Wild Tales (Relatos salvajes)


This guy could teach Mad Max a thing or two about vengeance.

This guy could teach Mad Max a thing or two about vengeance.

(2014) Comedy (Sony Classics) Ricardo Darin, Rita Cortese, Maria Marull, Cesar Bordon, Leonardo Sbaraglia, Walter Donado, Oscar Martinez, Osmar Nunez, Maria Onetto, Erica Rivas, Diego Gentile, German de Silva, Dario Grandinetti, Monica Villa, Julieta Zylberberg, Nancy Duplaa, Lucita Mangone, Alan Daicz, Hector Drachtman, Margarita Molfino. Directed by Damian Szifron

Revenge, it is said, is a dish best served cold although it must also be said that in Latin American countries, there’s nothing cold about good ol’ hot-blooded Latin revenge. It is a cultural imperative, as a matter of fact.

This collection of vignettes each looks at vengeance from a different angle, all of them funny and some of them downright hilarious. Mostly set in Argentina’s capital of Buenos Aires (although at least one is set out in the hinterlands of Argentina), there is a delicious quality to all of them which goes against what we normally see in American movies in which we are taught that an eye for an eye tends to leave everybody blind.

Herein we see a variety of different scenarios, with the first one begins with a beautiful model sits down on a strangely uncrowded airplane and strikes up a conversation with a neighbor. Soon, all of those aboard the plane discover they have a connection and that they aren’t aboard the plane by happenstance.

From there on we go to a waitress, discovering that the corrupt politician who ruined her family has sat down in the deserted diner in which she works is egged on by her somewhat diabolical cook to take her justice, then to an incident of escalating road rage, followed by a demolition expert whose car gets towed, setting off a chain of events that grow more and more devastating. Then we see the results of a drunken hit and run by a spoiled scion of a wealthy man who, sickened by the corruption of those who want to cover up the deed, is torn between saving his son and not contributing to the corruption. Finally we end of with the ultimate Bridezilla who makes a devastating discovery on her wedding day.

Each of the vignettes is told with a sense of humor that has a distinct Latin feel; some of it is quite subtle while some of it is broad to the point of slapstick and there is even some grossness that would make Apatow shudder and exclaim “Now, that’s going too far” – as in the road rage vignette in which one of the combatants defecates on the auto of another. Many auto-worshiping American men would rather have their genitals cut off with a butter knife than have that happen to their own car.

I was fond of the opening vignette which may be disturbing to some because of recent events in France which have some similarities to what you see here. The second one set in the diner isn’t nearly as clever as the others and briefly made me wonder if the rest of the movie would be like the first scene or the second; it turned out to be the former which was quite the relief.

My favorite was that of the munitions expert who is caught up in a corrupt, greedy scam of a towing company and his quest for justice ends up costing him nearly everything. However, in this particular case, his redemption turns him into something of a folk hero as a little man takes on the big machine and wins out. I think we’ve all felt like that at one time or another.

There is definitely a class element here; the road rage incident, for example, involves an upper class man in an expensive sedan versus a working class man in a beat up truck, while the case of the hit and run drunk driving we see the police and lawyer conspire with the wealthy man to have a groundskeeper in the wealthy man’s employ take the fall for the action committed by the wealthy man’s no-account son, which seems to indicate that justice is never truly served when it can be bought by the rich.

If you can see elements of the great Spanish director Pedro Almodovar in the movie, you are to be congratulated for your insight. In fact, Almodovar served as a producer for the movie although he didn’t direct it. Certainly his influence as a filmmaker can be felt in every scene.

This truly isn’t for everybody, I will admit. Americans don’t always find the Latin sense of humor palatable, although I think that we have more in common with it than not. Still, I enjoyed this very much and laughed throughout. It can be absurd and sometimes gross and even occasionally thought-provoking but there is some real superior filmmaking here.

REASONS TO GO: Howling with laughter funny. No weak vignettes.
REASONS TO STAY: Some might find some of the scenes crass and the opening vignette has elements in common with a recent tragedy that might make it offensive to some.
FAMILY VALUES: All sorts of violence, a little bit of sexuality and plenty of foul language.
TRIVIAL PURSUIT: This is the seventh film from Argentina to make the final list of nominees for Best Foreign Language film and the third straight to star Ricardo Darin.
CRITICAL MASS: As of 4/2/15: Rotten Tomatoes: 95% positive reviews. Metacritic: 77/100.
COMPARISON SHOPPING: Tie Me Up! Tie Me Down!
FINAL RATING: 7.5/10
NEXT: It Follows

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The Wedding Ringer


A dance-off Derek Zoolander would envy.

A dance-off Derek Zoolander would envy.

(2014) Comedy (Screen Gems) Kevin Hart, Josh Gad, Kaley Cuoco-Sweeting, Jorge Garcia, Ken Howard, Cloris Leachman, Affion Crockett, Dan Gill, Corey Holcomb, Colin Kane, Jenifer Lewis, Alan Ritchson, Mimi Rogers, Aaron Takahashi, Olivia Thirlby, Whitney Cummings, Ignacio Serricchio, Nicky Whelan, Patrick Carlyle, GloZell Green. Directed by Jeremy Garelick

Weddings are meant to be rituals in which two separate people are formalized as a wedded couple. It is meant to be a celebration and a solemn step – a pledge of troth between two people til death do them part, although that aspect is a little less usual these days. Nonetheless, it is meant to be a major life-changing moment, one worthy of respect. It’s not supposed to be the source of the kind of stress that the modern wedding creates.

