All About Nina


The comedian is hard to spot.

(2018) Dramedy (The Orchard) Mary Elizabeth Winstead, Common, Chace Crawford, Camryn Manheim, Jay Mohr, Mindy Sterling, Angelique Cabral, Clea DuVall, Kate del Castillo, Beau Bridges, Nicole Byer, Todd Louiso, Victor Rasuk, Pam Murphy, Sonoya Mizuno, Melonie Diaz, Elizabeth Masucci, Cate Freedman, Grace Shen. Directed by Eva Vives

 

Some movies are pretty much what you expect them to be. They chug along, doing what you imagined they’d do, making the plot points you expected from them, following a tried and true formula. That’s not necessarily a bad thing; I’ve seen plenty of really entertaining movies that were also formulaic. Then again, there are movies like All About Nina that are motoring along at a brisk pace, fulfilling every one of your expectations to the point where you think you’re going to give a mediocre review. Then one scene comes along, elevates the movie into something special and blows all your preconceptions out of the water, leaving you breathless.

Nina Geld (Winstead) is a stand-up comedian who has been banging her head against the wall of male hegemony in the stand-up business. Her act has a lot of anger in it as she reaches across taboo lines like diarrhea and menstruation and keeps on going until she can find another line to cross. She is involved in a relationship with a married cop (Crawford) who beats her up from time to time. Her life is, in a nutshell, going nowhere.

She decides to shake things up a bit and heads out to Los Angeles to try and get a special on the Comedy Prime network. Supported by her very pregnant agent (Cabral), Nina moves in with a sweet New Age sort (del Castillo) and soon begins to make some noise in the L.A. comedy clubs. Her self-destructive impulses however have followed her from New York; too much drinking, too much sex with the wrong guys…that kind of thing. Then she meets Nate (Common), a contractor who takes an interest in her as she does in him. Suddenly there are possibilities. The network is interested in her as well but it all comes crashing down, leading her to a confessional standup session where everything comes out.

That confessional standup sequence is alone worth seeing. It is one of the most mind-blowing, heart-rending sequences I’ve seen in a film this year. Winstead is not a stand-up comic but she does a credible job with her delivery here. She also brings an animal intensity to the role that gives Nina the kind of edge that we rarely see in movies since the ‘70s. She’s been on a roll of late and hopefully we will start to see her in the kind of prestige roles she is well-suited for.

Common also excels here. He’s a bit on the Zen side in terms of being calm, cool and collected in the face of Hurricane Nina but he’s such a good boyfriend type that one wonders why he hasn’t gotten more romantic lead roles before now. Hopefully this will lead to a good many more of that sort of parts and I’m sure there are plenty of ladies who’d agree with me on that point.

The movie can be difficult to watch; Nina has a self-destructive streak a mile wide and can be unpleasant to be around. She is bitchy at times and a rage bomb at others. Her stand-up routine is not for the faint of heart or of stomach and those who are offended by profanity might as well give it up – there are sailors who would blanch at the filth that comes out of Nina’s mouth both on and off stage. However, if you have the stomach for it and the patience for it, this is a movie that has been slowly rolling out around the country that deserves a look if it’s playing anywhere near you.

REASONS TO GO: One scene elevates this movie into something special. Winstead and Common deliver solid performances.
REASONS TO STAY: A good deal of L.A. stereotypes infests the film.
FAMILY VALUES: There is a bunch of profanity, some of it graphic. There is also brief violence, nudity and sexual situations.
TRIVIAL PURSUIT: This is Vives’ feature film debut. She is known previously for writing the story for Raising Victor Vargas.
CRITICAL MASS: As of 10/12/18: Rotten Tomatoes: 88% positive reviews. Metacritic: 70/100.
COMPARISON SHOPPING: Mr. Roosevelt
FINAL RATING: 8.5/10
NEXT:
The Church

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Cop Car


The beginning of a bad idea.

The beginning of a bad idea.

(2015) Thriller (Focus World) Kevin Bacon, James Freedson-Jackson, Hays Wellford, Camryn Manheim, Shea Whigham, Sean Hartley, Kyra Sedgwick (voice), Loi Nguyen, Sit Lenh, Chuck Kull, Thomas Coates, Justin Barr, Adam Barr, Kathleen Bentley. Directed by Jon Watts

Actions have consequences. We learn this at an early age, usually because we’ve done something foolish or wrong. The consequences are almost always some form of punishment; having a favorite toy or device taken away, being grounded, made to stand in a corner (if we are very young) or maybe being sent to bed early without desert (horrors!). Of course, the more egregious the offense, the worse the punishment.

