Three Billboards Outside Ebbing, Missouri


Frances McDormand demands answers in this Oscar-nominated film.

(2017) Drama (Fox Searchlight) Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Caleb Landry Jones, Zeljko Ivanek, Lucas Hedges, Kerry Condon, Darrell Britt-Gibson, Peer Dinklage, Amanda Warren, John Hawkes, Clarke Peters, Kathryn Newton, Sandy Martin, Jerry Winsett, Samara Weaving, Christopher Berry, Malaya Rivera Drew. Directed by Martin McDonagh

 

There is nothing that compares to the pain of a parent whose child has been murdered. It is the unthinkable, the unimaginable – what every parent has nightmares about. Some unlucky parents don’t have to imagine though.

Mildred (McDormand) is one of those. Nine months have passed since her daughter Angela was raped and then set on fire by some sadistic freak. No progress whatsoever has been made in finding her killer. To make things worse, the spot where her daughter spent her last tortured minutes was on the site of three dilapidated billboards near enough to Mildred’s house that she must drive past them every time she leaves the house, where she can see the burn mark where her daughter gasped her last.

Her fury has threatened to consume her. She has to do something, anything to help her little girl get justice. So she marches into the ad agency that services the billboards and plops down five thousand bucks for the first month of a year-long rental. The three billboards are painted red with copy in big black letters: RAPED AND KILLED, AND STILL NO ARRESTS? and finally HOW COME CHIEF WILLOUGHBY?

The billboards have immediate and profound effect. Deputy Dixon (Rockwell), a drunken and violent racist creep who’d much rather be arresting black folks, is the first to see the messages. He informs Chief Willoughby (Harrelson) who goes ballistic but after asking Mildred politely to remove the billboards, he confesses that he has pancreatic cancer and he doesn’t want his family to have to deal with another unpleasant thing.

It turns out Willoughby is actually a decent sort who is trying his damndest to solve the case but there simply isn’t enough evidence. Dixon, who owes a lot to the chief is much more direct; he goes after Red Welby (Jones) who runs the ad agency and gives him a terrifying beating. Things begin to escalate in the war between the cops and Mildred; her surviving son Robbie (Hedges) is caught in the crossfire. Yet all is not what it seems to be in Ebbing, Missouri.

On the surface it seems like a very cut and dried story but as the movie unspools you quickly realize you’re seeing a work of uncommon depth and complexity. While it appears that there are some villainous characters in the story, there are in fact none. Even Dixon ends up finding some sort of redemption although it is hard to justify his previous behavior.

The acting in this movie is nothing short of astonishing. Three cast members received Oscar nominations – McDormand, Rockwell and Harrelson – and there easily could have been more. While it is McDormand’s movie, it is not hers alone. Watching her tightly controlled rage which from time to time her humanity breaks through is simply a clinic. We eventually find out that Mildred’s pain isn’t just because of the incompetence of the police; her last interaction with Angela literally sent her on the road to her fatal encounter. It’s some powerful stuff and shows how a great actress can take a well-written character and create a classic performance. If the competition for Best Actress weren’t so stiff this year she might well be a shoo-in. Harrelson also plays a decent sort with rough edges who is facing the end of his life and not necessarily with the dignity he would like to. Rockwell, who won a Golden Globe, may give the best performance of all as the loutish Dixon who literally comes through the fire a changed man.

It is hard to believe this is McDonagh’s third feature and as good as In Bruges and Seven Psychopaths are, this is by far the best of the three. His background as a playwright shines through more in the writing than in the direction which is not stage-y in the least. However, the sense that the town is much smaller than it appears to be lingers throughout.

I would have liked to have seen less contrivance in some of the events; some things happen that appear to happen only because the plot requires them to. There is also a bit of a lull in the middle where it feels that the movie is hitting a plateau, but the ending is absolutely extraordinary. Making a great ending to a movie is something of a lost art but McDonagh seems to have mastered it.

Nearly all of the characters are dealing with some sort of pain, either physical or emotional. The movie is about that true but it is also about forgiveness, redemption and humanity in the face of intolerable grief. While this isn’t a perfect movie, it had the potential to be and if the second act had been a little better, this might have gotten a higher rating. Still, it stands out in a year of really great independent films as one that is going to be in our hearts and minds for a long time to come.

