A Dog’s Purpose


Dennis Quaid goes nose-to-nose with one of the canine stars in the film.

(2017) Family (Universal) Josh Gad (voice), Dennis Quaid, Peggy Lipton, KJ Apa, Bryce Ghelsar, Juliet Rylance, Luke Kirby, Gabrielle Rose, Michael Bofshever, Britt Robertson, Logan Miller, Kirby Howell-Baptiste, Pooch Hall, John Ortiz, Nicole LaPlaca, Primo Allon, Peter Kelamis, Caroline Cave, Jane McGregor, Robert Mann, Ron Vewymeren, David J. Lyle, Kelly-Ruth Mercier. Directed by Lasse Hallström

 

Let’s get one thing straight; I am a dog person. Seriously, Da Queen often shakes her head at the extent of my love for the canine species. I have trouble watching cruelty perpetrated to dogs on film (even in animations) and quite frankly all it takes is my dogs whimpering just the right way and I’m putty in their paws. In other words, I’m pretty much the target audience for this film so keep that in mind when reading the review.

The essential concept is that we look at the lives of a variety of dogs, all voiced by Gad, who have been reincarnated one life from the other complete with the memories of previous lives. Bailey belongs to a young boy (Ghelsar) named Ethan. Ethan rescued Bailey from the inside of a hot car and with the support of his mother (Rylance) and over the grumbling of his salesman father (Kirby) he is allowed to keep him.

As Ethan grows into his teen years (Apa) it becomes clear that his father is a drunk and abusive as well, frustrated over his lack of success. Ethan has become a high school football star and through Bailey’s timely intervention, the boyfriend of beautiful Hannah (Robertson). He is well on his way to a college scholarship but a tragic accident changes Ethan’s life forever.

Ethan does go off to college but only after breaking up with Hannah. Bailey goes into a tailspin (no pun intended) without Ethan and not long afterwards, his health fails and Bailey passes on. However, to Bailey’s surprise he wakes up young…and female. Now he’s…I mean, she’s…Ellie, a police dog whose handler (Miller) is lonely and maybe content to be that way – or maybe not. Still, Ellie is brave as can be and a fine partner for Al until…

…she comes back, this time as Tino, a chubby corgi who becomes the object of affection for college student Maya (Howell-Baptiste). Their relationship continues on past graduation and after Maya gets married and starts a family. It continues until it’s Tino’s time to leave and he comes back as…

Buddy, a lovable St. Bernard who ends up chained in the front yard of a dilapidated shack, ignored and neglected and occasionally abused, wondering what it all means until at last he finds a way to someplace familiar…someone who he remembers (Quaid).

Hallström has never shied away from sentiment and this might be the most sentimental of all his films. It’s based on a book by W. Bruce Cameron and while there are some differences in plot line, it is essentially the same where it matters. The subject matter is essentially a dog wondering what the point of it all is; what is his/her purpose in life and what is it about buttholes that is so dang appealing?

Of course this is really about the place of all of us in the universe, not just dogs. Do we just live and then die? It’s heady stuff for a family film and why the Judeo-Christian tradition of heaven and hell is largely ignored here, the film does suggest that our place in the universe is largely determined by how much we love. Dogs are a metaphor in that regard because after all, who is more loving than man’s best friend?

Some might be aware of the video that went viral just before the film that was released that showed one of the dogs – the one who plays Ellie – apparently being forced into the water and being submerged. It should be said that while PETA and other animal rights groups made a big deal out of it, as it turns out the video was doctored and CGI was used of the dog in the water. There’s no doubt that the film crew did have a reluctant dog that should not have been forced into the water (it had more to do with the position of where they were filming the stunt rather than the stunt itself which the dog performed on other occasions without incident) but there was no abuse going on and Hercules, the stunt dog in question, is alive and well. It’s another case of people manipulating truth to suit their own agendas.

The performances here are adequate. You know the old showbiz adage of working with animals and children – it applies here. The best performances tend to come courtesy of those with four paws. That’s not in any way denigrating the two-legged actors here; Quaid is fine as always and Apa looks to be an Elar Coltrane in the making. The focus is on the dogs here and so the humans tend to be more background than anything.

Some movies are tailor-made for critics and others are not; this falls in the latter category. For the most part critics don’t like emotionally manipulative films and this one is certainly that. Yes, the movie is rife with clichés and that’s a problem but I don’t think that kids are all that picky about such things. There are at least two or three places where tears were flowing down my cheeks without shame. As catharsis goes you won’t get better than what I got here in most any film.

