New Releases for the Week of January 24, 2014


I, FrankensteinI, FRANKENSTEIN

(Lionsgate) Aaron Eckhart, Bill Nighy, Yvonne Strahovsky, Miranda Otto, Jai Courtney, Socratis Otto, Kevin Grevioux, Bruce Spence, Caitlin Stasey. Directed by Stuart Beattie

Caught in a war between Heaven and Hell with all of humanity hanging in the balance, the creation of Victor Frankenstein is sought to choose sides. With the secrets that brought him life re-discovered and an army of creatures like him set to tip the balance, the Creature’s assistance could be the difference between survival for the human race and utter annihilation but on which side will he fight – assuming he fights at all?

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX (opens Thursday)

Genre: Horror Action

Rating: PG-13 (for sequences of intense fantasy action and violence throughout)

Gimme Shelter

(Roadside Attractions) Vanessa Hudgens, Rosario Dawson, Brendan Fraser, James Earl Jones. A pregnant teenager, trying to navigate her life on the harsh streets, is taken in by a shelter after being rejected by her father and escaping from her drug-abusing mother. There she finds sisterhood, empowerment and support the likes of which she’s never known. Based on a true story.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for mature thematic material involving mistreatment, some drug content, language and violence – all concerning teens)

The Invisible Woman

(Sony Classics) Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander. Acclaimed author Charles Dickens was beloved by all of England, penning such all-time classic works as Oliver Twist, A Tale of Two Cities and A Christmas Carol. However behind his public facade he was carrying on an affair for 13 years up to the time of his death with a younger woman who would chafe under the great man’s shadow.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for some sexual content)

Jai Ho

(Eros International) Salman Khan, Tabu, Sana Khan, Daisy Shah. A former army officer decides to use his skills to help the people of India and take on those who would oppress them. A remake of the Telugu film Stalin.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

New Releases for the Week of January 17, 2014


Jack Ryan: Shadow Recruit

JACK RYAN: SHADOW RECRUIT

(Paramount) Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh, David Paymer, Colm Feore, Peter Andersson, Nonso Anozie, Gemma Chan. Directed by Kenneth Branagh

A young CIA analyst uncovers a terrorist plot on US soil to throw the American financial market into chaos. His mentor lures him deeper into the shadow world of international espionage, putting a strain on his marriage as he faces off with a Russian master spy.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday)

Genre: Spy Thriller

Rating: PG-13 (for sequences of violence and intense action, and for brief strong language)

Back in the Day

(Screen Media) Morena Baccarin, Michael Rosenbaum, Nick Swardson, Harland Williams. Making a surprise visit to his high school reunion, a still-single ladies man from back in the day manages to convince his now-married friends to go out on one final fling, leading to some issues with their wives and friends.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language throughout, sexual content and some graphic nudity)

Devil’s Due

(20th Century Fox) Allison Miller, Zach Gilford, Sam Anderson, Catherine Kresge. A newlywed couple discovers that they are pregnant a bit earlier than anticipated. Still, it is welcome news but as time passes and the due date becomes closer, the wife’s personality begins to change and strange unexplainable things begin to occur around them. Soon the husband must face the unthinkable if he is to save his wife – and himself.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for language and some bloody images)

Life of a King

(Millennium) Cuba Gooding Jr., LisaGay Hamilton, Dennis Haysbert, Rachel Thomas. While doing an 18-year prison stint for bank robbery, a young con learns the game of chess. Hoping to help his neighborhood turn things around and to prevent others from going down the same tragic path he did, he founds a chess club which despite the skepticism of others both inside the neighborhood and out, does exactly what he hopes it will do.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: PG-13 (for thematic elements, some drug content and brief violent images – all involving teens)

The Nut Job

(Open Road) Starring the voices of Will Arnett, Brendan Fraser, Liam Neeson, Katherine Heigl . After accidentally destroying the park’s winter stores, a brash and independent squirrel discovers squirrel nirvana – a nearby nut store. But to get at the goodies he’s going to have to make a brilliant plan and that’s not something he or his friends are particularly good at.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for mild action and rude humor)

Ride Along

(Universal) Kevin Hart, Ice Cube, John Leguizamo, Tika Sumpter. Ben, a security officer at an Atlanta high school, longs for two things in life; to become a police officer and to marry his girl. When he is accepted to the police academy, he’s well on his way to achieving the first but the second is a little more problematic. Standing in the way is his girlfriend’s cop brother who doesn’t like Ben at all. Ben must prove himself worthy and what better way to do that than to take him on a ride-along into the worst part of the city?