REASONS TO GO: The acting is Oscar-worthy throughout the cast. The characters are all riddled with pain in one way or another. The ending of the film is sublime.
REASONS TO STAY: Some of the events feel a little bit contrived. The film loses momentum in the middle third.
FAMILY VALUES: There is a goodly amount of violence, plenty of profanity and some brief sexual references.
TRIVIAL PURSUIT: This is the first feature film directed by McDonagh that didn’t feature Colin Farrell in a lead role.
CRITICAL MASS: As of 1/24/18: Rotten Tomatoes: 93% positive reviews. Metacritic: 88/100.
COMPARISON SHOPPING: Fargo
FINAL RATING: 7.5/10
NEXT:
In the Shadow of Iris

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American Made


Tom Cruise wonders if he can call his agent collect.

(2017) Biographical Dramedy (Universal) Tom Cruise, Domhnall Gleeson, Sarah Wright, Jesse Plemmons, Caleb Landry Jones, Lola Kirke, Jayma Mays, Alejandro Edda, Benito Martinez, E. Roger Mitchell, Jed Rees, Fredy Yate Escobar, Mauricio Mejia, Robert Farrior, Morgan Hinkleman, Alberto Ospino, Daniel Lugo, Felipe Bernedette, Jayson Warner Smith, April Billingsley. Directed by Doug Liman

 

Some stories are too out there to be believed. Some stories are truths that are stranger than fiction. Some stories could only be made in America.

Barry Seal (Cruise) was one such story. A one-time TWA pilot bored with his commuter plane career, he smuggled Cuban cigars into the country to make a little extra cash, bringing him to the attention of the CIA. Not to prosecute him; to recruit him as it turned out. His handler, Monty Schafer (Gleeson) – not his real name as it turns out – wants him to take pictures of Leftist commando units in Central and South America from the air. Barry, ever the adrenaline junkie at heart, gets the best pictures imaginable.

He begins another smuggling sideline; this time bringing drugs into the country for guys like Manuel Noriega (Ospino) and Pablo Escobar (Mejia). Soon, Barry has more cash than he knows what to do with. His wife Lucy (Wright) – suspicious at first – turns a blind eye when she gets all the material goods that she ever dreamed of.

Stories like this rarely end well and Barry’s doesn’t either but while the ride is going on it’s entertaining. Liman seems to know how to get the best out of Cruise who still has that youthful smile but is beginning to show signs of middle age. Nonetheless Cruise again shows his star appeal by being likable while working for some pretty terrible people; well, onscreen anyway.

Liman gives us an almost Steven Soderbergh-like film; brash and full of itself. There is certainly a good deal of entertainment value here but in some ways it’s a cookie cutter movie. It doesn’t really rise above similar stories and nothing happens that the audience can’t see coming a mile away. Still in all, you won’t go wrong renting this puppy although I might think twice about buying it. It’s one of those movies that you see once, enjoy it at the time and promptly forget about it afterwards.

REASONS TO GO: There is an almost Soderbergh-like feel to the film.
REASONS TO STAY: This is a bit too formulaic for my own taste.
FAMILY VALUES: There is lots and lots of profanity as well as some sexuality and a bit of nudity.
TRIVIAL PURSUIT: The plane that Seal used in real life was featured in the movie; tragically, it crashed on the final day of filming, causing two fatalities.
BEYOND THE THEATERS: Amazon, Fandango Now, Fios, Frontier, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/4/18: Rotten Tomatoes: 87% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Air America
FINAL RATING: 6/10
NEXT:
Django

New Releases for the Week of November 24, 2017


COCO

(Disney*Pixar) Starring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Gabriel Iglesias, Edward James Olmos. Directed by Adrian Molina and Lee Unkrich

A young Mexican boy is obsessed with music but had the bad luck to be born into a family that didn’t care much for song and frivolity. A devotee of a recently deceased troubadour, he is accidentally sent to the Land of the Dead and must work out the mystery of why his family hates music so much before he can return to the Land of the Living.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, 4DX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements)

Last Flag Flying

(Amazon/Lionsgate) Bryan Cranston, Laurence Fishburne, Steve Carell, J. Quinton Johnson. Three ex-Marines who served together in Vietnam come together for one last mission; to bury the son of one of them who was killed in Iraq. This is the latest from director Richard Linklater.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong language throughout including some sexual references)