REASONS TO GO: Dog lovers will be absolutely charmed. The film examines some pretty deep questions in a non-lofty manner. There’s a Middle American sensibility here.
REASONS TO STAY: Those who don’t like having their emotions manipulated won’t like this at all.
FAMILY VALUES: Children and sensitive sorts (particularly about animals) may have a hard time with the peril several dogs (and the family) are put into and may be unable to handle the passing of various dogs in the film.
TRIVIAL PURSUIT: Bradley Cooper was originally slated to voice the various dogs in the movie but the scheduling couldn’t be worked out so Josh Gad was hired instead. Also, the bulk of the movie was filmed in Winnipeg.
CRITICAL MASS: As of 3/21/17: Rotten Tomatoes: 33% positive reviews. Metacritic: 43/100.
COMPARISON SHOPPING: Old Yeller
FINAL RATING: 8/10
NEXT: Death Race 2050

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New Releases for the Week of February 3, 2017


RingsRINGS

(Paramount) Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck Willis, Patrick Walker. Directed by Javier F. Guttieréz

It is whispered that once there was a videotape, one in which if you watched it you would be marked and in seven days after first viewing it you would die. When a woman’s boyfriend gets caught up in the subculture surrounding the urban legend, she sacrifices herself to save him and finds out that the horror doesn’t end there – that there is a movie within the movie, one that nobody knew existed and one that will bring her face to face with Samara herself.

See the trailer and the first three minutes of the movie here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, thematic elements, some sexuality and brief drug material)

The Autopsy of Jane Doe

(IFC Midnight) Emile Hirsch, Brian Cox, Ophelia Lovibond, Olwen Kelly. A small town coroner and his son who assists him receive a body one dark and stormy night; the body of a woman who was found in the walls of a home where a terrible massacre took place. The two begin to perform an autopsy on the body but strange and disturbing things begin to happen…and soon it becomes apparent that this strange body might be at the center of it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for bloody horror violence, unsettling grisly images, graphic nudity and language)

The Comedian

(Sony Classics) Robert De Niro, Leslie Mann, Harvey Keitel, Danny DeVito. An aging comic icon, seeking to reinvent himself in a new era of stand-up instead gets into a physical altercation with an audience member and is sentenced to community service. There he meets the daughter of a predatory real estate developer who could be the key to his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Winter Park Village, UA Seminole Towne Center

Rating: R (for crude sexual references and language throughout)

Neruda

(The Orchard) Gael Garcia Bernal, Luis Gnecco, Pablo Derqui, Alfredo Castro. In 1948 the Chilean president banned the communist party in Chile as the Cold War went into full swing. Poet and member of the Chilean Senate, Pablo Neruda decried the actions of the President and was forced to go into hiding. A dogged police inspector pursued him only to find the poet and academic was one step ahead of him at nearly every turn. This, Pablo Larrain’s latest film, was nominated for a Golden Globe for Best Foreign Language Film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for sexuality/nudity and some language)

The Space Between Us

(STX Entertainment) Asa Butterfield, Gary Oldman, Britt Robertson, Carla Gugino. Gardner Eliot is the first human to be born outside of planet Earth – his mother was one of the original colonists of Mars but she died giving birth to him and never revealed the identity of his father. As the boy grows up, he becomes more obsessed with finding out who his father is and in the process begins an online relationship with a girl named Tulsa in Colorado – not the girl named Denver in Oklahoma which is what he was originally after. Anyway, when Gardner gets a chance to go to Earth he takes it, hoping to experience the home planet he’s never known only to discover that his fragile physiology will kill him if he remains there too long.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release
Rating: PG-13 (for brief sensuality and language)

Un padre no tan padre

(Pantelion) Héctor Bonilla, Zamia Fandiño, Jacqueline Bracamontes, Benny Ibarra de Llano.  When 85-year-old Don Servando Villegas is kicked out of the retirement home he lives in because of his antisocial behavior, his son is forced to take him in to the commune where he lives with his girlfriend and son. As the logline describes it, old age meets new age as the elderly gentleman discovers that the family we’re born into isn’t always the one we create for ourselves as we make our journey.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal The Loop

Rating: PG-13 (for drug material, some language and partial nudity)