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Crime Comedy

Rating: PG-13 (for sequences of strong violence, sexual content and brief strong language)  

New Releases for the Week of July 12, 2013


Grown Ups 2

GROWN UPS 2

(Columbia) Adam Sandler, Chris Rock, Kevin James, David Spade, Salma Hayek, Maya Rudolph, Taylor Lautner, Steve Buscemi, Maria Bello. Directed by Dennis Dugan.

Most of the all-star cast from the first movie is back and now the high-priced Hollywood agent has relocated to the small town he grew up in. It isn’t always idyllic but he is certain that it was the right move, and his family seems to agree. Now, joined by his friends, they are getting ready for the last day of school  for their kids – and find out that the grown ups still have an awful lot to learn.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (Opens Today)

Genre: Comedy

Rating: PG-13 (for crude and suggestive content, language and some male rear nudity)

Bhaag Milkha Bhaag

(Reliance) Farhan Akhtar, Sonam Kapoor, Dalip Tahil, Prakesh Raj. Milka Singh was once known as “the Flying Sikh” and was one of the most dominant sprinters of his day. However in the 1960 Rome Olympics, he lost a race he was heavily favored to win and found himself disgraced. His return and redemption was the stuff legends are made of.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens today)

Genre: Biographical Drama

Rating: NR

Lootera

(Ramesh Sippy) Ranveer Singh, Sonakshi Sinha, Adil Hussain, Vikrant Massey. An archaeologist in the 1950s impresses the local magistrate and more so the magistrate’s feisty and independent daughter. However the archaeologist has some skeletons in his closet and rather than let them rattle around free decides to leave. However, you know he won’t stay left forever…

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Pacific Rim

(Warner Brothers) Charlie Hunnam, Idris Elba, Rinko Kikuchi, Ron Perlman. Humanity is at war with invaders from beneath our own oceans – a vicious, gigantic alien race called the Kaiju. To fight these nearly unstoppable creatures we develop gigantic robots we call Jaegers, machines powered by two linked, synchronous human minds. However we are still losing the war and humanity’s last chance boils down to an obsolete Jaeger run by two mismatched pilots – one an untested rookie, the other a burned-out pilot who has lost his edge. While this sounds like the plot for an anime, this is in reality a live action feature from director Guillermo del Toro.

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard (Opens Today)

Genre: Sci-Fi Action

Rating: PG-13 (for sequences of intense sci-fi action and violence throughout, and brief language)

The Pawn Shop Chronicles

(Anchor Bay) Paul Walker, Norman Reedus, Elijah Wood, Brendan Fraser. A Southern pawn shop sees a clientele of the weird, the wacky and the warped as three tales of sordid and strange goings on are wrapped around items being pawned. Among the customers are a man searching for his wife who’s been kidnapped, a pair of white-supremacist meth-addled crackers and a beaten-down Elvis impersonator. All wind up pawning items that cost more than they think.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for violence, sexual material, graphic nudity, pervasive language and some drug use)

New Releases for the Week of February 15, 2013


A Good Day to Die Hard

A GOOD DAY TO DIE HARD

(20th Century Fox) Bruce Willis, Jai Courtney, Sebastian Koch, Yulia Snigir, Cole Hauser, Amaury Nolsco, Megalyn Echikunwoke, Anne Vyalitsyna. Directed by John Moore

There’s this guy, see; he’s always in the middle of big trouble. I’m not talking about got caught up in a bar fight, came home with lipstick on your collar trouble, I mean the kind where things go bang, cars fly through the air like gazelles and you have a machine gun the size of a killer whale strapped to your shoulder. I mean, there’s always Russian rogue leaders breaking out of prison and threatening the world with nuclear holocaust, right? This is the first big blockbuster of 2013 and it opens Wednesday February 13th at 10pm.

See the trailer, clips, a promo and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Action

Rating: R (for violence and language)

Amour

(Sony Classics) Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Hupert, Alexandre Tharaud. A couple in their 80s, French music teachers, have entered the twilight of their lives with dignity and grace. A medical issue however will sorely test the bonds of their long-time love and their daughter, who lives in the United States must come home and help pick up the pieces. This Oscar-nominated film is the latest in a long line of distinguished films from director Michael Haneke.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for mature thematic material including a disturbing act, and for brief language)

Beautiful Creatures

(Warner Brothers) Alice Englert, Jeremy Irons, Emma Thompson, Emmy Rossum. A small town boy falls for a mysterious young girl who is approaching a milestone birthday. However, when the big day comes it won’t just be cake and ice cream; it is going to be a world-hanging-in-the-balance thing where she must decide whether to use her nascent powers of witchcraft for good or for evil. Opening on Thursday.

