Call Me By Your Name


The sexual tension between Hammer and Chalamet is palpable.

(2017) Drama (Sony Classics) Timothée Chalamet, Armie Hammer, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois, Vanda Capriolo, Antonio Rimoldi, Elena Bucci, Marco Sgrosso, André Aciman, Peter Spears. Directed by Luca Guadagnino

 

Under the languid heat of the summer sun in Tuscany, sexuality can be awakened, bestirred or even changed. All things are possible in an idyllic location like that.

Elio (Chalamet) is the 17-year-old prodigal son of an archaeologist/professor dad (Stuhlbarg) living and working in Tuscany with Elio’s German mother (Casar). Into the household comes Oliver (Hammer), a grad student interning with Elio’s dad. At first Elio is a bit testy to the new arrival; after all, Oliver is staying in Elio’s bedroom while Elio is exiled to the adjoining bedroom with a bathroom shared between them.

Elio is a talented pianist and composer with quite a future ahead of him. He is a bit standoffish as talented teens who know they are talented can be. There is a neighboring French girl (Garrel) who would dearly like to be Elio’s girlfriend and Elio isn’t particularly averse to the idea as he is dealing with raging hormones and desires.

As the summer wears on, it becomes clear that Elio is heavily attracted to Oliver – and Oliver is attracted right back. Eventually as the two circle each other warily their orbits eventually intersect and Elio’s sexual urges – gratified first by a ripe peach (don’t ask) and then by Marzia his French girlfriend, find explosive root in this newcomer. The two have a hard time (no pun intended) keeping their hands off each other (as well as other appendages). For Elio, this is truly first love with all the joy and heartache that it entails. Every summer, after all, eventually comes to an end.

A lot of critics have been singing the praises for this film and for some very good reasons but I must caution readers that while there are a lot of things to like about this movie, there are plenty of flaws as well. I like how evocative of time and place the movie is; you can almost feel the heat steaming from the screen on a hot summer’s day in Tuscany. You can feel the 80s vibe in a realistic way – many films set during this era seem to be of the idea that everyone sported Flock of Seagulls hair. Guadagnino got the fashions right without going overboard with the excesses of the era.

>He also did a masterful job of casting. In all the main roles exactly the right actor inhabits them. Chalamet delivers a performance that deservedly got an Oscar nomination and while he didn’t win, had he not been nominated in a year of Gary Oldman’s superlative performance in Darkest Hour I think he might have had a shot at it.

The reason Chalamet’s performance is so praise-worthy is that it is so layered. Elio has the arrogance of youth and the uncertainty of the inexperienced; he can be stand-offish but he deeply desires love. He has a high sex drive but he wants affection, both received and given. If this performance is any indication, he could be the next Daniel Day-Lewis but a note of caution; he has been anointed a once-in-a-generation performer by certain hysterical magazine writers basically off of one or two outstanding performers; let’s see how he does for consistency over the next five years or so before we begin throwing those sorts of superlatives around shall we?

Chalamet has some wonderful actors to play off of. Hammer is of course ruggedly handsome and has that preppy accent which stands him in good stead here. He has the right combination of worldliness and naiveté that makes the character such a perfect foil for Elio. The chemistry between Hammer and Chalamet is blazing hot and the relationship is never anything but genuine for a single moment.

Stuhlbarg who has acted in a number of prestige films this year outdoes himself in the almost too-good-to-be-true father. He has one scene with Chalamet in which he surprisingly gives his son his tacit approval and explains his own regret for not following his own feelings in a similar situation. It’s a terrific scene and if it is more of a fantasy coming out for a lot of gay men whose own experiences are/were somewhat different it can be at least understood.

Cinematographer Sayombhu Mukdeeprom turns in a lovely print with colors that pop off the screen and capturing perfectly the season (also in the coda which takes place on a snowy day) and the place. It’s a beautiful film to watch. Iconic screenwriter James Ivory who back in the day was one of the great art film directors of his time, shows that even at 89 he still has a great ear for dialogue.

As I said, though, the film is flawed. It runs almost two and a quarter hours and towards the end of the movie one gets the sense that Guadagnino didn’t quite know how to end th film, although the ending itself is beautiful and bittersweet – it comes after a series of false stops. Also, while I’m not squeamish about sex scenes – even explicit ones – it just seemed that there were too many of them. After awhile it came off as almost gratuitous. We get the sense that there is sexual heat between the two and that Elio is nearly insatiable sexually; it’s just ramming us over the head with it after awhile. A good twenty minutes of film time could have been cut with excessive sex scenes as well as a few extraneous scenes as well.

Some have said that this is this decade’s Brokeback Mountain and there is some truth to that. Certainly a gay romance has rarely been portrayed so beautifully and so naturally onscreen, particularly in a film of this importance. Gay or straight, we’ve all been through first loves (let’s hope) in our lives and there’s no doubt this film evokes the feelings of that bittersweet experience for all of us. I wish the director had been a little bit less lenient at the editing bay but regardless of that this is an important and beautiful movie.