New Releases for the Week of January 27, 2017


Resident Evil: The Final ChapterRESIDENT EVIL: THE FINAL CHAPTER

(Screen Gems) Milla Jovovich, Ali Larter, Iain Glen, Shawn Roberts, Eoin Macken, Fraser James, Ruby Rose, William Levy, Cobalt, Ever Anderson. Directed by Paul W.S. Anderson

Alice has survived years of the Umbrella Corporation’s apocalyptic mutagenic plague. Done being on the defense she is going to take the war to them – to where it all began more than a decade ago. Alice is coming to Raccoon City and the Umbrella Corp’s headquarters and God help you if you’re an executive because she’s not going to forgive and forget.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Horror Action
Now Playing: Wide Release

Rating: R (for sequences of violence throughout)

A Dog’s Purpose

(Universal) Dennis Quaid, Josh Gad (voice), Peggy Lipton, Britt Robertson. A dog finds meaning through his various reincarnations in this Lasse Hallström adaptation of a beloved bestseller. The movie has come under fire from PETA after TMZ released a video purporting to show a dog being forced into the water when he was clearly not willing to go. That video has since been shown to have been highly edited and contained footage using a CGI dog. PETA is calling for a boycott of the movie; I’m calling for a boycott of PETA by making a point of going to see this more than once.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: R (for sexual material, language, nudity and some drug use)

The Eagle Huntress

(Sony Classics) Daisy Ridley (narrator), Aisholpan Nurgaiv, Rys Nurgaiv. A young girl in rural Mongolia strives to do something no other woman has done in 2,000 years – become an Eagle Hunter, a traditionally male role of training and utilizing an eagle to hunt down game, which in the harsh winters of Mongolia can be the difference between survival and starvation. She goes to the annual Golden Eagle festival to take on 70 male hunters in an attempt to prove herself not just for herself but for all Mongolian women desiring to break out of the strictures their male-dominated society has enforced on them.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: NR

Gold

(Weinstein) Matthew McConaughey, Edgar Ramirez, Bryce Dallas Howard, Corey Stoll. A modern day prospector with a touch of gold fever hasn’t had much luck in finding his own mother lode. He searches the forests of Indonesia, certain that the path to wealth and happiness lies in finding a massive gold deposit there. When he finds it, he discovers that keeping his wealth is a lot harder than finding it and that the boardrooms of Wall Street are far more dangerous than the jungles of Indonesia.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for language throughout and some sexuality/nudity)

New Releases for the Week of September 16, 2016


blair-witchBLAIR WITCH

(Lionsgate) James Allen McCune, Callie Hernandez, Corbin Reid, Brandon Scott, Wes Robinson, Valorie Curry. Directed by Adam Wingard

A group of college student filmmakers go into the Black Hills woods of Maryland  – and we all know that nothing good ever comes of student filmmakers going into the woods – to seek out information about the disappearance of the sister of one of their number. Accompanied by a couple of local guides, the group sets out to camp out in the forest. When night falls, however, they discover a local legend may be all too real – and that the Blair Witch may be far more powerful and evil than they could have possibly imagined.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for language, terror and some disturbing images)

Bridget Jones’s Baby

(Universal) Renee Zellweger, Colin Firth, Patrick Dempsey, Jim Broadbent. The indefatigable Bridget Jones returns, a little bit older perhaps but no wiser. She has broken up with Mark Darcy and at 40-something finds herself single again. After a wild night of ex sex, she hooks up with a spirited American who may be just the tonic that she needs. However, she also finds herself pregnant and the father could be her new beau – or her ex.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: R (for language, sex references and some nudity)

The Good Neighbor

(Vertical) James Caan, Logan Miller, Keir Gilchrist, Laura Innes. In a quiet neighborhood, a couple of high school students who fancy themselves practical jokers decide to take on the curmudgeonly neighbor across the street. They rig up his house so that it appears to be haunted, install some closed circuit cameras and wait for the hilarity to ensue. Suffice to say that their neighbor doesn’t take kindly to these events and things don’t go the way the funny guys think it’s going to.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Mr. Church

(Cinelou) Eddie Murphy, Britt Robertson, Natascha McElhone, Xavier Samuel. A single mom battling breast cancer and her precocious daughter receive an unusual visitor – a man claiming to have been paid to be their cook for the next six months. Six months become much longer as what had been always planned to be a temporary arrangement becomes a lifelong friendship.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs

Rating: PG-13 (for thematic elements)

Nick Cave: One More Time with Feeling

(Picturehouse) Nick Cave, Warren Ellis, The Bad Seeds. The creative process of one of the most acclaimed and highly regarded cult performers in rock and roll, Nick Cave and the Bad Seeds, comes to light as the band records their latest album – The Skeleton Tree – in the wake of an unthinkable personal tragedy for Cave.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard (one showing only: Monday 9/19 at 9:30pm)
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

The People vs. Fritz Bauer

(Cohen Media Group) Burghart Klauẞner, Ronald Zehrfeld, Michael Schenk, Sebastian Blomberg.  The account of the capture and execution of Nazi war criminal Adolph Eichmann has always been the story of the Israeli Mossad, but it came to light recently that a West German attorney general by the name of Fritz Bauer had much more to do with it than previously known. Bauer, frustrated at his government’s reluctance to pursue people like Eichmann and at the roadblocks thrown up by Nazi sympathizers in powerful government positions, eventually supplied the whereabouts of Eichmann to Mossad. The review of this film will be up shortly.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Snowden

(Open Road) Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto. Edward Snowden is a whistle-blower who brought to the attention of the world the surveillance tactics of the NSA on American citizens who were accused of no crime. There are many who think he’s a hero but just as many if not more who think he’s a traitor. Currently living in exile in Russia, Snowden’s tale is a controversial one and who better to bring it to the big screen than Oliver Stone, no stranger to controversy himself?

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality/nudity)

A Tale of Love and Darkness

(Focus World) Natalie Portman, Amir Tessler, Shira Haas, Makram Khoury. Israeli writer Amos Oz recalls his youth and his relationship with his mother in the early years of the state of Israel. The stories he tells become the stories he lives. Portman also directed the film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Oviedo Mall

Rating: PG-13 (for thematic content and some disturbing violent images)

Tomorrowland


George Clooney has a chat with Brett Robertson over her TV viewing habits.

George Clooney has a chat with Brett Robertson over her TV viewing habits.

(2015) Science Fiction (Disney) George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key, Chris Bauer, Thomas Robinson, Pierce Gagnon, Matthew MacCaull, Judy Greer, Matthew Kevin Anderson, Michael Giacchino, D. Harlan Cutshall, Shiloh Nelson, Xantha Radley, David Nykl, Priya Rajratham. Directed by Brad Bird

The future is a subject that fascinates most of us. How we view the future tends to be a reflection of how we view the present; in the optimistic days of the early and mid-60s, the epoch of the New York World’s Fair, there was optimism. Things would get better and our ingenuity would get us there. The future was full of sleek buildings, mass transit via monorail, wondrous scientific advances, cities on the moon, flying cars, jetpacks and cheerful, smiling people without a care in the world. In short, a theme park.

These days the way we view the future is dark and hopeless. Inevitably in our view of the future civilization has collapsed, resources have been depleted and humanity is on the verge of extinction. There are no gleaming cities, no jetpacks, no cheerful, smiling people; just dirty, destitute denizens of a hardscrabble world desperate to survive in a world where survival on any given day is no picnic. Welcome to the 21st century, no?

In Brad Bird’s Tomorrowland, yet another Disney film based on a theme park attraction – or, in this case, an entire themed zone within a theme park – there is a return to that bright shiny future but in this particular case, the future isn’t all that it used to be.

Meet Frank Walker (Robinson). He’s a brilliant kid living out in the sticks who dreams of jetpacks and shiny cities and heads over to the 1964 World’s Fair with stars in his eyes and a (nearly) working jetpack under his arm for a competition for inventors. His invention is rejected but a little girl named Athena (Cassidy) gives Walker a pin and tells him to follow her and her group. Walker follows them onto the It’s a Small World ride via which he is transported to an alternate dimension, one in which the future is now. He has arrived in Tomorrowland, a place where humanity’s most creative minds, most artistic souls and most brilliant scientists have gathered to create a Utopia. In short, not unlike the SyFy Channel’s Eureka.