The Man Who Invented Christmas

(Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow. One of the great traditions of Christmas is the beloved novel A Christmas Carol by Charles Dickens. He wrote it at a time in his life where he was surrounded by tribulations but where did these ideas – a Christmas ghost story, after all – come from? Look for the review for this tomorrow.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some mild language)

Novitiate

(Sony Classics) Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron. A young woman in the early 1960s gets swept up by the idea of becoming a nun and so enters a convent just at a time when sweeping changes were overtaking the Catholic Church. You can check out my review for the film here.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language, some sexuality and nudity)

Roman J. Israel, Esq.

(Columbia) Denzel Washington, Colin Farrell, Carmen Ejogo, Tony Plana. A former activist turned lawyer finds himself confronted with a crisis of conscience. Passed by and struggling to survive, a series of events leads him to consider extreme action.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Legal Drama
Now Playing: Wide Release

Rating: PG-13 (for language and some violence)

Three Billboards Outside Ebbing, Missouri

(Fox Searchlight) Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones. When the police fail to discover the identity of the killer of a young woman, the victim’s mother frustrated by the lack of progress puts up three billboards near her home castigating the authorities for their inability to solve the crime. Her actions sharply divide the community in this latest darkly comic drama from Irish director Martin McDonagh.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence, language throughout, and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Balakrishnudu
Mental Madhilo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abracadabra
The King’s Choice
Mental Madhilo

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Mental Madhilo

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Balakrishnudu
Faces Places
Hey, Pillagada
Mental Madhilo

SCHEDULED FOR REVIEW:

Coco
The Man Who Invented Christmas
Novitiate
Roman Israel, Esq.
Three Billboards Outside Ebbing, Missouri

The Florida Project


Get ready for your close-up, Orlando.

(2017) Drama (A24) Willem Dafoe, Brooklynn Prince, Valeria Cotto, Bria Vinaite, Christopher Rivera, Caleb Landry Jones, Macon Blair, Karren Karagulian, Sandy Kane, Jim R. Coleman, Carl Bradfield, Mela Murder, Josie Olivo, Shalil Kamini Ramcharan, Kit Sullivan, Andrew Romano, Kelly Fitzgerald, Betty Jeune, Aiden Malik, Krystal Gordon, Cecilia Quinan. Directed by Sean Baker

 

It’s no secret that life isn’t easy. Making ends meet, particularly for young single mothers, is a constant struggle. Sometimes that struggle can take place in sight of the happiest places on earth, lending a particular poignancy to things.

6-year-old Moonie (Prince) and her mom Haley (Vinaite) live in the Magic Castle Motel, a budget motel on the 192 corridor near Disney World in a suburb of Orlando. The motel is managed by Bobby (Dafoe) whose rough edges sometimes mask the good heart he has underneath it all. Haley is unemployed, a former stripper who barely is able to make ends meet and the weekly rent for the hotel room is nearly always late. Mooney has a coterie of friends, most notably Jancey (Cotto) from the neighboring Tomorrowland Motel and Scooty (Rivera) whose mom Gloria (Kane) works at the nearby Waffle House, supplying Moonie and Haley with free food and also happens to be Haley’s best friend.

Moonie pretty much has free rein to do whatever she likes, be it throw water balloons at tourists, venture out to the nearby farmland for a “safari,” and hurl profane epithets at sunbathing elderly women. Sometimes, she and Scooty pick up extra cash by carrying the luggage of tourists to their rooms. The reality of her situation is probably lost on Moonie; for all she knows this is how everybody lives. Still, she has an active imagination and if she is a bit on the wild side, it can be forgiven.

That wild behavior can be explained by Haley who is herself amoral, crude and immature. Haley spends her days reselling perfume and expensive resorts (illegally) and when that scheme goes sideways, selling her body while Moonie takes a bath in the adjoining bathroom. She also robs some of her clients from time to time reselling their Magic Bands at discount ticket places.

Haley always seems to be just barely keeping their heads above water but the tide is definitely coming in and it is only a matter of time before disaster strikes. What will happen to Moonie if it does?

