The Bling Ring


Life is a beach for the spoiled and the privileged.

Life is a beach for the spoiled and the privileged.

(2013) True Life Dramedy (A24) Katie Chang, Israel Broussard, Emma Watson, Claire Julien, Taissa Farmiga, Georgia Rock, Leslie Mann, Carlos Miranda, Gavin Rossdale, Stacy Edwards, G. Mac Brown, Marc Coppola, Janet Song, Anne Fitzgerald, Lorenzo Hunt, Timothy Starks, Rich Ceraulo, Joe Nieves, Nelson Rockford, Doug DeBeech, Erin Daniels. Directed by Sofia Coppola

Woman Power

It’s hard for some to recognize what America has become. Celebrity-obsessed, fame-driven, materialistic and entitled. In many ways we’re a nation of spoiled brats.

None more spoiled than the Bling Ring, a group of bored, privileged sorts who yearn to be celebrities. Rebecca (Chang) is the ringleader, more or less. She meets new kid Marc (Broussard) and find themselves with much in common. One thing is a talent for larceny as at a party the pair steal things from unlocked cars of other partygoers.

When Marc mentions offhandedly that a wealthy acquaintance is about to leave town, Rebecca spots this as an opportunity to make a big score. While Marc is reluctant – this is a friend, or at least someone he knows after all – Rebecca overcomes his misgivings and the two steal a handbag, which Rebecca notices is the same one as her fashion idol, Lindsay Lohan, owns. The two steal a Porsche and use the cash they steal to go on a shopping spree that allows them to buy the luxuries that they couldn’t previously afford.

Soon, they’re hanging out at posh clubs where celebrities like Kirsten Dunst and Paris Hilton hang out. They discover that Hilton is going to be out of town and decide to find her address and check it out. With a key conveniently left under the doormat, they gain entry and find wall-to-wall swag, so much there’s no way she’ll notice any of it missing. Rebecca begins to show off some of the jewelry she’s stolen to her friends Nicki (Watson), Sam (Farmiga) and Chloe (Julien). Unsurprisingly, the others want in.

They continue to go on what they think of as shopping sprees in the homes of celebrities who they can confirm are out of town – among the victims are Audrina Partridge, Megan Fox and Orlando Bloom. Unfortunately, the kids may be bold but they’re not bright; they’re seen on security cameras and brag about their bling on social media. This leads the cops right to them.

Coppola, who grew up surrounded by famous directors (Francis Ford, her dad, and Marc, her brother) and actors (Nicolas Cage, her cousin and Talia Shire, her aunt), has the experience to put a personal edge on the film and the directing chops to make it interesting, but curiously as frenetically paced and glamour-conscious as the movie is, there’s an oddly flat quality to it. The lead actresses all seem like their eyes are glazed over, not quite drugged but almost like they’re staring into a different place than the rest of us see. It’s a bit disconcerting.

Watson, the best-known of the young actors playing the crooks also does the best job. Her Nicki is by turns bored, peer-pressured, demanding and self-delusional. Like all of the other characters, she’s truly unlikable and her value system is virtually non-existent. These girls (and boy) are all about self-gratification and achieving fame without earning it; it’s no wonder one of the real perpetrators ended up with a reality TV show; the mentality of becoming famous for being famous is irresistible to these girls.

While Nicki’s new age mom (Mann) is proof that shallow can be genetic (or at least environmental), it’s really hard to find anything that smacks of a redeeming quality for any of them. When the poop hits the fan they turn on each other like rats. They have no empathy for the people whose homes they are invading, only a lust for designer clothes, high-end watches and of course whatever the loose cash lying around can buy them. This is the true entitlement generation rather than the welfare recipients that Fox News misidentifies in that regard. These young people believe that fame is something that should be handed to them rather than earned. I think most famous people would assure them that fame is a double edged sword and maybe these kids have learned that by now.

Coppola displays the culture of celebrity, material possession and fame obsession that we have degenerated into quite dispassionately and without judgment or comment, although perhaps by displaying the ultimately empty pursuits and absent moral compasses may be in itself a kind of judgment. We are left to watch, horrified perhaps or maybe just plain disgusted as these kids show the worst qualities of our modern society; whatever remorse they might have had seems to be more in line with being caught rather than in having done something wrong.

