Top 10 of 2011


The annual ritual of choosing the movies that thrilled, chilled, affected and otherwise dug into the critical consciousness with hooks of steel during 2011 is upon Cinema365 and while our list is posted a bit later than most others, think of it as being a labor of love rather than a necessary evil, a particularly unliked chore.

This is the part where I mention that like any other list, this one is completely arbitrary. There’s no scientific basis, nothing quantitative that I can point to and say “this movie deserved to be on this list because of this.” No, it’s completely from the gut my friends and like any gut this big change is constant. The list you see here today is not the list I would make tomorrow. That’s why it always takes me so long; I hem, I haw, I prevaricate. At last, I assign.

Generally speaking, this list reflects my tastes as I saw the movie. I take all the movies I gave an 8 or greater score to, put the 10s at the top, the 9s below and so on. The half points I generally don’t take into consideration. Therefore you might see an 8 ranked above an 8.5. See what I mean about arbitrary?

So this is all about whether I liked the movie or not. 2011 didn’t see any real game changers in terms of movies that will rank as all-time bests. It is somewhat telling that perhaps the most critically acclaimed movie of the year was a silent movie whose style harkened back to the films of that era. Still, even if none of them may end up as classics that withstand the test of time (and I think a few of them will), all ten of these and the honorable mentions as well, should provide at least a good starting point if you want to take a cinematic  year in review viewing party and stock it up with really good movies instead of just really popular ones.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late. There are two films on this list that you may find difficult to find either in home video or theaters. Check your local film festival to see if they will be around, or the websites that I have included with the original reviews – you can access those by clicking on the movie title and you can read what I wrote about them way back when.

This is meant to invite discussion or perhaps a heated argument or two. Feel free to submit your own top ten, or harangue me about mine. My skin is thick and I don’t bruise easily. I welcome hearing why my list is full of crap and yours is so much better. That’s why lists are fun.  

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

In a Better World, Hugo, War Horse, Midnight in Paris, Moneyball, The Company Men, The Descendants, Margin Call, Snow Flower and the Secret Fan, I Saw the Devil, Thor, J. Edgar, The Cave of Forgotten Dreams, Holy Wars, Captain America: The First Avenger, The Double Hour, Win Win, Bridesmaids, Young Goethe in Love, The Girl with the Dragon Tattoo, The Adventures of Tintin, The Happy Poet, The Whistleblower, In Time, Apollo 18, Submarine, Drive.

And with no further ado, let us get on with the countdown:

10.  HARRY POTTER AND THE DEATHLY HALLOWS PART 2

(Warner Brothers) Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Tom Felton, Alan Rickman, David Thewlis, Everyone in England. Directed by David Yates

Released July 15, 2011 The end of an era finally came to pass as nearly a decade of Pottermania had its final moments and the series went out with a glorious bang. Harry and his friends Hermione and Ron would take on the forces of evil in an epic battle that would shake the very foundations of magic itself as Harry and Lord Voldemort finally had the face-off that everyone had been waiting for.

WHY IT IS HERE: There are those who proclaimed it the best film in the series and in many ways they weren’t wrong. This was an emotional rollercoaster that had heroism, villainy, pathos and even a hint of comedy here and there. After the first part of the last book seemed to be all exposition and no action, this movie made for a wonderful payoff. Not everyone would survive but this was a more than satisfactory ending to a series many people grew up with. There were a lot of misty eyes in the theater when the final credits rolled, not the least of which were the Warner Brothers accountants who would see their biggest moneymaking series ever fade into history.

HIGHLIGHT SCENE: Harry prepares for certain death as he goes into the black forest to compose himself. There he meets the shades of his parents as well as those in the series who had passed on. It was remarkably moving and I for one had tears literally streaming down my face when I saw it. In fact, I’m a bit misty right now just writing about it.

BOX OFFICE RESULTS: $381 million domestic (as of 1/17/12), $1.3 billion total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on HBO/Cinemax. Download/stream from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Blockbuster.

9. INCENDIES

(Sony Classics) Lubna Azabal, Melissa Desormeaux-Poulim, Maxim Gaudette, Remy Girard, Abdelghafour Elaaziz, Allan Altman, Mohamed Majd, Nabil Sawalha, Baya Belal, Yousef Shweihat. Directed by Denis Villanueve

Released April 22, 2011 This was nominated for a Foreign Language Film Oscar, representing Canada but very little of it was set in the Great White North. It didn’t win but many thought it should have. A woman follows the path of her mother as she makes a search for the man who is her father, starting in the small village her mother came from in the Middle East. The more she looks the deeper the mystery becomes as she discovers her mother was caught in a vicious civil war between Christian and Muslim factions in that country, leading to a shocking revelation that turns her daughter’s life upside down.

WHY IT IS HERE: There is no movie on this list that will grab your guts quite as much as this one does. While many explore the depths of man’s cruelty to man, here is a movie that takes that cruelty head-on and exposes the ugliness for all to see. Yet even with all this ugliness, there is still lingering hope that tinges the entire film and makes it ultimately an uplifting experience, despite the horror. Forgiveness trumps hatred every time.

HIGHLIGHT SCENE: A scene in which a busload of Muslim women meet a horrible end is one that will stay with you for a very long time.

BOX OFFICE RESULTS: $2.1 million domestic (as of 1/17/12), $3.6M total.

BUDGET: $6.8 million.

STATUS:Currently available on home video. Available on Starz. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Streaming unavailable.

8. BUCK

(Sundance Selects) Buck Brannaman, Mary Brannaman, Reata Brannaman, Betsy Shirley, Robert Redford, Bibb Frazier, Betty Staley, Ali Cornish, Shayne Jackson, Smokie Brannaman, Ray Hunt. Directed by Cindy Meehl

Released June 17, 2011 Buck Brannaman is an archetype, a modern day cowboy who is equal parts Roy Rogers and Dr. Phil. His journey from being a trick roper for an abusive father to one of the top consultants to ranchers about horse behavior and horse training (the character of The Horse Whisperer is largely based on him) is a moving one. One look at the trailer which preceded it convinced me that this was going to be a special film and when I got to see it in San Francisco with Da Queen, I found it to exceed those expectations and Da Queen agreed – if you were to ask her, this would undoubtedly be one of her favorite movies of the year as well.

WHY IT IS HERE: This documentary won the Audience Award at the 2011 Sundance Film Festival last January and it’s easy to see why. Few films – and even fewer documentaries – have as much heart and compassion as this movie does and the reason for it is Brannaman. He is self-effacing, quiet and has a connection to horses that is rare as it is beautiful. He has challenged traditional methods of training for one that is more effective and less traumatic for the horse. These days it can be difficult to be proud to be an American but this movie will allow you to do so, at least for a few hours.

HIGHLIGHT SCENE: Buck comforts a rancher who realizes that her inexperience and poor decisions regarding her horse have led to the injury of one of her hands and the eventual termination of the horse.

BOX OFFICE RESULTS: $4 million domestic (as of 1/18/12), $4M total.

BUDGET: Not available.

STATUS:Currently available on home video. Available on Showtime. Download from Amazon/iTunes. Stream on Netflix. Rent DVD/Blu-Ray from Blockbuster/Netflix.

7. FANNY, ANNIE AND DANNY

(Self-Released) Jill Pixley, Carlye Pollack, Jonathan Leveck, Colette Keen, George Killingsworth, Nick Frangione, Anne Darragh, Suzanna Aguayo, Nancy Carlin, Don Schwantz. Directed by Chris Brown

Released April 16, 2010 There are some movies that you will not see outside of a film festival. They are labors of love, made on shoestring budget by filmmakers who are often just learning their craft. Sometimes those movies are learning experiences for the filmmakers; they will go on to bigger and better things eventually but sometimes, you run into quality that stands on its own merit and doesn’t need any sort of qualifier, be it low-budget or inexperience. These films stand proudly with movies that have studio backing and/or indie distribution to be among the year’s best.  

WHY IT IS HERE: Brown’s third feature is an often poignant, generally funny and entirely too human portrayal of a dysfunctional family imploding over the course of a Christmas dinner. On paper it sounds awkward and uncomfortable and there are a few moments where those emotions are present but for the most part you just saw the damage done by years of digging, disappointment and disability. Well-acted (particularly Pixley, Keen and Killingsworth) and droll when it needs to be, this movie should be sent to every studio mogul and director as a primer in how great films can be done on microscopic budgets.

HIGHLIGHT SCENE: The scene near the end of the film when Danny’s departure brings down the facade from his mother and shows her to be what she truly is. It’s a marvelous piece of acting by Keen.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS:The movie worked the film festival circuit last year, culminating in a brief run at New York’s ReRun Gastropub Theater in December. The film’s website doesn’t mention any plans for the movie to be released on DVD; hopefully someday it will be available in that formula or for digital download somewhere. Check the movie’s website for updates.

6. THE HELP

(DreamWorks/Disney) Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Ahna O’Reilly, Allison Janney, Sissy Spacek, Cicely Tyson, Mike Vogel, Anna Camp, Brian Kerwin, Mary Steenburgen, David Oyelowo, Aunjanue Ellis, Nelsan Ellis. Directed by Tate Taylor

Released August 10, 2011 Based on a bestselling novel by Kathryn Stockett, this movie shot to big box office after its release. The amount of success was a bit of a surprise given the subject matter but the quality wasn’t, given the excellent cast. Spencer has already won a Golden Globe for her performance and has received an Oscar nomination, along with Davis. The movie is also up for Best Picture.

