(2018) Dramedy (Abramorama) Finn Wittrock, Emily Mortimer, Rachel Keller, Jessica Hecht, Hermione Heckrich, James Ransone, Andrew Schultz, Isabella Blassingame, Afton Williamson, Jennifer Mudge, Mitchell Slaggert, Gregory Isaac Stone, Jeffrey Butler, Robert Eli, Scott Cohen, Sam Gilroy, Rosa Gilmore, Adele Kader, Ava Capri, Tess Frazer. Directed by Stacy Cochran
Sometimes people get off to a bad start. They get involved with the wrong people, get involved with the wrong drugs, or just plain lose their way. Some people stay that way while others make an effort to make a change. After all, it’s not how you start but how you finish.
Jonny (Wittrock) and Ruth (Keller) had that kind of start. The two were high school sweethearts if that’s what you can call a couple who share hurried beach couplings and shoplifting sprees. Nine years later, both have graduated on gone on to different lives. Jonny remains pretty much in the same juvenile pattern, unable to keep a job and forever on the hustle for whatever score he can manage.
Ruth on the other hand has landed a job in the admissions office of an exclusive girls school on Long Island. While it is very much an “interim” position, things are looking up for her. A chance meeting at a funeral for a track coach for the both of them leads Jonny to infiltrate her life, much against her will, involving occasional breaking and entering.
When he finds out about Ruth’s new gig, dollar signs light up his eyes. He looks at the school she works at as his own potential fishing hole. He lands on a particularly vulnerable guppy; Nan Noble (Mortimer) who is on the verge of a nervous breakdown. Her douchebag of a husband (Ransone) is being investigated by the feds for financial chicanery and she is very much worried that her own assets will eventually be seized. Enter smooth-talking Jonny and soon the two hatch a convoluted plot. At first, Ruth is trying to separate Jonny from Ruth but soon gets sucked into the scheme. Things begin to escalate, one double-cross follows another and soon nobody knows who to trust.
I don’t mind a good heist movie, no matter how complicated but you need to have a rooting interest in the con artists. Jonny is just so slimy and so without conscience that you can only root for a quick arrest. Wittrock is a decent enough actor and he is certainly a good looking man but he doesn’t pull off the charming rogue here. Mortimer though is fun to watch; you get the sense that she is one bad day away from cracking and she does high-strung as well as anyone.
There are some moments that are borderline brilliant – the cinematography can be magical – but the plot is so convoluted and relies on people acting in ways that people don’t ever act. Cochran has made a couple of solid movies but this one is a step backwards. By the time you get to the end of the movie you may have already checked out which is a shame because that’s the best part of the movie. File this one under near-miss.
REASONS TO GO: There are flashes of something interesting here. Mortimer does her best with bad hand.
REASONS TO STAY: Wittrock’s character is completely despicable. The script is convoluted and sometimes not believable.
FAMILY VALUES: There is plenty of profanity, some drug use and sexual situations.
TRIVIAL PURSUIT: Cinematographer Robert Elswit has worked frequently with director Paul Thomas Anderson
CRITICAL MASS: As of 11/24/18: Rotten Tomatoes: 46% positive reviews: Metacritic: No score yet.
COMPARISON SHOPPING: Thief
FINAL RATING: 5/10
NEXT: Invisible Hands