Travis (Freedson-Jackson) and Harrison (Wellford) are a couple of nine or ten year old kids who have decided to run away from their Colorado Springs subdivision. They are traipsing along a vast prairie (being kids, they haven’t particularly thought this through, having only a Slim Jim to sustain them and no water), Travis saying an expletive and Harrison repeating them. It’s all fun and games until they get to a specific word which Harrison is loathe to repeat. Even kids have their limits.

Then they come across something cooler than an F-bomb – an abandoned cop car. At first, the boys timidly run up to the car and having touched it, scurry back fearfully. like some bizarre ritual of counting coup. Eventually they work up the courage to get inside and of course at first it’s all play acting and fun…but then they find the keys.

Sheriff Kretzer (Bacon) is not so amused when he returns to find his car gone. You see, he was in the midst of burying a body and had come to fetch a second from the trunk of his car. Having his homicidal activities discovered just would not do. So he goes out to find the pilferers of his official vehicle, while the kids, blissfully ignorant of what’s going on, go on the joy ride of a lifetime.

Watts, who on the strength of his efforts here won himself the director’s seat for the upcoming Spider-Man reboot, takes a story that’s been essentially told before, strips it down to its essence, and gives us one taut, well-made thriller. The boys’ ignorance of how things work – they have no clue how to operate a car and make some pretty significant mistakes because of their inexperience – helps keep the tension level high. There’s a sequence when they’re trying to figure out how to fire the guns, peering down the barrels of the firearms and you are absolutely certain that one of the kids is going to get their heads blown off. Da Queen was literally viewing that sequence through her clenched fingers. She wasn’t the only one, either.

It helps that the two juvenile actors he cast are completely natural. They are full of bravado, crazy naive, and bonded together like only little boys can be. They are out on an adventure and are very much, as little boys are, shoot first ask questions later sorts. As I mentioned earlier, thinking things through is not their strong suit. While Travis is clearly the ringleader, the true strength belongs to Harrison – again, as is often the case with little boys. They’re like any little boy you might meet in your neighborhood; a little less supervised, a little wilder, but nonetheless recognizable. That helps the movie a great deal the longer it goes on and is one of the strengths of the film overall.

Bacon is a reliable presence. This is the kind of role he’s done before. The actions of the sheriff are never fully explained; we see him at one point flushing an impressive amount of cocaine down the toilet so we assume that it’s a drug thing, but why he has the two men set for a dirtnap is anybody’s guess. We do know that he’s a vicious and clever sort, not above putting a civilian in the line of fire if it is to his advantage; we are used to our policemen being concerned with our own safety so it never occurs to us that the orders we are getting are not given with that in mind. In some ways, this movie mirrors the public’s changing perception of the police. It’s not that there haven’t been bad cops in the movies – there have been bad cops in the movies as long as there have been movies – but it’s the way we look at this bad cop that’s different.

A couple of times during the movie it did feel like some of the sequences felt a little bit forced in order to advance the story; that happens a lot in these sorts of films although in fairness less often here than in other examples of the genre. There’s an encounter with a motorcycle cop that is very well-written from a tension point of view, but it seems to exist in the story only to show us how clever the Sheriff is. A good rule of thumb for filmmakers is that if a scene isn’t germane to the overall story other than to illustrate a character’s personality trait, it probably doesn’t belong in the movie.

Sure, some of the plot points are a bit contrived but for the most part this is a movie that feels like it could happen and maybe it already has. As thrillers go this one is well done, not quite to the level of last year’s Blue Ruin but certainly in the same ballpark. This is a well-constructed, well-executed edge of your seat entertainment that deserves a spot on your radar.

