Hunt for the Wilderpeople


An odder couple you will not find.

An odder couple you will not find.

(2016) Comedy (The Orchard) Sam Neill, Julian Dennison, Rima Te Wiata, Rachel House, Tioreore Ngatai-Melbourne, Oscar Kightley, Stan Walker, Mike Minogue, Cohen Holloway, Rhys Darby, Troy Kingi, Taika Waititi, Hamish Parkinson, Stu Giles, Lloyd Scott, Selina Woulfe, Mabelle Dennison, Timothy Herbert, Sonia Spyve. Directed by Taika Waititi

Florida Film Festival 2016

Kids aren’t always easy fits. They aren’t always little darlings. Some have had a tough go of things and they don’t always behave like angels. They act out. They lash out. That doesn’t necessarily make them bad kids though.

Ricky Baker (Dennison) is a kid just like that. After his mom gave him away, he has been shuttled from foster home to foster home. Each time he ends up back in the hands of child services and Paula (House), his exasperated case officer. Ricky has one more shot – out in the sticks with Bella (Wiata), a kind-hearted woman living on the edge of the bush with her husband, curmudgeon Hec (Neill) who clearly wants nothing to do with Ricky – and for whom the feeling is mutual.

Circumstances arise that force Ricky and Hec to go fleeing into the bush with the incorrect assumption that Hec has somehow abused Ricky (mainly due to the surprisingly naive Ricky himself) and that due to circumstances, Ricky will be remanded to juvenile jail until he turns 18 as he has used up all of his foster care opportunities. The two become the object of a massive manhunt, becoming a major news story in New Zealand and the two become folk heroes.

With the relentless Paula chasing them and bounty hunters on their tail, it will take all of Hec’s bush knowledge to keep the city-bred hip-hop loving Ricky safe. And all of New Zealand seems hell bent on capturing the two and sending them both to their respective jails.

From the co-director of the wonderful What We Do in the Shadows, this is one of those movies that either the humor will appeal to you or it won’t. For me and Da Queen, it definitely did. There’s a scene early on of Bella killing a wild boar which won’t sound funny on paper, but had me in stitches. Comedy gold, I tell you.

Sam Neill, who has been around for quite awhile, puts in what just might be his best performance ever here. It’s not that Hec is just grouchy; he has to deal with all sorts of emotions, including some tender ones, during the course of the film. I’ve always liked Neill, going back to his turn as an adult Damian in The Omen III to his work in Jurassic Park and one of my favorites, The Hunt for Red October. This is the movie that fans of this actor should make a point of seeing.

Also, mention must be made of Julian Dennison as Ricky Baker. This is a young actor who has amazing comedy chops. He is blessed with a script that doesn’t descend into chintz or shtick, nor does it unduly play off of Dennison’s size (he’s overweight as you can see from the picture). Yet they don’t make him a laughingstock, as the movies often do with portly kids. That’s a good thing to see, but as well, Dennison nails his role and makes Ricky Baker a memorable character. That’s not an easy thing to do in a film like this.

The scenery is beautiful – New Zealand came by its reputation as one of the most beautiful places on Earth honestly. The soundtrack is also chock full of some terrific Kiwi pop songs that will keep your toes tapping throughout. There literally is nothing not to like about this movie.

Okay, maybe one thing. Some of the humor might be a little more over the top than some American audiences are used to. There’s a character played by @Midnight favorite Rhys Darby named Psycho Sam who lives up to his name. His presence derails the movie a little bit even though Darby does a fine job. It just feels like the character came in from another movie.

Otherwise, this movie rocks from beginning to end. It’s funny, sweet and like Ricky himself has a heart of gold under all the bluster. Definitely one of the finer movies to be screened at the Florida Film Festival this year. It’s out and about the country right now, doing a walkabout of its on in American theaters. Catch it at one while you still can.

REASONS TO GO: Much funnier than I was led to believe it was. The soundtrack is abso-bloody-lutely terrific. Majestical scenery.
REASONS TO STAY: May be a little too out there for some.
FAMILY VALUES: A bit of foul language and some violence.
TRIVIAL PURSUIT: In the birthday scene, ten takes were filmed of the cast singing “Happy Birthday” to Ricky until someone realized that they didn’t have the rights to use the song. Therefore, the actors made up a new song on the spot, the one which appears in the film (and also partially in the trailer).
CRITICAL MASS: As of 7/1/16: Rotten Tomatoes: 100% positive reviews. Metacritic: 80/100.
COMPARISON SHOPPING: Buddymoon
FINAL RATING: 9/10
NEXT: The American Experience begins!

Shout Gladi Gladi


Shouting Gladi Gladi.

Shouting Gladi Gladi.

