New Releases for the Week of November 24, 2017


COCO

(Disney*Pixar) Starring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Gabriel Iglesias, Edward James Olmos. Directed by Adrian Molina and Lee Unkrich

A young Mexican boy is obsessed with music but had the bad luck to be born into a family that didn’t care much for song and frivolity. A devotee of a recently deceased troubadour, he is accidentally sent to the Land of the Dead and must work out the mystery of why his family hates music so much before he can return to the Land of the Living.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, 4DX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements)

Last Flag Flying

(Amazon/Lionsgate) Bryan Cranston, Laurence Fishburne, Steve Carell, J. Quinton Johnson. Three ex-Marines who served together in Vietnam come together for one last mission; to bury the son of one of them who was killed in Iraq. This is the latest from director Richard Linklater.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong language throughout including some sexual references)

The Man Who Invented Christmas

(Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow. One of the great traditions of Christmas is the beloved novel A Christmas Carol by Charles Dickens. He wrote it at a time in his life where he was surrounded by tribulations but where did these ideas – a Christmas ghost story, after all – come from? Look for the review for this tomorrow.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some mild language)

Novitiate

(Sony Classics) Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron. A young woman in the early 1960s gets swept up by the idea of becoming a nun and so enters a convent just at a time when sweeping changes were overtaking the Catholic Church. You can check out my review for the film here.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language, some sexuality and nudity)

Roman J. Israel, Esq.

(Columbia) Denzel Washington, Colin Farrell, Carmen Ejogo, Tony Plana. A former activist turned lawyer finds himself confronted with a crisis of conscience. Passed by and struggling to survive, a series of events leads him to consider extreme action.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Legal Drama
Now Playing: Wide Release

Rating: PG-13 (for language and some violence)

Three Billboards Outside Ebbing, Missouri

(Fox Searchlight) Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones. When the police fail to discover the identity of the killer of a young woman, the victim’s mother frustrated by the lack of progress puts up three billboards near her home castigating the authorities for their inability to solve the crime. Her actions sharply divide the community in this latest darkly comic drama from Irish director Martin McDonagh.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence, language throughout, and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Balakrishnudu
Mental Madhilo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abracadabra
The King’s Choice
Mental Madhilo

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Mental Madhilo

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Balakrishnudu
Faces Places
Hey, Pillagada
Mental Madhilo

SCHEDULED FOR REVIEW:

Coco
The Man Who Invented Christmas
Novitiate
Roman Israel, Esq.
Three Billboards Outside Ebbing, Missouri

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Wakefield


Bryan Cranston’s glamour shot.

(2016) Drama (IFC) Bryan Cranston, Jennifer Garner, Jason O’Mara, Beverly D’Angelo, Ian Anthony Dale, Monica Lawson, Pippa Bennett-Warner, Ellery Sprayberry, Victoria Bruno, Isaac Leyva, Fredrick Keeve, Bill Timoney, Alexander Zale, Hal Dion, Eliza Coleman, Derek Weston, Angela Taylor-Jones, Tommy Otis, Cameron Simmons, Scott St. Blaze, Carinna Rossignoli. Directed by Robin Swicord

 

Haven’t we all at one time or another wanted to be observers in our own lives, to see how those we are closest to react if we were to disappear from their lives? Frank Capra made in some ways the ultimate version of that fantasy with It’s a Wonderful Life but while the message was uplifting and positive, some suspect that the reality would be much darker.

Howard Wakefield (Cranston) is a successful New York litigator. He has a big house out in the suburbs, a beautiful wife Diane (Garner) and two great kids Emily (Bennett-Warner) and Ellen (Lawson). But that’s just the veneer. Scratch the surface a bit and you come to discover that his marriage to Diane is crumbling. They use jealousy as a means of keeping the home fires burning; she flirts with someone, they argue and then they have great sex – until the great sex part begins to stop. The kids are unenthusiastic about being around him on those few occasions when he’s actually around.

One night he returns home from his commute to find a power outage. At his front door is a raccoon sniffing around the garbage where his wife has thrown out his dinner, tired of waiting for him to come home. He chases the raccoon into the garage where it bounds up to the loft above the garage. He scares it back out again but discovers that a round window above the garage gives him a perfect view of the inside of his house. Fascinated, he plays voyeur for a bit until he falls asleep.

When he wakes up with a start, he sees his wife sending the kids off to school and then toddling off to work as if nothing happened. Incensed, he decides to play out the string a little longer. He raids the house for food and moves into the garage loft. Soon she goes from cavalier to genuinely worried. The police are called.