WHY IT IS HERE: Some of the strongest ensemble work of any casts this year, for one thing. The writers and director Taylor could have taken the route in which Emma Stone’s Skeeter character was the brave white girl standing up for the oppressed minority (which has been done in other films) but that isn’t the case here; Stone is portrayed as much a cog in the wheel as the axel turning it. This is clearly Davis’ and Spencer’s movie. It’s funny, heartbreaking in places and insightful throughout.

HIGHLIGHT SCENE: The scene in which Hilly discovers the truth about the “terrible awful.”

BOX OFFICE RESULTS: $169.6 million domestic (as of 1/23/12), $205.3 million total.

BUDGET: $25 million

STATUS: Currently available on home video. Download from Amazon/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

5. BARNEY’S VERSION

(Sony Classics) Paul Giamatti, Dustin Hoffman, Rosamund Pike, Scott Speedman, Minnie Driver, Bruce Greenwood, Rachelle Lefevre, Saul Rubinek, Mark Addy, Macha Grenon, Paul Gross, Anna Hopkins, Jake Hoffman, Thomas Trabacchi, Cle Bennett. Directed by Richard J. Lewis

Released January 14, 2011 While it’s true Giamatti would win a Golden Globe for his portrayal of the title character, it was at last year’s Golden Globes. This Canadian film was based on a Mordechai Richler, author of The Apprenticeship of Duddy Kravitz. For whatever reason it was released in early January instead of late December, effectively ending any shot it had at Oscar contention.

WHY IT IS HERE: Amazing performances from an amazing cast, to be blunt. Giamatti as I mentioned won a Golden Globe and the rest of the cast, from the irrepressible Dustin Hoffman to the breezy Speedman to the gruff Addy to the lustrous Pike all did bang-up jobs. Barney’s journey isn’t an easy one and at times the movie is so heartbreaking you want to run out of the theater – or as the case may be your living room – but staying until the final credits roll is so very worth your while.

HIGHLIGHT SCENE: Basically, the last 20 minutes of the movie is something special. I was very, very moved.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/23/12), $8.5 million worldwide.

BUDGET: $30 million

STATUS: Currently available on home video. Available on Starz. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

4. TROLL HUNTER (TROLLJEGEREN)

(Magnet) Otto Jespersen, Hans Morten Hansen, Tomas Alf Larsen, Johanna Morck, Knut Naerum, Robert Stoltenberg, Glenn Erland Tosterud. Directed by Andre Ovredal

Released June 10, 2011 We saw this at the Florida Film Festival and have been a huge fan ever since. While this is one of the “found footage” films subgenre that has been getting overused over the past couple years, it may very well be the best of them, better even than the one that started it – The Blair Witch Project.  

WHY IT IS HERE: Irreverent and fun, this is a theme park ride disguised as a movie. The trolls themselves are obviously CGI but they look exactly how you’d expect them to. Definitely the humor is low-key which some might have trouble with. This is one of those hidden treasures that nobody knows about, but when you get a friend to see it they become instant fans.

HIGHLIGHT SCENE: Hans filling out paperwork after his latest successful troll hunt.

BOX OFFICE RESULTS: $253,444 domestic (as of 1/25/11), $4.2 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on Showtime starting February 23rd. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix. Stream on Amazon/Netflix.

3. THE ARTIST

(Weinstein) Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Malcolm McDowell, Missi Pyle, Penelope Ann Miller, Beth Grant, Ed Lauter, Bitsie Tulloch, Joel Murray, Ken Davitian, Basil Hoffman. Directed by Michael Hazanavicius

Released November 25, 2011 After a good showing at the Golden Globes, The Artist is an odds-on favorite at the Oscars, with ten nominations including Best Picture (which it won at the Globes) and Best Actor for Dujardin (which he also won). This is probably the most critically acclaimed film of the year.

WHY IT IS HERE: This isn’t just an homage to silent cinema but an excellent example of the style of silent films. The humor is a bit broad and the pathos a bit maudlin but the movie works on every level. Even though there is almost no dialogue (there is music on the soundtrack and some sound effects) the acting gets across every nuance of the screenplay without fail. Dujardin, a French comic actor and Bejo, an Argentine actress, make a great team. This is the kind of movie that those who ordinarily wouldn’t choose to go see it are made believers after they’ve given it a shot.

HIGHLIGHT SCENE: George’s suicide attempt is a heartbreaker.

BOX OFFICE RESULTS: $12.4 million domestic (as of 1/25/11), $33.4 million total.

BUDGET: $15 million.

STATUS: Still in wide release.

2.  THE WAY

(ARC Entertainment) Martin Sheen, Yorick von Wageningen, Deborah Kara Unger, James Nesbitt, Emilio Estevez, Tcheky Karyo, Spencer Garrett, Angelina Molina, Carlos Leal, Antonio Gil, Simon Andreu, David Alexanian, Eusebio Lazaro. Directed by Emilio Estevez

Released October 7, 2011 Walking the Camino de Santiago has always held a fascination to me. I’m way too out of shape to do it myself; this is as close as I’m going to come to doing it myself. I wasn’t impressed by the trailer or the concept originally but was blown away when I saw the film. It is insightful, emotionally authentic and yes it will make you laugh and cry.

WHY IT IS HERE: I am not the most Catholic of Catholics, but this movie gave me a nostalgic twinge in my ecumenical muscle. I also must admit that James Michener’s travelogue Iberia is a book that I’ve read and re-read a dozen times in my life; the chapter about the Camino always sung to me. No movie released this year afforded the opportunity for self-discovery as this one did and much of the responsibility for that goes to Martin Sheen’s dignified but realistic performance, making me realize how much I miss President Josiah Bartlett. Movies this powerfully moving should get as much praise as can be heaped on them.

HIGHLIGHT SCENE: The scene where Sara confesses to Tom about her abusive background.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/26/12), $4.4 million total.

BUDGET: Not available.

STATUS: Scheduled for home video release on February 21.

1. KINYARWANDA

(AFFRM) Edouard Bamporiki, Cassandra Freeman, Marc Gwamaka, Zaninka Hadidja, Mursari Jean, Cleophas Kabasita, Hassan Kabera, Mazimpaka Kennedy, Assumpta Micho, Kena Onyenjekwe, Edouard B. Uwayo. Directed by Alrick Brown

Released December 2, 2011 Some movies aren’t seen so much as experienced. This film tells several stories about the Rwandan genocide, from a teenager girl who comes home after sneaking out to attend a party to find her parents murdered, to a courageous priest who tries to save as many of his Tutsi flock as he can, to a pair of soldiers who have varying reasons to want to put themselves at risk in Rwanda. Each story has an enormous emotional resonance and is based on a survivor’s actual experiences.

WHY IT IS HERE: This is a movie that doesn’t seem like a first feature. Indeed, I have not seen a better film this year. Few films will affect you as deeply as this one; but while it is set during one of the darkest moments in human history, it is not a story of darkness. Rather it is a film about reconciliation and hope, of the extraordinary ability of the human spirit to give the divine gift of forgiveness no matter how heinous the crime, how egregious the transgression. If the Tutsi can forgive the Hutu and move to becoming a single nation after what happened in Rwanda, there is hope for us as a species if we can, as the Rwandans are doing, appeal to our own higher natures. When a movie can provide that for its audience, it is an extraordinary film indeed.

HIGHLIGHT SCENE: A scene where one of the soldiers who committed murder in the genocide realizes what he has participated in and what it has cost his soul – with tragic results.

BOX OFFICE RESULTS: $21,097 domestic (as of 12/4/11), $21,097 total.

BUDGET: Not available.

STATUS: Kinyarwanda has had a limited release mostly in large cities. It is listed on the Netflix site with an as-yet unscheduled DVD release date, indicating that there are plans to release it in that format.

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Captain America: The First Avenger


Captain America: The First Avenger

Chris Evans isn’t sure the new uniform for FTD delivery guys is appropriate for a soldier’s uniform.

(2011) Superhero (Paramount/Marvel) Chris Evans, Hugo Weaving, Hayley Atwell, Tommy Lee Jones, Toby Jones, Sebastian Stan, Dominic Cooper, Neal McDonough, Derek Luke, Stanley Tucci, Richard Armitage, Kenneth Choi, JJ Feild,  Michael Brandon, Amanda Righetti, Samuel L. Jackson. Directed by Joe Johnston

Part of the American character is to root for the underdog. There is something about someone beating the odds that capture the imagination of American audiences, particularly when it is someone less physically gifted that surpasses those with more natural talent.

It is World War II and Steve Rogers (Evans) wants nothing more than to enlist but his scrawny asthmatic physique gets rejected every time. His best buddy, James “Bucky” Barnes (Stan) is about to be shipped over and as he and Steve and a couple of dames visit the New York Fair of Tomorrow (think of the Stark fair from Iron Man 2) to celebrate Bucky’s last night before shipping out, Steve spies a recruiting station. He and Bucky have an impassioned discussion which catches the ear of Dr. Abraham Erskine (Tucci). Finally Steve leaves his friend to make one more fruitless attempt to enlist.

At least, Bucky thinks it’s going to be fruitless – heck, even Rogers thinks it’s going to be fruitless – but Erskine walks in and makes Steve an offer. At last, Steve Rogers is going to do his part. He is sent to boot camp, run by the crusty Colonel Phillips (T.L. Jones) and overseen by the lovely British agent Peggy Carter (Atwell). While there are better physical specimens there (which the Colonel appreciates), Erskine and Carter are drawn to less obvious characteristics that Steve possesses, much to Phillips’ chagrin.