Those of my acquaintance who have seen the movie are sharply divided regarding their opinions of it. Nearly everyone agrees – including the critics who seem to be pretty much in unison with their praise for the film – that the first 45 minutes and the last 20 minutes are some of the best moments in filmmaking you’ll see this year. The final scene however is where that divide comes in. Some say that it comes out of left field and completely ruins the movie. Others say that it is tonally perfect and makes a great film into a potential classic.

Count me in the latter camp. That’s pretty much all I’ll say about the ending, other than that it is consistent with the tone of the movie and if you understand that this movie isn’t about Haley as much as it is about Moonie you might be able to make peace with that final scene.. I know that for a few minutes I had many of the same complaints about that ending until I thought about it for a few minutes and then realized that it fits perfectly with the movie’s theme which has a lot to do with deliberately shielding yourself from the harsh realities of life.

The performances here are simply amazing. Prince is a revelation; this is simply put one of the best juvenile performances caught on film ever. Some of the language that comes out of her mouth is salty but it feels natural considering how the adults around her speak and how the circumstances around her warrant it. Be that as it may, Moonie is full of herself, more than a little wild and absolutely fearless – until very near the end when she reveals that under all the bravado she is still a little girl and that comes through during a poignant scene as things start to fall apart. Although I suspect Prince will have her choice of little girl roles if she wants them, she might be better advised to retire now. It’s hard to imagine her ever equaling this performance.

Dafoe is a veteran who has some memorable performances of his own to his credit and this is one of the most sympathetic portrayals of his career. He often plays characters with fairly hard edges; here those edges are still there but we see a lot more of the soft interior than we normally do with Dafoe. He watches the train wreck that is Haley and Moonie with appropriately sad eyes.

The performance that not as many critics are talking about belongs to Vinaite. She is flat-out brilliant. Whenever Haley takes her daughter off motel property, you instinctively wonder what fresh nightmare is about to unfold. It is cinema of the rubberneck variety, the phenomenon of drivers craning their necks to get a better look at an accident as they drive past. One has to remember that Haley is little more than a child herself, the tattoos and drugs and men a testament to the bad choices she’s made over the years. Critically, one doesn’t see or hear referred to any immediate family for Haley; other than Moonie, she’s on her own. It’s no shock then that her values are the values of the street, of survival.

It’s early in the awards season and there are plenty of highly regarded projects that still have yet to make it into the theaters but this has to be strongly in the running for at least a Best Picture nomination and maybe more. This is definitely a must-see if it is playing in an art house near you and if not, make every effort to see it when it comes out on VOD or home video. This is certainly one of the best pictures of the year.

REASONS TO GO: The performances here are wonderful, particularly by Prince, Dafoe and Vinaite. The cinematography is colorful and magical. This is the story of people literally living on the ragged edge.
REASONS TO STAY: The ending is sharply divisive.
FAMILY VALUES: There is plenty of profanity, some sexual content, adult themes and drug material.
TRIVIAL PURSUIT: Although most of the film was shot on 35mm, the final scene was shot on an iPhone without the knowledge or consent of those in charge of the location where it takes place.
CRITICAL MASS: As of 10/24/17: Rotten Tomatoes: 97% positive reviews. Metacritic: 91//100.
COMPARISON SHOPPING: The Motel Life
FINAL RATING: 8.5/10
NEXT:
Novitiate

New Releases for the Week of October 13, 2017


THE FOREIGNER

(STX) Jackie Chan, Pierce Brosnan, Katie Leung, Rufus Jones, Charlie Murphy, Michael McElhatton, Lia Williams, Pippa Bennett-Warner, Stephen Hogan. Directed by Martin Campbell

A Chinese businessman living in London is horrified to see his daughter killed in a terrorist bomb blast. Grieving and obsessed with seeing justice for his daughter’s murder, he crosses swords with a government official with a past who may have clues as to the identity of the terrorist. What the official doesn’t realize that the businessman also has a past – one that may very well cause all sorts of mayhem before all is said and done.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, language, and some sexual material)

American Satan

(Miramax) Denise Richards, Booboo Stewart, Malcolm McDowell, Mark Boone Junior. In a moment of weakness, a young rock band makes a deal with the devil. Fame and fortune seem to be coming their way but they soon realize the cost is way too high. Can they figure out a way to get out of their deal before it’s too late?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Universal Cineplex