Weeks go by and Walter begins to experience a kind of liberating freedom. He no longer has any responsibilities, no need to conform to what’s expected of him. When a memorial service is held at the house for the missing Walter, he is bemused that one of the lawyers at his firm is trying to put the moves on Diane. He begins to reminisce about his life with her, how they met – and how he stole her away from his best friend Dirk Morrison (O’Mara) by blatantly lying. All’s fair, right?

But as weeks turn into months and the weather grows cold, he begins to experience something unexpected – loneliness. Being a voyeur has its limits and there’s no doubt that the liberation he’s experienced has lost its luster. To make matters worse, Diane has reconnected with her old flame Dirk who has taken Walter’s place at the Thanksgiving table. Walter realizes that the things he took for granted are the things that made his life worth living but is it too late for him to re-enter his life and live once again?

There is a dark almost Russian feeling to the movie that reminded me of the works of Fyodor Dostoyevsky. There’s an almost absurd element to the drama – does anybody really think that it wouldn’t be noticed that a wild-eyed bearded man was living in the loft above their garage? – and I found that rather pleasing.

Bryan Cranston has since breaking out in Breaking Bad become one of America’s most reliable actors. Yes, he’s done a few forgettable movies but he’s generally always memorable in them (with a few exceptions). This is all him – much of the movie is Walter’s voice-over narration – and he’s in virtually every frame of the film. It’s quite a burden to shoulder but Cranston carries it like it’s a bag full of Styrofoam. He’s very likely to get nominated for an Oscar this year – probably not for this one but for the much buzzed about Last Flag Flying – and you can see why in this film why he’s a threat every year to make the Oscar shortlist.

Garner and O’Mara are mostly glimpsed from a distance. This is all Walter’s point of view so often we don’t hear what either one is saying. They largely use body language to get across what their character is feeling. I have to award kudos to Swicord for sticking to her guns and to Garner and O’Mara for going along with her plan. It couldn’t be easy for either actor to sign up for a film where they had so little dialogue but both are an integral part of the movie’s story nonetheless.

Howard isn’t a very likable character to say the least. Most of the time in his narration he is full of nasty little asides about various people in his life. Some of his zingers are dang funny but you realize that there is a kind of nastiness to him that he might just get off on demeaning others. One quickly comes to the realization that the problem in Howard’s marriage…is Howard. The man himself takes much longer to come to that conclusion than the audience does.

This is an interesting character study but the movie isn’t really an essential one. With a performance as mesmerizing as Cranston’s is here one has to recommend it on that basis alone but frankly this won’t be one of the more stellar indie films this year in terms of quality. It’s solid though and definitely worth seeing if you can manage it but if you can’t it’s not a great loss either. Still, the central theme of going out of ourselves to get to truly know ourselves is well-handled and there is quality here. Definitely keep an eye out for it and check it out if you can.

REASONS TO GO: This is Cranston’s show and he makes the most of it. There’s a Dostoyevsky-like vibe to the film. It’s an interesting character study.
REASONS TO STAY: The film is a little bit on the mean-spirited side. It’s interesting but not essential.
FAMILY VALUES: There is some sexuality as well as profanity.
TRIVIAL PURSUIT: The film is based on the E.L. Doctorow short story of the same name that appeared in the January 14, 2008 issue of The New Yorker which was in turn based on the Nathaniel Hawthorne story of the same name published in 1835.
BEYOND THE THEATERS: Amazon, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 8/15/17: Rotten Tomatoes: 75% positive reviews. Metacritic: 62/100.
COMPARISON SHOPPING: Ghost Dad
FINAL RATING: 7.5/10
NEXT: Alien: Covenant

Power Rangers


Welcome to your childhood, revisited.

(2017) Science Fiction (Saban/Lionsgate) Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G, Elizabeth Banks, Bryan Cranston, Bill Hader (voice), Matt Shively, Cody Kearsley, David Denman, Robert Moloney, Anjali Jay, Sarah Grey, Morgan Taylor Campbell, Caroline Cave, Kayden Magnuson, Lisa Berry, Wesley MacInnes, John Stewart, Fiona Fu. Directed by Dean Israelite

 

Never underestimate the value of nostalgia in selling a franchise movie. The toys and games of our youth become the $100 million franchise film of our present. Michael Bay turned a TV show meant to sell toys into a billion dollar film franchise which shows no sign of abating.