See the trailer, promos, featurettes and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Fantasy

Rating: PG-13 (for violence, scary images and some sexual material)

Escape from Planet Earth

(Weinstein) Starring the voices of Brendan Fraser, Rob Corddry, James Gandolfini, Jane Lynch. A hotshot astronaut answers a planetary distress signal and winds up captured by the foul, nefarious aliens who live there.  It will be up to his more Type B brother to rescue him and other creatures who have been captured by the cruelest most vicious race in the universe – the humans.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG (for action and some mild rude humor)

Mirchi

(Great India) Prabhas, Anushka Shetty, Richa Gangopadhyay, Satya Raj. An Indian architect living in Milan falls in love with an ex-pat with a troubled past. Vowing to help reform her family, he runs into long-standing feuds and a connection with his own past. He will soon be forced into a situation in which his new love may not be enough to save her family or his own.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR  

Safe Haven

(Relativity) Josh Duhamel, Julianne Hough, David Lyons, Cobie Smulders. A young woman on the run from her past finds herself in a small seaside North Carolina town. She remains secretive and guarded at first but slowly warms up to the communicated and a handsome widowed father and store owner. But the past has a way of catching up with you and the violence she’d been meaning to escape finds her at last. Opening on Thursday.

See the trailer, featurettes and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for thematic material involving threatening behavior, and for violence and sexuality)

The Mummy (1999)


Brendan Fraser and Rachel Weisz in a sticky situation.

Brendan Fraser and Rachel Weisz in a sticky situation.

(1999) Adventure (Universal) Brendan Fraser, Rachel Weisz, Arnold Vosloo, John Hannah, Kevin J. O’Connor, Oded Fehr, Jonathan Hyde, Erick Avari, Bernard Fox, Stephen Dunham, Corey Johnson, Tuc Watkins, Omid Djalili, Aharon Ipale, Patricia Velasquez. Directed by Stephen Sommers

 

Note to Hollywood filmmakers: now this is how to do monster movies in the 21st century. Something old (the setting), something new (the effects), something borrowed (the premise), something blue (a couple of racy outfits). Even 13 years later this still remains a standard.

Rick O’Connell (Fraser) is an adventurer in the tradition of Indiana Jones. He’s smart, strong, a crack shot and as it happens, one of two survivors of an ill-fated expedition to Hamunaptra, the legendary (some would say mythical) Egyptian city of the dead. It’s reputed to be the resting place of the treasure of the Egyptian pharaohs.

It’s also the resting place of Im-Ho-Tep, the high priest of the dead and murderer of Pharaoh Seti II. Even back then they frowned on regicide a little; ol’ Im-Ho-Tep got the nastiest Egyptian punishment there is which is to be slowly devoured by flesh-eating scarab beetles after being entombed while still alive. That definitely leaves a mark (those Egyptians could be pretty nasty when they wanted to be).

Cut to the 1920’s. After Evy Carnahan (Weisz), a sweet-natured librarian discovers a map to the legendary lost city, she enlists O’Connell, Jonathan (Hannah) her ne’er-do-well brother and a corrupt Warden (Djalili) – read designated victim – to help find the site, where the Book of Amon Ra, which contains the secrets of Egyptian magic, is also said to reside.

What they do find when they finally get there is the Book of the Dead. This awakens Im-Ho-Tep, who is mighty steamed – as you would be if you had been buried alive with flesh-eating beetles. He brings with him the ten plagues of Egypt (the ones in Exodus – check out The Ten Commandments if you aren’t up on them) and the ability to control the elements.

He wants to re-animate his dead lover (after 2,000 years, a fella’s got needs) and kidnaps the librarian to do so. From here on in, it’s a roller-coaster ride of dazzling special effects, spine-tingling thrills and daring escapes.

This is one of the best movies — in terms of sheer entertainment — that’s come down the pike since, say, Aliens or at maybe even the aforementioned Raiders of the Lost Ark. It moves at breakneck speed and visually is superb eye candy. Director Stephen Sommers took a fairly hackneyed monster movie and turned it into a franchise for Universal, which sorely needed one.