Rating: R (for strong sexual content, nudity, drug use throughout, pervasive language and some violence)

The Florida Project

(A24) Brooklynn Prince, Willem Dafoe, Valeria Cotto, Caleb Landry Jones. In a decrepit hotel near Walt Disney World, a precocious and fearless 6-year-old girl gets into mischief with her friends while her rebellious mother barely scrapes together enough for the two of them to get by. Over the course of one magical summer, the young girl will take magic wherever she can find it under the watchful eye of the grumpy manager with a heart of gold. A festival favorite, this one has been getting Best Picture Oscar buzz and was shot right here in Orlando.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for language throughout, disturbing behavior, sexual references and some drug material)

Happy Death Day

(Blumhouse/Universal) Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews. In the grand tradition of Groundhog Day, a high school senior relives the same day over and over again. It’s her birthday, normally a good thing – but it’s also the day she is murdered. She must find out the identity of her killer and survive until the next day – or be doomed to be killed over and over and over and over and over…

See the trailer, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, crude sexual content, language, some drug material and partial nudity)

Marshall

(Open Road) Chadwick Boseman, Josh Gad, Kate Hudson, Sterling K. Brown. A cocky young African-American lawyer takes on a controversial case that has wider ramifications in the fight for civil rights. The lawyer will have to battle the prejudices of an entire nation in order to triumph but triumph is what Thurgood Marshall’s whole career would be about – as the first African-American to be appointed to the Supreme Court.

See the trailer, interviews and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for mature thematic content, sexuality, violence and some strong language)

Professor Marston and the Wonder Women

(Annapurna) Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton. Psychologist William Marston is best known today for creating the Wonder Woman comic in 1941. Incorporating the feminist ideals of his wife and their lover, the comic was controversial from the beginning but Marston stood up for his creation, making her the most popular female superhero in the world.

See the trailer, featurettes, clips and an interview here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for strong sexual content including brief graphic images, and language)

The Secret Scripture

(Vertical) Rooney Mara, Vanessa Redgrave, Eric Bana, Theo James. A woman who has been placed in a psychiatric care facility begins to receive visits from a young psychologist. His interest in her diary begins to trigger flashbacks to her youth which was filled with romance, obsession, intrigue, turmoil and ultimately the mental breakdown that got her committed.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks

Rating: PG-13 (for disturbing thematic content, some sexuality and lanuage)

ALSO OPENING IN ORLANDO/DAYTONA:

Blood Money
Raju Gari Gadhi 2
RWBY Volume 5: Premiere

ALSO OPENING IN MIAMI:

Brawl in Cell Block 99
Mark Felt: The Man Who Brought Down the White House
The Meyerowitz Stories (New and Selected)
Raju Gari Gadhi 2
Rumble: The Indians Who Rocked the World

ALSO OPENING IN TAMPA:

6 Below: Miracle on the Mountain
Jane
Manolo: The Boy Who Made Shoes for Lizards
Marjorie Prime
MFA
Raju Gari Gadhi 2
Udaharanam Sujatha

ALSO OPENING IN JACKSONVILLE:

Lucky
Raju Gari Gadhi 2

SCHEDULED FOR REVIEW:

Brawl in Cell Block 99
The Florida Project
The Foreigner
Happy Death Day
Lucky
Marjorie Prime
Marshall
The Meyerowitz Stories (New and Selected)
Professor Marston and the Wonder Women
Rumble: The Indians Who Rocked the World

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Film Festival GEMS (Miami, October 12-15)

Get Out


Daniel Kaluuya finds out we like him…we really, really like him.

(2017) Horror (Blumhouse/Universal) Daniel Kaluuya, Allison Williams, Catherine Keener, Bradley Whitford, Caleb Landry Jones, Marcus Henderson, Betty Gabriel, Lakeith Stanfield, Stephen Root, Lil Rel Howery, Ashley LeConte Campbell, John Wilmot, Caren Larkey,Julie Ann Doan, Rutherford Cravens, Geraldine Singer, Yasuhiko Oyama, Richard Herd, Erika Alexander. Directed by Jordan Peele

 

Given the situation and history of race in America, it could be forgiven if some African-Americans might have nightmares that white America is out to get them. Certainly given institutional racism in the past, the need for Black Lives Matter in the present and not a lot of hope for change for the future, life in these United States might seem like one great big horror movie for people of color.

