(1988) Comedy (Paramount) Bill Murray, Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, David Johansen, Carol Kane, Robert Mitchum, Michael J. Pollard, Alfre Woodard, Nicholas Phillips, Mabel King, Jamie Farr, Robert Goulet, John Houseman, Buddy Hackett, Lee Majors, Brian Doyle-Murray. Directed by Richard Donner
Some Christmas tales are so timeless, so meaningful that they can survive being twisted, pulled, yanked out of shape and modified into something quite different and still be meaningful and timeless.
Frank Cross (Murray) is the programming VP at the IBS network and he’s the youngest in the industry. He’s the golden boy, the one who has the eye of network head Preston Rhinelander (Mitchum). It’s Christmastime and Cross has an ace up his sleeve for the Yule season – a live broadcast of Scrooge from various locations, with Buddy Hackett as Scrooge, John Houseman narrating and Mary Lou Retton as Tiny Tim. God bless us, every one.
The people who work around Frank could use all the blessings they can manage. Frank is a world-class a-hole with a mean streak wider than the Long Island Expressway. This live show is crucial to his career; if it succeeds he is on the fast track to Rhinelander’s job. If it fails, he’s on the fast track to unemployment, where he has already put nebbish assistant Eliot Loudermilk (Goldthwait). He tries to keep his long-suffering assistant Grace Cooley (Woodard) working late, preventing her from taking her mute son Calvin (Phillips) to a needed doctor’s appointment.
But if you think Frank is callous in his professional life, you should see his personal life. He spurns his brother Earl’s (Doyle-Murray) invitation to dinner. He is as alone as alone can be. That wasn’t always the case. He was once deeply in love with the pretty community activist Claire Phillips (Allen) but that was from a long time ago. He’s barely thought about her over the years…well, that’s what he’d have you think anyway.
Frank is on a one-way trip to the hot seat but there are those who think he has something inside him worth saving – one being his mentor Lew Hayward (Forsythe), who pays Frank a visit on Christmas eve to try and reason with him. Never mind that Lew’s been dead for years; he’s really got Frank’s best interests at heart. He sure doesn’t want his protégé to end up like him – a rotting corpse doomed to walk the earth for eternity. To help the reluctant Frank along, Lew’s sending three ghosts to show him the way – the Ghost of Christmas Past (Johansen), the Ghost of Christmas Present (Kane) and…you get the picture.
This was a much ballyhooed remake of the Dickens classic that Murray, who had last tasted success with Ghostbusters four years earlier, had his imprint all over. SNL compatriots Michael O’Donoghue and Mitch Glaser co-wrote it and many of Murray’s cronies from SNL and from his other movies, as well as all of his brothers, were in the film. The film is very much set around Murray and his style of humor, so if you don’t like him much you’re not going to find a lot of reasons to see the film.
Still, if you do like him, this is one of his most iconic performances, one that will live with most of his classic performances in Stripes and the aforementioned Ghostbusters. The movie didn’t resonate with the critics very much – at the movie’s conclusion, Murray delivers a speech about the true meaning of Christmas which some felt was treacly and not heartfelt (although I beg to differ).
The ghosts are all amazing and fun, particularly Kane who beats the snot out of Murray (in one scene she pulled his lip so hard that filming had to be halted for several days while he recovered). The special effects are fun and if they are a little dated by modern standards (the movie will turn 25 next year) they still hold up pretty well.
The movie remains if not a Christmas classic at least a Christmas perennial. It runs regularly on cable this time of year and is easily available on streaming or for rent. It is perhaps less serious than most other Christmas movies but it has edgier laughs and that’s certainly worth something.
WHY RENT THIS: Kane, Forsythe and Johansen make some terrific ghosts.
WHY RENT SOMETHING ELSE: Seems like an overly long SNL skit at times.
FAMILY VALUES: There are a few scary images and some bad language. A little rude humor to tide you over as well.
TRIVIAL PURSUIT: The Tiny Tim-like character Calvin Cooley was named for former President Calvin Coolidge who was known for being taciturn.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $60.3M on an unknown production budget; in its time the movie was a big box office disappointment.
COMPARISON SHOPPING: Fred Claus
FINAL RATING: 7/10
NEXT: The Holly and the Quill continues!