Bonnie Hunt and Jeff Garlin are stunned by the news that they aren't in High Fidelity
(2006) Romantic Comedy (IFC First Take) Jeff Garlin, Sarah Silverman, Dan Castellaneta, Bonnie Hunt, Richard Kind, Paul Mazursky, Amy Sedaris, Joey Slotnick, Tim Kazurinski, Elle Fanning, Roger Bart, Wallace Langham, Gina Gershon, Aaron Carter, Mina Kolb. Directed by Jeff Garlin
We all want someone to share our lives with to some degree or another. Most want a lifetime partner, someone to raise a family with and growl old together with. Others have simpler needs.
James (Garlin) is a habitually unemployed actor who lives with his mom (Kolb). Overweight, his love life has been sinking like the Titanic. He hasn’t had sex in five years and quite frankly, the likelihood of him getting laid is remote at best.
He attends Overeaters Anonymous meetings but with little enthusiasm and inevitably winds up buying junk food from a corner market, then parking out by Wrigley Field to eat. He turns down roles from his long-suffering agent (Kind) while holding out hope that he’ll get the lead role in the remake of his favorite film of all time – Marty, the movie that won Ernest Borgnine his Oscar. His agent eventually drops him.
Still, even big men get lucky once in awhile. James meets Beth (Silverman) at an ice cream parlor and winds up having sex with her. He also develops a big crush on Stella (Hunt), whom he meets in a record store and who may or may not be a chubby chaser. Meanwhile, he is hit by a crushing blow – the part of Marty has gone to pop star Aaron Carter (himself). And his once-promising love life is imploding. Why can’t he find a woman to love? He’s a really sweet guy after all.
I think this movie was made with the best of intentions. Garlin, who at the time was best known for his work in the comedy series “Curb Your Enthusiasm,” is also a legendary stand-up in the Chicago area and a veteran of Second City and other improv groups that the city is justifiably famous for. Many of the people in the cast also got their starts in Chicago or at one time lived and worked there.
Garlin himself is very likable and sweet. If you like his standup act, you’re going to want to rent this. It is very clearly a labor of love and of course the big question is how much of this is autobiographical. I suspect quite a bit of it is.
Even though Garlin is the center of the movie, he’s not it’s star. The city of Chicago is. Garlin films it with such affection and love you may want to pack your bags and move there straightaway. Garlin’s love for the city is obvious and captures Chicago in a way someone who is indifferent about it could never duplicate.
Where the film has its problems is in the area you’d think it was strongest in – the jokes. Many of them fall flat and quite frankly, the schtick about Garlin’s love and sex life combined with his caloric intake gets old. Also, many of the characters seem to be thrown in because they are buddies of Garlin and he wanted to make room for them in the movie. Lots of them don’t seem to have much of a purpose in the film, exacerbating the overall feeling of disjointedness that pervades the film.
Still, it isn’t bad. Garlin’s charm really floats the movie along and allows it to breathe somewhat. His relationship in the film to the very excellent Bonnie Hunt is more interesting to me than the one with Silverman, who may be too pretty for the role. Those who love Chicago and Chicago comics will also love this movie, and in a way, thinking about it from that perspective makes me want to rate it higher than I am actually giving it. However, the reason I’m not pulling t he trigger is simply this; it needed to be funnier. Hopefully, Garlin will have a nice long career – he may never do a movie as personal as this again, but I suspect he has a great role in front of him someday soon.
WHY RENT THIS: Garlin evinces a very likable persona here. Garlin uses Chicago as a wonderful backdrop, giving us a sense of the city as well as its landmarks.
WHY RENT SOMETHING ELSE: Too many jokes fall flat. Many of the vignettes seem designed to add specific comics into the movie when they really don’t need to be there.
FAMILY VALUES: Although the movie is unrated, it’s pretty harmless; there are plenty of curse words and some sexual content but otherwise it isn’t too off-putting to the sensitive.
TRIVIAL PURSUIT: After 30 days of filming, the shooting script was 237 pages. The first cut was over four and a half hours long. It took four months to complete the final edit of the version that made it to the screen.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $194,568 on an unreported production budget; the film undoubtedly lost money.
FINAL RATING: 5/10
TOMORROW: Cairo Time