Because the characters are so without redeeming qualities it is difficult to find anything to relate to here, except maybe by relating to the polar opposite of what these kids are, which is harder work. I wonder how many young kids will see something of themselves in the Bling Ring; I suspect that those who are most like them will not. Most of these sorts of people can (and often do) look at themselves in the mirror all day long, but fail to see the ugliness that’s reflected there.

WHY RENT THIS: Trainwreck; you just can’t look away. Scathing indictment of our shallow society.
WHY RENT SOMETHING ELSE: Characters so unlikable that audience has nothing to identify with. Occasional bouts of “Look ma, I’m directing!”
FAMILY VALUES: Lots and lots of bad language, plenty of drug and alcohol abuse (by teens) and some sexually suggestive conversation.
TRIVIAL PURSUIT: The scenes set in Paris Hilton’s home were shot in her actual home.
NOTABLE DVD EXTRAS: There is a featurette about the real Bling Ring, hosted by the author of the original Vanity Fair article that inspired the movie, as well as an interview with Paris Hilton, one of the victims of the crimes, and her decision to allow her home to be used in the film.
BOX OFFICE PERFORMANCE: $19.2M on an $8M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only). Amazon, iTunes, Vudu
COMPARISON SHOPPING: Spring Breakers
FINAL RATING: 6.5/10
NEXT: Results

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Casino (1995)


Bright lights, sin city.

Bright lights, sin city.

(1995) Drama (Universal) Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Don Rickles, Alan King, Kevin Pollak, L.Q. Jones, Dick Smothers, Pat Vincent, John Bloom, Pasquale Cajano, Melissa Prophet, Bill Allison, Vinny Vella, Phillip Suriano, Erika von Tagen, Joseph Rigano, Gene Ruffini, Dominick Grieco, Millicent Sheridan. Directed by Martin Scorsese

There’s no doubt that director Martin Scorsese is an American treasure. When all is said and done he will go down as one of the great directors of all time – up there with Truffault, Hitchcock, Sturges, Ford, Capra, Kurosawa and Ray. One of the elite.

Casino is one of his masterpieces. Some of his fans believe it is his best, although when you put it up next to Mean Streets, Raging Bull, Taxi Driver, Goodfellas and The Departed that’s a tough claim to make, but there is certainly some argument to be made for it. In my own case, I tend to have a soft spot in my heart for it, particularly since Da Queen and I visit Las Vegas so often, there’s a particular fascination not just for the setting but the era as well.

Based on the lives of Frank “Lefty” Rosenthal, Geri McGee and Anthony Spilotro, the movie takes place in the waning days of the mob in Vegas. Sam “Ace” Rothstein (De Niro) is an expert gambler who has made himself useful to the mob as a sports handicapper, one of the best in the business. He is sent to Vegas by the Teamsters-fronted Outfit to run the Tangiers, and soon doubles their earnings, which delights the bosses back in Chicago.

What is most important to the bosses is the skim, the amount of cash that is taken off the top of the casino’s earnings and sent directly to mob accountants to be hidden, while never appearing in the casino’s balance sheet and thus never getting taxed. As long as the skim is healthy, the bosses are happy and as long as the bosses are happy, Sam’s life expectancy stays reasonable.

His boyhood friend Nicky Santoro (Pesci) is sent to Vegas to be the enforcer, but his brutality and high-strung temperament eventually get him banned from every important casino in Vegas, so he has to resort to burglary to supplement his income. The mob bosses aren’t happy with Nicky but they more or less keep him around.

While this is going on, Sam falls in love with Ginger McKenna (Stone), an ex-prostitute whose boyfriend, Lester Diamond (Woods) was once her pimp and is now a cheap hustler. Sam convinces her to marry him although she is still plainly in love with Diamond, and she does, eventually giving birth to his daughter.

Things start to spiral downward for Sam and his friends as Ginger’s drug abuse, binge spending and affairs with Diamond – and with Nicky – threaten the lives of all three of them. Sam tries to distance himself but if the mob bosses go down, you know they’re going to make sure that no loose ends exist who can put them away.

Although many, including myself, consider the first two Godfather films to be the best movies on organized crime in history, I think it’s fair to say that Scorsese is the best director of movies on organized crime ever. He’s clearly fascinated by the psychology of the good fella, but also as shown here of that of the gambler.