And Brendan Fraser as an action hero? Who’da thunk it, but it works. Fraser is very likable, in the tradition of Jimmy Stewart. Weisz, then at the beginning of a career that has brought her an Oscar to this point, did a good job as the plucky heroine and Hannah set the bar for the comic relief. Fehr, playing a kind of Guardian of Hamunaptra, shows some Arabic hotness for the ladies and makes a credible action hero in his own right but you’re not watching the movie for the acting. It’s all about More and Bigger and Louder, and The Mummy delivers.

While some of the scenes are a bit too intense for younger children in general, this is one fine family entertainment that you’ll want to add to your video library. particularly if you have teenagers in the house.

WHY RENT THIS: Fun and entertaining. Re-invents the classic movie monster film. Great CGI effects for their time. Weisz and Fraser make an attractive heroic couple.

WHY RENT SOMETHING ELSE: Some of the scenes are a bit grisly and may be too scary for smaller kids.

FAMILY MATTERS: Plenty of violence and a bit of nudity as well.

TRIVIAL PURSUITS: Ardith Bay, the character Fehr plays, is an anagram of Death By Ra. It is also the name of the character played by Boris Karloff in the original 1932 version.

NOTABLE HOME VIDEO FEATURES: In the original DVD release there was a  text Egyptology feature that is actually quite informative. The 2001 Ultimate Edition includes a timeline of the reiging Pharaohs of Egypt. The 2008 Deluxe Edition included a storyboard to film feature. All of these are available on the DVD version as well.

BOX OFFICE PERFORMANCE: $415.9M on an $80M production budget; the movie was a blockbuster, spawning two sequels and a spin-off franchise.

FINAL RATING: 10/10

NEXT: Outsourced

 

Bedazzled (2000)


Bedazzled

This devil will make you do just about anything.

(2000) Romantic Fantasy (20th Century Fox) Brendan Fraser, Elizabeth Hurley, Frances O’Connor, Miriam Shor, Orlando Jones, Paul Adelstein, Toby Huss, Gabriel Casseus, Brian Doyle-Murray, Jeff Doucette, Aaron Lustig. Directed by Harold Ramis

Making a deal with the devil has become almost commonplace these days. I mean, how else can you explain Justin Bieber?

Elliot Richards (Fraser) is the guy at work that causes you to reverse direction, exclaiming “Oh my God! It’s HIM!!!” every time you see him. Socially awkward doesn’t even begin to describe him; if there’s a way of rubbing you the wrong way, Elliot is probably already doing it, perfectly unaware that he’s driving you crazy. In short, he’s a real nebbish.

His co-workers at the high-tech company in San Francisco where he works include the lovely but unattainable Allison (Frances O’Connor), for whom Elliot pines. However his every attempt (few and far between though they are) to talk to his dream girl ends in defeat every single time.

Enter the devil (Hurley), who in this case is a luscious, lurid wench played with more than a bit of a twinkle in her soulful eye. She promises him seven wishes, whatever he wants — including Allison — in exchange for his soul. Elliot readily agrees. As those who have ever made a deal with the devil can tell you, not a wise move on Elliot’s part.

Of course, the devil being what she is, the father of lies – oops, the mother of lies, the wishes go terribly wrong, one at a time. For example, Elliot wishes to be rich, powerful and married to Allison. He gets all that as a Columbian druglord whose wife is cheating on him and whose underlings are plotting to kill him. You get the picture.

This movie was made once before, in 1967 (and in turn was based on the legend of Dr. Faust), with Dudley Moore in the title role, and writer/director Peter Cook playing the devil. That version has a lot more wit and charm than this one, although Fraser has plenty of both, making the movie way more recommendable. Hurley is absolutely delicious as Beelzebub, not only easy on the eyes but veritably defining the word “naughty.” I was surprised I enjoyed her performance as much as I did; I thought she was OK in the first Austin Powers movie, but she certainly has the makings of a fine comedienne, which sadly she chose not to pursue.

Director Harold Ramis doesn’t have the deft touch that Cook does; he tends to use a bludgeon when a silk scarf will do. He has a formidable task, making essentially seven mini-movies with a linking device. Fraser pulls off seven completely different characterizations of the same man (with accompanying make-up and wardrobe changes) and that helps make this more palatable.

 As comedies go, Bedazzled isn’t bad – there are several good laughs to be found here. It isn’t as consistent as it could be, but the performances of Fraser and Hurley make up for it. G’head and rent it; if you don’t like it, well, the devil made you do it.

WHY RENT THIS: Charming performances by Hurley and Fraser. Some genuinely funny moments.

WHY RENT SOMETHING ELSE: Vignettes are wildly uneven. Tends to use a cudgel when a rapier would be more suitable.