Steve is eventually chosen to be the guinea pig in a “super soldier” program to be injected with a serum that will make him stronger, faster and a better fighter. Erskine will be assisted by Howard Stark (Cooper), a wealthy aviator who is one of America’s most brilliant weapon designers. The operation is a success but agents of the Nazi science group Hydra wreck any further thought of creating an army of super soldiers.

Hydra is led by Johann Schmidt (Weaving), better known to comic book fans as the Red Skull who was injected with a earlier version of the formula causing the visage that gave him his nickname, although it is never uttered at any time during the movie. He has stolen a power source once protected by Odin of the Norse Gods (see Thor) and is using it to power weapons designed by the brilliant Dr. Armin Zola (T. Jones) that will turn the tide of the war.

Of course, nobody on the Allied side knows that yet. Steve, whose exploits in corralling the Nazi agent that threw the monkey wrench into the super soldier works were done very publically, has become a war bonds spokesman as Captain America, a persona the shy and unassuming Steve is uncomfortable with but like a good soldier, he does what he’s told, even if the orders are odious to him. When he learns that his pal Bucky has been captured by Hydra (along with most of his battalion), Steve does something most un-Steve Rogers like – he defies orders and goes in to rescue his friend.

Captain America is in many ways the Superman of the Marvel Universe – the iconic hero tied to the American way. He is almost too good to be true, but in this movie he is good enough to be true. Evans plays him in the digitally enhanced 98-pound-weakling the same way he plays him cut and muscular – with a hint of humility and plenty of fight in the dog, although there are touches of doubt and disappointment.

Johnston, who has previously directed The Rocketeer, another period comic book-based movie (which gave us Jennifer Connolly, among other things) does a wonderful job of recreating the World War II era, from the art deco lines to the make-up of Peggy Carter. The war bonds shows that Cap undertakes complete with singers, dancers and a sneaky little Hitler are spot-on.

This is a superhero movie with character, literally. Johnston takes the time to bring Steve Rogers to life just as equally as Captain America. Like Sam Raimi before him, Johnston clearly understands that the alter ego is equally as important as the superhero. Humanizing the paragon of virtue makes him more accessible; giving him challenges that we can relate to brings us closer to him.

Still, he also gives several nods to the fanboy base, throwing in enough references to the comics and the Marvel universe circa WWII in particular to keep that segment of the audience picking through the DVD/Blu-Ray long into the night. Personally, I think that’s a good thing.

Of the main superhero movies that have been released this summer (and this was supposed to be the big triumphant superhero movie summer), this is the best and unexpectedly so. I wouldn’t have called that back in April when writing the Summer Preview. At that point, I would have given the nod to Green Lantern and Thor first but nonetheless I liked Captain America: The First Avenger more.

As for criticism that this is essentially a two hour trailer for the forthcoming Avengers movie, well I for one like that Marvel Studios is taking the model that works for their comic book universe and applying it to their motion picture division. I like the idea of event movies that will bring together the heroes from other franchises into a single film. To that end, certainly this movie is pointing to the next one but it stands on its own as well. That kind of criticism is, to my mind, ignorant of the medium and of the audience that follows it.

Be that as it may, this ranks right up there with the summer’s best films. It’s got great action sequences, terrific characters, wonderful special effects and a great heart at its center. This reminds me not only of the way movies used to be, but of the best movies being made now. There is certainly a place for that in summer blockbuster films.

REASONS TO GO: Captures the era perfectly, giving it a bit of a revisionist spin to fit the Marvel comics universe. Evans carries the movie nicely and gets support in every quarter.

REASONS TO STAY: Cap might be too goodie two-shoes for modern audiences.

FAMILY VALUES: There is a smattering of wartime violence and a few disturbing images.

TRIVIAL PURSUIT: This is the seventh film based on a comic book that Evans has done.

HOME OR THEATER: Certainly the action sequences deserve a big canvas and huge sound system.

FINAL RATING: 8.5/10

TOMORROW: The Dark Knight

New Releases for the Week of July 22, 2011


July 22, 2011

CAPTAIN AMERICA: THE FIRST AVENGER

(Paramount/Marvel) Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Sebastian Stan, Dominic Cooper, Toby Jones, Neal McDonough, Derek Luke, Stanley Tucci, Richard Armitage, Samuel L. Jackson. Directed by Joe Johnston

The early days of the Marvel Universe are explored as Steve Rogers, the prototypical 97 pound weakling, wants so badly to do his part in World War II that he takes part in an experiment in which he is injected with a serum that will turn him from zero to hero. Joining up with his partner Bucky Barnes and the sassy scientist Peggy Carter, he will take on the hordes of Hydra (a Nazi group that utilizes almost mystical science) and their leader, the villainous Red Skull.

See the trailer, promos, featurettes and clips here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Superhero

Rating: PG-13 (for intense sequences of sci-fi violence and action)

Friends With Benefits

(Screen Gems) Justin Timberlake, Mila Kunis, Patricia Clarkson, Jenna Elfman. A pair of friends, disenchanted with love, still craves sex. They decide to become friends with benefits – a non-romantic relationship in which the participants both get to have sex with each other. While the two think they’ve got the best of all worlds, instead they find that sex very often brings its own set of complications – both emotional and otherwise.

See the trailers, interviews, promos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: R (for sexual content and language)

Submarine

(Weinstein) Noah Taylor, Paddy Considine, Sally Hawkins, Yasmin Paige. A 16-year-old English schoolboy worries that his parents’ marriage is crumbling to pieces. He has also fallen for a young classmate who is brash and intimidating, but may be his route to growing up. This was a big hit at Sundance earlier this year.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language and some sexual content)

Four-Warned: July 2011


Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. HARRY POTTER AND THE DEATHLY HALLOWS PART 2 (1.0)
2. CAPTAIN AMERICA: THE FIRST AVENGER (1.1)
3. COWBOYS AND ALIENS (1.4)
4. LARRY CROWNE (1.9)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. ANOTHER EARTH (1.3)
2. SNOW FLOWER AND THE SECRET FAN (1.7)
3. SARAH’S KEY (1.9)
4. RAPT (2.0)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

JULY 1, 2011

CRIME AFTER CRIME (OWN Documentary Club) Genre: Documentary. The story of Debbie Paigler, a woman who murdered her abusive boyfriend and was railroaded by the legal system – and of the two decade long fight to set her free. Release Strategy: New York City (Opening in Los Angeles July 8). RATING: 2.8 Sounds like it could be compelling but trailer didn’t impress.
DELHI BELLY (UTV) Genre: Crime Comedy. A trio of flat mates get in trouble with a vicious crime boss…with comic results. Release Strategy: Limited. RATING: 3.1 Bollywood is beginning to invade mainstream cinemas about which I couldn’t be happier – although this one didn’t really float my boat based on the trailer.
LARRY CROWNE (Universal) Genre: Romantic Comedy. A recently unemployed man goes back to college to improve his employment chances only to fall for the charms of the teacher. Release Strategy: Wide. RATING: 1.9 Tom Hanks and Julia Roberts? Say no more!
LOVE ETC. (Paladin) Genre: Documentary. Love in all its forms shown during the course of a New York City day. Release Strategy: New York City and Los Angeles. RATING: 3.4 The concept doesn’t excite me much; seems a bit talky and over-analytical.
MONTE CARLO (20th Century Fox) Genre: Preteen Romantic Comedy. A trio of recent high school graduates on tour in Europe gets mistaken for a rich bad girl, changing their vacation – and their lives. Release Strategy: Limited. RATING: 3.7 Eccch…
THE PERFECT HOST (Magnolia) Genre: Thriller. A bank robber masquerades as a guest at a dinner party, unaware that the host has some secret of his own. Release Strategy: Limited. RATING: 2.2 David Hyde Pierce is ideally cast.
SMALL TOWN MURDER SONGS (Monterey Media) Genre: Thriller. A cop haunted by his past investigates a small town’s first murder in decades, only to discover his past catching up with him – and entwining with his investigation. Release Strategy: New York City only. RATING: 2.6 The trailer looked interesting but not compelling.
TERRI (ATO) Genre: Dramedy. A husky teenage misfit is taken under the wing of a well-meaning but often overly talkative principal. Release Strategy: Limited. RATING: 2.4 Missed it at the Florida Film Festival, but John C. Reilly stars so it’s gotta be at least half-decent.

JULY 6, 2011

RAPT (Lorber) Genre: Thriller. When a French industrialist is kidnapped, ugly details of his sordid affairs come out, making his family wonder whether the ransom should be paid. Release Strategy: New York City only. RATING: 2.0 A very taut-looking suspense film from the trailer.
SEPTIEN (IFC) Genre: Mystery. After an 18-year-disappearance, a former football hero returns to his rural home to find that things have changed – and are not so different either. Release Strategy: New York City only. RATING: 2.5 Looks a bit Southern gothic – in a good way.