This was the eighth and to date last collaboration between De Niro and Scorsese and they go out with a bang. De Niro is never better than he is here, playing the clever, street smart and somewhat mercurial casino manager. He knows he’s walking a dangerously fine line and knows just how to do it and keep everybody happy, but what he can’t do is control what the people around him are doing and that gets him into hot water. De Niro makes Sam kind of a tragic hero, one undone by the actions of his wife and best friend. It’s almost Shakespearean in many ways.

De Niro is aided by a fine supporting cast, including Stone in her signature role, one that would get her nominated for an Oscar. Her Ginger is high strung, weak, and plainly the kind of woman who can’t say no to anyone if it means she gets what she wants, but at the same time isn’t smart or patient enough to wait for what she wants to come to her. She’s not really a tragic figure – she’s weak, she’s addicted and she can’t escape who she is as much as she wants to. It is amazing Sam fell in love with her but then again, she’s a beautiful woman as Geri McGee was in real life.

Pesci is at his Pesci best here. While he’ll likely be remembered for his character Tommy DeVito in Goodfellas, this will also be part of his legacy, the ruthless and far more sadistic Nicky Santoro who puts an unfortunate’s head into a vise in order to get him to talk (the real life Spilotro actually did just that and in the end his victim talked). Santoro is like a bull in a china shop, a loose cannon likely to go off anywhere and at anytime. His affair with Ginger would be the beginning of the end of the mob in Vegas.

While we see the lights and the glamour of Vegas, we also see the seedier side, the darker side and the side they don’t talk much about in the Chamber of Commerce. The events in Casino are well-documented and were part of Vegas lore; Rosenthal’s fall would lead to the decline of the mob’s influence in Sin City. Vegas in fact changed dramatically in the 30 years since the events here took place, going from the smaller casinos to the multi-billion dollar megaresorts that dominate the Strip today. Even so, there are old-timers who look back to that era with some affection.

What makes Scorsese’s Casino so special isn’t so much that it is based on a true story, or even that the acting performances are so exemplary; it isn’t even the terrific look of the film that cinematographer Robert Richardson assembled (although he didn’t agree; he hated the look of the movie so much that he wouldn’t use the cameras that he used here again for more than 20 years) that captures both the neon glory of downtown Law Vegas and the nascent Strip, but also the back rooms, the gaudy mansions, the seedy and the sensational.

While the third act drags a little for me in watching the final, painful fall of Sam, I can’t help but admire the movie overall as a masterpiece, one of several to Scorsese’s credit. And while Raging Bull was a more intense experience, Taxi Driver the better film from a filmmaking aspect and Goodfellas probably more enjoyable overall, Casino remains more of a sentimental favorite for me. It depicts an era, a mentality and a tragedy that reminds me of Shakespeare and yet is distinctly American. This is a classic that should be on every movie buff’s must-see list.

WHY RENT THIS: One of Scorsese’s best (and that’s saying something). Awesome look at the dark side of Las Vegas. Great performances from De Niro, Pesci and Stone. Gorgeous cinematography.
WHY RENT SOMETHING ELSE: Ending could have taken less time to gestate.
FAMILY VALUES: There is a good deal of violence, some of it brutal; there is also foul language pretty much throughout the film. There are also depictions of drug use and sexuality as well.
TRIVIAL PURSUIT: The casino scenes were shot at the Riviera (which recently closed and is scheduled to be imploded in the summer of 2015), while the exterior of the hotel was shot at the Landmark (which was imploded shortly after the movie was shot). However, the events of the film took place at the Stardust which closed in 2006 and was demolished in 2007, as well as at three other casinos which are also gone (but primarily at the Stardust).
NOTABLE HOME VIDEO EXTRAS: The Blu-Ray edition contains a history of Las Vegas as well as a profile on writer Nicholas Pileggi.
BOX OFFICE PERFORMANCE: $116.1M on a $50M production budget.
SITES TO SEE: Netflix (DVD Rental only), Amazon, Vudu, iTunes, Flixster
COMPARISON SHOPPING: Goodfellas
FINAL RATING: 10/10
NEXT: Woman Power Returns!