FAMILY VALUES: There’s a good deal of sexual innuendo and some drug content.

TRIVIAL PURSUITS: In the beach scene, the Devil’s dogs are named Peter and Dudley, a nod to the stars of the original Bedazzled.

NOTABLE DVD FEATURES: None listed, although there is an Easter Egg leading to a deleted scene which was more “R” rated due to drug use, foul language and sexual content. You may find it on the DVD by going to the second features page, highlighting the first item on the list, then clicking on your “go right” button. A devil should illuminate on Hurley’s shoulder; click on it and voila.

BOX OFFICE PERFORMANCE: $90.4M on a $48M production budget; the movie more or less broke even.

FINAL RATING: 6/10

TOMORROW: Snow Flower and the Secret Fan

The Mummy: Tomb of the Dragon Emperor


The Mummy: Tomb of the Dragon Emperor

Michelle Yeoh finds that checking out books at the Ancient China branch of the library can be problematical at best.

(2008) Action Adventure Horror (Universal) Brenan Fraser, Jet Li, Maria Bello, Michelle Yeoh, Luke Ford, John Hannah, Isabella Leong, Chau Sang Anthony Wong, Russell Wong, Liam Cunningham, David Calder, Jessey Meng, Tian Liang.  Directed by Rob Cohen

Movie monsters may come and movie monsters may go, but you can’t keep them down for too long. That, at least in my estimation, is the lesson generated by the first two movies of the Universal Mummy reboot.

The third installment of the series starts off very promising. Evil Chinese emperor (Li) plans to take over the world, but falls in love with sorceress Zi Yuan (Yeoh) who only has eyes for the emperor’s right hand General Ming (R. Wong), which cheeses off the emperor enough to kill his best field general. The emperor apparently never learned not to piss off a sorceress, so on the pretense of making the emperor immortal she instead curses him and his soldiers to turn into clay, and as such they are entombed for four thousand years.

That is, until Alex O’Connell (Ford) comes along. A young, promising archaeologist excavating in China stumbles upon the tomb, one of the most important finds of the 20th century, but in doing so accidentally awakens the emperor who has plans to resume his world domination scheme after a slight delay. Those darn Chinese emperors!

Alex’s parents, Rick (Fraser) and Evelyn (Bello, replacing Rachel Weisz who chose not to return to the role) have been living in wedded bliss for more than a decade since the events of The Mummy Returns. However, they are both unspeakably bored and who wouldn’t be? Anything after a life of danger, adventure, exotic places and of course the undead would seem a bit dull by comparison.

Given the opportunity to return a rare gem to the Chinese people as a gift from the British government, the O’Connell’s head to China to reunite with their son, choosing a bar in Shanghai owned by Evelyn’s ne’er-do-well brother Jonathan (Hannah), which is a mistake in itself. There they are attacked and helped out by Lin (Leong), who turns out to be the daughter of the sorceress and General Ming who inherited her mom’s immortality. Thanks mom!

After witnessing the truly evil nature of the mummy and his human henchman General Yang (C.S.A. Wong), the O’Connell’s realize that they are the only people equipped to deal with yet another outbreak of mummy-ism. They are in turn aided by the sorceress and her yeti pals. This all leads to a big battle by the Great Wall in which the emperor’s soldiers are opposed by the slaves they murdered to build the wall (brought back to life conveniently by the sorceress) and the emperor, who morphs himself into a formidable fire-breathing three-headed dragon. The odds are against the O’Connells and their allies but if you know mummies like they know mummies, you won’t be worried about the whole day-saving thing.

Cohen takes over from Stephen Sommers who helmed the first two movies and does adequately. Cohen is no stranger to big movies, having directed xXx and the original The Fast and the Furious among other things but he doesn’t get to use Vin Diesel here.

Instead, he gets Brendan Fraser and the actor utilizes his considerable charm to make Rick likable despite being a bit of a whiner here. The chemistry between Fraser and Weisz is sorely missed and although Bello is a terrific actress in her own right, she really isn’t right for the role. Quite frankly, her English accent is a bit too upper class for Evelyn, and she comes off as a bit phony. She does look good in the fight scenes at least.

Alex O’Connell has gone from an annoying child in The Mummy Returns to an annoying adult here, so the less said the better. Hannah provides comic relief nicely, but for me the real attraction here is Li and Yeoh. Li is one of the greatest martial artists ever in movies and while he doesn’t get as much time demonstrating his prowess (he’s much too busy being a CGI mummy or dragon), he shines when he does. Yeoh is in my opinion an incredibly gifted actress who is shamefully underrated here in the States. She is, as always, one of the best reasons to see this movie.