Chris (Kaluuya) is a photographer who’s just getting started in his career. He is an African-American with ties to the community but he also has a white girlfriend – Rose (Williams) who has yet to inform her parents that she’s dating a black guy. But not to worry, she tells him – her parents are liberal progressives from way back. They’ll have no problem with it. When you’re taking your boyfriend to meet your parents for the first time, please understand that those words offer no comfort whatsoever.

Rose’s parents are pretty well-to-do – they have a vacation home in upstate New York that most would probably classify as an estate. Her Dad (Whitford) is a neurosurgeon and her Mom (Keener) a psychiatrist specializing in hypnotherapy. Dad is that kind of guy whose attempts to sound hip and current are awkward and unintentionally funny (“So how long has this thang been going on?” he  asks much to Chris’ bemusement). Mom offers to help cure Chris of his smoking habit which he politely refuses. He doesn’t want anyone messing with his head.

But awkward first meeting weekend gives way to some legitimate misgivings. The African-American domestics Walter (Henderson) and Georgina (Gabriel) seem anachronistic. The bonhomie of a family and friends gathering reveals racism bubbling just under the surface. The drunken brother (Jones) seems unusually aggressive.  Chris has nightmares and realizes that someone has been messing with his head after all. But the messing with Chris’ head is nothing compared with what’s going to mess with ours.

Peele is best known up to now for being part of Key and Peele who have one of the most respected shows on Comedy Central. Methinks that he has something else that he’s going to be best known for. He shows a confident, deft hand which is unusual for a first-time director and he took a nearly microscopic budget for a movie released by a major studio and parlayed it into what is sure to be one of the most profitable movies of the year.

He does it with a smartly written film that lightens the tone of the deeper issues it explores and doesn’t allow the audience to get angry or frustrated given the climate of the times. While I’ve heard some mutterings that the movie is racist towards whites, I would tend to disregard that kind of talk and compare it to certain SNL sketches that poke fun of white stereotypes. We all, after all, have our prejudices whether we admit to them or not.

He also does it with a near-perfect cast of largely unknowns from a feature standpoint although Whitford and Keenan are both veterans and Jones and Stanfield have some good performances under their belts as well. Each cog in the wheel performs exactly as they need to which helps ratchet up the creepy factor when it appears that Chris has entered a weird Stepford Wives town for Caucasians.

As light as Peele keeps it he does save room for some heavy horror moments although there’s not a lot of viscera here. It’s more the concepts that are horrifying rather than any visual gore although there are a few images where Peele brings on the red stuff. He’s not shying away from it so much as using it effectively.

Kaluuya, a British actor playing an American here, has star written all over him. He is absolutely mesmerizing onscreen and delivers an excellent performance that’s bound to get him noticed for more high-profile roles. He reminds me a lot of John Boyega and we all know that his career brought him into the Star Wars universe; something similar could conceivably happen to Kaluuya who I think would make a fantastic John Stewart in the upcoming Green Lantern Corps movie for DC/Warner Brothers.

This is one of those occasions where the critics and the general public have both embraced a film. It’s certainly bound to be one of the better horror movies to come out this year and some might well keep it in mind for one of the best movies of the year period. I’m not quite on board for that kind of lofty praise but this is definitely a movie worth seeking out if you haven’t seen it already and savvy movie buffs are likely to add it to their collection when it comes out on home video later on this year.

REASONS TO GO: A comic-horror look at African-American perceptions and racial stereotypes. There are some good laughs as well as some good scares.
REASONS TO STAY: Some might be made uncomfortable by the film’s attitudes towards racism.
FAMILY VALUES: There is a good amount of violence, some bloody images, profanity and sexual references.
TRIVIAL PURSUIT: Peele became the first African-American director to earn over $100 million at the box office on his debut feature film.
CRITICAL MASS: As of 4/8/17: Rotten Tomatoes: 99% positive reviews. Metacritic: 84/100.
COMPARISON SHOPPING: The Wicker Man
FINAL RATING: 7.5/10
NEXT: My Life as a Zucchini