The Mighty Morphin Power Rangers were arguably a bigger kid’s show in their day. Certainly it paved the way for all sorts of shows that were arguably toy ads and included such shows as Pokémon and Animorphs.  There were a couple of movies made with the Rangers (the first one I was forced to endure since my son was a MMPR junkie at the time) but while the show has continued in a variety of forms over the years, it hasn’t quite had the same cache as it did back in the day. Now Saban, the American distributor of the original, has started a film arm and is pulling out what is arguably their most valuable property to help get it going.

Five misfit teenagers in the sleepy California town of Angel Grove have been drawn together. Jock Jason (Montgomery) has a bright athletic future ahead of him but throws it all away for the sake of an unfunny prank that ends up getting him arrested. Kimberly (Scott) is a cheerleader whose clique has turned against her. Billy (Cyler) is a brilliant but bullied young man who is on the autism spectrum. Jason, who hates bullies, stands up for Billy but not because he is bullied – Billy is able to disarm the ankle bracelet he’s forced to wear.

Billy takes his two new friends to an old mine his late father used to take him to. There they meet Zack (Lin), an outgoing Asian kid and Trini (G), a Latina loner. The five of them discover that they picked a mine that happened to be above a buried alien spacecraft where they discover five coins. The coins give them a variety of super powers but nothing like what they would have if they could manifest the Power Ranger suits.

At least, that’s what giant head Zordon (Cranston) tells them. With his snarky robot sidekick Alpha 5 (Hader), the five are meant to be the new Power Rangers who have to battle interstellar baddie Rita Repulsa (Banks) who has plans to nab the Zeo Crystal and destroy the planet – unless the bickering teens can get their act together and team up to beat her and her giant robot Goldar. We’re doomed.

It’s hard in some ways for someone like me to review this; I really didn’t follow the show and while my son was way into it for a certain part of his youth, it was his show, not mine. We didn’t watch it together but that was okay – it was something that could be his and his alone, which is important for a young boy. The connection I have to the show is tenuous and the Easter eggs and cameos that litter the film go straight over my head. Younger people who grew up with the show in the 90s will find more resonance here than I ever could so keep that in mind.

The special effects are fairly spectacular for the most part – the climactic battle is a little bit overwrought and difficult to follow. It takes a long time to get there however; the Rangers don’t appear in uniform until the movie is nearly done and the dinosaur-like vehicles they operate, the Zords don’t appear until even later.

The movie is chock full of terms and expressions that will only make sense to those who grew up with the show.  That’s okay, mind you, but just be warned that those of us who weren’t into the show will have less of an experience. The same thing can be said about the Marvel movies, Star Trek movies and so on and so forth. That’s kind of the point of going to see a movie like this.

The movie is a bit schizophrenic in that part of it seems to want to be a slam-bang action movie and the other more of a Freeform teen angst movie. Israelite is more successful at the latter than the former and quite frankly the integration of the two could have been better and I think that’s where the movie has its biggest issue. When the action sequences come, they are a bit on the cheesy side and don’t look terribly convincing. They’re also quite jarring when you put them together with teens who are sexting, experiencing sensuality for the first times in their lives, dealing with autism and bullying and alienation from not only the adults in their lives but from people in general. All the special effects in the world can’t help you with those.

If you loved the original series, chances are that you’ll enjoy this depending on how much a stickler you are for keeping things the way they were in the 90s. Chances are you’ll have seen this already as well. For those wondering if they should catch this at the local dollar theater, do. It should definitely be experienced on a big screen with big sound. However, keep in mind that this is essentially a mediocre movie that could have used less of an eye on the bottom line and more of an eye on writing a great story involving these characters instead of one drowning helplessly in liquid cheese.

REASONS TO GO: There is a nostalgia factor for those who grew up with the original TV show.
REASONS TO STAY: Tries to be both an action movie and a young adult drama and doesn’t really integrate the two disparate sides together very well.
FAMILY VALUES: You’ll find plenty of sci-fi violence, a smattering of mild profanity and a little bit of crude humor.
TRIVIAL PURSUIT: This is the third Power Ranger movie to make the big screen (although as a reboot it isn’t connected to the other two) and the first in 20 years to be released.
CRITICAL MASS: As of 5/27/17: Rotten Tomatoes: 46% positive reviews. Metacritic: 44/100.
COMPARISON SHOPPING: Chronicle
FINAL RATING: 5/10
NEXT: Pandora

New Releases for the Week of March 24, 2017


POWER RANGERS

(Saban/Lionsgate) Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G, Elizabeth Banks, Bryan Cranston, Bill Hader (voice), David Denman. Directed by Dean Israelite

Five ordinary high school kids from a small town suddenly become humanity’s last hope. They discover a buried spacecraft and they are each given extraordinary powers. However, a threat from a different alien race threatens the Earth and the teens, with some guidance, must learn to work as a unit if they are going to save the day and become Power Rangers.