JULY 8, 2011

BEATS, RHYMES AND LIFE: THE TRAVELS OF A TRIBE CALLED QUEST (Sony Classics) Genre: Musical Documentary. A documentary that follows one of the most innovative bands in hip-hop from their beginnings until now, more than a decade after their highly publicized break-up. Release Strategy: Limited. RATING: 3.6 I’m just not a rap guy.
THE CHAMELEON (Cinema Epoch) Genre: Thriller. The return of a kidnapped boy to his home brings more questions than answers and opens up a deeper mystery. Release Strategy: Limited. RATING: 2.9 A great cast (including Ellen Barkin) and the extra added attraction of a true story.
FADING OF THE CRIES (Eammon) Genre: Fantasy. A young girl is chased by a hideous wizard who wants an ancient necklace. Release Strategy: Limited. RATING: 2.7 Looks a little cheesy but I’m a sucker for these kinds of movies.
HORRIBLE BOSSES (New Line) Genre: Comedy. A group of much put-upon cubicle cowboys plot to rid themselves of their nemeses. Release Strategy: Wide. RATING: 2.0 This could be the water cooler comedy of the summer.
IRONCLAD (ARC Entertainment) Genre: Historical Action. King John attempts to retake complete control of England after signing the Magna Carta with one small group of rebels standing in his way. Release Strategy: Limited. RATING: 2.4 Looks good, but Paul Giamatti in a medieval period piece? Not so sure about that one.
JOHN CARPENTER’S THE WARD (ARC Entertainment) Genre: Horror. A young girl with no memory finds herself in a mental institution in the 60s being stalked by strange and terrifying visions. Release Strategy: Limited. RATING: 2.4 Carpenter’s first feature film in more than a decade – reason enough to go see this one.
THE LEDGE (IFC) Genre: Suspense. A cuckolded Evangelical forces his wife’s lover out onto the edge of a high rise and forces him to choose between his love and his life. Release Strategy: Limited. RATING: 2.2 Great cast, terrific concept and a decent trailer.
PROJECT NIM (Roadside Attractions) Genre: Documentary. The attempts to train a chimpanzee in sign language back in the ‘70s are documented. Release Strategy: Limited. RATING: 2.1 Missed this at the Florida Film Festival and is wishing I hadn’t.
ROMEO AND JULIET IN YIDDISH (Self-Released) Genre: Not Sure How to Classify This. The Bard’s classic play, set in modern New York City and told in Yiddish. Release Strategy: New York City only. RATING: 4.0 Oy.
THE SLEEPING BEAUTY (Strand) Genre: Fantasy. A French deconstruction of the classic fairy tale that spans several centuries. Release Strategy: Limited. RATING: 2.4 Visually inventive and quite erotic judging on the trailer.
ZOOKEEPER (Columbia) Genre: Comedy. The animals of a zoo get together to help their zookeeper get the woman of his dreams when they find out he’s leaving the zoo because his profession gets in the way of getting women. Release Strategy: Wide. RATING: 2.6 Blowing hot and cold on this one – I like Kevin James but it does look a little cheesy.

JULY 15, 2011

GIRLFRIEND (Paradigm) Genre: Drama. A romantic triangle between a girl, her abusive ex and a young man with Down’s syndrome turns into a game of cat and mouse. Release Strategy: Limited. RATING: 3.0 Looks dark and sweet all at once.
HARRY POTTER AND THE DEATHLY HALLOWS PART 2 (Warner Brothers) Genre: Fantasy. The franchise comes to a conclusion here. Release Strategy: Wide (Standard, 3D and IMAX 3D). RATING: 1.0 It all comes down to this.
LIFE, ABOVE ALL (Sony Classics) Genre: Drama. A young South African girl faces fear and suspicion when members of her family die mysteriously. Release Strategy: New York City/Los Angeles. RATING: 2.3 The trailer for this didn’t shed a lot of light on the plot, which might be a good thing.
LUCKY (Phase 4) Genre: Comedy. The winner of the Iowa State Lotto is a serial killer. Release Strategy: New York City/Los Angeles. RATING: 3.2 As Artie Johnson might have said, “Verrrrry interesting…”
SALVATION BOULEVARD (IFC) Genre: Comedy Thriller. When a devout follower of a corrupt televangelist witnesses a sinful act, he goes on the run and into a series of romantic entanglements. Release Strategy: Limited. RATING: 2.2 Stunning cast, great premise and a nifty trailer make me eager to check this out.
SNOW FLOWER AND THE SECRET FAN (Fox Searchlight) Genre: Drama. Two pairs of women, separated by generations in China, struggle to maintain friendship in a world hostile to it. Release Strategy: Limited. RATING: 1.7 The latest from director Wayne Wang explores female friendship, a subject not often tackled by the movies.
TABLOID (Sundance Selects) Genre: Documentary. The 1977 “Case of the Manacled Mormon” is the subject of the latest by master documentarian Errol Morris. Release Strategy: Limited. RATING: 2.0 This one has it all – sex, scandal and comedy.
WINNIE THE POOH (Disney) Genre: Animated Feature. The creatures of the 100-Acre Wood set out to find Eeyore a tail. Release Strategy: Wide. RATING: 2.3 Anyone who doesn’t love Winnie the Pooh was never a child.

JULY 18, 2011

SINBAD THE FIFTH VOYAGE (Giant Flick) Genre: Adventure. Sinbad must travel to dangerous distant lands to rescue the sultan’s daughter. Release Strategy: Limited. RATING: 2.6 If it is as imaginative as the old Ray Harryhausen versions, this could be a winner.

JULY 20, 2011

THE WOMAN WITH THE 5 ELEPHANTS (Cinema Guild) Genre: Documentary. A look at the foremost translator of Russian literature into German who survived both Stalinist and Nazi persecution. Release Strategy: New York City only. RATING: 3.1 The trailer makes the film look awfully dry.

JULY 22, 2011

A LITTLE HELP (Freestyle) Genre: Drama. A woman whose husband dies suddenly is comforted and aided by her mother and sister – and finds herself being drawn to her sister’s husband. Release Strategy: Limited. RATING: 2.8 Sounds a bit soap opera-esque on the surface but the trailer looked pretty interesting.
ANOTHER EARTH (Fox Searchlight) Genre: Science Fiction. The discovery of a duplicate Earth sends the lives of those on this Earth into a tizzy. Release Strategy: Limited. RATING: 1.3 Looks pretty good from the trailer.
CAPTAIN AMERICA: THE FIRST AVENGER (Paramount) Genre: Superhero. A 98-lb. weakling is turned into a super-soldier by a mysterious formula. Release Strategy: Wide (Standard, 3D). RATING: 1.1 Marvel’s movies have been nearly universally high quality.
FRIENDS WITH BENEFITS (Screen Gems) Genre: Comedy. Two friends decide to add sex to their mix, with inevitable chaos. Release Strategy: Wide. RATING: 2.9 Really? I mean, really?
MYTH OF THE AMERICAN SLEEPOVER (IFC) Genre: Drama. Four teenagers on the last day of summer try to find some magic before school starts. Release Strategy: New York City/Los Angeles. RATING: 3.4 Really haven’t seen the trailer, so not sure about this one.
SARAH’S KEY (Weinstein) Genre: Drama. A journalist investigating the Holocaust in France discovers an unexpected personal connection to the story. Release Strategy: Limited. RATING: 1.9 Great cast and an interesting background story make for a must-see movie.
THE TREE (Zeitgeist) Genre: Drama. A young family copes with the death of the father while relocated in the Australian outback. Release Strategy: Limited. RATING: 2.4 Looks a little bit maudlin but the beautiful Charlotte Gainsbourg makes up for it.

JULY 27, 2011

LIFE IN A DAY (National Geographic) Genre: Documentary. The results of a worldwide solicitation of home video to document a single day on Planet Earth. Release Strategy: Wide. RATING: 3.1 An interesting concept but I’m not sure it will translate to an entertaining film.

JULY 29, 2011

ALL IN (4th Row) Genre: Documentary. The surge in popularity of poker is examined. Release Strategy: Limited. RATING: 3.5 I don’t find poker to be a particularly interesting film to watch on television; I can’t imagine an hour and a half of it in a theater.
ATTACK THE BLOCK (Screen Gems) Genre: Science Fiction. A teen gang defends a London tower block from an alien attack. Release Strategy: Limited. RATING: 2.8 Received rave reviews on the festival circuit.
COWBOYS AND ALIENS (Universal) Genre: Science Fiction Western. A gunslinger without any memory may be the key to defeating an alien invasion in the Old West. Release Strategy: Wide. RATING: 1.4 The trailers look pretty nifty.
CRAZY STUPID LOVE (Warner Brothers) Genre: Comedy. A man whose wife asked him for a divorce looks for dating advice from a lady killer friend. Release Strategy: Wide. RATING: 2.2 It’s Steve Carrell…gotta be good, right?
THE DEVIL’S DOUBLE (Lionsgate) Genre: Biographical Drama. A young Iraqi army lieutenant becomes the double of Uday Hussein, entering a world of corruption and debauchery. Release Strategy: Limited. RATING: 2.6 Looks fascinating, a real-life version of a fairy tale turned nightmare.
THE FUTURE (Roadside Attractions) Genre: Dramedy. The adoption of a kitten changes the course of time. No, really. Release Strategy: Limited. RATING: 2.8 One of the Sundance Festival’s marquee films.
GOOD NEIGHBORS (Magnolia) Genre: Crime Thriller. Apartment dwellers bond over a string of vicious murders in their community, never realizing how close to home the killer really is. Release Strategy: Limited. RATING: 3.3 This seems to me like it’s been done before.
THE GUARD (Sony Classics) Genre: Crime Comedy. A by-the-book FBI officer must team up with a diffident Irish cop to nab a vicious cocaine smuggling ring in Ireland. Release Strategy: Limited. RATING: 2.6 Teaming up Brendan Gleeson and Don Cheadle is inspired casting.
POINT BLANK (Magnolia) Genre: Action. A male nurse is forced to get a captured criminal out of police custody in the hospital in order to save his wife and unborn child. Release Strategy: New York City only. RATING: 2.4 It looks pretty intense.
THE SMURFS (Columbia) Genre: Family. An evil wizard magically transports the beloved blue-skinned figures to New York City. Release Strategy: Wide. RATING: 3.8 Has its nostalgia value and from what I can tell not much more.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Larry Crowne, Horrible Bosses, Project Nim, Zookeeper, Harry Potter and the Deathly Hallows: Part 2, Winnie the Pooh, Captain America: The First Avenger, Friends with Benefits, Cowboys and Aliens, Crazy Stupid Love

2011 Summer Movie Preview


Usually, this is where I wax poetic on the nature of summer and the joys of sunshine and lollipops, but this is different. This is serious.

Let’s be clear here. This is threatening to be the most amazing summer in the history of the movies. There are more potential $300 million box office films here than…well, ever. We’re talking sequels of blockbusters, highly anticipated franchise makers and event movies of the highest order.

The 2010 summer was disappointing to say the least. While Inception and Toy Story 3 did extremely well, there were an amazing number of flops and movies that didn’t live up to expectations both in terms of quality and box office. The year overall was disappointing in terms of box office but also in attendance. Bumps from 3D and IMAX upcharges helped the bottom line somewhat, but the audience is shrinking due in large part to competition from internet streaming and on-demand video. The first part of this year has continued that trend up to the point this was being written.

The movies will be coming at us from comic book superheroes and bestselling young adult novels. We’ll see comedies, science fiction and action movies cheek by jowl with romantic comedies, horror flicks and adventure movies.

Marvel and DC Comics will be well represented with Thor, X-Men: First Class, Captain America: The First Avenger and Green Lantern. Hollywood’s sequelitis remains strong with Hangover II, Transformers: Dark of the Moon and Final Destination 5. Remakes will abound with Conan the Barbarian and Fright Night 3D. We’ll have science fiction (Cowboys and Aliens), horror (Don’t Be Afraid of the Dark), fantasy (Harry Potter and the Deathly Hallows Part 2) and romantic comedies (Larry Crowne, Something Borrowed) up the yin yang.

We will be seeing (or hearing) such stars as Tom Hanks, Julia Roberts, Johnny Depp, Harrison Ford, Daniel Craig, Steve Carell, Kevin James, Jodie Foster, Cameron Diaz, Mel Gibson, Owen Wilson, Shia LaBeouf,  Jack Black, Colin Ferrell, Jamie Foxx, Jason Bateman and Jennifer Aniston displaying their craft either vocally (in animated features) or the old fashioned way onscreen.

So if you have Crazy Stupid Love for the movies, tell your Horrible Bosses or your Bad Teacher you’ve been Kidnapped and take a day at the multiplex. Don’t Be Afraid of the Dark while contemplating The Tree of Life. Better still tell them you’re going to Monte Carlo with The Zookeeper to capture Mr. Popper’s Penguins on Super 8 for display at the Cannes Film Festival next year. Hmmm…Maybe not; that kind of stuff is just for Beginners.

MAY

The summer season kicks off with the first big blockbusters and runs through the big Memorial Day weekend. Some of the biggest movies of the year are settled here, looking to be the first to get the big summer box office bite and get their season off to a roaring start. May has become Marvel month – nearly every year for the past several, a movie from Marvel Studios featuring one of their comic book icons has come out in May.

May 2011

THE BIG KAHUNA

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES

RELEASE DATE: May 20, 2011

STUDIO: Disney

STARRING: Johnny Depp, Penelope Cruz, Geoffrey Rush, Ian McShane, Kevin R. McNally, Judi Dench, Roger Allam, Richard Griffiths, Keith Richards, Gemma Ward

STORY: Captain Jack Sparrow has a map to the fabled Fountain of Youth. In order to get there, he will need to get through the English government, the machinations of Angelica, a woman with whom he shares a past, and the legendary Blackbeard, most feared of all the pirates.

PROSPECTS: Depp has made Sparrow an iconic figure in the 21st century and this has become one of Disney’s biggest moneymaking franchises. It has been four years since the last movie and absence generally makes the heart grow fonder.

OBSTACLES: This is the first film in the series that wasn’t directed by Gore Verbinski. The last movie was panned by critics and fans alike.

FACTOID: Depp received a letter from a schoolgirl asking him to help her start a “mutiny” in her classroom. He showed up at her school in full Jack Sparrow regalia and talked her out of it.

HANGING TEN

THOR

RELEASE DATE: May 6, 2011

STUDIO: Paramount/Marvel

STARRING: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Rene Russo, Stellan Skarsgard, Jamie Alexander, Kat Dennings, Ray Stevenson, Idris Elba, Colm Feore, Samuel L. Jackson, Adriana Barraza

STORY: Thor, the arrogant and prideful Norse God of Thunder, reignites an ancient and devastating war through his recklessness. For his lack of humility, he is cast out of Asgard by his angry father Odin, the Allfather. He is sent to live amongst the humans and there discovers not only what true heroism is but what true love is. This will be put to the test when his wicked half-brother Loki sends down a monster so heinous and so powerful that the entire world is threatened.

PROSPECTS: While Marvel fans haven’t warmed to this as much as other Marvel films, there is nonetheless anticipation building for it since Marvel first announced it nearly three years ago.

OBSTACLES: This might be the toughest sell of all the Marvel heroes to a general audience.

FACTOID: Chris Hemsworth won the role over his brother Liam.

THE HANGOVER PART II

RELEASE DATE: May 26, 2011

STUDIO: Warner Brothers

STARRING: Bradley Cooper, Ed Helms, Zach Gallifinakis, Jeffrey Tambor, Mike Tyson, Justin Bartha, Ken Jeong, Liam Neeson, Bryan Callen, Jamie Chung, Sondra Currie

STORY: The boys are celebrating the impending nuptials of Stu in Thailand. After what happened in Las Vegas, they opt for a bachelor brunch – sedate and well-planned in advance. As you can guess, it turns into an absolute disaster; best laid plans and all.

PROSPECTS: Not only was the first movie a big hit, it was also a comedy classic. This is one of the most anticipated movies of the summer, particularly by comedy fanatics.

OBSTACLES: Can they capture lightning in a bottle a second time?

FACTOID: Mel Gibson was initially to have a cameo in the movie as the tattoo artist but protests from the cast and crew put the kibosh on the idea; Cooper got his pal Neeson, with whom he worked on The A-Team, to do the part instead.

KUNG FU PANDA 2

RELEASE DATE: May 26, 2011

STUDIO: DreamWorks Animation

STARRING THE VOICES OF: Jack Black, Angelina Jolie, Dustin Hoffman, Gary Oldman, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, James Hong, Michelle Yeoh

STORY: A new villain has unearthed an unstoppable weapon that threatens to wipe out China and destroy Kung Fu forever. It is up to the Dragon Warrior – Po the Panda and his friends the Furious Five to journey across China and prevent this from happening.

PROSPECTS: Animated features, particularly the well-hyped ones as this one is, have become money-making machines for the studios. The first KFP was a major hit for DreamWorks.

OBSTACLES: I don’t know. Every kid on the planet gets grounded for the summer?

FACTOID: This is director Jennifer Yuh’s first feature-length direction effort. She previously worked as a story artist on the first Kung Fu Panda as well as other animated films.

ROGUE WAVE

THE TREE OF LIFE

RELEASE DATE: May 27, 2011

STUDIO: Fox Searchlight

STARRING: Brad Pitt, Sean Penn, Jessica Chastain, Joanna Going, Fiona Shaw, Crystal Mantecon, Tamara Jolaine, Hunter McCracken, Dustin Allen

STORY: The life of a Midwestern family from the 1950s through modern times is centered on the relationship between eldest son Jack and his sometimes mercurial father.

PROSPECTS: The trailer showed some stunning imagery that has elements of fantasy and science fiction in the mix. Star power of Pitt and Penn doesn’t hurt.  

OBSTACLES: Director Terrence Malick can be an acquired taste. The trailer also reminded me of The Fountain whose box office fate was not a good one.

FACTOID: Originally, Heath Ledger was cast in the role eventually played by Brad Pitt, but passed away before shooting started.

SURF’S UP

May 6, 2011

MOTHER’S DAY (Gigapix) occurs when a sadistic mom and her two bank robbing sons take over a birthday party held at their former home inhabited by new residents who took over when it was foreclosed upon. SOMETHING BORROWED (Warner Brothers) stars Ginnifer Goodwin as a maid-of-honor whose best friend is marrying her old flame. However, after a night of drinking and partying, the maid of honor sleeps with the groom…which is a serious breach of etiquette I do believe. Kate Hudson and John Krasinski also star. JUMPING THE BROOM (TriStar) is an ensemble romantic comedy in which two families from opposing economic backgrounds clash at a wedding between the two families. In the cast is Angela Bassett, Mike Epps, Paula Patton, Gary Dourdan and Loretta Devine.

May 13, 2011

BRIDESMAIDS (Universal) stars Kristen Wiig as a maid-of-honor to her best friend who must navigate the challenging waters of modern matrimony with a gaggle of often contentious and occasionally unusual bridesmaids to lend support or otherwise. Fellow SNL veteran Maya Rudolph co-stars in this Judd Apatow-produced comedy. THE FIRST GRADER (BBC Films) is based on a true story about an 84-year-old man in Kenya who decides to take advantage of a free education the new government is offering. This sparks outcry in the community despite the fact he fought for Kenya’s liberation and was incarcerated in a prison camp because of it. This is playing in limited release only. PRIEST (Screen Gems) envisions a future where men have triumphed over vampires thanks to the Church and her Warrior Priests. When one discovers a new vampire army is being amassed, he must fight not only them but the Church itself to save his niece. Paul Bettany, Karl Urban and Christopher Plummer star.