Flash forward 50 years and over to Central Florida where Eddie Newton (McGraw), a NASA engineer, is given charge of dismantling the launch site for the Space Shuttle after which he’ll be out of a job. His spunky daughter Casey (Robertson), who has a brilliant intuitive mind and is able to figure out almost instantly “how things work,” has been repeatedly sabotaging his efforts. One of her attempts at sabotage gets her caught and lands her in jail. When she goes to collect her things, there’s a strange pin among them – one she didn’t have before. Whenever she touches it, she is transported to Tomorrowland, although it is more of an immersive hologram of Tomorrowland. And there’s a time limit on the pin’s battery, after which it  ceases working.

Casey is obsessed with finding Tomorrowland and her search takes her to the doorstep of Frank Walker (Clooney), now a grizzled old hermit whose house looks dilapidated yet is taking in more electrical current than Walt Disney World. It turns out that Frank was exiled from Tomorrowland, and that he harbors a terrifying secret; while in Tomorrowland he built a machine able to look into the future and to his horror, it showed that the end of the human race was approaching. And it appears that Casey may hold the key to stopping it, but they have to get to Tomorrowland to do it. And there are some killer robots who are dead set on making sure that doesn’t happen.

Bird has created a marvelous universe that is brilliant to watch. Sure, it’s a bit of a retro vision but he has managed to make it visually stunning, an extension of the future worlds we saw 50 years ago (that are supposed to be now) but modernizing them somewhat. Tomorrowland thus becomes believable, at least to 2015 eyes.

In a movie in which ideas and dreams are extolled, Bird has several of his own and they bear thinking about. For example, he posits that because we’re conditioned to think that the future is bleak and awful, that we are making it come to pass. It’s a concept not without merit. The news about our present is unrelentingly bleak, when you consider climate change, income inequality, peak oil, religious fanaticism, water and food shortages, overpopulation and all the other issues that are affecting our survival. Hollywood also tends to make big budget sci-fi movies about futures in which mankind is not prospering. Post-apocalyptic wastelands are easier and cheaper to create than futuristic utopias, after all.

The constant Disney references in the movie are probably delightful to most Disneyphiles, from visions of Space Mountain on the edge of the frame during a visit to Tomorrowland, to the It’s a Small World ride in 1964 – which was actually filmed at the attraction in Anaheim, which is much longer than the original which was in the Pepsi Pavilion and not its own stand-alone facility. However, I’m betting those of you who have ridden the attraction are now cursing me because they know they won’t be able to get the song out of their heads for hours. In any case, there are references to Disney movies, Disney theme parks and Disney memorabilia throughout the movie and while most of it is subtle, some of it is blatant enough that it makes one feel like one is experience a 2 1/2 hour advertisement for Disney. But that isn’t the movie’s deadliest sin.

What I object to most about Tomorrowland is that the filmmakers have dumbed it down to appeal to a younger audience. Gigantic leaps in logic and common sense abound here as we get to watch a kid save the world. I don’t object intrinsically to having a kid be smart, but smarter than everyone else? Wisdom comes with experience; it isn’t something we are born with, something movies aimed at kids conveniently tend to overlook in order to stroke the fantasies of kids in that they’re smarter than the adults around them, and more able. While thankfully most of the adults in the film aren’t portrayed as buffoons as they often are in kid-oriented films, not one of them seems to have any sort of optimism within them whatsoever which defies the odds. I think making this too kid-oriented was a tremendous error. Look at the facts; on those Disney attraction-based films that have been completely kid-oriented (i.e. The Haunted Mansion, Country Bears) the box office has been anemic. On those that have aimed to be entertaining to all audiences (i.e. the Pirates of the Caribbean franchise) the box office was through the roof. Not all of it was Johnny Depp, mateys; a lot of it had to do with that most adults won’t watch Nickelodeon, the Cartoon Network or the Disney Channel for very long.

Clooney puts aside his suave sex symbol image and plays an unshaven, pessimistic sort who out-Get Off My Lawns Clint Eastwood in Gran Torino. He doesn’t flash his trademark grin very often in the movie, but remains engaging and charismatic nonetheless. I can’t say the same for Robertson however. I get that her character is supposed to be optimistic to the point of mania but she comes off as cloying instead. Worse, she seems to be overacting throughout, using broad gestures and expressions where subtlety would have been more appreciated. The 24-year-old Robertson is playing a young girl in her mid-teens and I get that girls that age are generally more dramatically inclined and that playing it over-the-top is more realistic than subtlety but it takes me out of the movie as I am continually reminded that someone is acting here.