See the trailer, a clip and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence, action and destruction, language, and for some crude humor)

American Anarchist

(Gravitas) William Powell. One of the most notorious books of the counterculture of the 60s and 70s was The Anarchist’s Cookbook which among other things gave detailed instructions on how to build homemade bombs. The book has since been used by terrorists as something of a Bible. The original author, William Powell, was also deeply affected by the book which he wrote at age 19. Now 65 years old, his perspective has changed a great deal. This film documents his journey from angry young man to where he is now.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Bokeh

(Screen Media) Maika Monroe, Matt O’Leary, Arnar Jónsson, Gunnar Helgason. A young American couple on a romantic vacation in Iceland wakes up one morning to find that every other person on Earth has disappeared. At first reveling in their freedom, the reality of their situation starts to sink in. If they get hurt or sick, there are no doctors. There are no pilots or ship captains to take them back home to America – they’re stuck in Iceland. There are no farmers to grow crops, no ranchers to raise cattle, no technicians to fix broken devices. They are truly, frighteningly, on their own.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Premiere Fashion Square Cinema

Rating: NR

CHiPS

(Warner Brothers) Dax Shepard, Michael Peña, Jessica McNamee, Adam Brody. Allegations of corruption in the California Highway Patrol have led the F.B.I. to plant a mole in the Patrol. That mole is paired up with a battered veteran of the Patrol who is just trying to get his life and marriage back on track. However, that’s easier said than done considering there’s a multimillion dollar heist whose mastermind just might be a CHiP.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, graphic nudity, pervasive language, some violence and drug use)

Life

(Columbia) Ryan Reynolds, Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada. The crew of the International Space Station retrieves a satellite launched from Mars bringing samples to Earth. Once the satellite is opened, a discovery that could change our entire concept of life and the universe is made – but it’s a discovery that could very well also be the death knell of humanity.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for language throughout, some sci-fi violence and terror)

Slamma Jamma

(RiverRain) Chris Staples, Michael Irvin, Jose Canseco, Ray Gunnarson. A former basketball star with a bright future is released from prison for a crime he didn’t commit. Determined to get back what was lost, he enters a national slam dunk competition in order to win redemption for himself and to regain the respect of his family and friends.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Regal The Loop, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG (for thematic elements, some violence and language)

Song to Song

(Broad Green) Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman. Two couples involved with the Austin, Texas music scene become entangled in both their musical careers as well as their personal careers. Chasing success is not always an easy thing in the cutthroat music industry.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality, nudity, drug use and language)

Wilson

(Fox Searchlight) Woody Harrelson, Laura Dern, Judy Greer, Cheryl Hines. A middle-aged misfit named Wilson who has absolutely no filter and is as neurotic as a cat in a house of mirrors discovers that his ex-wife put a baby up for adoption after they divorced. Overjoyed that he’s a father, he drags his estranged ex to meet their daughter and connect with them as a hopelessly warped family. This is based on the Daniel Clowes graphic novel.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater

Rating: R (for language throughout and some sexuality)

Why Him?


Talk about a generation gap...

Talk about a generation gap…

(2016) Comedy (20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mullally, Cedric the Entertainer, Keegan-Michael Key, Griffin Gluck, Zack Pearlman, Jee Young Han, Tangie Ambrose, Mary Pat Gleason, Kaley Cuoco (voice), Steve Aoki, Richard Blais, Elon Musk, Adam Devine, Gene Simmons, Paul Stanley, Andrew Rannells, Casey Wilson. Directed by John Hamburg

 

The father-daughter relationship is a very special one. A man’s daughter is always his princess; the light of his heart, the twinkle in his eye, she inevitably has him twisted around her little finger. It goes without saying that no man will ever be good enough for Daddy’s Little Princess.

Ned Fleming (Cranston) is by all appearances a successful guy. He’s a pillar of his Michigan community and runs a paper company that has been one of the most successful in the Midwest for years; he has put his daughter Stephanie (Deutch) through college at Stanford where she is nearing graduation and his life is generally going just swell.