May 20, 2011

THE LION OF JUDAH (Animated Family Films) is a Christian animated feature about a stable full of barnyard animals who seek the King who was born in that very stable thirty years previously to intercede on behalf of a lamb who is to be sacrificed at the village festival..

HOW THEY DID LAST YEAR

A look back at how last year’s previewed movies did at the box office. The budgets and box office numbers are courtesy of Box Office Mojo. My verdicts are based on the typical studio formula that for a movie to break even it must make twice its production budget; any movie that achieves that will be labeled as profitable. I define hit movies as those that make three times the production budget and blockbusters as anything that makes $200 million in domestic box office or more, or made five times the production budget with a minimum of $100 million in domestic box office. The first four movies listed are the four main previewed items; I’ve also chosen a selection of other major releases that made the preview issue as well.

IRON MAN 2 (Paramount) Budget: $200 Million. Domestic Gross: $312.4M Total: $622.2M Verdict: Blockbuster.

SHREK FOREVER AFTER (DreamWorks) Budget: $165M. Domestic Gross: $238.7M Total: $752.6M Verdict: Blockbuster.

PRINCE OF PERSIA: SANDS OF TIME (Disney) Budget: $200M. Domestic Gross: $90.8M Total: $335.2M Verdict: Flop.

BABIES (Focus) Budget: N/A. Domestic Gross: $7.3M Total: $9.5M Verdict: Broke Even.

ROBIN HOOD (Universal) Budget: $200M. Domestic Gross: $105.3M Total: $321.7M Verdict: Flop.

SEX AND THE CITY 2 (New Line) Budget: $100M. Domestic Gross: $94.4M Total: $288.4M Verdict: Made Money.

MACGRUBER (Universal) Budget: $10M. Domestic Gross: $8.5M Total: $9.3M Verdict: Flop.

LETTERS TO JULIET (Summit) Budget: $30M. Domestic Gross: $53.0M Total: $79.2M Verdict: Made Money.

JUST WRIGHT (Fox Searchlight) Budget: N/A. Domestic Gross: $21.5M Total: $21.6 Verdict: Made Money.

JUNE

June doesn’t always have the big super blockbusters that the months preceding and following do, but this is the month Pixar traditionally releases their annual movie and this year once again is no exception. With most kids getting out of school at this point, family films become more plentiful this month – a trend that will continue up through Labor Day.

June 2011

THE BIG KAHUNA

GREEN LANTERN

RELEASE DATE: June 17, 2011

STUDIO: Warner Brothers

STARRING: Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong, Angela Bassett, Tim Robbins, Temuera Morrison, Geoffrey Rush, Michael Clarke Duncan, Jon Tenney, Jay O. Sanders

STORY: A brash test pilot is given immeasurable power from a cosmic ring wielded by a force of knights dedicated to protecting the universe.

PROSPECTS: The buzz has been huge on this ever since it was announced. With new Batman and Superman films in the wing for 2012, this is the movie that the suits at DC are hoping will propel their properties into motion picture profitability much as Marvel has become a box office draw.

OBSTACLES: The cosmic setting for the Green Lantern is not unlike that of Thor which opens a month earlier. GL is less known than properties like Wonder Woman and The Flash and the lack of familiarity for non-comic book fans might hurt it at the box office.

FACTOID: The screenwriters were inspired by the comic book arc “Emerald Dawn” which explained the origins of Hal Jordan as Green Lantern in greater detail than was done in the comics previously.

HANG TEN

CARS 2

RELEASE DATE: June 24, 2011

STUDIO: Disney*Pixar

STARRING THE VOICES OF: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Jason Isaacs, Vanessa Redgrave, John Ratzenberger

STORY: As Lightning McQueen is participating in the prestigious World Grand Prix, Mater is getting haplessly involved in a spy plot.

PROSPECTS: C’mon, it’s Pixar. They could probably make an entertaining movie out of “Pilgrim’s Progress.”

OBSTACLES: Most of the inhabitants of Radiator Springs from the original are gone, including the late Paul Newman who in many ways was the soul of the first movie..

FACTOID: This will be the first John Lasseter-directed Pixar film not to have a score by Randy Newman.

SUPER 8

RELEASE DATE: June 10, 2011

STUDIO: Paramount

STARRING: Kyle Chandler, Elle Fanning, Joel Courtney, Noah Emmerich, Ron Eldard, Zach Mills, Ryan Lee, Gabriel Basso, Riley Griffiths

STORY: Young amateur filmmakers capture a train wreck near their Ohio home in 1979 and soon realize that something far more sinister may be afoot.

PROSPECTS: Steven Spielberg and J.J. Abrams together? Think of E.T. meets Cloverdale and if that’s indeed an accurate summary this could be the biggest non-surprise surprise hit of the summer.

OBSTACLES: There are some derivative elements in the plot summaries I’ve seen.

FACTOID: This was the first Summer 2011 to get a teaser trailer, shown way back in the summer of 2010.

X-MEN: FIRST CLASS

RELEASE DATE: June 3, 2011

STUDIO: 20th Century Fox

STARRING: James McAvoy, Michael Fassbender, Rose Byrne, January Jones, Kevin Bacon, Jennifer Lawrence, Nicholas Hoult, Oliver Platt, Jason Flemyng, Zoe Kravitz

STORY: The origins of the Xavier School are explored and the story of how Charles Xavier (Professor X) and Eric Lensherr (Magneto) went from being close friends to mortal enemies.

PROSPECTS: An all-new X-Men with an all-new cast and director Matthew Vaughn at the helm. While the buzz here isn’t as intense as it is with some of the other superhero films, the trailer did get some fanboy praise. Fox is betting that fans will connect with the younger actors in the X-Men roles.

OBSTACLES: The last film in the series was excoriated by fans, critics and box office alike although the Wolverine stand-alone did enough business to warrant a sequel.

FACTOID: Bryan Singer, who was on board the first two X-Men films, returns to the franchise as a producer.

ROGUE WAVE

A BETTER LIFE

RELEASE DATE: June 24, 2011

STUDIO: Summit

STARRING: Demian Bechir, Jose Julian, Dolores Heredia, Joaquin Cosio, Carlos Linares, Nancy Lenehan, Isabella Rae Thomas

STORY: A father tries to provide opportunities for his son that he himself never had, while attempting to keep him away from immigration officials and East L.A. gangs.

PROSPECTS: The trailer looks very stark and gritty; this could be one of those sleeper films that makes a splash come awards season.

OBSTACLES: No stars and a mostly Hispanic cast are going to be tough sells for theater owners who have blockbuster summer releases taking up screens.

FACTOID: Director Chris Weitz previously directed About a Boy and Twilight: New Moon.

SURF’S UP

June 3, 2011

BEGINNERS (Focus) stars Ewan McGregor as a man who has never been able to commit to a relationship finally finding one worth committing to – which brings up memories of his late father (Christopher Plummer) who after his wife of 44 years passed away, came out of the closet to lead a fulfilled life. Better late than never. SUBMARINE (Weinstein) is an off-beat coming-of-age film in limited release that wowed audiences at Sundance earlier this year. A teen yearns to lose his virginity and get his parents crumbling marriage back in order, two tall orders indeed.

June 10, 2011

JUDY MOODY AND THE NOT BUMMER SUMMER (Relativity) is based on the children’s book series and features a bored young girl who enlists her feisty Aunt Opal into helping her have the best summer vacation ever. TROLL HUNTER (Magnet) is a movie I saw at the Florida Film Festival (see review here) that has elements of The Blair Witch Project with a sense of whimsy as a group of student filmmakers follow a government-sanctioned hunter who is authorized to keep trolls from leaving their designated areas in the wild.

June 15, 2011

KIDNAPPED (IFC) shows a family’s bickering in their new condo shattered by the arrival of three masked men demanding their valuables and that they empty their bank accounts. Although this is listed as a wide release, chances are it will only see a limited distribution.

June 17, 2011

MR. POPPER’S PENGUINS (20th Century Fox) is based on a classic children’s book about a man who dreams of exploring the Arctic writing actual explorers, one of whom impulsively sends him a penguin. Once the penguin turns out to be a pregnant she and gives birth to a dozen beaked birds, Mr. Popper determines to train them to dance and take them out on the road as performing animals.

June 24, 2011

BAD TEACHER (Columbia) stars Cameron Diaz as a less-than-enthusiastic teacher who wants to find a rich husband. When the opportunity presents itself, she will stop at nothing to get what she wants – including actually teaching her students. CONAN O’BRIEN CAN’T STOP (Abramorama) chronicles the time just after the late night talk show host parted ways with NBC and took his act on the road, which turned out to be as cathartic for him as it was entertaining for his audiences.

HOW THEY DID LAST YEAR

TOY STORY 3 (Disney*Pixar) Budget: $200 Million. Domestic Gross: $415.0M Total: $1.1B Verdict: Blockbuster.

KNIGHT AND DAY (20th Century Fox) Budget: $117M. Domestic Gross: $76.4M Total: $261.9M Verdict: Made Money.

THE TWILIGHT SAGA: ECLIPSE (Summit) Budget: $68M. Domestic Gross: $300.5M Total: $698.5M Verdict: Blockbuster.

JONAH HEX (Warner Brothers) Budget: $47M. Domestic Gross: $10.6M Total: $10.9 Verdict: Flop.

GET HIM TO THE GREEK (Universal) Budget: $40M. Domestic Gross: $61.0M Total: $91.4 Verdict: Made Money. 

THE KARATE KID (Columbia) Budget: $40M. Domestic Gross: $13.9M Total: $359.1 Verdict: Blockbuster.

GROWN UPS (Columbia) Budget: $80M. Domestic Gross: $162.0M Total: $271.4M Verdict: Hit.

MARMADUKE (20th Century Fox) Budget: $50M. Domestic Gross: $33.6M Total: $83.8M Verdict: Blockbuster.

WINTER’S BONE (Roadside Attractions) Budget: $2M. Domestic Gross: $6.5M Total: $12.5M Verdict: Hit.

JULY

With the Independence Day holiday weekend kicking off the month, July is almost always one of the most anticipated months of the studio schedule. Smack dab in the middle of the summer, the schedule this month is normally packed with some of the year’s most anticipated movies and this year that trend will most certainly continue, as you can see below.

July 2011

THE BIG KAHUNA

HARRY POTTER AND THE DEATHLY HALLOWS PART 2

RELEASE DATE: July 15, 2011

STUDIO: Warner Brothers

STARRING: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Ralph Fiennes, Robbie Coltrane, Tom Felton, Alan Rickman, Michael Gambon, Jason Isaacs, David Thewlis, Julie Walters

STORY: The confrontation between Lord Voldemort and Harry finally occurs and the Wizarding World will never be the same. Heroes will rise…and heroes will fall.

PROSPECTS: It is inconceivable that this won’t blow effortlessly past the $300M mark. It is the last entry in a franchise that has spanned ten years and eight films; many have grown up with these characters, making this one of the summer’s definite must-sees.

OBSTACLES: There aren’t many, but the first part of the movie was dark and depressing; some might be discouraged from seeing the second.  

FACTOID: Most of the events of this movie including the climactic battle scene take place over the course of a single day.

HANG TEN

TRANSFORMERS: DARK OF THE MOON

RELEASE DATE: July 1, 2011

STUDIO: DreamWorks

STARRING: Shia LaBeouf, Josh Duhamel, Tyrese Gibson, Rosie Huntington-Whiteley, Kevin Dunn, Julie White, Frances McDormand, John Malkovich, Ken Jeong, John Turturro, Leonard Nimoy, Alan Tudyk, Patrick Dempsey

STORY: The Space Race of the 1960s turns out to have been motivated by the discovery of Transformers technology on the moon.  

PROSPECTS: The first two Transformer movies have generated well over a billion dollars in domestic box office alone. The fanboy base for these movies is still hella strong.

OBSTACLES: The last movie was roundly panned by critics and fans alike.

FACTOID: Gabriela Cedillo, an extra on the set during filming in Chicago, was critically injured when rigging from a snapped cable crashed through the windshield of the car she was driving and struck her in the head. The studio made arrangements to pay for her medical care.

COWBOYS AND ALIENS

RELEASE DATE: July 29, 2011

STUDIO: Universal

STARRING: Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Adam Beach, Paul Dano, Keith Carradine, Noah Ringer, Clancy Brown, Ana de la Reguera, Abigail Spencer

STORY: A mysterious stranger with no memory of his past and a strange shackle on his wrist may hold the key to survival for a town in the 19th century Arizona territory that is being attacked by aliens from outer space – which may be the key to understanding why they are so distrustful of foreigners.

PROSPECTS: A terrific trailer has started Internet buzz circulating, and the cast is a winner. Who wouldn’t want to see James Bond and Indiana Jones in the Old West facing down aliens?

OBSTACLES: The title inspired guffaws often when I saw the trailer at the multiplex. Despite a big time behind-the-scenes talent list (director Jon Favreau, producers Steven Spielberg, Ron Howard and Brian Grazer, writers Roberto Orci, Alex Kurtzmann and Damon Lindelof) the property is still based on a fairly obscure graphic novel.

FACTOID: This is the second time Harrison Ford has played opposite James Bond – the first was Indiana Jones and the Last Crusade with Sean Connery in 1989.

CAPTAIN AMERICA: THE FIRST AVENGER

RELEASE DATE: July 22, 2011

STUDIO: Paramount/Marvel

STARRING: Chris Evans, Hayley Atwell, Hugo Weaving, Tommy Lee Jones, Samuel L. Jackson, Stanley Tucci, Sebastian Stan, Toby Jones, Neil McDonough, Dominic Cooper, Richard Armitage, Derek Luke

STORY: Steve Rogers, the original 97-lb weakling, volunteers for the Army at the beginning of World War II only to be rejected and humiliated. Undeterred he volunteers for a secret government project to create a super soldier, one who will lead the Americans to victory over the Nazis  – unaware the Third Reich has a super soldier of their own.

PROSPECTS: A very nice looking trailer places the Marvel Universe in a location they haven’t been to heretofore – at war. Director Joe Johnston has been successful with period comic book fare before (see The Rocketeer).

OBSTACLES: Cap as a superhero is a little bit on the bland side, much like Superman. It will be interesting to see how the filmmakers come up with a way of making him less of a recruiting poster and more relatable to audiences.

FACTOID: This will be the fifth movie based on a comic book for Chris Evans, including both Fantastic Four movies, Scott Pilgrim vs. the World and The Losers.

ROGUE WAVE

HORRIBLE BOSSES

RELEASE DATE: July 8, 2011

STUDIO: New Line

STARRING: Jason Bateman, Colin Farrell, Jennifer Aniston, Jason Sudeikis, Kevin Spacey, Jamie Foxx, Donald Sutherland, Julie Bowen, Charlie Day

STORY: Three friends with overbearing bosses who are unable to quit their jobs and must simply take the abuse concoct a plan with the help of a fast-talking con man to rid themselves of their nemeses permanently. The problem with the best-laid plans is that they’re only as good as the minds dreaming them up.

PROSPECTS: A hysterical trailer and the buzz going around is that this might be as good if not better as The Hangover. This could well be the type of role that will do the same for Bateman as The Hangover did for Bradley Cooper.

OBSTACLES: It’s flying underneath the radar to a very large degree. In an economic climate where so many are unemployed, there might be some push back for a comedy about people who hate their jobs.

FACTOID: Director Seth Gordon is best known for his documentary The King of Kong: A Fistful of Quarters.

SURF’S UP

July 1, 2011

LARRY CROWNE (Universal) is about a man who is downsized and decides to attend the local community college to fill up some time. Joining a cast of eclectic oddballs (doesn’t this sound suspiciously like a network TV show?) he finds the last thing he expected to – love. With Tom Hanks and Julia Roberts starring, this is probably a slam dunk too. MONTE CARLO (20th Century Fox) finds four high school grads in a case of mistaken identity while on a graduation trip to Paris being given the opportunity to live the high life. I’m just surprised this didn’t make it to ABC Family.

July 8, 2011

ZOOKEEPER (Columbia) stars Kevin James as a zookeeper much beloved by his animals and who has absolutely no luck with the ladies, so he decides to leave the zoo for a more glamorous job. The animals decide to take matters into their own hands…er, paws.

July 15, 2011

WINNIE THE POOH (Disney) returns Pooh and his friends in the Hundred Acre Wood into a traditional animated style as they try to find Eeyore a new tail. It looks awfully charming and it would certainly be a shame if it got lost amid all the high-profile releases of the summer.

July 22, 2011

In FRIENDS WITH BENEFITS (Screen Gems) two people running from bad relationships decide to make it purely physical despite an obvious attraction to one another. Mila Kunis and Justin Timberlake star. ANOTHER EARTH (Fox Searchlight) posits the discovery of a second Earth where all of us have doppelgangers. On this Earth, a young physics student and a well-known composer are bound by a terrible tragedy. This Sundance favorite is due for limited release.

July 24, 2011

LIFE IN ONE DAY (National Geographic) is the results of a call for ordinary people to submit videos of what was going on in their lives and around the world on a specific day – July 24, 2010. Oscar-winning documentarian Kevin Macdonald assembled the footage.

July 29, 2011

CRAZY STUPID LOVE (Warner Brothers) stars Steve Carrell as a 40ish husband and father whose good life disintegrates when his wife asks for a divorce and cheats on him. A friend of his, a playa in the prime of his career, takes him on as a wingman and protégé, leading to unexpected results. THE SMURFS (Columbia) brings the blue-skinned Belgian creatures (who always reminded me of the Keebler Elves) to the big screen as an evil wizard chases them out of their village and into Central Park in New York. This live-action/animated hybrid is being filmed in 3D, yet another reason for you to have nightmares about little blue things lurking in the dark.

HOW THEY DID LAST YEAR

INCEPTION (Warner Brothers) Budget: $160 Million. Domestic Gross: $292.6M Total: $825.5M Verdict: Blockbuster.

DESPICABLE ME (Universal) Budget: $69M. Domestic Gross: $251.5M Total: $543.1M Verdict: Blockbuster.

THE SORCEROR’S APPRENTICE (Disney) Budget: $150M. Domestic Gross: $63.2M Total: $215.3M Verdict: Flop.

CYRUS (Fox Searchlight) Budget: $7M. Domestic Gross: $7.5M Total: $9.9M Verdict: Flop.