And yet we still spend small fortunes to give our little princesses their moment in the sun. The role of the groom is to shut up, be supportive and not to get frustrated when his bride-to-be is fretting over the smallest, most insignificant detail in order to make the day absolutely perfect, her Dream Wedding, the one she has been planning since she was a little princess getting glitter blown on her at the Bippity-Boppity Boutique at Disney World.

Doug Harris (Gad) is that groom. Basically a good-natured, decent fellow, he has been so hung up on making a career that he scarcely had time to date, much less develop the bonds of friendship with other guys. So when a supermodel-beautiful Gretchen Palmer (Cuoco-Sweeting) agrees to go out with him, he is surprised. When she agrees to marry him, he is shocked – but thrilled.

Now she’s planning the Wedding of the Century, one that would make British royalty green with jealousy. Even the salad dressing must be just right. So wedding planner Edmundo (Serricchio) needs the info on the seven groomsmen including the Best Man for the programs, Doug has been putting him off – mainly because he doesn’t have a best man, much less seven groomsmen.

Getting a tip from Edmundo, Doug visits Jimmy Callahan (Hart). This enterprising young charmer has made a lucrative business off of the issues of men just like Doug – men getting married without the support system that most brides develop over the years. He masquerades as best man for a price, providing groomsmen and whatever the groom needs to look irresistible to his new bride, sealing the deal on the wedding night.

However, seven groomsmen is a tall order, especially with the wedding date just ten days away. “What you’re talking about is what we joke about,” he tells Doug. There’s even a name for it; the Golden Tux. It doesn’t appear on any brochure because it’s never been done. Nonetheless, true love must win out, so Jimmy agrees to help Doug out – for a fee, with the understanding that he’s not buying a friend but renting a best man.

Newly christened Bic Mitchum – mainly so Kevin Hart can say “Bic Bic Bic Bic Bic” during the film – the CEO of Best Man Inc. sets out to find seven groomsmen in a hurry. Because of the time crunch, Jimmy – I mean, Bic – has to take what he can get rather than get the best. His motley crew are as Doug himself best described them; “It’s as if the Goonies grew up and became rapists.”

With Gretchen and her younger sister Alison (Thirlby) getting a little suspicious of the best man and the groomsmen, meeting the family including Gretchen’s imposing dad (Howard) and patrician grandmother (Leachman) is more than a little formidable, particularly when it turns out that Bic is supposed to be a priest – army chaplain to be exact – gets worse when Doug in a moment of panic nearly creates grandma flambĂ© but nonetheless Jimmy seems to be pulling it off, but now the issue is that Jimmy and Doug are actually taking a liking to one another, and Jimmy is taking a liking to Alison too. Still, coordinating all this takes a massive set, and a lot of luck. Will Jimmy get Doug to the altar on time?

Hart has been particularly hot of late and his cinematic winning streak doesn’t look like it’s going to end here. While the movie isn’t the runaway success that Ride Along was, it’s still doing decent enough box office and should make enough to make a tidy profit with a relatively low production cost behind it. If there’s a good reason this movie is successful, it will be Hart who is rapidly moving into the Will Smith role of engaging and likable leading man while also taking the Chris Rock mantle of edgy comedian. That’s a very difficult tightrope act to manage but Hart makes it look easy.

Gad is starting to show up on the radar of big budget Hollywood producers, having made a name for himself as the voice of Olaf in Frozen and appearances in Wish I Was Here and the upcoming Pixels. He is ostensibly the straight man but he has an impeccable comic timing and he gets a few moments of his own, but this is definitely the Kevin Hart show in many ways and Gad wisely lets the comic take center stage and makes quite the second banana.

Some critics have complained about the portrayal of women as conniving Bridezillas but guys, this is about one bride, not all brides. Let’s not let our liberal guilt get in the way of a good time. Frankly there are some pretty good comic moments and I was adequately entertained throughout. which is gold when your movie comes out in January. If you go in expecting to have a game-changing comedy that is going to change the face of the medium, you’re going to be sorely disappointed. However if you go in expecting a sweet-natured movie that will be occasionally inappropriate but generally funny throughout, you might actually enjoy this. Sometimes it pays to have low expectations because when you get a movie that is this good, it’s like a grand slam from a career .150 hitter in the bottom of the ninth in the seventh game of the World Series.

REASONS TO GO: Nice chemistry between Hart and Gad.
REASONS TO STAY: A little bit predictable. Occasionally crass and bro-centric.
FAMILY VALUES: A whole lot of foul language, some sexual references as well as crude sexuality, brief drug use and some nudity.
TRIVIAL PURSUIT: This was originally meant to be starring vehicle for Vince Vaughn and Owen Wilson.
CRITICAL MASS: As of 2/7/15: Rotten Tomatoes: 33% positive reviews. Metacritic: 35/100.
COMPARISON SHOPPING: Hitch
FINAL RATING: 6.5/10
NEXT: Black or White