REASONS TO GO: The performances by Chalamet, Hammer and Stuhlbarg are all exceptional. The cinematography Is beautiful, evoking lazy summer days in northern Italy. The ending is lovely albeit bittersweet.
REASONS TO STAY: The movie went on way too long. The sex scenes became gratuitous after awhile.
FAMILY VALUES: There is plenty of sexual content, some nudity and a smattering of profanity.
TRIVIAL PURSUIT: Sufjan Stevens was asked to write one new song for the film but was inspired to write two. He was also asked to re-record “Futile Devices” from his mostly electronic The Age of Adz album with a piano and vocals arrangement.
CRITICAL MASS: As of 3/11/18: Rotten Tomatoes: 95% positive reviews. Metacritic: 93/100.
COMPARISON SHOPPING: Brokeback Mountain
FINAL RATING: 7.5/10
NEXT:
Killing Jesus

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New Releases for the Week of January 12, 2018


THE POST

(20th Century Fox) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Jesse Plemons, Alison Brie.  Directed by Steven Spielberg

After the New York Times published the Pentagon Papers, they were in the center of a firestorm of controversy. Not to be outdone, the Washington Post also acquired some of the classified documents that detailed American acts that violated the Constitution as well as the Geneva Convention. With the Nixon Administration threatening to shut down the freedom of the press over the Papers, new Post publisher Katherine Graham – already a rarity in the newspaper business for being a woman as a publisher of a major newspaper – and her crusty editor Ben Bradlee face a decision to do what’s safe for the newspaper or what’s right for the country.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for language and brief war violence)

Agnyaathavaasi

(Haarika and Hassine Creations) Pawan Kalyan, Keerthi Suresh, Anu Emmanuel, Aadhi. An exiled heir to a massive fortune in India returns home in disguise as an ordinary employee of his father’s company in order to discover the identity of his father’s murderer and to make things right with the company, only to become a target himself.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace

Rating: NR  

Call Me By Your Name

(Sony Classics) Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar.  In 1983 the son of an American researcher working in Northern Italy is enjoying a leisurely summer enjoying the cultural delights of the region. However when his father’s research assistant arrives, the teen discovers that his own emerging sexuality may be more difficult to deal with than his academic pursuits.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content, nudity and some language)

The Commuter

(Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill. A businessman is taking the commuter train home from work when he is given an offer he can’t refuse; to find the person on the train who “doesn’t belong there” or else face increasingly dire consequences. However, this businessman has a particular set of skills…

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for some intense action/violence, and language)

Condorito: The Movie

(Pantelion/Lionsgate) Starring the voices of Omar Chaparro, Jessica Cediel, Cristián de la Fuente, Jey Mammon. A soccer-playing condor (and the star of a Chilean comic strip) must save the world – and especially his family – from evil invading aliens.

See the trailer here.
For more on the movie this is the website (Spanish)

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG (for rude and suggestive humor, and some mild action)

I, Tonya

(Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson. Figure skater Tonya Harding comes from an impoverished background which places her at a competitive disadvantage – the snooty judges of the sport count her background and trailer park look against her. Still, there’s no denying her ability as the first woman to attempt and complete a triple axel. She could be on the way to Olympic gold; but her husband and his best friend take her down the road to scandal and late night talk show jokes instead. Look for the Cinema365 review tomorrow.

See the trailer, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Waterford Lakes (expanding next week)

Rating: R (for pervasive language, violence and some sexual content/nudity)

Paddington 2

(Warner Brothers) Michael Gambon (voice), Ben Whishaw (voice), Sally Hawkins, Imelda Staunton (voice). Now comfortably ensconced with the Brown family and a beloved member of the community, Paddington is looking to buy the perfect gift for Aunt Lucy’s 100th birthday – a pop-up book. He takes on a variety of odd jobs so that he can afford to buy the tome. However when it turns up stolen, Paddington looks to be the prime suspect. The Browns and their friends must find the real thief in order to clear the bear’s name and save Aunt Lucy’s birthday.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some action and mild rude humor)

Proud Mary

(Screen Gems) Taraji P. Henson, Neal McDonough, Danny Glover, Xander Berkeley. Mary is a paid assassin for a Boston crime family. In the course of a hit, things go South and she ends up crossing paths with a young boy. That fateful meeting turns her life completely around which is a dangerous thing to have happen when you’re in her line of work.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Acts of Violence
Ang Panday
The Ballad of Lefty Brown
Jai Simha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Acts of Violence
Dim the Fluorescents
Hostiles
Inside
Jai Simha
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Gang
Inside
Jai Simha
Rangula Ratnam
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Panday

SCHEDULED FOR REVIEW:

Call Me By Your Name
The Commuter
Hostiles
I, Tonya
Paddington 2
The Post
Proud Mary