SALT (Columbia) Budget: $110M. Domestic Gross: $118.3M Total: $293.5M Verdict: Made Money.

PREDATORS (20th Century Fox) Budget: $40M. Domestic Gross: $52.0M Total: $127.2M Verdict: Hit.

DINNER FOR SCHMUCKS (Paramount) Budget: $99M. Domestic Gross: $73.0M Total: $86.4M Verdict: Flop.

CATS AND DOGS: THE REVENGE OF KITTY GALORE (Warner Brothers) Budget: $85M Domestic Gross: $43.6M Total: $112.5M Verdict: Flop.

THE LAST AIRBENDER (Paramount) Budget: $150M Domestic Gross: $131.8M Total: $319.7M Verdict: Broke Even.

AUGUST

The last month of the summer season tapers off as the heat keeps people at the beach or indoors, but there is almost one or two last gasp blockbusters. Horror movies seem to do really well this month, as the final days of summer are replete with leftover blockbusters from the months before and less hyped movies hoping to sneak up on audiences and win the reward of box office gold.

August 2011

THE BIG KAHUNA

RISE OF THE PLANET OF THE APES

RELEASE DATE: August 5, 2011

STUDIO: 20th Century Fox

STARRING: James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton, David Oyelowo, Andy Serkis, Tyler Labine, Leah Gibson

STORY: Scientists searching for a cure for Alzheimer’s instead discover their formula mutates the ape test subjects, granting them intelligence.

PROSPECTS: The last film in the series made $360M worldwide, so there is certainly an audience out there.

OBSTACLES: This film is minus Tim Burton, Mark Wahlberg or any real name star, although Franco has a certain amount of name value following his Oscar nomination this year.

FACTOID: Originally conceived as a sequel to Planet of the Apes (2001) but when director Tim Burton and star Mark Wahlberg passed, the studio decided to reboot the franchise and lay the foundation for future sequels.

HANG TEN

CONAN THE BARBARIAN

RELEASE DATE: August 19, 2011

STUDIO: Lionsgate

STARRING: Jason Momoa, Rachel Nichols, Stephen Lang, Rose McGowan, Ron Perlman, Said Taghmaoui, Leo Howard, Steve O’Donnell, Bob Sapp

STORY: A barbarian from the lost tribes of Cimmeria must save all of Hyboria from a supernatural evil, fighting evil wizards, fearsome monsters and fierce warriors along the way.

PROSPECTS: Director Marcus Nispel has had some B-movie successes. This is the franchise that established Arnold Schwarzenegger as an action star 30 years ago.

OBSTACLES: The works of Robert E. Howard haven’t really had a great deal of box office success to date. Momoa is as unknown as Schwarzenegger was but is he as good?

FACTOID: Perlman, who plays Conan’s father, previously voiced the barbarian in videogames and direct-to-video animated features.

FRIGHT NIGHT

RELEASE DATE: August 19, 2011

STUDIO: DreamWorks

STARRING: Anton Yelchin, Colin Ferrell, Christopher Mintz-Plasse, Toni Collette, Imogen Poots, David Tennant, Dave Franco, Reid Ewing

STORY: A high school senior discovers that his next door neighbor is a vampire – and nobody will believe him, even when people begin disappearing.

PROSPECTS: A remake of a seminal 80s horror flick that featured Chris Sarandon and Roddy McDowell, an updated version might sell.

OBSTACLES: Not many remember the original, and the market is overcrowded with vampire movies that aren’t making money if they aren’t named Twilight.

FACTOID: Marti Noxon, who wrote many of the “Buffy the Vampire Slayer” episodes, wrote the screenplay.

FINAL DESTINATION 5

RELEASE DATE: August 12, 2011

STUDIO: New Line

STARRING: Emma Bell, Nicholas D’Agosto, Miles Fisher, Arlen Escarpeta, Jacqueline MacInnes-Woods, P.J. Byrne, Ellen Wroe, David Koechner, Courtney B. Vance, Tony Todd

STORY: A young man has a premonition that a disaster is going to occur and manages to save some of his friends when it actually happens. But then death stalks them and takes them in complicated ways…yes, it’s the same damn movie!

PROSPECTS: Why mess with success?

OBSTACLES: Aren’t we tired of this yet?

FACTOID: Todd returns to the franchise after missing the last installment.

ROGUE WAVE

APOLLO 18

RELEASE DATE: August 26, 2011

STUDIO: Dimension

STARRING: Cast unavailable

STORY: The scrubbed moon landing actually took place and here is the found footage to prove it – and also the reason we never went back to the moon.

PROSPECTS: The concept is very compelling; the director of Wanted produced this.

OBSTACLES: The found footage sub-genre might be running out of steam. Also this has been bounced around the release schedule by Weinstein, never a good sign (although Weinstein is notorious for doing this, even with their best films).  

FACTOID: The astronauts who were scheduled to be on the actual Apollo 18 were Richard F. Gordon Jr., Vance D. Brand and Harrison Schmitt, who was eventually moved up to the Apollo 17 mission, the last manned landing on the moon as of now.

SURF’S UP

August 5, 2011

In THE CHANGE UP (Universal) a steady family man and an irresponsible single man change bodies as they wish they had each other’s lives. They’re about to find out why they wish they didn’t. Jason Bateman and Ryan Reynolds star. DIRTY GIRL (Weinstein) stars Juno Temple as a girl who gets into trouble in her high school and is sent to a remedial class, where she embarks on an extraordinary friendship that will help her define who she really is.

August 12, 2011

30 MINUTES OR LESS (Columbia) features Jesse Eisenberg as a pizza delivery boy who has a bomb strapped to his chest by a vicious criminal and must rob a bank within 30 minutes or the bomb will go off. Did I mention that Danny McBride plays the vicious criminal? Yeah, it’s a comedy. THE HELP (Disney) is based on a New York Times bestseller and stars Emma Stone as a would-be journalist in the Mississippi of the 1960s who decides to write a piece on the African-American maids in the area, igniting a controversy and helping a town discover its soul.

August 19, 2011

SPY KIDS 4: ALL THE TIME IN THE WORLD (Dimension) introduces some new Spy Kids, this time with their unwanted stepmother (Jessica Alba) as the spy. With a maniacal would-be megalomaniac trying to rule the world through the control of time on the loose, you can bet it will be the kids who once again save the day. Sigh. ONE DAY (Focus), opening in limited release, stars Anne Hathaway and Jim Sturgess as two friends who meet every July 15th for more than two decades as we watch their friendship ebb, flow and change over the years, seeing the world change and them with it – until they realize the love they’re both searching for is right in front of their eyes.

August 26, 2011

DON’T BE AFRAID OF THE DARK (FilmDistrict) is a remake of a 1973 horror film in which a young girl moves into a mysterious mansion only to find that there are creatures already inhabiting the house – and they aren’t very nice or very friendly. OUR IDIOT BROTHER (Weinstein) stars Zooey Deschanel, Emily Mortimer and Elizabeth Banks as a trio of sisters who are constantly exasperated by their un-ambitious brother (Paul Rudd) whose honesty plays havoc with his relationships – and theirs.

August 31, 2011

THE DEBT (Focus) is a taut thriller about a trio of retired Mossad agents whose mission to capture a Nazi war criminal in 1966 may not have been as successful as others were led to believe – and who must now deal with the consequences of that mission.  

HOW THEY DID LAST YEAR

SCOTT PILGRIM VS. THE WORLD (Universal) Budget: $60M. Domestic Gross: $31.5M Total: $47.7M Verdict: Flop.

THE OTHER GUYS (Columbia) Budget: $100M. Domestic Gross: $119.2M Total: $170.4M Verdict: Flop.

THE EXPENDABLES (Lionsgate) Budget: $80M. Domestic Gross: $103.1M Total: $274.5M Verdict: Hit.

NANNY MCPHEE RETURNS (Universal) Budget: $35M. Domestic Gross: $29.1M Total: $93.3M Verdict: Made Money.

EAT PRAY LOVE (Columbia) Budget: $60M. Domestic Gross: $80.6M Total: $204.6M Verdict: Hit.

THE LAST EXORCISM (Lionsgate) Budget: $1.8M. Domestic Gross: $41.0M Total: $67.7M Verdict: Blockbuster.

PIRANHA 3D (Dimension) Budget: $24M. Domestic Gross: $25.0M Total: $83.2M Verdict: Hit.

THE SWITCH (Miramax) Budget: $19M. Domestic Gross: $27.8M Total: $49.8M Verdict: Made Money.

GOINGTHE DISTANCE (New Line) Budget: $32M. Domestic Gross: $17.8M Total: $42.1M Verdict: Flop.

Excited? I know I am…there is a highly anticipated movie nearly every week this summer, and sometimes more than one, each one hoping you’ll buy a ticket and ensure more sequels for summers to come. There are whispers that Summer 2012 may even outdo this year – we’ll have to wait and see what takes shape. However, the Fall and Holiday season is going to be no slouch either – with new installments in the Twilight and Paranormal Activity series, sequels to Sherlock Holmes, Happy Feet and Mission: Impossible, a spin-off in the Shrek universe starring one of the most beloved characters in that franchise and not one but two Spielberg films, it’s going to be a busy season at the box office then as well. You can catch a more detailed preview at the end of August. In the meantime, the air-conditioned comfort of the multiplex beckons – so what are you waiting for? Buy your ticket, hit the concession stand for an ice cold soda and hot buttered popcorn, settle back in your stadium seat and let this summer’s blockbusters take you out of your world and into a place of pure magic.