New Releases for the Week of February 24, 2017


Get OutGET OUT

(Universal/Blumhouse) Daniel Kaluuya, Allison Williams, Keith Stanfield, Bradley Whitford, Catherine Keener, Caleb Landry Jones, Erika Alexander. Directed by Jordan Peele

A young African-American man has reached that dreaded milestone in his relationship with his girlfriend; it’s time to meet the parents. There’s extra pressure on the situation because his girlfriend is white. When the two of them are invited on a weekend retreat at the parents’ estate-like getaway home, it’s nervousness and awkwardness all around as you might expect. However, he learns to his shock that this is merely a cover for something far more sinister. This is a very different side of Peele, one-half the acclaimed comedy team of Key and Peele.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for violence, bloody images, and language including sexual references)

Bitter Harvest

(Roadside Attractions) Max Irons, Lucy Brown, Barry Pepper, Terence Stamp. In 1933, Stalin had seized control of the Soviet Union. His ambitions however ran to further expansion of the communist regime. In order to do that, he decided to enforce a program of mass starvation in the Ukraine. Millions would die while a young artist tried to keep his lover alive by any means necessary. If you’re wondering why the Ukrainian people are so vehemently opposed to a Russian tyrant, this is why.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for violence and disturbing images

Collide

(Open Road) Nicholas Hoult, Felicity Jones, Anthony Hopkins, Ben Kingsley. After a heist goes terribly wrong, a young criminal finds himself on the run from a ruthless drug lord. Enlisting the help of his former employer – an equally ruthless drug lord who is a rival to the one chasing him – he must somehow protect his girlfriend and not get caught between the two enemies. Considering the cast, this film has bounced around the release schedule for a few years and has now been released with almost zero promotion. That doesn’t bode well for the quality of the film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for violence, frenetic action, some sexuality, language and drug material)

Journey to the West: The Demons Strike Back

(Magnolia) Likun Wang, Kris Wu, Kenny Lin, Yiwei Yang. A young monk who has made it his life’s calling to rid the world of demons (and there are MANY of them) has converted three of them to his cause through his love and self-sacrifice. Now this quartet undertakes a journey to the West that will be fraught with peril and test their bonds, but is necessary to save the people from a terrifying threat. This is a sequel (of sorts) to the 2013 film and represents a collaboration between two of the greatest names in Chinese cinema; writer Stephen Chow and director Tsui Hark.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts Fantasy
Now Playing: Regal Waterford Lakes

Rating: PG-13 (for fantasy action violence, some suggestive content, rude humor and thematic elements)

Punching Henry

(Well Go USA) Henry Phillips, Tig Notaro, J.K. Simmons, Sarah Silverman. A struggling singer-songwriter (of satirical songs) thinks he’s finally gotten his big break when a high-powered TV producer summons him to Hollywood to pitch a reality TV show that is centered around him and his obstacle-laden career. What Henry doesn’t know however is that the actual intent of the producer is to create a show that is about the life of a loser.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs

Rating: NR

Rock Dog

(Summit) Starring the voices of Luke Wilson, Eddie Izzard, Lewis Black, Sam Elliott. From time immemorial a clan of mastiffs has guarded the peaceful residents of Snow Mountain from a lunatic pack of wolves. However, when the son of the clan leader discovers a radio that plays that demon rock music, suddenly he wants a new path in life – that of a rock star. However, he’ll have to abandon his family and his home in order to do that. And, in true animated feature fashion, his music may end up saving Snow Mountain forever.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and language)

Toni Erdmann

(Sony Classics) Sandra Hüller, Peter Simionischek, Michael Wittenborn, Thomas Loibl. A hard working German woman has a very strained relationship with her eccentric, practical joking father. In order to get her attention, he invents the character of Toni Erdmann, a life coach who challenges her to change her corporate lifestyle. At first she resists and the contest between them escalates until she eventually realizes that she needs her father more than she thought. This is an Oscar nominee for Best Foreign Language film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for some sexuality/nudity)

Voodoo

(Freestyle) Samantha Stewart, Ruth Reynolds, Dominic Matteucci, Ron Jeremy. When a straight-laced Southern girl takes a vacation to Los Angeles to escape her increasingly complicated life, she comes face to face with an ancient voodoo priestess who curses her to relive all the horrible deeds she’s done – in this life and in previous ones.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR