circus and museum of oddities became known as the Greatest Show on Earth is set to music from the team that gave us La La Land.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for thematic elements including a brawl)

Molly’s Game

(STX) Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera. Here is the incredible but true story of former Olympic-class skier Molly Bloom who following her athletic career ran a high-stakes poker game that made her an FBI target when it turned out some very dangerous Russian Mafia types were part of her clientele. Remember the whole truth is stranger than fiction thing?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village (opens Monday)

Rating: R (for language, drug content and some violence)

Pitch Perfect 3

(Universal) Anna Kendrick, Rebel Wilson, Brittany Snow, Anna Camp. The publicity is touting that this is the final chapter in the Glee-rip-off series. We can only pray they’re not lying.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, language and some action)

The Shape of Water

(Fox Searchlight) Sally Hawkins, Octavia Spencer, Michael Shannon, Richard Jenkins. In a secret laboratory in the 1960s, a mute janitor discovers that the scientists are experimenting on a strange aquatic creature they took from the Amazon. She is determined to stop their cruel experiments on the creature when she discovers that not only is the being intelligent but an emotional attachment is developing between them. This film led all movies this year in total Golden Globe nominations with seven.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Enzian Theater, Wide Release

Rating: R (for sexual content, graphic nudity, violence and language)

Tiger Zinda Hai

(Yash Raj) Katrina Kaif, Salman Khan, Anupriya Goenka, Paresh Rawal. Superspies Tiger and Zoya are pressed back into service eight years later when India is threatened by a potential despot. This is the sequel to the massive Indian hit Ek the Tiger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Spy Action
Now Playing: AMC Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Crooked House
Hello!
Kaleidoscope
MCA – Middle Class Abbay

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Call Me by Your Name
Hello!
MCA – Middle Class Abbay
The Trace We Leave Behind

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hello!
MCA – Middle Class Abbay
Velaikkaran

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Hello!
MCA – Middle Class Abbay

SCHEDULED FOR REVIEW:

All the Money in the World
Call Me By Your Name

Darkest Hour
Downsizing
Father Figures
The Greatest Showman
Jumanji: Welcome to the Jungle
Molly’s Game
The Shape of Water

The Fundamentals of Caring


Craig Roberts channels Frodo Baggins.

Craig Roberts channels Frodo Baggins.

(2016) Dramedy (Netflix) Paul Rudd, Craig Roberts, Selena Gomez, Julia Denton, Megan Ferguson, Samantha Huskey, Bobby Cannavale, Jennifer Ehle, Donna Briscoe, Alex Huff, Alex Boell, Bill Murphey, Frederick Weller, Matt Mercurio, Robert Walker Branchaud, Eric Singer, James Donaldio, Matthew Pruitt, Ashley White, Kristi Von. Directed by Rob Burnett

 

One of the truths about caregiving is that often the caregiver receives from their charge as much if not more than they give to them. That isn’t always the case, but most of the time we see things in those whose care we are charged with that change how we see ourselves.

Ben Benjamin (Rudd) is entering the field of caregiving after having spent most of his life as a novelist. He has been unable to write following a tragedy that left him devastated and he and his wife (Denton) on the brink of divorce. Picking up the pieces, he wants to help someone in need rather than just bag groceries or flip burgers.

His first client is Trevor (Roberts), a young man with Muscular Dystrophy and  a frazzled mom (Ehle). His American dad abandoned the two of them; the two ex-pat Brits are also starting over in Seattle, with mom working for a major bank but going through caregivers as caustic Trevor is a bit of a handful, with a penchant for playing practical jokes and insulting those closest around him.

Ben urges the routine-bound Trevor to get out of the house; Trevor has a fondness for cheesy American tourist traps, particularly those things that advertise themselves as the “Biggest” anything. Ben knows that watching specials on the Travel Channel is nothing compared to seeing these plays in person in all their chintzy glory. With mom getting ready to go on a business trip to Atlanta, Ben begins planning a road trip of his own with Trevor. At first, mom is appalled but eventually relents.

They pick up a foul-mouthed hitchhiker on the way, a comely girl named Dot (Gomez) who is headed to Denver and art school. They also pick up another stray, the very pregnant Peaches (Ferguson) whose husband is overseas. On Trevor’s say-so, this ragtag group makes a detour to Salt Lake City to confront Trevor’s no-account used car dealer dad (Weller) but eventually they make it to the Nirvana of Trevor’s bucket list – America’s biggest pit. Yes, he aspires to see a tourist attraction that is essentially a great big hole in the ground.

Trevor and Ben are in fact mirror images of one another; both are bitter at the hand life has dealt them and both have been shutting out others, using their sense of humor and/or grief to push the world away from them. The caregiving has, by movie’s end, gone both ways; Ben is able to move on and Trevor is able to live life more fully. That’s a bit of a Hollywood cliché and I’m not sure that was what the Jonathan Evison novel, which I haven’t read, intended.

One of a handful of projects that played at this year’s Sundance Film Festival that was picked up for theatrical and streaming distribution by Netflix, the movie has a somewhat accelerated pace that makes one feel like Burnett (who also wrote the screenplay based on the novel) was trying to cram too much into an hour and a half. The pace of the story isn’t organic at all as the closed-off Trevor seems to accept Ben way too easily, while for his part Ben who started off the movie sullen and uncommunicative seems to open up much faster in the film than humans usually do; there’s no sense of progression, only that the filmmakers wanted the relationship to reach the stage where the road trip could begin quickly.

Rudd is one of the most charming actors in Hollywood; he is so likable onscreen that even in off-beat roles (which are often the ones he takes) he still manages to capture your rooting interest. Here, it starts off with Ben deep in the throes of depression and the character is morose and grief-stricken. It doesn’t take long for Rudd to shine through even in those extreme circumstances and in some ways that’s not a good idea; Ben’s grief is part of the central aspects of his character and he seems to pull out of it way too quickly. It isn’t until the movie ends in fact that we realize that the movie has been about Ben all along and Trevor is the caregiver; the title is about how they both learn to care about life but the focus is certainly on Ben. Rudd pulls that aspect of it off well.

The movie is riddled with cliches and is predictable throughout. Gomez with her baby face looks is somewhat miscast as the fiercely independent Dot, while the character of Peaches seems to be unnecessary baggage. Cannavale turns up in an uncredited glorified cameo as Dot’s father who turns out to be following his daughter, making sure she gets to Denver all right.

I expected a bit more out of this film than it delivered. I enjoyed the road trip dynamic but there was no build up to it that would have given the personal growth more meaning. It just seemed to be too rote for a movie that came out of the independent pedigree it had. This could have easily been a remarkable film about the nature of caregiving, but in the end the script doesn’t serve the subject matter well. Netflix subscribers who are Paul Rudd films should check it out if they haven’t already; if you can take or leave Rudd, you are well-advised to find better movies to stream on the home video giant.

REASONS TO GO: Paul Rudd is as charming as always. Some fun road film moments.
REASONS TO STAY: The pacing feels really rushed. The scrip is somewhat pedantic.-
FAMILY VALUES: Some foul language, sexually suggestive content and some adult themes.
TRIVIAL PURSUIT: Rudd and Cannavale both appeared in Ant-Man last year.
CRITICAL MASS: As of 7/20/16: Rotten Tomatoes: 78% positive reviews. Metacritic: 55/100.
COMPARISON SHOPPING: Jack of the Red Hearts
FINAL RATING: 5/10
NEXT: The BFG