(2015) Documentary (International Film Circuit) Meryl Streep (narrator), Melinda Gates, Ann Gloag, Wole Soyinka, Dr. Jeff Wilkinson, Philippa Richards, Dr. Stephen Kaliti, Hawa Hawatouri, Vanesia Laiti, Juliette Bright, Isatu Kamara, Dr. Tagie Gbawuru-Mansaray, Lucy Mwangi, Omar Scott, Lois Boyle, Florence Banda, Margaret Moyo, Sydneylyn Faniyan, Jude Holden, Mary Yafet. Directed by Adam Friedman and Iain Kennedy

The mortality rate for both infants and mothers giving birth in Africa is staggering. A large part of the reason for that is a lack of adequate medical care, particularly for pregnant women. Here in the West, we are used to women going to obstetricians on a regular basis, being monitored to make sure all is well with the baby and the mom. With any sort of medical facility often requiring a drive of hundreds of miles and without access to transportation to get there, women give birth in unsanitary conditions. Babies often die before they reach the age of five.

A fistula is essentially a tear in the vaginal wall between the bowel or bladder. It causes leakage and incontinence, which leads to the women thus affected to be shunned by family and their village. They are not formed due to disease or genetic defects; they are the results of prolonged labor which here in the West can be avoided by a simple Caesarian section; in the bush, that isn’t an option. They can also be caused by sexual violence; they are not uncommon when children are raped.

They can be repaired surgically but it takes time and patience. Traditionally, women in rural African nations have been reluctant to go to Doctors and there were few facilities that they could go to, even if they wanted to and could afford to. Ann Gloag, a Scottish transportation mogul who began her career as a nurse, saw this issue and knew she needed to do something to stop the carnage. She began the Freedom From Fistula Foundation and helped open clinics and facilities throughout Africa. Two of them, the Aberdeen Women’s Center in Freetown, Sierra Leone and the Fistula Care Center at the Bwaila Maternity Hospital in Lilongwe, Malawi are profiled here.

We get to hear from the doctors and nurses who staff these facilities but more importantly, from the women themselves. Sierra Leone, recovering from a devastating civil war, in particular is heartbreaking as we see the rampant poverty of the slums, and hear horror stories of women abducted and used as sexual slaves. Even in Malawi, we hear about women turned out of their homes and essentially left to die before being brought to the Fistula Care Center.

Both facilities have outreach programs, attempting to educate women on pre-natal care as well as arrange for those already afflicted to leave their homes and go to the clinics to be healed. The women are often sent home with a device called a BBoxx, a miniature solar generator which can be used to charge cell phones which in villages with little or no electricity can be a paying job. It also provides electric power for small spaces, allowing women to live with light and comfort.

Streep narrates the film in a compassion-filled voice that reminds us that she is Hollywood royalty, able to convey even the most terrible words with something approaching comfort. Some of it must have been hard for her to say, but she does so without flinching.

The real stars however are the women themselves; wherever they go there is music. They are constantly clapping and singing, and despite being terribly sick they have a spirit that cannot be denied or stopped. You cannot help but admire these women, often outcasts whose husbands have deserted them but remain upbeat. When the women are cured, there is a ceremony slash party called Gladi Gladi which celebrates their return home. It is filled with dancing and music and laughter. They capture a few of them here and the joy is infectious.

The movie’s one flaw is that there are too many stories here. The film works best when they concentrate on a particular subject, such as Vanesia Laiti, the 70 year old woman who has lived with her fistula for 40 years and Mary Yafet, whose pregnancy at too young an age resulted in a fistula. They would have done better to select two or three patients at each clinic and allowed us to follow their progress. There are so many different people portrayed here that it’s hard to really get involved with any of their stories since we’re only hearing snippets. We also hear from philanthropist Melinda Gates whose Bill and Melinda Gates Foundation is a major supporter of Freedom from Fistula, and Nobel Laureate playwright and activist Wole Soyinka, who lends gravitas.

This is a major problem that has a simple solution. Clinics like these provide them, giving free medical care to women who desperately need them but more than that, give them an opportunity to live productive lives once they are cured. It’s an inspiring documentary that takes a subject that might be painful or uncomfortable for some and turns it into an uplifting celebration of the human spirit.

REASONS TO GO: Important material seldom discussed. The women are amazing. Great music.
REASONS TO STAY: The squeamish may have problems with a couple of scenes. Too many talking heads.
FAMILY VALUES: Some nudity involving nursing and birthing. Adult themes and some horrifying descriptions of rape and torture.
TRIVIAL PURSUIT: The documentary was commissioned by the Freedom From Fistula Foundation, whose activities are the subject here.
CRITICAL MASS: As of 10/3/15: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: :Timbuktu
BEYOND THE THEATER: iTunes
FINAL RATING: 7.5/10
NEXT: Finders Keepers