There is plenty of eye candy to go around and the action sequences make the movie at least palatable. However, a lot of the sparkle and gee-whiz fun is missing from this movie where it was present in the first two. You get the impression this was just a paycheck for most of the people involved, who are sufficiently talented enough to make this entertaining, but without the spark that would have made this amazing. It’s one of those things where you have good talent, a great concept and skilled filmmakers but it doesn’t add up to the great movie it should have been. Instead, it’s merely adequate.

It’s not good form to compare a movie to the one that you think should have been made, but the movie disappointed me so here you have it. It’s certainly worth a look if you haven’t already seen it, but don’t expect to have your socks blown off. Your footwear is quite safe this time.

WHY RENT THIS: Spectacular effects and some amazing fight scenes. Any chance to see Li and Yeoh is worth taking. Fraser is as charming as ever.

WHY RENT SOMETHING ELSE: Bello is miscast somewhat. The story is a bit weak compared to the first two movies.

FAMILY VALUES: There is some action movie-type violence and a few disturbing monster images that might be a bit much for the younger set.

TRIVIAL PURSUIT: The tomb and the terra cotta warriors are based on the actual tomb of the first emperor of the Qin dynasty in Xi’an, China. The excavations have been going slowly for decades, partially because of traps left by the builders of the tomb, some similar to the ones depicted in the movie.

NOTABLE DVD EXTRAS: There is a featurette on the actual terra cotta warriors, as well as a trivia track and a U-Control feature called “Know Your Mummy” that compares this movie with the previous two Mummy flicks, the latter two being only on the Blu-Ray edition.

BOX OFFICE PERFORMANCE: $401.1M on a $145M production budget; the movie made money.

FINAL RATING: 5/10

TOMORROW: Beginners

The Air I Breathe


The Air I Breathe

Forest Whitaker ponders how much simpler his life would be if he were a butterfly.

(THINKfilm) Brendan Fraser, Andy Garcia, Sarah Michelle Gellar, Forest Whitaker, Kevin Bacon, Emile Hirsch, Julie Delpy, Clark Gregg, Kelly Hu. Directed by Jieho Lee

An ancient Chinese proverb breaks life down to four core emotions – Happiness, Sorrow, Pleasure and Love. These are as essential to life as the air we breathe (clever, no?) and without a balance of these things, we are unable to live our lives properly.

Each of the four vignettes in this film is centered around one of these emotions, or at least so we’re told. The first, “Happiness,” presents Whitaker as a timid banker who overhears a conversation at work in which a snide young man with “connections” tells some friends that they need to bet heavily on a race in which the outcome has been fixed. Whitaker goes to the same underground and illegal betting parlor and puts everything on his credit cards on the horse, going so far as to take a $50K line of credit out from the house. This is an extraordinarily unwise thing to do when you don’t have the ability to pay that kind of money back, especially from this kind of house.

The horse that was supposed to win stumbles and falls and the banker is on the hook for fifty grand to the notorious Fingers (Garcia), who came by his nickname honestly albeit gruesomely. At first, the banker resolves to skip town but a visit from Fingers’ menacing right-hand man (Fraser) dissuades the banker, who in a knuckleheaded move then decides to rob a bank to get the cash. For a vignette that is supposed to be about happiness, things sure don’t end happily.

The second vignette, “Pleasure,” is about Fingers’ man Friday, who has a special gift – he is able to foresee the future, only not his own. Fingers orders him to take his nephew Tony (Hirsch) on his rounds and show him what’s what. As the clairvoyant flunky complies, he discovers that he has lost his gift – which has been both a blessing and a curse. It certainly hasn’t been much of a pleasure.

The third vignette, “Sorrow,” concerns Trysta (Gellar), a pop singer who is on the verge of breaking out. Her manager gives Fingers her contract to pay off a gambling debt, which makes Trysta uneasy. The direction she wants her career to go isn’t necessarily the one that Fingers wants her to go to; when she attempts to flee, Fingers sends his clairvoyant assassin after her. This was the first segment that is aptly named.

Finally, there’s love in which an MD (Bacon) who is in love with his best friend’s wife (Delpy) is horrified to discover that she requires a transfusion in order to survive a bite from a rare snake (don’t ask) and her blood type is impossibly rare – unless you write for the movies, in which case it so happens that a certain pop star serendipitously has the same blood type.

