(2014) Dramedy (Goldwyn) Ze’ev Revach, Levana Finkleshtein, Aliza Rosen, Ilan Dar, Raffi Tabor, Josef Carmon, Hilla Surjon, Assaf Ben Shimon, Illanit Dado Lansky, Ruth Farhi, Ruth Geller, May Katan, Orly Katan, Jameel Khoury, Itzik Konfino, Michael Koresh, Kobi Maymon, Aviva Paz, Hanna Rieber, Hezi Saddik, Sigal Shimoni, Idit Teperson, Samuel Wolf, Annabella Yaacov. Directed by Tal Granit and Sharon Maymon
Euthanasia remains a controversial subject around the world. Those who face terminal illnesses, excruciating pain and the loss of their own identity through diseases like Alzheimer’s are not legally given the opportunity to end their lives with dignity, something that we afford to animals but not humans. There are few societies enlightened enough to allow it; most take the religious view that suicide is a crime against God.
Yehekzel (Revach) is a tinkerer, and a good one. He also has a bit of a puckish sense of humor; he calls a friend and using an electronic voice distortion device pretends that he is God, telling her to hang in there. His wife Levana (Finkleshtein) puts up with his nonsense affectionately.
But one of his friends at the retirement home in which he lives wants to die. He is in the throes of a painful and terminal illness. The patient’s wife Yana (Rosen) desperately wants her husband to be put out of his misery, but of course such things are illegal. Yehekzel comes up with a plan; he can build a machine that will administer drugs; the first a sedative, the second something to stop his heart. Yana and Yehekzel enlist the help of Dr. Daniel (Dar) to help come up with the right drugs and the right dosages. Yehekzel even makes it easy for the patient to actually control when he or she wants the injection. Dr. Kevorkian would be proud.
But word spreads about the machine. Levana is horrified; she sees it as murder, plain and simple, even though the patients themselves want to die. Soon Yehekzel and his little crew are getting plenty of requests for the use of the machine. Yehekzel feels like he’s providing a much-needed service and despite his wife’s objections is pretty proud of what he’s doing.
Then Levana begins to show signs of Alzheimer’s and is truly terrified that in a short time she will be in the grip of that horrible disease. Now that her viewpoint has changed, she wants Yehekzel to use the machine on her. This is a horse of a different color for Yehekzel; can he use the machine on someone he loves?
Euthanasia doesn’t get much play in movies and with good reason; it’s a hideously depressing subject. Here, however, it is handled with a good deal of sensitivity and humor; not that the filmmakers and actors don’t take the subject seriously but they don’t make it a grim death march either.
The cast is made up of some of Israel’s most respected actors, in a large sense an all-star gathering although most are largely not well-known in America. They all do crackerjack jobs; there’s not a false note in the bunch. Each character fits into the puzzle nicely and you get the sense that these are all old friends. The cast meshes together well.
The only quibble I have here is a musical number that doesn’t quite fit in. It comes off as something that they grabbed from a production of Fiddler on the Roof and even though the singing is fine, I found the scene a bit jarring considering the rest of the movie. It’s somber and while I get it is there to tell us what’s going on internally with the characters, it was unsuccessful at least in my case.
This is a gem of a movie that is likely going to appeal more to older audiences than to younger other than those who are in to good movies and different viewpoints. It likely won’t convert those who are against euthanasia to the cause, but it certainly offers a point of view that is at least respectful. Definitely one to keep an eye out for when Goldwyn releases this in a limited run throughout the U.S. in late May.
REASONS TO GO: Tackles old age, death and euthanasia sensitively. Moving in places, beautiful in places, sweet in places.
REASONS TO STAY: Musical number hits the wrong notes.
FAMILY VALUES: Adult themes and content.
TRIVIAL PURSUIT: Was nominated for Best Picture at the Ophir Awards, Israel’s equivalent of the Oscars but lost to Gett: The Trial of Viviane Amsalem.
CRITICAL MASS: As of 5/2/15: Rotten Tomatoes: no score yet. Metacritic: no score yet.
COMPARISON SHOPPING: Cocoon
FINAL RATING: 8/10
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