His bubble is on the verge of bursting though; his company is in serious financial trouble and there isn’t much of a future for it anyway – paper is going the way of horse and buggy given that most communication is electronic these days. His wife Barb (Mullally) and son Scottie (Gluck) are mainly unaware of this. However, the biggest blow is that Stephanie has a boyfriend that they don’t know about and what’s worse they’ve been together for more than a year. This disturbs Ned who had always assumed that his daughter told him everything. It seems she has a whole lot of secrets that he isn’t aware of. With the holidays coming, Stephanie invites her family to spend them in Northern California.

Said boyfriend is Laird Mayhew (Franco) and rather than being a doe-eyed college boy he turns out to be a 30-something tech magnate who earned his billions developing videogames. With a chest full of tattoos and absolutely no filter, he is a bit of a handful and a lot for the conservative Fleming family to take in. Most parents would be overjoyed that their daughter had caught the eye of a billionaire and seemed to be very much in love with him besides but not Ned. He’s suspicious of Laird and is positive that he’s up to something and Laird, to be honest, is a fairly manipulative guy. His high-tech Palo Alto mansion is full to the brim with all sorts of gadgets and toys, including a Japanese toilet/bidet combination that doesn’t quite work right (and hilarity ensues), a Siri-like house computer whose voice is that of Kaley Cuoco from Big Bang Theory and who tends to get cranky from time to time (more hilarity ensues) and a brand new bowling alley that Laird installed because he heard that Ned loves to bowl. Midwestern, right?

There is also a stuffed moose preserved in an aquarium full of it’s own urine which you just know is going to get all over someone sooner or later (not a spoiler: it does) and a valet named Gustav (Key) who is about every Eastern European goofball that populated sitcoms and movie comedies in the 80s and 90s and who, like Kato in the Pink Panther movies, attacks Laird with martial arts without warning (although to be fair the movie does name drop the series for additional laughs).

Laird means to marry Stephanie and wants Ned’s blessing, a blessing that isn’t forthcoming. It’s Christmas though and miracles can happen – although it might take several miracles to make this happy ending come true. Stephanie tries to make her father see that beneath the cursing (Laird drops F bombs constantly, a product of having no filter) and the sometimes bizarre behavior Laird is really a very nice guy, but that will be a tough sell to a father who already thinks that no guy is good enough for his princess.

In many ways this movie perfectly illustrates the disconnect between Hollywood and Mid-America which in turn spotlights why Donald Trump won the 2016 Presidential election. Ned and Barb as well as son Scotty are portrayed as extremely naive particularly about pop culture sexuality, not knowing what either motorboating or bukake mean – not that those are common terms but certainly the way that it is portrayed here is that they’re the only ones not in on the joke and quite frankly it’s a bit cruel. The West Coast hip tech types, standing in for the elite liberal crowd, are condescending and a little put off by the squares. It may interest the left to know that there is Internet in the Midwest and most of the people living there are a lot savvier than given credit for.

Cranston and Franco are no strangers to each other and it shows here. The chemistry between them is letter perfect and both exhibit a lot of give and take in terms of who gets the laughs and who is the straight man. Both perform beyond what you’d expect for what is essentially a holiday comedy which often tend to be just paychecks for big name actors. Cranston and Franco earn both of theirs.

But all the good intentions and strong performances can’t save a script that has little bite and feels more like a sitcom than a big screen comedy. There are some really funny moments (like when Laird brings in Gene Simmons and Paul Stanley from KISS for Ned and Barb who are avowed members of the KISS Army) and a few cringe-worthy moments (the aforementioned moose piss gag) but by and large there’s nothing truly offensive here. Neither is there anything truly noteworthy either.

REASONS TO GO: Cranston is on point as always and he has some terrific chemistry with Franco.
REASONS TO STAY: The plot is a little heavy-handed and riddled with clichés.
FAMILY VALUES: There is a fair amount of foul language and some sexual innuendo throughout.
TRIVIAL PURSUIT: The Ape Assassins game that made Laird Mayhew famous is available for download on the iTunes App Store.
CRITICAL MASS: As of 1/30/17: Rotten Tomatoes: 39% positive reviews. Metacritic: 39/100.
COMPARISON SHOPPING: Father of the Bride (1991)
FINAL RATING: 6/10
NEXT: 13th

New Releases for the Week of December 23, 2016


SingSING

(Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton. Directed by Garth Jennings