Lee is a first-time director, so it is impressive that he put together a cast the caliber of this one together, which includes the Oscar-winning Whitaker and A-listers like Fraser and Bacon, as well as the up and coming Hirsch who may yet turn out to be the next Leonardo di Caprio.

In terms of performance, he gets what he pays for here as nearly the entire cast delivers, with outstanding grades to Fraser in particular, who plays the grim and rough clairvoyant with enough heart to make him sympathetic, but with a reptilian cold shell. Garcia plays Fingers with the same oily menace that made his performance as Terry Benedict in the Oceans movies so delicious.

What submarines this movie is the same thing that torpedoes most independent anthology movies; the unevenness of the vignettes. While the Fraser bit is the best of the bunch, the tone and flow are jarring when put next to the Bacon bit (I always wanted to say that – groan if you must) so in other words, the ride gets bumpy.

Also, the thematic conceit of linking each vignette to one of the Chinese core emotions doesn’t work for me as well; perhaps the point is to illustrate the lack of those emotions in order to play up their importance. If so, then the filmmakers are being unnecessarily indirect and sly; if not, then they probably could have used a steadier hand on the rewrites.

The main problem is you wind up wondering if you haven’t seen this all before and better, and the truth is that you have. With the success of Crash and Babel, indie filmmakers were anxious to channel their inner Robert Altmans and there consequently has been a rash of these sorts of movies that were released with varying degrees of success – including another one in which Whitaker stars that was previously reviewed here entitled Powder Blue.

I like a movie that takes chances and this one takes a few, but if you’re going to take chances you need to have your act together first and this movie isn’t quite there. It has enough moments that make it worthy of a mild recommendation, but understand that this isn’t a movie that’s going to give you a case of the “oh wows” by any stretch of the imagination.

WHY RENT THIS: There are some interesting moments and performances, particularly from Fraser, Whitaker, Garcia and Hirsch.

WHY RENT SOMETHING ELSE: Overall pretty disjointed and as most independent anthology movies are, uneven in terms of quality.

FAMILY VALUES: There is plenty of violence and foul language and a fair share of sexuality and a smidgen of nudity; add it all together and it spells out “mature.”

TRIVIAL PURSUIT: The pop songs supposedly sung by Gellar’s character Trysta are in reality sung by Kim Wayman.

NOTABLE DVD EXTRAS: None listed.

FINAL RATING: 4/10

TOMORROW: Summer Hours

New Releases for the Week of April 30, 2010


April 30, 2010
I don’t care what anybody says, I think the right manicurist would do Freddie Krueger a world of good.

 

A NIGHTMARE ON ELM STREET

(New Line) Jackie Earle Haley, Rooney Mara, Kyle Gallner, Thomas Dekker, Kellan Lutz, Katie Cassidy, Connie Britton. Directed by Samuel Bayer

The horror franchise that essentially turned New Line from a tiny independent studio to a mini-major that would eventually release the Lord of the Rings trilogy is being jumpstarted again. New into the role of the demonic child killer Freddie Krueger is Jackie Earle Haley. This new version will delve deeper into the life of the man with the nasty nails and explore his background, but that doesn’t mean we won’t see plenty of the dream sequences that made this one of the most entertaining horror franchises of all time.

See the trailer and promotional material here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for strong bloody horror violence, disturbing images, terror and language)

City Island

(Anchor Bay) Andy Garcia, Juliana Margulies, Emily Mortimer, Alan Arkin. In the fishing community of City Island – on the outskirts of New York City – a corrections officer dreams of being an actor. He keeps this secret from his family, going to the point where he lets his wife think that his weekly acting classes are cover for an extramarital affair. When an acting exercise leads to an uproar in the community, he discovers that all is not as it seems and the truth, as harsh as it might be, is far easier to keep track of in this acclaimed comedy.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG-13 (for sexual content, smoking and language)

Furry Vengeance

(Summit) Brendan Fraser, Brooke Shields, Dick van Dyke, Ken Jeong. When a greedy and ambitious real estate developer decides to put a housing subdivision where a forest is, the animals don’t take too kindly to it. Led by a clever raccoon, they put the hurt on the young developer and teach him that what messing around with Mother Nature really means.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG (for some rude humor, mild language and brief smoking)

Journey to the Center of the Earth (2008)


Journey to the Center of the Earth (2008)

Anna Briem and Brendan Fraser test out the next theme park attraction based on the movie.

(New Line) Brendan Fraser, Josh Hutcherson, Anita Briem, Seth Meyers, Jane Wheeler, Jean Michel Pare, Garth Gilker. Directed by Eric Brevig

The trouble with making a movie from a classic novel – particularly one that has been filmed as many times as this one has – is that it’s easy for the audience to get the feeling that they’ve seen it all before, even if they haven’t.