REASONS TO GO: Nice tension. Good performances by the kids who behave like kids.
REASONS TO STAY: A bit contrived in places. Bacon has played this role before.
FAMILY VALUES: There is plenty of profanity, a fair amount of violence, a scene of drug usage and kid peril throughout.
TRIVIAL PURSUIT: The voice of the dispatcher is done by Kyra Sedgwick. In addition, the Quinlan County on the side of the cop car doesn’t exist in Colorado or any other state.
CRITICAL MASS: As of 9/21/15: Rotten Tomatoes: 79% positive reviews. Metacritic: 66/100.
BEYOND THEATERS: VOD (Check your cable or satellite provider), Amazon, iTunes
COMPARISON SHOPPING: :Evidence
FINAL RATING: 6.5/10
NEXT: Grandma

New Releases for the Week of September 11, 2015


The VisitTHE VISIT

(Universal) Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Celia Keenan-Bolger, Patch Darragh. Directed by M. Night Shyamalan

A brother and sister go to rural Pennsylvania to visit their grandparents. At first things are pretty much as you might expect; and older couple happy to see their grandkids but the longer they stay, the stranger the behavior of the elderly people begins to seem. Soon they realize that something sinister is going on and their chances of getting home alive are worsening but they can’t get their mom to believe them.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard  (Opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for disturbing thematic material including terror, violence and some nudity and for brief language)

90 Minutes in Heaven

(Goldwyn) Kate Bosworth, Hayden Christensen, Dwight Yoakam, Rhoda Griffis. A man in a car accident is declared dead and left under a tarp before being transported to a hospital. He experiences heaven until a pastor’s prayers bring him back to the living. Now in excruciating pain, he fights to regain some kind of normalcy while pining for what waited for him in heaven. Eventually he wrote a book on his experiences which became a New York Times bestseller.

See the trailer, clips, interviews and a promo here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Amstar Lake Mary, AMC Altamonte Mall, AMC Downtown Disney, AMC West Oaks, Cinemark Artegon Marketplace, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13  (for brief violence)

The Challenger

(Fox Searchlight) Michael Clarke Duncan, S. Epatha Merkerson, Kent Moran, Justin Hartley. An ex-boxer trying to make it as an auto mechanic is simply not making ends meet. When he and his adopted mother are evicted, he is forced back into the one thing that he’s been struggling against – boxing. With the help of a legendary trainer, he will do whatever it takes to keep he and his adopted mom off of the streets. This is the late Michael Clarke Duncan’s last film.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sports Drama
Now Playing: Regal Waterford Lakes
Rating: PG-13 (for some sports violence)

Cop Car

(Focus World) Kevin Bacon, Camryn Manheim, Shea Whigham, Kyra Sedgwick. Two young boys discover what seems to be an abandoned police vehicle in a secluded glade and decide to take it for a joy ride. This incurs the wrath of a brutal county sheriff and leads to disastrous consequences.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: Enzian Theater
Rating: R (for language, violence and brief drug use)

Learning to Drive

(Broad Green) Ben Kingsley, Patricia Clarkson, Grace Gummer, Jake Weber. A high-powered and self-obsessed New York book editor undergoing a divorce decides to become more self-sufficient. She signs up to take driving lessons so that she can visit her daughter in college in Vermont. Her instructor is Darwan, an extremely conscientious teacher and his patience inspires her to open up with him about her deeper problems. In turn, her volatile feelings about her disintegrating marriage bring out some feelings in him about his own impending nuptials.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language and sexual content)

Meru

(Music Box)  Conrad Anker, Jimmy Chin, Renan Ozturk, Jon Krakauer. Among mountain climbers, Conrad Anker is a legend. It is also considered that the Himalayan peak Meru is virtually unclimbable, towering 21,000 feet into the sky with the final portion being a unique shark’s fin formation that is nearly vertical and requires a different set of climbing skills than the first portion of the mountain, requiring an entirely different set of gear, all of which has to be lugged up the mountain. Anker and his team undergo the harshest conditions that mother nature has to offer, heartbreaking defeats and terrible tragedies just to make yet another assault on Meru. But can anyone climb the unclimbable mountain?

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for language)

The Perfect Guy

(Screen Gems) Michael Ealy, Sanaa Lathan, Morris Chestnut, Charles S. Dutton. After a painful breakup with her boyfriend, a beautiful young professional woman meets a handsome and charming stranger. At first he seems like a gift from heaven, but when her ex-boyfriend re-enters the picture and tries to win her back, the perfect guy suddenly changes into someone she doesn’t know – and someone completely terrifying.