A once-grand theater is dying and the owner, one Buster Moon, has an idea to save it; hold a massive American Idol-like singing contest. True to his predictions, the contest captures the imagination of the whole town as ordinary people with extraordinary dreams compete for fame, fortune and opportunity.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release (Opened Wednesday)

Rating: PG (for some rude humor and mild peril)

Assassin’s Creed

(20th Century Fox) Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson. Based on the hit videogame, a convicted criminal is executed…and brought back to life for the sole purpose of utilizing his genetic memories. Sent back as part of the Assassin’s Guild (to which his family has belonged for generations), he and the Assassin’s fight the mysterious and malevolent Templars in both the past and present.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action/Adventure
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for intense sequences of violence and action, thematic elements and brief strong language)

Dangal

(UTV) Aamir Khan, Sakshi Tanwar, Fatima Sana Shaikh, Sanya Malhotra. The true story of wrestler Mahavir Singh Phogat, a champion Indian wrestler. He was unable to win a gold medal at the Commonwealth Games and vowed that since he failed, his son would do what he could not. The universe having a perverse sense of humor delivers four children to Mahavir – all daughters. At first devastated, he observes that two of them have the tools to become champions themselves – and he swallows his pride and trains them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Fences

(Paramount) Denzel Washington, Viola Davis, Jovan Adepo, Mykelti Williamson. Directed by Washington and based on the play by Pulitzer Prize-winning playwright August Wilson who also penned the screenplay, this is the story of a proud African-American man trying to raise his family in the 1950s. Bitterly disappointed by life, he turns his back on his son who wants nothing more than to please him while the father seethes, knowing that his son could go much farther in life than he ever did.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release (opens on Sunday)

Rating: PG-13 (for thematic elements, language and some suggestive material)

Lion

(Weinstein) Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. A young boy found wandering in the streets of Kolkata is adopted by a kindly Australian couple. Years later as a grown man he begins to experience some childhood memories and knows he must return to India to find his mother and siblings. However, all he knows is that he somehow was mistakenly put on a train and left on it for two days; his home and family could be nearly anywhere in the country. Undeterred, he sets out to find his past so he can help define his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic material and some sensuality)

Passengers

(Columbia) Jennifer Lawrence, Chris Pratt, Laurence Fishburne, Michael Sheen. On a spaceship headed on a 120-year voyage to colonize a planet outside the solar system, the colonists are in pods that keep them asleep for most of the journey. When a man and a woman find themselves awake 90 years too early with no way to get back to sleep, they are devastated at first but soon they discover that their early wake-up call was the beginning of even more catastrophic malfunctions aboard the ship.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release (Opened on Wednesday)

Rating: PG-13 (for sexuality, nudity and action/peril)

Why Him?

(20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mulally.  Stephanie is a great young woman and the apple of her daddy’s eye. Her new boyfriend could be the one, but when mom and dad meet him, it turns out that he’s a Silicon Valley tech billionaire. Quite the catch, no? No. He’s socially awkward but tech-savvy in ways dear old dad could never be. The two enter a one-upmanship contest – advantage, boyfriend – and soon Dad realizes that he could lose his daughter forever…to someone who has no filter whatsoever.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release (Opened on Wednesday)

Rating: R (for strong language and sexual material throughout)

New Releases for the Week of July 15, 2016


GhostbustersGHOSTBUSTERS

(Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Charles Dance, Andy Garcia, Cecily Strong. Directed by Paul Feig

Four women with different skills – an engineer, a physicist, a paranormal investigator and a subway token taker who knows New York City like the back of her hand – come together to fight a supernatural threat that menaces the Big Apple. This is a reboot of the 1984 classic which has been a bit controversial in the fanboy community because they are using an all-female team. Most of the original cast makes cameo appearances.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for supernatural action and some crude humor)

The Infiltrator

(Broad Green) Bryan Cranston, Diane Krueger, Benjamin Bratt, John Leguizamo. The true story of DEA agent Robert Mazur who went undercover in Pablo Escobar’s organization and ended up masterminding the biggest drug bust in U.S. history. Along with his team, Mazur is risking his family and his very life to take down one of the biggest drug kingpins in the world.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for strong violence, language throughout, some sexual content and drug material)

Undrafted

(Vertical) Tyler Hoechlin, Aaron Tveit, Chace Crawford, James Belushi. It was just a summer intramural baseball game, and for this bunch of misfit players who have not much of a future in the sport, it shouldn’t have been anything more than that. Unpredictably, it becomes the most important game of their lives.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR