(2015) Drama (Sundance Selects) Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley, Sam Alexander, Richard Cunningham, Hannah Chalmers, Camille Ucan, Rufus Wright, Max Rudd, Kevin Matadeen, Paul Goldsmith, Peter Dean Jackson, Martin Atkinson, Alexandra Riddleston-Barrett, Rachel Banham, Michelle Finch. Directed by Andrew Haigh
There are things in a marriage, events of one’s past that our spouse isn’t aware of. Not because we want to keep it from them, but simply because it hasn’t come up. However, there are things we keep from our husband or wife intentionally, perhaps because we’re ashamed of it or because we want to keep that part of ourselves to ourselves. However, one thing is clear; without transparency, pain beckons.
Kate (Rampling) and Geoff (Courtenay) are getting ready to celebrate their 45th wedding anniversary and they’re throwing a big party at a banquet hall in their native Norfolk. The misty grey mystery of that part of England makes for cozy cuddle weather and although the two are getting on in years, they haven’t lost the desire for one another. They don’t have any children but they do have plenty of close friends so all in all one has to say they lead a good life.
Then word comes of a discovery that directly involves Geoff’s past, before he’d even met Kate. The ripple effect is like a tsunami hitting their relationship; Kate discovers that her husband had kept things from her, things that have affected their relationship
As the days count down towards the big party, subtle changes begin to occur in their relationship. Geoff takes up smoking again, something he promised Kate he’d stopped forever. He becomes sullen, withdrawn and obsesses over the pictures he has found of an old girlfriend in the attic. She starts to snoop into his past and the hurt slowly changes her view as to how stable the relationship really is. As the party starts, Kate is beginning to wonder who the man she married truly is – and whether or not she wants to stay married to him at all.
Let me take the suspense out of this review – this movie is extraordinary and is truly a must-see for any lover of the cinematic arts. Rampling delivers a performance that is simply sensational. She does so much of her acting here with her facial expressions and her eyes and less with the dialogue. Sometimes a whole range of emotions plays over her expressive face in a matter of moments, expressing Kate’s thoughts far more effectively than dialogue. Her Oscar nomination was well deserved and while she didn’t win the statuette, she more than deserved to.
Courtenay is equally sensational. He spends much of the movie hunched over, drawn into himself and slowly he unwinds during the course of the film, becoming less hunched and more straight as if the revelation of his secret is slowly freeing his soul. In many ways, he’s reverting to a younger self in the movie with all the ridiculousness that implies. Geoff is not a bad man but he is a flawed man.
Haigh is a gifted director and really flowers here, the movie seemingly capturing a plethora of seasons during the course of the four days that the movie takes place over. He utilizes bad weather, a common occurrence in Norfolk, to great effect, the wind and the rain becoming part of the soundtrack. And speaking of the soundtrack, he peppers it with some wonderfully-chosen tunes from the 60s and 70s.
The movie, which is based on a short story by David Constantine, benefits from a beautifully written script. The dialogue is realistic; Kate and Geoff talk like a married couple that has been together for 45 years and their friends talk like real people as well. This feels like an unflinching look inside a real marriage. It’s occasionally uncomfortable – neither of the protagonists are perfect and neither one does the right thing all the time. But as the movie comes to an end, you sense a turning point has been reached and hard questions remain to be asked. What the answers will be are not necessarily the ones that either of the main characters – or those of us following them – wants to hear.
This is an amazing movie that I recommend highly for everyone. Yes, kids are not going to get the dynamics here and find the pacing slow and the grey landscape of Norfolk dreary. However those of us who love movies that give us insight into the human condition will find this to be an absolute jewel of a movie. It isn’t always pretty, but it’s real. And that makes for great cinema.
REASONS TO GO: Relationship of the leads is very realistic and natural. Emotional and raw in places. The dialogue sounds like real people talking to each other. Terrific soundtrack. Rampling and Courtenay do fantastic work, doing a lot of their acting with their faces.
REASONS TO STAY: May be too honest for some.
FAMILY VALUES: Some profanity, a scene of brief sexuality and adult themes.
TRIVIAL PURSUIT: Rampling and Courtenay last appeared together in The Mysteries of Lisbon.
CRITICAL MASS: As of 3/4/16: Rotten Tomatoes: 97% positive reviews. Metacritic: 94/100.
COMPARISON SHOPPING: Late Bloomers
FINAL RATING; 10/10
NEXT: King Georges