See the trailer, clips, interviews, featurettes, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Thriller
Now Playing: Wide Release
Rating: PG-13 (for violence, menace, sexuality and brief strong language)

New Releases for the Week of August 14, 2015


Straight Outta Compton

STRAIGHT OUTTA COMPTON

(Universal) Corey Hawkins, O’Shea Jackson Jr., Jason Mitchell, Paul Giamatti, Aldis Hodge, Neal Brown Jr., Marlon Yates Jr., R. Marcus Taylor, Alexandra Shipp. Directed by F. Gary Gray

In the middle 80s, Compton was a part of Los Angeles that you didn’t want to live but nonetheless people lived there. It was sometimes described as Southern California Beirut; overrun with gangs and violence, extreme poverty and drugs, growing up was a mixture of survival and despair in some of the most dangerous streets in the country. Out of this mix came NWA, a rap group that not only changed hip hop forever, they changed the attitudes of African-Americans and channeled the rage into action. All these guys did was tell the truth about their existence; in doing so, they galvanized not just a people but an entire movement.

See the trailer, interviews, a clip and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Musical Biography
Now Playing: Wide Release
Rating: R (for language throughout, strong sexuality/nudity, violence, and drug use)

Brothers…Blood Against Blood

(Fox Star/FIP) Akshay Kumar, Jacqueline Fernandez, Jackie Shroff, Sidharth Malhotra. When an alcoholic father goes to jail, his two sons part ways and become bitterly estranged from one another. When Dad is released some ten years later, the two boys are struggling to make ends meet; one an ex-fighter turned schoolteacher faced with mounting medical bills for his daughter, the other an alcoholic himself eking out an existence on the underground street fighting circuit. When the biggest MMA event in the world comes to India, both men unknowingly sign up for the winner take all event; when both end up facing each other in the finals, all bets are off. Will blood prevail over years of bitterness?

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC West Oaks
Rating: NR

The End of the Tour

(A24) Jason Segel, Jesse Eisenberg, Mamie Gummer, Joan Cusack. David Foster Wallace was one of the most talked-about writers in America. It was 1996 and he had just published Infinite Jest, and was on tour promoting it. Rolling Stone writer David Lipsky was assigned to interview the hot young author and the two shared five days on the road. They would bond in some way, sharing confidences that may or may not have been entirely truthful. Ironically, the interview was never published and the two men went their separate ways, never meeting again. In 2008, Lipsky stumbled on the tapes from the trip in his attic and decided to write a book on his experience, which became the basis for this film for which Segel has been getting some serious Oscar buzz.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: Enzian Theater
Rating: R (for language including some sexual references)

The Man from U.N.C.L.E.

(Warner Brothers) Henry Cavill, Armie Hammer, Alicia Vikander, Hugh Grant. It is the height of the Cold War and the United States and Soviet Union are playing a deadly game of chess with nuclear annihilation as the stakes. But now there’s a new player in the game, a criminal organization bent on world domination and they’ve just become a nuclear power. The Soviets and the Americans must bury the hatchet at least for the time being and take on this new threat together, although they can’t do it officially, and so a new agency is created – U.N.C.L.E. – with agents Napoleon Solo from the West and Ilya Kuryakin from the Evil Empire partnering to save the world. Based on the hit TV show from the 60s and directed by Guy Ritchie.

See the trailer, clips, an interview, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, IMAX (opens Thursday)
Genre: Spy Action
Now Playing: Wide Release
Rating: R (for language)

Return to Sender

(RLJ) Rosamund Pike, Shiloh Fernandez, Nick Nolte, Camryn Manheim. A blind date turns into the worst kind of nightmare for a woman who courageously stands up and accuses her attacker. Against all odds, he is sent to prison. While there she continues to communicate with him, developing a sick kind of relationship. When he is finally released, he seeks her out – setting up the opportunity for her perfect revenge.

See the trailer and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: AMC Downtown Disney
Rating: NR

Walt Before Mickey

(Voltage) Thomas Ian Nichols, Jodie Sweetin, Jon Heder, David Henrie. Before Walt Disney was synonymous with family entertainment around the world and had become a global brand name, he was a struggling artist trying to make it in a harsh world. This is the story of a driven, determined and sometimes obsessive man who would later make history – thanks to a chance meeting with a rodent.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Downtown Disney
Rating: PG (for period smoking throughout, mild thematic elements and language)