Trevor Anderson (Fraser) is a volcanologist who gets little respect from his colleagues, particularly from Professor Kitzens (Meyers) who covets his lab space at the university to use for storage. Trevor has spent most of the past ten years trying to prove the theories of his brother Max (Pare) who had disappeared ten years earlier while out in the field.

To make matters worse, Trevor has forgotten that he has agreed to watch over his nephew Sean (Hutcherson) while his sister-in-law (Wheeler) is out of town. Sean and Trevor regard each other warily, with only the long-missing Max in common between them. Sean barely remembers his father; Trevor is a painful reminder of that.

His sister-in-law has also brought some of Max’s effects that she thought Trevor might want to have including a copy of Jules Verne’s “Journey to the Center of the Earth.” There are some strange notations in Max’s handwriting in the margins, as well as a name – Dr. Sigurbjorn Asgeirsson.

Noticing that one of Max’s sensors in Iceland seems to be active, Trevor realizes that Max might have been onto something and here at last was his chance to prove Max’s theories once and for all. Reluctantly taking Sean in tow, he heads over to Iceland and to see Dr. Asgeirsson.

The Asgeirsson Institute of Volcanology turns out to be an unprepossessing shack in the middle of Icelandic nowhere – which is about as far away from anything resembling civilization as you can get. The good doctor turns out to be dead, but his daughter Hannah (Briem) isn’t. She reveals that her father, like Max, was a Vernian, a somewhat cultish group of people who believed that the works of Jules Verne weren’t fiction but was in fact documentaries of actual events. She knows the location of Max’s last sensor and can guide them there, which she does. However, a lightning storm chases them into a cave and then a stray lightning strike seals the entrance of the cave with a rock fall. Don’t you just hate when that happens?

Forced to find another way out, the trio find some old mine tunnels and go looking for an alternate means to the surface. Instead, they plunge through extremely thin rock and fall a long ways down into an entirely strange and different world.

Here they discover strange glowing birds, gigantic fungi and weird lifeforms that have either vanished from the surface world or were never there to begin with. However they discover to their consternation that the temperature is rising and if they don’t find a way out soon, they will all die and lie buried forever in the center of the earth.

We’ve seen this movie before, or at least a pale imitation of it. We’ve seen lizards masquerading as dinosaurs and fiberglass sets with twinkling lights. Here, we see a fully realized digital domain with amazing creatures and realistic environments. The movie was filmed using 3D, and there are plenty of 3D effects likely to make you jump off of your couch.

Fraser has the kind of charm that is lovable in a goofy kind of way. He is aw-shucks modest and a little bit clumsy as action heroes go but when the chips are down he can throw a punch. He’s the center of the movie and when he’s on as he is here he can carry a movie effectively.

Briem is a fresh-faced find, filling the romantic interest role with a different flavor than we usually get with American actresses. The only quibble I would have is that there wasn’t as much romantic spark between her and Fraser as I would have liked, although I think that the script was written that way in deference to the family audience it was going for.

The filmmakers (and probably the studio as well) seem to have been aiming for family-friendly action adventure and you get plenty of it here. It isn’t terribly offensive or scary (although there are a couple of scenes that the youngest of children might be frightened of) and therein lies the movie’s big issue. It is a little too whitebread for my tastes. I could have done with a few more scares and a little less of the annoying nephew. Still, if you have kids and you want to see something big and action-packed, this is your ticket.

WHY RENT THIS: Big, broad adventure for the entire family with some nifty 3D effects. Fraser’s goofy charm carries most of the movie.

WHY RENT SOMETHING ELSE: Extremely disposable and bland. There is little or no chemistry between Hannah and Trevor.

FAMILY VALUES: There’s a fairly scary dinosaur as well as some hungry carnivorous fish but otherwise suitable for the entire family.

TRIVIAL PURSUIT: During an early scene in the caverns, the explorers come across emeralds, rubies and diamonds. The diamonds the explorers examine are already cut and polished; in the raw they would actually resemble yellowish pebbles.

NOTABLE DVD EXTRAS: Loaded with ‘em! It comes with both 2D and 3D editions of the movie, and four pairs of 3D glasses for viewing it in all its multi-dimensional glory. There is an interesting feature on the history of “hollow world” theories, as well as the scientists who loved them as well as a couple of interactive games.

FINAL RATING: 6/10

TOMORROW: Shutter Island