This will probably rank as one of the summer’s greater disappointments. I had high hopes for it and was hoping that perhaps a new franchise might be brewing. The movie is doing pretty well at the box office but given its monster budget will have a hard time recouping all of it at the rate it is going.. I think if Bird had taken a page from Gore Verbinski’s book and appealed less to the youngest moviegoing audience and more to a more mature audience, this could have been a huge hit; it does have some admirable ideas to think about and is visually impressive but at the end of the day the things in the film that are annoying trump the things in the movie that are worthwhile. A world of tears, indeed.

REASONS TO GO: Nifty eye candy (not Clooney). Some fairly complex themes.
REASONS TO STAY: Dumbed down. Robertson overacts.
FAMILY VALUES: Some mildly bad language, sci-fi violence (robots beating each other up) and some adult themes.
TRIVIAL PURSUIT: When Casey confronts the holographic dog early on in the film, her footprints form a Hidden Mickey.
CRITICAL MASS: As of 6/3/15: Rotten Tomatoes: 49% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Mom and Dad Save the World
FINAL RATING: 5.5/10
NEXT: Top Spin

New Releases for the Week of May 22, 2015


TomorrowlandTOMORROWLAND

(Disney) George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Keegan-Michael Key, Pierre Gagnon, Judy Greer, Michael Giacchino. Directed by Brad Bird

There is a place where the future is being created. It’s a special place that is shaping how we will live years from now. Amazing technology is being developed. However, there are some who want those incredible discoveries for themselves and will stop at nothing to get them. Caught in the middle is a disillusioned former boy genius and a bright-eyed, optimistic teen with a passion for science who form a reluctant partnership to try and save a bright tomorrow from becoming something terrible.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website .
Release Formats: Standard (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG (for sequences of sci-fi action violence and peril, thematic elements and language)

Iris

(Magnolia) Iris Apfel, Carl Apfel. A beloved figure on the New York fashion scene is Iris Apfel. With her oversize glasses, her white hair and her impeccable fashion sense, she is a fixture at gallery openings, society parties and in the New York Times style section, she is known for her jewelry and accessories collection which is vast. Legendary documentary Albert Maysles profiles the New York icon in what would be his last film (he passed away this March).

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some strong language)

Poltergeist

(MGM/20th Century Fox) Sam Rockwell, Jared Harris, Rosemarie DeWitt, Jane Adams. Maybe the ultimate haunted house movie of all time is Tobe Hooper and Steven Spielberg’s Poltergeist from back in 1982. Now 33 years later it is being turned into a modern CGI-filled roller coaster ride. The basic story is that a family has moved into a home where strange phenomena are occurring. After their daughter disappears, they discover that their home was built on a graveyard whose residents are none too happy at the incursion.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for intense frightening sequences, brief suggestive material and some language)

New Releases for the Week of April 10, 2014


The Longest RideTHE LONGEST RIDE

(20th Century Fox) Scott Eastwood, Britt Robertson, Alan Alda, Oona Chaplin, Jack Huston, Lolita Davidovitch, Gloria Reuben, Peter Jurasik. Directed by George Tillman Jr.

The newest Nicholas Sparks novel to get a screen version concerns two couples, one from the World War 2 era, the other modern day. Both have parallels in their relationships but as the modern day couple struggle to make their relationship work – he’s a rodeo bull rider who can’t give up his passion even though it may mean his life – the bygone couple come into their lives in a dramatic way to inspire them.

See the trailer, interviews, clips, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for some sexuality, partial nudity, some war and sports action)

Freetown

(Purdie) Henry Adofo, Michael Attram, Alphonse Menyo, Philip Adekunie Michael. With Liberia writhing in civil war, a group of native missionaries undertake a perilous journey across that bleeding land to save one of their colleagues. They will have to avoid both rebels and government troops and their faith must be stronger than ever to see them through.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks
Rating: PG-13 (for thematic situations involving violence)

Merchants of Doubt

(Sony Classics) Bob Inglis, James Hansen, Frederick Singer, Sam Roe. A group of pundits for hire, often presented as expert scientists, are hired by corporate interests to testify about the invalidity of climate change, toxic chemicals, pharmaceuticals and whatever disinformation is necessary to fool the public into thinking that the products of the companies that hire them are safe for the environment and/or for public use. In reality, they are meant to plant the seeds of doubt so that the public will believe as the corporations wish them too, often disregarding the warnings of actual scientists in the process.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: PG-13 (for brief strong language)